Printing Prices are Increasing at KDP (reducing paperback royalties)

INCREASED PRINTING PRICES

On June 20, 2023, the cost of printing a book at KDP will increase, which will in turn lower the royalties for paperback (and hardcover) books.

  • If your book is taller than 9 inches high or wider than 6.12 inches wide, the effect is significant. It will cost about half a penny per page extra (plus about 15 cents on top of that). For example, if a book has 200 pages, you’re looking at $1.15 added to the printing cost, effectively reducing your royalty by $1.15.
  • If your book is 9 inches high or less and is also 6.12 inches wide or less, the effect is minimal (about 15 cents). The popular 6×9 size just gets a 15 surcharge.

Check out the pricing tables on the KDP help pages. They will also have a calculator coming that will compare new and old prices. In the meantime, if you pull up the pricing page for your book, it will show you both the current and future prices.

Find out what the new royalties will be for your books. You may want to consider adjusting the list prices, especially if the new royalty is zero or very small.

On your KDP Bookshelf, there is a link available to update all of your book prices at once to preserve your current royalty, but I recommend individually changing the prices.

If you plan to change your list price, I recommend doing it soon. For one, you will see an increased royalty for any copies printed before June 20, 2023. For another, you can get ahead of the rush. There may be lengthy delays as the deadline approaches.

We were perhaps fortunate that the prices didn’t increase sooner. I first published in 2008 (it was with CreateSpace then) and the list prices and royalties haven’t changed in the US since I first published (although there have been changes in other countries). That’s 15 years of steady royalties, in spite of inflation. This past year, inflation has been pretty significant globally, so it’s no surprise that the increased costs have finally reached KDP. These price increases could have conceivably been implemented last summer when inflation first turned sky-high.

The main difficulty I see is the new concept of a printing charge for “oversize” books. Imagine a 600 page 7×10 book now adding $3.15 more to the printing cost. That seems to be a pretty steep price change for oversized books with a high page count. (Or maybe it was just way too cheap in the first place?) But maybe larger books tend to be nonfiction technical or artistic books that can command higher prices (or journals; maybe KDP is partly doing this to discourage certain kinds of books from being made print-on-demand).

I don’t think it’s the size of the paper itself that is important. I think it’s the additional ink needed to print books with larger trim sizes. Perhaps they should measure how much ink is used and use that to determine the prices (though that would really kill the prices for some art books).

Another point to consider is that other publishers have also had to deal with rising inflation. So although KDP is just now raising their list prices, other authors’ and publishers are also dealing with inflationary pressures. It’s not like KDP’s prices are going up while the rest of the industry is holding steady. Everything is trending upward.

It is what it is, and unless you think you can fight it, we need to deal with it. Find out what your new royalty is and decide whether or not to raise your list price in part to help compensate. Raising the price may deter sales to some extent in some cases, but there is some degree of price elasticity where it may not make much difference, especially if the book is reasonably priced to begin with.

Good luck with your books,

Chris McMullen, author of the Improve Your Math Fluency series of workbooks

KDP authors can now add A+ Content to their product pages at Amazon.

What is A+ Content?

In addition to the product page (and in addition to pages that you can access from Author Central, like the author biography or a From the Author section)…

A Plus Content lets you add additional sections of writing or images to help showcase your book or provide more information about yourself.

It can be a sales tool that you put right on your Amazon product page.

There are several formats to choose from, such as a single wide image (with or without text displayed in front of it, or with text added below it) or 3-4 square pictures with information beside each picture.

For authors of multiple books, you can add a comparison chart to show the differences between similar books (or help readers easily see which other books you’ve written). The comparison chart lets you link to your other ASIN’s; it will automatically create hyperlinks.

I discovered the option to add A+ Content on Amazon one week ago and have been adding A+ Content since.

How do you find the option to add A+ Content? One way is to visit KDP and click on the Marketing tab. Scroll down. Select you Marketplace. Click the yellow button.

First click the other links to read the Guidelines and browse the Examples. A couple of the samples were very nicely done.

When you get there, click the button to Start Creating A+ Content.

Give it a name. Click the button to Add Module. You can add multiple modules (until it won’t let you click to add a new one). If you have multiple modules, you can use up/down arrows to reorder them.

Be sure to click Edit. When you’ve made good progress, click Save to prevent losing a lot of work at once. If you have a lot of unsaved work, you can run into a problem where the Save button gives you an error message, so I’ve learned to save frequently.

