Kindle Countdown Deals—Better than the Original KDP Select?

Countdown

Amazon’s Kindle Direct Publishing (KDP) sent out an email announcement today about the new Kindle Countdown Deals—a new promotional tool for KDP Select users.

This looks very promising. It will entice some authors who’ve left to switch back to KDP Select; and any who have been contemplating leaving KDP Select may be swayed to stay.

The drawbacks to the KDP free promo are well-known:

  • You don’t earn any royalties for your promotion.
  • The freebies affect your free rank, but not your paid rank. So your sales rank goes up while your book is free.
  • Changes in Amazon Associates’ policies have greatly discouraged sites from promoting the freebies.
  • People who loathe the KDP Select freebies can take out their frustrations by leaving one-star reviews, and they don’t even have to buy or read the book to do this and get it to show as an Amazon Verified Purchase.
  • Many customers from outside your target audience are attracted to the free price; since they aren’t familiar with your genre, they’re less likely to leave a favorable review.
  • When the book is free, many shoppers won’t bother to read the description and check out the free sample, so they are more likely to be disappointed with your book.
  • An abundance of freebies and 99-cent books makes it difficult to create the perception of value.

The new Kindle Countdown Deals solves these problems:

  • Your book won’t be free—but it will be at least $1.00 less than the list price. So you don’t have to worry about not earning royalties during your promotion.
  • You can even earn 70% if your sale price is lower than $2.99, but you do have to contend with the usual delivery fee. Your book must have the 70% option to begin with, of course, for this to apply.
  • Websites can promote your discounted book through Amazon Associates without having to worry about the penalty for linking to freebies.
  • You will have paid sales during the promotion, so this should affect your sales rank, unlike free promotions.
  • If anyone wants to slam your book, at least they’ll have to pay for it if they want it to show as an Amazon Verified Purchase.
  • Shoppers are more likely to read your description and check out the Look Inside, so they are less likely to be frustrated with a book that’s really not for them (provided that your packaging is clear).
  • Customers are more likely to be in your target audience since they actually have to pay for your book.
  • There won’t be as many free books because many authors who ordinarily use the free promotion tool will be using the countdown tool instead (you must choose one or the other for any 90-day period). Similarly, many of the books that are always 99 cents will now be $2.99 or higher for 83 out of every 90 days. Amazon has given everyone an incentive to choose a higher list price.

Here are some more notes about the new countdown tool:

  • You can use the tool for up to 7 out of every 90 days, with as many as 5 price increments.
  • You can only schedule one Countdown Deal per 90-day enrollment period. (You can schedule one in the US and another in the UK). Unlike the free promo, you can’t run two or more separate sales. The only way to use all 7 days is to use them all at once. See https://chrismcmullen.wordpress.com/2013/12/07/kindle-countdown-deal-limit-one-per-90-days/
  • The regular list price must be between $2.99 to $24.99 (or 1.99 to 14.99 pounds).
  • The promotion can be as short as one hour or as long as one week.
  • You must wait 30 days after joining KDP Select and since you last changed your regular list price.
  • It looks like you can schedule the promotion without having to republish (like you do for ordinary price changes).

Some people are infamous for complaining about too many free and 99-cent books. Some of these people are already talking about how the new countdown program will drive even more books to the bottom. But that’s crazy!

The new countdown program encourages the books at the bottom price point to move up!

The minimum regular list price must be $2.99 in order to be eligible. The books that participate in the countdown won’t be free. The books that are 99 cents through the countdown program will only be 99 cents for 7 out of every 90 days. Right now they are 99 cents for 90 out of 90 days.

Many authors are already doing special short-term promotions. Now there is a tool for this, they can earn 70% instead of 35% royalties during their promotions, and all customers will see the discount at Amazon, even if they hadn’t heard about the author’s promotion.

If you have several pictures and your book is on the 70% option, the delivery fee may be significant. What you want to determine is whether your royalty would be greater at 70% or 35% for the discounted price (because of the delivery fee, if the file size is large, it may actually be greater at 35%). Note that you can’t change the royalty plan during the promotion or for fewer than 24 hours prior to the promotion. So you must change this, if needed, 24 hours before the promotion (and then change it back afterward, if desired). This would be the case if you normally earn a greater royalty at 70%, but would earn a better royalty at 35% during the promotion. If you have several pictures, you should check into this.

