Free Holiday Promotional Opportunity for Authors (Read Tuesday Sale)

Check out my Read Tuesday post at the Story Reading Ape’s world-famous blog.

The Indie Advantage

Genre Pics

SELF-PUBLISHING BENEFITS

In many ways, self-published authors have an advantage.

The benefits of self-publishing are there for the taking. Not everyone is taking them. And just because they are there, it doesn’t mean they can be taken without much effort.

If you elect to self-publish, you need to understand the benefits—and the drawbacks—in order to take full advantage of what it has to offer.

BUZZ BUZZ

The success of many traditionally published books hinges upon building great buzz and launching the book with a bang. This may entail going on book tours, sending out advance review copies, paid advertisements, stimulating pre-order sales, book signings, readings, or book launch parties, for example. The buzz-building promotional plan itself goes beyond just getting early sales momentum: It can affect bookstore and library orders (and placement within the stores), coverage in high-profile reviews, and prospects for high-profile appearances. Traditional publishers print thousands of copies up front, so success depends strongly on selling printed copies quickly.

Indie authors tend to publish print-on-demand paperbacks and e-books, neither of which requires predicting how many books will sell and investing a large sum of money to meet this expectation. Thus, success doesn’t necessarily hinge upon generating a great many sales early on.

Rather, an indie author’s best chance of success is to adopt a long-term publishing and marketing strategy.

It’s okay to implement some of the strategies that traditionally published authors employ to help build buzz. In fact, generating many early sales helps to give a book more exposure and accelerate word-of-mouth recommendations. It’s just not as critical to indie authors. Some of these strategies—especially, paid advertisements—tend to be more effective for indie authors after they’ve established a fan base and delivered several quality books to the market.

BUILD ROME

But don’t try to build it in one day. Think long-term.

When you finish your first book, focus on writing more quality books. Get started with marketing and test out various strategies to start building a following and gain valuable experience, but put most of your time into producing quality content. Directing traffic to a blog or Facebook author page and including a sign-up for an occasional email newsletter can pay great dividends years down the line. In the beginning, you just need some basic blog or author page to accumulate likes and follows, or a basic occasional email newsletter to build a valuable database. You also want to establish helpful connections with other authors, editors, designers, etc., and you want to learn more about formatting, publishing, and marketing.

As you publish more books, you want to grow your author platform and your marketing, and you want to draw increasing benefit from your growing fan base. By posting regular content to your blog that would draw in your target audience, what begins as a simple blog can slowly transform into a content-rich website. One of the most meaningful blog stats is the number of daily visitors coming from search engines. If your blog draws in search engine traffic and you can increase the frequency of this traffic over time, your content-rich website has much potential to become a highly effective marketing tool.

Once you’ve built a following—especially, one that consists largely of actual fans—you have great prospects for launching your future books with buzz. Things can start out very slow, but they can also accelerate greatly at some magical point. Your author platform can reach a point where you suddenly look more professional and more popular. Word-of-mouth sales can reach a point where you draw in regular sales just from this—and these kinds of sales can offset bad reviews and other issues that are beyond your control.

But the keys are to deliver quality content to the market and to present it with packaging that appeals to your target audience. You’re not going to get those valuable word-of-mouth sales without the former, and you’ll lose out on many sales to new customers who discover your books without the latter.

CONTROL

When self-publishing, authors have full control over their work. This gives the author great freedom—sometimes, perhaps, it’s too much freedom. The choices we make when we self-publish—and there are many: cover design, editing, style, looking things up when unsure, researching conventions, choosing to go against the conventions, and many more—can have a significant impact on sales.

Go ahead and do whatever you want. Doesn’t mean that you’ll find readers who want what you wanted to do.

You must balance freedom of design with how many readers you’d like to attract.

Many self-published authors feel, “I don’t mind sacrificing my readership to do what I prefer,” yet may change their mind when they see how few readers they have. (Could be zero!)

It pays to get feedback, especially an assortment of brutally honest opinions from the target audience. Most authors are reluctant to do this, and either wind up publishing material that could have better attracted and pleased an audience, or finally get this valuable feedback in customer reviews (sometimes, it would have been nice to learn this before publishing).