On the next page, enter the ASIN’s that you want the A+ Content to apply to. Once you have A+ Content for one ASIN, you won’t be able to also add additional A+ Content to the same ASIN (but you can change which content is associated with each ASIN).

Once you’ve created A+ Content, you can open it and Duplicate the content. This makes it easy to create similar content for other books. Though if you delete stuff afterward, sometimes a little of your information disappears in the new one and you need to rewrite it (which is easy to do via copy/paste if you open the previous A+ Content in a different tab).

It currently doesn’t seem to let you duplicate A+ Content for one country to use in a different country, however. Maybe it’s because they expect you to change the language: Even from the US to the UK, they probably expect you to make the spelling/language differences. The Content Guidelines mention spelling and grammar.

In case you may be interested in what I’ve done, here is a link to one of my product pages that includes A+ Content:

https://www.amazon.com/dp/194169134X

Once you get there, scroll down to the From the Publisher section. The visual part of this is A+ Content. (After that, the From the Author section had been done in Author Central months ago.)

Write Happy, Be Happy

Chris McMullen

Author of the Improve Your Math Fluency series of math workbooks

Intrigued by Amazon’s Vella

Vella is coming soon.

Writers will publish stories in episodes. A single episode may be anywhere from 600 words to 5000 words.

Readers will read stories one episode at a time.

One neat feature that I like is that the author can include optional notes at the end of each episode. An author might share insights into how the story came about or share a personal note. There are many ways that authors can use this space.

Ordinarily, when you read a novel, such notes don’t appear between the chapters, and would seem to break up the momentum of the story. But with Vella, readers aren’t buying the entire book at once, but are reading one episode at a time. I might like some of the tidbits that get included here. Another possible use of author notes is to generate interest in the next episode.

Author notes are capped at 200 words per episode, so a single note won’t be too long. But after reading several episodes, there is a lot of potential for readers to learn more about the characters or the author.

Covers are simplified. It isn’t necessary to include any text on the cover itself. You just need to make a 1600 by 1600 square image (less than 2 MB) to generate interest in your story. Amazon automatically places the title and author name below the image.

Formatting the story is incredibly simplified. Every story will appear in block paragraphs with no indents, with spacing between the paragraphs. This is done automatically. You type, paste, or upload a story with paragraphs and that’s how it will come out.

There are no pictures to worry about in the content file. There are no bullet points, no subscripts or superscripts, no headings, no subheadings, no drop caps, or any of the kinds of things that complicate formatting.

Since Vella is designed for sharing stories, it is designed for plain text.

It is also phone friendly. For the phone, it makes sense not to indent paragraphs, but to instead put space between them. You can type with indented paragraphs with no space between them, and when you upload the file for each episode, it will automatically be converted to block paragraphs with no indents, with space between paragraphs.

The description is limited to 500 characters, which forces you to be concise. Most readers don’t read beyond the Read More point at Amazon, especially for fiction. It pays to learn how to be concise here, and to generate interest without spoiling the story.

The first three episodes are free. This basically serves as the Look Inside. The first three episodes need to be good enough to make the reader to want more.

For me, the most challenging part is to come up with the tags. I think this will be easier once Vella gets underway and we can explore the different tags in use.

The category choices are currently very limited. There are basically no subcategories. You’ll need to use a couple of tags to function as your subcategories.

The pricing is interesting. Readers buy tokens in bulk. The examples suggest that a token will cost about a penny. The exact cost depends on how large a quantity of tokens the customer buys. They can buy more and save a little per token.

The token idea makes sense because you can’t charge small dollar amounts on a credit card; the fees would make it impractical. But you can charge for hundreds of tokens on a credit card and let readers use tokens to buy low-cost episodes.

It looks like Amazon is taking prices out of the hands of the author. It looks like one token will unlock 100 words. For example, if an episode has 753 words, a customer will need to use 7 tokens to unlock the episode. If an episode has 799 words and you add one word to it, a customer will need to use 8 tokens instead of 7.

It looks like the author earns 50% of the customer’s cost of the tokens. So if customers spend approximately 1 penny per token, an author earns about half a penny per token spent. In this example, an author is earning about half a penny per 100 words read.

It’s interesting to compare this with Kindle Unlimited, where authors in KDP Select earn a little under half a penny per KENP page read. A KENP page read typically has well more than 100 words, right? So half a penny per 100 words in Vella seems to be a much improved rate compared to Kindle Unlimited.

Here’s another way to look at it. Suppose that you write a 100,000 word novel and break it up into episodes for Kindle Vella. (Before you get any ideas, you’re not allowed to publish currently or previously available books on Kindle Vella.)