You still need to promote your sale if you want the promotional tool to be effective. Just dropping the price won’t have nearly the impact as effectively marketing the promotion.

This also looks like a great tool for Read Tuesday—a Black Friday type of event just for books.

Click the following link to learn more about the new countdown tool:

https://kdp.amazon.com/self-publishing/help?topicId=201298260&ref_=pe_445910_34749920

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

  • Volume 1 on formatting and publishing
  • Volume 2 on marketability and marketing

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Kindle MatchBook has Launched at Amazon (Updated)

Just Launched

Update: It looks like Amazon has updated Kindle MatchBook to display an advertisement about Kindle MatchBook on the top of the page for print books, where there is a corresponding Kindle edition enrolled in the MatchBook program.

Note: As of October, 2019, the Matchbook program has been canceled.

Today Amazon launched the new Kindle MatchBook program. There is an advertisement for it on Amazon’s homepage, presently, and a very brief email was sent out to authors who had already signed up for it.

The idea behind the MatchBook program is to allow customers who purchase a print edition of the book to receive a significant discount off the Kindle edition of the same book (it may even be free).

MatchBook only applies to books where the same edition is available both in Kindle and in print (i.e. paperback or hardcover).

Not all books are in the MatchBook program. The publisher (or author, if self-published) must manually enroll the book in the program. Some publishers may opt not to do this. The discount is also at the publisher’s discretion, provided that it is a minimum of 50% off the Kindle edition’s list price (and must be free, 99 cents, $1.99, or $2.99).

You can learn more about the new Kindle MatchBook program by clicking the following link, which goes to a Kindle Direct Publishing (KDP) page:

https://kdp.amazon.com/self-publishing/help?topicId=AVJCUBZXDNUM4

If the Kindle edition offers MatchBook, you’ll see one of three things near the top of the Kindle edition page:

  • Nothing at all if you already own the Kindle edition. Why frustrate you by showing you that you could have bought it for less by waiting for MatchBook to come out? If you want to see the MatchBook offer, log out of Amazon first.
  • An offer to buy the Kindle edition at the discounted MatchBook price if you already own the print edition of the same book.
  • A note that you could buy the Kindle edition at the discounted MatchBook price if you also purchase the print edition if you don’t already own the print edition.

There are a few important things to note here:

  • If you try to give the book as a gift, you must pay the full list price. Apparently, the MatchBook price doesn’t apply to gifting. That’s too bad, as it would be a nice incentive for someone to buy the print edition to keep and the Kindle edition to gift. However, you can keep the Kindle edition and give the print edition away as a gift (or try to resell it used, perhaps).
  • It looks like you can only buy one Kindle edition at the MatchBook price. This may help to prevent possible abuse.
  • The print edition page now includes an advertisement about the MatchBook program at the top of the page if the Kindle edition of the same book is enrolled in the MatchBook program.

A cool thing about MatchBook for authors is that if you ordinarily earn the 70% royalty rate on a sale, you still earn 70% if the MatchBook price is below $2.99.

Note that if you make the MatchBook price free, MatchBook sales won’t affect your book’s paid sales rank. Instead, they will affect your book’s free rank. This is what KDP told me after a week of research. If you discover otherwise, please share the news. 🙂 (It will be interesting if your book toggles between free and paid sales ranks with a free MatchBook price, since some customers will still be buying the book at the list price because they don’t own the print edition.)

It doesn’t look like the month-to-date sales report will help you see how many MatchBook sales you have, but you should be able to see it in the six-week report. Unfortunately, it will be a while before any MatchBook sales appear in a six-week report since the program started today.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Gifting ebooks outside the US: Any Problems?

Present

We received a new comment on Misha’s article about how and why to gift an e-book today. It relates to gifting ebooks at Amazon outside the US.