In the traditional route, you get feedback from agents and editors. At least you have an editor or agent who believes that your work has enough of a shot that it’s worth investing in. So, if nothing else, you have some direction. Then you may also get an editor (or team) to help with some of the decisions. The publisher may take the cover design decision off your hands completely.

One problem with self-publishing is that you can do it without any feedback of any kind. Don’t like to socialize? Well, no feedback seems appealing. But this is one of the biggest pitfalls. It’s a trap, as it lures you to do the wrong thing. Seek feedback. You need it more than you realize.

In the end, you can’t please everyone and you will need to make several publishing decisions. But make an informed decision; don’t go it alone.

QUICK TO MARKET

There are scarcely any production delays when self-publishing. This is most advantageous when publishing time-sensitive material, such as a current event or nonfiction information that relates to a new trend.

If you’re not benefiting from one of these situations, there is no reason to rush.

But most self-published authors do rush.

This sacrifices quality, editing, formatting, feedback, and even content or storyline.

The author might feel that it’s good enough.

But the reader who paid money and invested many hours in the book may feel that it should have been better.

The same author wants a good review. The same author wants customers to recommend the book to others. So why rush the book to market when a little more work would give the book its best chances of success?

Don’t settle. Unless you only want to attract readers willing to settle. There are millions of books to choose from if you’re a reader willing to settle for less. Give readers a reason to choose yours.

Well, one way that delivering content quickly to the market can help all authors is by publishing several similar books, which often helps with marketing. But don’t rush it. Quality content makes the difference.

CARVE A NICHE

You don’t have to write for mass appeal to self-publish successfully.

You can cater to a smaller audience. You can try out something new.

You’re not restricted to what an agent or publisher believes will have enough appeal.

But that doesn’t mean that you’ll instantly attract a niche audience.

While you can write what you want, there won’t necessarily be a market for it. So it pays to get feedback.

If there is a niche audience for your book, this audience won’t necessarily find your book. So you need to learn how to market to a niche audience, or to build your own audience.

It is possible to write to and attract a niche audience. The trick is to learn how to do this effectively so that you can take advantage of this opportunity.

NOT ALONE

It’s only self-publishing if you insist on the word “self.”

It’s really indie publishing, meaning independent.

What’s the difference? The difference is that you can indie publish and get as much help as you’d like along the way.

There are tons of free resources (even here on my blog, but if you need more, just try Google).

You can ask questions when you want help or advice, and it’s amazing how often good tips and suggestions are given. Try asking on the KDP or CreateSpace community forums.

There is a helpful, interactive community of indie authors. For example, look no farther than WordPress. There are many helpful publishing and marketing posts here, where authors often reveal valuable tips, and most are happy to provide help in the comments section.

Sometimes you need actual help, rather than advice. If you shop around wisely, you can find an affordable yet quality proofreader or cover designer, for example.

Get advice and help as you need it.

You’re in charge. That gives you great freedom. You also have a responsibility to your readers (who can easily choose not to buy your book if it doesn’t meet their standards).

PRICE

Another thing that you control is price, and by choosing the price you also control your own royalty.

Since traditional publishers’ prices aren’t coming down noticeably, you have the opportunity to give readers an affordable alternative—a reason to save money and take a chance on an unknown, self-published author instead of going with a popular, traditionally published author.

But you don’t need to dive for the bottom, either. Many customers feel that you get what you pay for and so shop in the $3.99 to $5.99 price range for Kindle books or $9.99 to $19.99 for many print books. Of course, it depends on the quantity and quality of the content, and also varies by genre or subject.

You have the freedom to experiment with price, if you don’t feel sure about the best choice.

You also have the opportunity to create a short-term promotional price. But one thing you may learn is that price doesn’t sell books. Price can be helpful for marketing when you advertise a short-term promotion. Free and low-cost advertising tend to be most effective for books, and there are many free ways to gain exposure.

MARKETING

Many self-published authors who are thriving in the new age of publishing are doing so through effective marketing.