At 100 words per episode, a 100,000 word novel would require spending 1000 tokens, which is a lot of tokens. If a customer spends 1 penny per token, it will cost the customer $10 to buy every episode of your novel (well, the first three episodes are free), and you would earn about $5 in royalties for the novel. So the royalty rate, if it stays this way, appears to be favorable for authors, much better than Kindle Unlimited, even better than sales of novels.

Seriously, most indie authors don’t price a 100,000 word novel at $9.99 and proceed to sell it like hot cakes.

But the novel was just to get an idea of the royalty rate, not to suggest that a novel is a good fit for Vella.

Vella is designed for stories that can be told one episode at a time.

Another important consideration is that customers will buy the story one episode at a time.

The customer isn’t paying the price for the book and buying the entire book.

The customer will read the first three episodes for free. If they are good enough, the customer may buy the first episode. The sequence of episodes needs to hold the reader’s interest, otherwise, the reader will just spend a small number of tokens and abandon the book.

If the reader only reads 10% of the book, the author only earns royalties for the tokens spent to unlock 10% of the book. If the book is good enough for most customers to read all of it, then the author earns the maximum possible royalty for the book. So just having 100,000 boring words won’t be earning authors $5 per book. But 100,000 captivating, spellbinding, marvelously crafted words can bring a favorable royalty per customer.

The pricing appears to reward reader engagement. Personally, I like this, whether as a reader or as an author.

Vella has appeal to me both as a reader and as an author.

As a reader, I look forward to Author Notes. For me, it’s like a bonus feature. You sometimes get these things in front matter or back matter. But with Vella, when they are available, we’ll get them in tidbits between episodes. I like the potential.

As an author, until now I’ve only written nonfiction, mostly math and science workbooks. I’ve considered writing stories for several years, but until Vella was introduced, had never attempted it. But now, I’m planning to write some stories. I may publish some or all of them under a pen name. We’ll see.

I’ll definitely be registering the copyrights for my work though.

Write Happy, Be Happy

Chris McMullen

Author of the Improve Your Math Fluency series of math workbooks

Amazon KDP Coming to Australia

AUSTRALIA KDP

Amazon’s Kindle Direct Publishing (KDP) is finally opening a print-on-demand (POD) facility in Australia, which is great news for authors, small publishers, and Amazon customers in Australia.

The new facility is set to begin its launch on May 19, 2021.

KDP authors should check their paperback pricing options starting on May 12, 2021. On this date, you will be able to check your list price and royalty for Australia, and if necessary, you can adjust the list price for AU. The printing costs are apparently higher in Australia, so you want to make sure that your royalty isn’t zero or very low (if it is, you can adjust the royalty by increasing the list price, if needed).

For authors who live in Australia, the big question is whether or not you will be able to order author copies and proofs printed in Australia. The answer appears to be YES according to the KDP help pages and an answer from KDPSasha on the KDP community forum. (However, unfortunately, authors in Canada currently have their copies printed in the US.)

Write Happy, Be Happy

Chris McMullen

Author of the Improve Your Math Fluency series of math workbooks

A New Form of Book Piracy

Image licensed from Shutterstock.

BEWARE OF BOOK PIRATES

Earlier this year, after publishing a new book, I visited Amazon to check it out. When I finished inspecting the Amazon detail page for my new book, I clicked the link by my author photo to visit my Author Central page. And, boy, was I surprised by what I found.

(A little background: Author Central now shows only my Kindle eBooks by default. Customers have to click the Paperback tab to find my paperback books.)

I noticed one of my better selling books near the top of the list. What stood out is that book is only available in paperback. (For good reason. With thousands of math problems, this particular workbook would not be ideal for Kindle.) Yet, there it was on the list of my Kindle eBooks.

At first thought, I had hoped that Amazon was finally starting to show all of my books by default (like they had once upon a time), instead of just the Kindle eBooks. Some of my books are only available in paperback, and so customers can’t find them on my Author page unless it occurs to them to click the Paperback tab.

But I soon realized that it was indeed a Kindle eBook. What a surprise! This book is only available in paperback. How was a Kindle edition of this book on my author page?

I visited KDP just to see with my own eyes that this book wasn’t showing on my Bookshelf in eBook format. Indeed, it was only available as a paperback.