Does anyone know if this is a problem? For example, suppose you live in the UK and wish to gift a Kindle ebook to a friend who also lives in the UK. What’s the best solution?

Sample Detail Page Recommended by Amazon Rep

I received an email from Amazon’s marketing department from an inquiry I sent. The representative sent me a link to this sample detail page:

http://amzn.com/0385347316

The way it was worded, the link was just to show what an example of a book’s detail page looks like at Amazon, but it was in the context of selling an advertising campaign to direct traffic toward a book’s product page. (This was not what I inquired about, but obviously if you contact a marketing department for a huge company like Amazon, if they respond, they will probably try to sell you one of their services. They are probably pretty good at this, if they work for Amazon.)

I think this product page is interesting, especially in the context in which I encountered it. Can we learn anything from it? That’s the purpose with which I write this post—to see if there is anything that we can learn from it in the way of marketability and marketing. (The rep didn’t specifically say that their campaign had been applied to this book, but maybe there is an inference to draw here.)

  • The cover didn’t impress me. Simplicity of design can be effective, and with nonfiction the cover doesn’t need to be so eye-popping, but there seems to be room for improvement. (The copyright page even notes a special jacket art designer.) There is a lot of text, although this is often done in nonfiction. At least, the title is easy to read in a thumbnail and the cover concept gets through. What I was thinking was, WHY did Amazon’s marketing rep pick THIS cover? (Are they trying to show that their marketing services can help a book sell even if the cover isn’t hot?)
  • Check out the sales rank. When I looked, it was #63 in books, and 1 and 2 in various categories. The author rank also shows right on the author page, varying from 11 to 81 in several categories. The publication date is October 8, 2013, which is just 6 days ago. Keep in mind that we’re looking at the hardcover edition. There were 16 reviews, mostly 5 stars, including a top 500 reviewer (Vine Voice).
  • The main thing that impressed me on the product page and Look Inside is the encyclopedic list of praising quotes for the book. I guess if that many qualified people say a book is good, it has to be.
  • On the Look Inside, the first page that mentions the title has only that, and the second one is fairly plain, too. Most of the interior is fairly plain. The main exception is the use of the HEAL acronym, using a letter from this word sort of as (but not quite) a bullet, and this is content-oriented as each letter has a specific meaning. The title page does have a publisher logo and another design mark between the title and author.
  • If you look at the author page, you see a resume that nonfiction publisher’s are looking for. There are also five author videos there.
  • From the author page, you can click on a link to the author’s blog to see his website. At the top is the option to subscribe to a newsletter—that’s one marketing tactic. Now look at the bottom of the website to find another. You’ll see an offer for a bonus gift, advertised as a $49 value, for free with purchase. The same thing is actually advertised at the top of the page, but in different wording (and it was so large I missed it the first time). One thing I notice about the cover now is that the color scheme seems to fit with the website—not my favorite, but a consistent color scheme for the book, blog, and beyond can help with branding.
  • The content is a hot commodity. Who doesn’t want happiness? And the author’s qualifications fit well with the content.

Of course, if you have mega qualifications and a big publisher picks you up, you have a big advantage. Still, to be successful, buyers still have to choose your book. So what is selling this book?

  • I don’t think it’s the thumbnail image that’s wowing buyers. It’s still getting a lot of attention. At least, the cover doesn’t seem to be deterring sales.
  • The author had a large fan base to begin with, which is clear if you look at his prior publications. Having an existing fan base is a great help when you release a new book that fits the same audience.
  • There is a top 500 reviewer and there are several initial reviews. The publisher and/or author probably made use of advance review copies. Building buzz for a book helps.
  • With nonfiction, qualifications can be highly important, and this author has a relevant resume posted on his author page. This helps a great deal.
  • Since Amazon’s marketing rep pointed me to this page, I’m wondering if their marketing services helped improve this book’s visibility. I’m not suggesting that you should spend big $$$ to advertise your book. The more you spend on advertising, the more books you have to sell just to break even, and there is a greater risk that you won’t even do that. There are many effective free and low-cost marketing ideas that all authors can use. If the book is highly marketable, free and low-cost will likely be effective; and if it’s not so marketable, paid advertising will have a tough time overcoming that.