Numerous self-published books aren’t selling at all because of no or poor marketing. Realize that even the cover, blurb, and Look Inside are part of the marketing.

You can earn a high royalty—e.g. 30% on a print book or 70% on a Kindle e-book—depending on the list price that you set (hey, if you sell yourself short and give yourself a low royalty, that’s your choice).

Traditionally published authors often earn 15% or less (it may be much less).

I’m much more motivated to market a book knowing that I’m earning a nice royalty on every book I sell. If I published traditionally, I wouldn’t be so motivated to market my books. If 70% doesn’t motivate you to market your Kindle e-books, I guess you’re not too interested in earning money for the hard work you did to write your book.

I see some self-published authors who are very motivated to market their books. Higher royalties can be a strong motivator.

There are authors with exceptional marketing skills. These authors should self-publish. They know they’re going to sell books. Why not make a higher royalty for the effort?

Not motivated by money? There are other reasons to market. Market your book so that you can share your passion for writing with others.

I became motivated to market my books when I realized that it could be done without salesmanship and advertising. I started looking for other ways to approach marketing. I discovered that it can be fun to try out new marketing strategies and see how they work.

A nonfiction author, for example, who enjoys helping others can market in the spirit of providing help. It could be free help on a blog, or free help at a seminar, for example (though some people will pay money to attend a workshop).

There is ample free information about marketing available, and there are so many different ways to approach it that you can find things that work for you.

Marketing can start out very slow. Get the ball rolling and eventually it can grow.

DYNAMIC

When self-publishing, it’s easy to make revisions.

You can change the cover, blurb, even the content itself anytime you wish.

When you receive valuable feedback after publishing (of course, before publishing would have been best), it’s not too late to incorporate that feedback.

When you publish traditionally, it’s very hard to make revisions.

In nonfiction, it’s often necessary to make updates to the content to keep the book relevant. This is a huge advantage. You can respond to changes in the industry almost immediately.

It helps with marketing, too. When you write a new book, you can go back into your old books and promote it right there on a list of the author’s other books. You can even put a sample chapter in your other books.

Read Tuesday

Imagine a Black Friday type of event just for book lovers.

You don’t have to imagine it. It’s called Read Tuesday, and it’s free: www.readtuesday.com.

Please support the Read Tuesday Thunderclap. This will help spread awareness on the morning of Read Tuesday (December 9, 2014). It’s easy to help:

  • Visit http://thndr.it/1CkO2Bg.
  • Click Facebook, Twitter, or Tumblr and sign in.
  • Customize the message. (Optional.)
  • Agree to the terms. All that will happen is that the Thunderclap post about Read Tuesday will go out the morning of December 9.
  • (The warning message simply means that Facebook, Twitter, or Tumblr need your permission to post the Thunderclap message on December 9. This is the only post that Thunderclap will make.)

Chris McMullen

Copyright © 2014 Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

  • Volume 1 on formatting and publishing
  • Volume 2 on marketability and marketing
  • Boxed set (of 4 books) now available for Kindle pre-order

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Comments

Click here to jump to the comments section:

https://chrismcmullen.wordpress.com/2014/11/01/the-indie-advantage/#comments

Have a Spooky Good Day :-)

20141026_173557

How do you tell your daughter that she can’t be Mario for Halloween? Easy answer is don’t… (Turned her mustache into a smile.)

Though in retrospect, maybe she needs to limit her video game time a bit… (She’s even writing a Mario book. She actually took paper and bound it together, has a title page and everything.)

You have Talent!

Talent

TALENT

You have talent. Yes, you do.

Pick an art, sport, trade, or career that you enjoy.

Think of the people who really excel and thrive at it.

They have talent, right?

Then look at yourself.

You may have passion. You may have hope. You may have potential.

But you may not see your own talent in that same light.

Why not?

Because you’re comparing yourself to people who have developed their talents, who were motivated to succeed, who were confident that their hard work would pay off, who continued to work hard even when the chips were down.

But you know what?

Those talented individuals have weaknesses, too.

And in the early days, their talents weren’t as obvious, since they weren’t as developed.

And their weaknesses stood out more.

Not much different than you are now.