When I explored this mysterious Kindle eBook, it was obvious to me that it wasn’t mine. Yet it had the same title, the same cover, and even my own name listed as the author. Only it wasn’t a book that I had published (or authorized). When I opened the Look Inside, it looked like someone had used OCR to convert my paperback to a Kindle eBook (which is NOT a good way to convert a book to Kindle format, by the way). When I reached the exercises, I immediately saw a problem. The paperback has the exercises arranged in three columns. In this mysterious Kindle edition, the three equations from the three columns merged together, so that a customer wouldn’t be able to tell when one equation stopped and another started. It was a formatting nightmare, rendering the math unreadable. So not only was there a pirated version of my book available for sale, but any customers who purchased the eBook would likely be quite displeased. Yet the book had a sales rank of about 100,000, so people had evidently been buying the book. What is even more incredible is that the list price was exactly the same as the price of the paperback. The publication date showed that the eBook had already been available for a few weeks before I discovered it.

Fortunately, Amazon has a special form for people or businesses to report copyright or trademark infringement. If you published through KDP, visit KDP’s Contact Us page, and when you select the appropriate menu item, it will automatically take you to Amazon’s copyright infringement form.

I’m not a big fan of the form itself. You have to state your problem clearly in 1000 characters or less. I struggled with this because it was my own name on the pirated book, and I wanted to make it very clear that someone else was using my name and content without my permission (to try to avoid confusion). Plus, the form has lawyer-ish language that seems nonspecific to books. One question wants to know if it is a physical item, and, well, it was an eBook. Is that a physical item? There wasn’t an option for a Kindle eBook. Other questions like this ran through my mind.

Unfortunately, it can take an agonizing couple of days to receive a response. I submitted my request on a Saturday, and Monday was a holiday, so this evidently added to my waiting period. Remember those snow and ice storms that some states had earlier this year? Guess what. This book piracy happened to occur at about the same time, so that while I was constantly checking my email for a response and Amazon to see if the pirated book would ever get taken down, at home I was experiencing frequent rolling power outages. It was a nightmare in a nightmare. (Pinching didn’t help.)

After this waiting period, I received a response and the pirated eBook was taken down. (Thank you, Amazon.)

I can’t imagine what the “pirate” was thinking. Somebody invested some time to get the book, OCR the book, and make the Kindle edition (as little effort as that might have been, and as poorly formatted as the result was). What did they expect to gain from this? Amazon doesn’t pay authors for a couple of months after the purchase specifically so that in the case of infringement or other violations of the TOS, the infringing author won’t ever receive one penny. Did the person expect not to get caught? The book used my cover, my name, even got linked to my actual paperback. Kind of hard not to notice. I’m guessing the “pirate” must have done this to several books, not just mine. The copyright team hopefully checked out any other books that person had published when they blocked the book that I reported.

The lesson is to make sure that nobody else is selling your book on any major retailers, such as Amazon, B&N, Kobo, Smashwords, etc.

A more common mosquito-like book piracy problem is to find websites that claim to be selling or giving away unauthorized copies of your book. Often, these websites don’t actually have the book. With all of the viruses, malware, and phishing that plagues the internet these days, my advice is to avoid visiting untrusted websites, avoid clicking links, and avoid downloading files. Hopefully, most customers will be wise enough not to try to obtain books from unknown sites. People shop for books at places they trust, like Amazon. If you find your book being sold or given away, you can issue a takedown notice. Unfortunately, this can become a regular occurrence, taking up a great deal of time and energy.

If you’re an author, I hope you never have your book pirated. I hope you sell enough books that other people “wish” that they had written your book, but I hope they don’t try to actually sell unauthorized copies of your book.

Write Happy, Be Happy

Chris McMullen

Author of the Improve Your Math Fluency series of math workbooks and self-publishing guides

Expanded Distribution Has Expanded

EXPANDED DISTRIBUTION

Amazon KDP now offers two Expanded Distribution channels. In addition to the usual Expanded Distribution channel for the US, they have added an Expanded Distribution channel for the UK.

Authors and publishers using Amazon’s Kindle Direct Publishing for paperbacks may now add the Expanded Distribution channel for the UK. Each title must be individually enrolled. To sign up for Expanded Distribution in the UK, find a book on your Bookshelf, and go to Page 3 of the publishing process for the paperback edition (the pricing page). You may need to click an option to show prices in other countries. If your list price is too low, your book won’t be eligible for Expanded Distribution in the UK (unless you’re willing to raise your UK list price). Check the Expanded Distribution royalty amount that is displayed and make sure that you’re comfortable with that royalty. The process isn’t complete until you click the button at the bottom to submit the book for publishing (or for “republishing”). The changes won’t take effect until the book is republished.