Which is exactly what you need to realize.

You have talent.

You need someone to tell you that you have talent.

Well, I’m telling you.

What you really need is to believe it yourself.

Because if one of the Talented looked at you and told you that you had talent, you would suddenly be highly motivated.

You would know that you were on the right path, that if you just worked hard, you would succeed.

But you doubt yourself.

Because none of the Talented even know that you exist.

You’re afraid.

You don’t want to waste several years working hard, when in the end it may never pay off.

That doubt and fear are obstacles to your motivation. They impede your success.

Do you know why the Talented don’t seek you out and tell you that you’re one of them?

Because you haven’t yet developed your talent, and because your weaknesses still stand out.

Don’t see yourself just as you are now.

Don’t see yourself failing.

See yourself evolving into one of the Talented.

Tell yourself that you do have talent. That it is worthwhile. That you’re on the right path.

Be confident that you can become one of the Talented.

Motivate yourself.

Work hard to develop your talents.

Work hard to improve your weaknesses.

And then you will become one of the Talented.

Confidence and motivation go a long way.

But doubt won’t stand aside and let you coast to victory.

Nope. Doubt will be waiting patiently.

For your weakest moments.

Then it will pounce on you. It will team up with fear.

You need to know that this ambush is coming.

Prepare for it. Be strong. Let your confidence and determination shine through it.

Laugh doubt and fear in the face.

You can do it.

You have talent.

Much of your competition has talent, too.

But many will try half-heartedly or not at all because they doubt themselves.

And many will fall from the path because they also must battle fear and doubt.

You must stay confident, motivated, determined. These are your weapons.

It won’t be easy.

You have to work for it. Hard. Very hard.

Preparation. Planning. Practice. Patience. Perseverance.

All the hard work makes the success taste so much sweeter.

Just remember, you have talent. You can do it.

View a positive outcome and work toward it.

Never give up.

Prove the naysayers wrong.

Prove yourself.

Read Tuesday

Imagine a Black Friday type of event just for book lovers.

You don’t have to imagine it. It’s called Read Tuesday, and it’s free: www.readtuesday.com.

Please support the Read Tuesday Thunderclap. This will help spread awareness on the morning of Read Tuesday (December 9, 2014). It’s easy to help:

  • Visit http://thndr.it/1CkO2Bg.
  • Click Facebook, Twitter, or Tumblr and sign in.
  • Customize the message. (Optional.)
  • Agree to the terms. All that will happen is that the Thunderclap post about Read Tuesday will go out the morning of December 9.
  • (The warning message simply means that Facebook, Twitter, or Tumblr need your permission to post the Thunderclap message on December 9. This is the only post that Thunderclap will make.)

Halloween Reading

Looking for some spooky books to read this Halloween month?

https://chrismcmullen.wordpress.com/scary-books

Chris McMullen

Copyright © 2014 Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

  • Volume 1 on formatting and publishing
  • Volume 2 on marketability and marketing
  • Boxed set (of 4 books) now available for Kindle pre-order

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Comments

Click here to jump to the comments section:

https://chrismcmullen.wordpress.com/2014/10/31/you-have-talent/#comments

Blooms

If you haven’t discovered Nhan Fiction’s site, it’s worth a look. I find little inspirational nuggets there every day, which always make my day a little better. I really like this quote. 🙂

Thank You, Thank You :-)

3000

SO AMAZING!

It’s hard to believe, and I owe it all to you. Yes, you:

I checked my WordPress stats, and was elated to find:

  • 3,000 followers
  • 65,000 views
  • 610 posts
  • 5,000 comments
  • 170 countries
  • 159 search terms (today)
  • 699 posts in the self-publishing category
  • 11 clicks to Amazon and 8 clicks to KDP.Amazon (today)
  • and many other wonderful numbers

Technically, I have 3,492 followers, although I only have 3,029 WordPress followers.

You see, there is a little secret: Your Facebook and Twitter followers, if you associate these accounts to your WordPress blog, count as part of your following.

I was late to the social media game, so most of my followers are at WordPress. My 106 Facebook author page likes and 357 Twitter followers are the reason WordPress advertises that I have 3,492 followers on my blog site.

I’m glad to see that WordPress displays the actual number of site views on my webpage with the corresponding widget. (I tried another website once and it actually ASKED me what I wanted the initial number of views to be. Well, I guess we can’t believe everything we read on the internet…)

NOT THE WAY IT STARTED

The following graph tells the story:

Views

The first year was ZILCH.

The second year saw a little activity.

It started out really slow, like virtually all other blogs.

Think you had a rough start? Mine may have been even rougher:

  • I registered for WordPress and made my “Hello, World” post on May 8, 2011.
  • To date, that post still has 0 likes and 0 comments. It had just a few views. Ever. Even now.
  • I made my second post on December 14, 2012—a year and a half later.
  • My second post has 5 likes, but at least it generated some views at the time.

I went 1.5 years without a single Like. Yep, it was a slow start.

I dipped my toe in the WordPress water in 2011, and came back with an actual plan at the end of 2012.

What was my plan?

  • Provide free help to other authors and self-publishers.
  • Motivate and encourage other authors.
  • Become effective at marketing and serve as an example to other authors that it’s possible to embrace this and do it effectively.
  • Enjoy writing articles on my blog and have fun with it.

The best parts were unexpected:

  • The interaction here at WordPress is amazing.
  • The community here at WordPress is incredible.
  • I never expected to make such wonderful connections.
  • I have come to love writing for my blog even more than writing books. (Shh.) (Don’t worry. I’ll keep writing books, too.)

Blogging can start out exceptionally s-l-o-w. But it has much potential to accelerate.

Don’t focus on your numbers now. See if you can grow your numbers over time. Play the long game.

If you can grow your numbers over time, your blog has much potential.

Likes and follows are absolutely wonderful, but there is another number you need to focus on.

How many visitors come to your website per day, on average, via search engines?

I had 375 views today. 243 of those are from search engines.

In the early days (2013), I just had a few views per day, a few likes per post, a few followers. But a couple of my posts were generating traffic through search engines.

My search engine stats steadily grew. Still, as you can see in the graph above, it started very slow and took much time to grow.

If you can get any search engine traffic and gradually build on this number, you have much potential to transform your blog into a content-rich website.

Your blog has three goals when it comes to marketing. Likes and follows only relate to two of those goals.

  • The people you interact with regularly often support your posts with likes and comments. The support is amazing, and this interaction makes your blog feel lively. But don’t sweat it in the early days of your blog when you aren’t getting much interaction. This will come, especially depending on you—make valuable contributions to the community.
  • Your followers include active followers and ghosts. It can be demoralizing to realize this. Your following is less than you’d like, and only a fraction of that is active. But don’t let that bother you. It’s growing, so it has much potential. Your following helps to support you when you release a new book. Perhaps not through sales, but perhaps through reblogs and branding.
  • Search engine traffic can net you the most sales of all. If you get 100’s of visitors per day from your target audience exploring content on your website, these are people who didn’t already know about your book(s) with whom you are suddenly getting exposure.

Blogging is hard work, but it’s fun.

Blogging starts out very slow, but can become an effective content-rich website over time.

Blogging is amazing because of the WordPress community.

THANK YOU VERY MUCH, EVERYONE. That means you, too. Yes, you.

If you haven’t yet reached as many views and followers as I have, I hope you get there soon. You will. Don’t give up.

And if you’ve reached many more views and followers than I have, wow. That’s amazing! congratulations! Way to go!

No matter what, YOU are wonderful. Thank you for being part of WordPress.

Read Tuesday

Imagine a Black Friday type of event just for book lovers.

You don’t have to imagine it. It’s called Read Tuesday, and it’s free: www.readtuesday.com.

Please support the Read Tuesday Thunderclap. This will help spread awareness on the morning of Read Tuesday (December 9, 2014). It’s easy to help:

  • Visit http://thndr.it/1CkO2Bg.
  • Click Facebook, Twitter, or Tumblr and sign in.
  • Customize the message. (Optional.)
  • Agree to the terms. All that will happen is that the Thunderclap post about Read Tuesday will go out the morning of December 9.
  • (The warning message simply means that Facebook, Twitter, or Tumblr need your permission to post the Thunderclap message on December 9. This is the only post that Thunderclap will make.)