Every little bit helps. 🙂

If you had edited your book description through Author Central, beware that the description in your KDP description field (Page 1 of the publishing process) will now overwrite the Author Central description. If this may be an issue for you, copy/paste the HTML version of your Author Central page into the KDP description field before you submit the book for publishing. (If you receive an error message, it might be that the syntax for KDP’s description HTML is different than Author Central’s regarding br for manual line breaks.)

Write Happy, Be Happy

Chris McMullen

Author of the Improve Your Math Fluency series of math workbooks and self-publishing guides

Kindle Unlimited, October, 2019

The Kindle Unlimited Per-Page Rate for October, 2019

$0.0047 is the Kindle Unlimited (KENP) per-page rate for October, 2019.

It’s nearly identical to the rate for September, 2019. (You need more decimal places to see a difference.)

September and October were about 7% better than July and August.

The KDP Select Global Fund reached a new high of $26 million.

Write Happy, Be Happy

Chris McMullen

Author of the Improve Your Math Fluency series of math workbooks and self-publishing guides

AMS Advertising: Now in the UK and Germany

Background image from ShutterStock.

AMS ADVERTISING VIA KDP NOW AVAILABLE IN THE UK AND GERMANY

Amazon KDP has its expanded its AMS advertising option to books that are available at Amazon’s UK (United Kingdom) and DE (Germany) stores.

On the one hand, if you are among the first to test this out, you might get ahead of the competition. On the other hand, if a big swarm of authors shows up all at once to test this out, some people may vastly overbid and hog all of the clicks (at an expensive cost) just to test out how it works. So if you’re not getting much activity for several days, my suggestion is to be patient, don’t raise your bid insanely, wait for people to spend more money than they can afford and for the bids to drop down to reasonable values (and then maybe even start a new ad later, which is sometimes better than continuing an unproductive ad).

Note that UK bids are in GBD, not US dollars. You might want to Google a currency calculation to see how much you’re really bidding if you’re used to US currency.

If you already have an AMS account setup for the US, you have to be careful about how to test this out.

Note that existing or even new ads placed in the US will NOT display in the UK or DE. You have to setup new ads using the AMS site specifically for the UK or DE.

Don’t go to Reports. (Because if you reach the UK or DE site that way, it might seem like you have to setup an account from scratch. So try my suggestion first.)

Don’t go to AMS for the US.

Go to your KDP Bookshelf.

Find a book that is live in Amazon UK (or DE).

Hover your cursor over the gray ellipsis (…) button to the right of the title on your KDP Bookshelf.

Click the Promote and Advertise option.

Now select your marketplace.

If you already have an Amazon Author Page setup in the UK, you probably already have an Amazon account setup for the UK. However…

You might need to update a credit card or add billing info for it (even if it is currently working for your US advertising with no problem).

The reason is that Amazon AMS has different sites for advertising in the US, UK, and DE stores. So you might need to do a little work to get your billing info setup.

If you advertise in both the US and the UK, for example, you’ll need to monitor your reports separately at the US and UK sites for Amazon AMS.

For authors who live in the UK or DE, or whose work is highly relevant for these countries, you are probably eager to test this out.

Otherwise, first ask yourself if you have any books that may be a good fit for this audience. If they expect one thing, but get something else entirely because your book is a much better fit for the United States, the ad probably won’t work out.

If you have regular sales in the UK and also some good reviews in the UK, then you have some reason to believe that your book may be a decent fit for the UK audience.

Search for AMS on the search bar on my blog. I have several articles on advertising with AMS (including one specifically about changes in 2019).

Write Happy, Be Happy

Chris McMullen

Author of the Improve Your Math Fluency series of math workbooks and self-publishing guides

Kindle Unlimited: What was the KENP rate for July, 2019?

KINDLE UNLIMITED PAGES READ FOR JULY, 2019

The KENP rate for pages read in Kindle Unlimited in July, 2019 was $0.00439.

It’s a small drop (roughly 5%) compared to June’s rate of $0.00464.

However, Amazon actually paid out more royalties overall in July than in June.

That’s because the KDP Select Global Fund rose from $24.9 million to a record $25.6 million.

Perhaps Amazon Prime Day had a small impact. If, for example, Amazon sold many Kindle ereaders, there may be new customers using their free month of Kindle Unlimited.

Whatever the reason, the per-page rate does tend to vary a bit, although it has been relatively stable for much of 2019.

Write Happy, Be Happy

Chris McMullen

Author of the Improve Your Math Fluency series of math workbooks and self-publishing guides