Halloween Reading

Looking for some spooky books to read this Halloween month?

https://chrismcmullen.wordpress.com/scary-books

Chris McMullen

Copyright © 2014 Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

  • Volume 1 on formatting and publishing
  • Volume 2 on marketability and marketing
  • Boxed set (of 4 books) now available for Kindle pre-order

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Comments

Click here to jump to the comments section:

https://chrismcmullen.wordpress.com/2014/10/28/marketing-with-a-blog/#comments

The Super Secret Trick To Improving Your #Writing #WritingTips #AmReading

Must agree, reading is the way to better writing. 🙂

Publishing a Boxed Set

Omnibus

BOXED SET

A new trend in self-publishing is to create a boxed set.

The appeal is to offer added content at improved value:

  • More books for the buck.
  • Could include bonus content, too.

The hope is to gain more than you lose by offering the set at a reduced price:

  • Sell more books. Lose the risk of customers buying just one book.
  • Lure more readers. The boxed set value may attract new customers.
  • Gift potential, too. Boxed sets can make for nice gifts. (You could even add a decorative holiday bow to the thumbnail for the holidays.)

There are risks:

  • You might not reap the benefits that you’re hoping for.
  • The sales ranks of the individual volumes may plummet if the boxed set takes off.
  • If you already have many reviews and stable sales ranks with the individual volumes, realize that you’re basically starting over with the boxed set.
  • The file size of the boxed set may be huge, adding download time for customers and a delivery charge for authors.

(It sure would help if Amazon would create a boxed set option for series. Amazon could create a discount option for customers who buy the entire series. This would alleviate the need to create a special boxed set edition. This way, the individual sales ranks wouldn’t tank at the expense of the boxed set. Customers may also find it convenient to have separate books instead of one mammoth file. Perhaps more authors and readers need to send requests to KDP support.)

FORMATTING

If you want to create a boxed set, you’ll have to format it.

In print, it won’t be easy to create a boxed set with an actual box. You probably won’t find a print-on-demand service that offers this option. You can order author copies of individual volumes, box them up yourself, and sell them at Amazon through Advantage. But then you need to design and order boxes, which cost money, and Advantage takes a significant commission from the sale. It may not be economical to try this.

Lightning Source offers (or at least they did—you might want to submit an inquiry) a boxed set option, but they simply shrinkwrap your books together—there isn’t an actual box.

An alternative is to combine all the volumes into one mammoth paperback. This won’t be feasible if you have an epic fantasy where each volume already has several hundred pages.

At CreateSpace, for example, you can have up to 828 pages on white paper (less in cream), but only in selected trim sizes. 7″ x 10″ or 7.5″ x 9.25″ accommodate up to 828 pages (or 740 pages if you choose cream). If you have a color interior, it’s even less (480 in most trim sizes).

You may want to increase the page size. For example, if your individual volumes are 5″ x 8″, you can reduce the overall page count for the omnibus by using a significantly larger trim size.

But if you choose the largest trim size, 8.5″ x 11″, you can only go up to 630 pages.

Here are some things you can play with to help reduce the overall page count:

  • Smaller font size. (Or different font style.)
  • Narrower margins.
  • Increased trim size. (But note the maximum page count for the trim size.)
  • Less leading (space between lines).
  • Consolidate front and back matter, especially material that’s repeated.
  • Reformat the page header or page numbers, and the space between these and the body text, to make more room for the body text.
  • Remove any repeated images. Reduce the size of images.

Note: If you have manual hyphens or if you made manual adjustments to correct for widows and orphans, this will all need to be redone if you change the font, margins, trim size, leading, etc.

But you can take this too far. You don’t want to louse up the reading experience just to make your boxed set fit into a single mammoth printed book.

You can, however, experiment with these features and see if any combination will provide the right balance, fairly preserving the reading experience while also helping it fit.

Another thing you’ll have to do is renumber the pages for a single-volume boxed set. This gets more tedious if each volume has an index (in which case you must also decide if you want to consolidate your indices into a single index for the boxed set). Also, if you have page references (e.g. “See page 364”) you’ll need to update those. For most fiction, where an omnibus is quite common, this isn’t likely to be an issue.

Page count isn’t an issue for an e-book omnibus. But if you have many images, the maximum file size and delivery charges may come into play. Kindle’s maximum file size has been quite generously extended (650 MB).

Basically, for an e-book, you simply need to combine your books together into a single volume. There is really just one feature that you need to add: an active table of contents to take the reader directly to each volume. (This is in addition to the table of contents for each individual volume.)

Read Tuesday

Imagine a Black Friday type of event just for book lovers.

You don’t have to imagine it. It’s called Read Tuesday, and it’s free: www.readtuesday.com.

Please support the Read Tuesday Thunderclap. This will help spread awareness on the morning of Read Tuesday (December 9, 2014). It’s easy to help:

  • Visit http://thndr.it/1CkO2Bg.
  • Click Facebook, Twitter, or Tumblr and sign in.
  • Customize the message. (Optional.)
  • Agree to the terms. All that will happen is that the Thunderclap post about Read Tuesday will go out the morning of December 9.
  • (The warning message simply means that Facebook, Twitter, or Tumblr need your permission to post the Thunderclap message on December 9. This is the only post that Thunderclap will make.)

Halloween Reading

Looking for some spooky books to read this Halloween month?

https://chrismcmullen.wordpress.com/scary-books

Chris McMullen

Copyright © 2014 Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

  • Volume 1 on formatting and publishing
  • Volume 2 on marketability and marketing
  • Boxed set (of 4 books) now available for Kindle pre-order

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Comments

Click here to jump to the comments section:

https://chrismcmullen.wordpress.com/2014/10/26/publishing-a-boxed-set/#comments

Are authors earning more or less with Kindle Unlimited?

Unlimited Reading

KINDLE UNLIMITED

Now that customers can subscribe to Kindle Unlimited for $9.99 to read unlimited books, authors are wondering whether the grass is greener inside or outside of KDP Select.

One trade-off is exclusivity. Titles enrolled in KDP Select can’t be available in digital format anywhere other than Kindle.

Exclusivity actually works two ways:

  • The obvious way is that KDP Select books may lose potential sales to customers who love to read on Nooks, Kobos, etc.
  • Another way is that books not enrolled in KDP Select may lose potential borrows from Kindle Unlimited customers, who may strongly prefer not to purchase books outright.

There is another trade-off for higher-priced e-books: Kindle Unlimited has paid about $1.50 for the first two months, which is less than the usual royalties for most books priced $2.99 and up.

Another issue is that customers must read 10% of the book before the author will receive a royalty for the download.

In exchange for exclusivity, authors with books in KDP Select hope to:

  • Gain additional exposure through Kindle Unlimited. Customers may be more willing to try a new or self-published author through this program.
  • Improve sales rank. Every download through Kindle Unlimited helps sales rank, even if the book isn’t read to 10% (but no royalty is paid until the book is read to 10%). Better sales rank helps with exposure.
  • Get more sales. Even if the royalties may be somewhat less through Kindle Unlimited, more sales has word-of-mouth potential.
  • Occasionally earn double royalties. A customer who borrows a book may later purchase the book so as not to have to return it. This happens.

Authors with books not in KDP Select hope to:

  • Gain additional exposure on other markets, such as Nook and Kobo.
  • Sell more books on other markets than the sales that they may be losing by not being in KDP Select.

Kindle Unlimited is definitely affecting sales ranks of all books, whether or not they are in KDP Select. Some books are doing better, others are doing worse. Each book is different.

The question is:

Is it better to enroll in KDP Select, or is it better to opt out and sell across all digital markets?

It’s a tough choice. Some books do better in KDP Select, others do better outside of it, and some may net about the same either way.

Personally, I’m seeing a small increase in Kindle sales and the improved borrows are gravy. I sell many more paperbacks than Kindle e-books, yet I’m glad to see Kindle growing a little.

Following are a few very handy resources to help you with this decision:

OCTOBER 2014 AUTHOR EARNINGS

http://authorearnings.com/report/october-2014-author-earnings-report-2

  • This report breaks down author earnings and looks specifically at the impact of Kindle Unlimited.
  • On average, enrolling in KDP Select appears to reap a 13% reward. Again, it’s an average, so some are earning much more, some are losing.

KINDLE UNLIMITED ANALYSIS

Nicholas Rossis has a detailed analysis of the impact of Kindle Unlimited on his blog.

http://nicholasrossis.me/2014/10/25/kindle-unlimited-conclusions-from-hugh-howeys-latest-author-earnings-report

When you get about halfway through, you’ll start to see the Kindle Unlimited analysis.

HUGH HOWEY

This brief note from Hugh Howey is worth a read.

http://www.hughhowey.com/october-2014-author-earnings-report

One thing Hugh stresses is that it would be nice to see KU pay a different royalty for very short books. Many authors who aren’t selling short books agree with this.

Just imagine earning $1.62 for a book with a list price of 99 cents (where the royalty for a sale is 34 cents).

Amazon is inconsistent on this point:

  • If you price your book under $2.99, instead of earning a 70% royalty, you earn 35%. It seems like a clear incentive to produce enough content so you can charge $2.99.
  • If you price your book at 99 cents, we’ll pay you a royalty of $1.62 if you enroll your book in KDP Select.

I don’t think authors with 99-cent books could complain too much if, say, Amazon paid them 50 cents for every Kindle Unlimited download, so that Amazon could pay a higher rate per download of higher-priced KDP Select books.

If you feel strongly about this, well, you could send a message to KDP to express your opinion. KDP has made changes in the past (the new sales dashboard, pre-order options, grade and age ranges), which many authors had been requesting. So if you really want to see a new feature, it may help to voice your opinion.

Read Tuesday

Imagine a Black Friday type of event just for book lovers.

You don’t have to imagine it. It’s called Read Tuesday, and it’s free: www.readtuesday.com.

Please support the Read Tuesday Thunderclap. This will help spread awareness on the morning of Read Tuesday (December 9, 2014). It’s easy to help:

  • Visit http://thndr.it/1CkO2Bg.
  • Click Facebook, Twitter, or Tumblr and sign in.
  • Customize the message. (Optional.)
  • Agree to the terms. All that will happen is that the Thunderclap post about Read Tuesday will go out the morning of December 9.
  • (The warning message simply means that Facebook, Twitter, or Tumblr need your permission to post the Thunderclap message on December 9. This is the only post that Thunderclap will make.)

Halloween Reading

Looking for some spooky books to read this Halloween month?

https://chrismcmullen.wordpress.com/scary-books

Chris McMullen

Copyright © 2014 Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

  • Volume 1 on formatting and publishing
  • Volume 2 on marketability and marketing
  • Boxed set (of 4 books) now available for Kindle pre-order

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Comments

Click here to jump to the comments section:

https://chrismcmullen.wordpress.com/2014/10/25/are-authors-earning-more-or-less-with-kindle-unlimited/#comments

#Promote #Authors & #Books for #Readers on YOUR #Blog…

Great advice from The Ape himself, avid supporter of books, readers, and authors.

Chris The Story Reading Ape's avatarChris The Story Reading Ape's Blog

The Questions:

(From authors)

WHY should I promote other authors and their books on MY blog when I can’t even get LOTS of people to buy and review MY book(s)?

(From Readers & Bloggers)

WHY would authors (read demi-gods) who are way above me in the hierarchy of intelligence levels possibly want to send their articles to ME – a lowly Reader and Blogger?

(From existing Author / Books Bloggers)

I ALREADY have a good system going so WHY should I even CONSIDER changing it?

The Answers

(To Authors)

By featuring other authors and their books on YOUR blog, YOU and YOUR BOOK(S) will be seen by visitors as well – plus – it WILL bring NEW visitors and followers to YOUR BLOG and may even result in them getting YOUR BOOK(S)!

(To Readers & Bloggers)

Authors may have a talent with words that YOU may, or may not, have…

View original post 514 more words