If you’re hoping to improve your sales, it can be very helpful to research other books’ product pages (and their authors’ websites). You may get useful packaging or marketing ideas that way.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

MatchBook and Kindle Sales Rank (A Hard-to-Get Answer)

When I went to enroll my books in Kindle MatchBook—a new program from Kindle Direct Publishing (KDP); you can learn more about MatchBook by clicking this link—an important point occurred to me:

  • Will the MatchBook sales improve your Kindle sales rank?
  • If so, if you make the MatchBook price free, will that also affect your sales rank?

Note: As of October, 2019, the Matchbook program has been canceled.

Here’s why it’s important: If the MatchBook freebies would improve your Kindle sales rank, that would serve as an incentive to offer print customers a free Kindle edition.

I checked my email, the September KDP newsletter, and the information about MatchBook available from a link on my KDP bookshelf (which all boiled down to the same information), and this point wasn’t clarified. I then posted this as a question in the KDP community forum; there was some interest in the answer, but nobody there apparently knew the answer, either.

Next, I contacted KDP. They responded in a day, but only to tell me that they needed 5 more days to figure out the answer. (!) Today, KDP responded (yep, today was day number five).

If I was informed correctly, 99 cent, $1.99, and $2.99 MatchBook sales will improve your Kindle sales rank, whereas free MatchBook sales will instead count toward your free sales rank.

Wait a minute. Something seems strange here.

When you make an e-book free through KDP Select, the book is free all day. During this time, the e-book has a free sales rank. When the free promotion ends, the e-book returns to the paid sales rank.

But MatchBook won’t be free all day! People can buy your Kindle e-book at any time. So if one customer “buys” your e-book for free through MatchBook, three seconds later someone else might pay for it at the Kindle sales price.

What’s going to happen? Will the book have a free sales rank and a paid sales rank at the same time? Will your book be ranked among freebies and paid books simultaneously?

It seems it may be so, based on what I’ve been told. (Or your book could toggle back and forth between the free and paid sales ranks with every free or paid purchase.)

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

CreateSpace & Kindle Keyword and Category Tips

The first “secret” is to visit the following KDP help page. This page tells you how to use different combinations of keywords to get your book listed in “special” categories. Once there, cick on a category from the list.

https://kdp.amazon.com/help?topicId=A200PDGPEIQX41

At CreateSpace, you can select one BISAC category and enter up to 5 keywords separated by commas in one of the publishing steps (same page as where you enter the description). At Kindle, you can select up to two categories and enter up to 7 keywords.

First, you should try searching for similar books on Amazon by keyword. As you start typing a keyword, common search results will pull up. This will help you see if customers ever search for the keywords that you’re trying. See which books similar to yours show up in the search results. Are the top searches all bestsellers, or have lesser known authors achieved visibility on these searches?

The most important thing about the keywords that you choose for your book is that they are a good fit for your book. That is, people searching for those books are very likely to be in your target audience. If not, the keyword is wasted. The second thing to consider is this: You want to balance popular keyword searches (i.e. ones that customers are likely to use frequently) with your chances of being visible in that search. Guess how many super-popular books show up if you simply search by “romance,” for example. You might be better off trying to find specific romance searches that are highly relevant for your book and which customers actually search for periodically.

Here is a handy keyword tip for CreateSpace: Don’t put spaces after your comma. The 25-character limit includes that space. So if you include a space after the comma, CreateSpace will reject an otherwise 25-character long keyword. (Obviously, you have to have spaces between separate words, just don’t put one after the comma that separates two keywords). Note that Kindle Direct Publishing (KDP) doesn’t impose this limit on characters.

Words in your title, subtitle, author name, and imprint are already searchable, as is the word “book.” So, for example, if your subtitle has the word “mystery” in it, you’re wasting a keyword if you choose “mystery book” as a keyword because it would already be searchable that way. Plurals may make a slight difference in the order of search results, but you shouldn’t waste a keyword to change something like “soldier” to “soldiers,” for example (if you have one or the other, your book will show up in both searches, though not necessarily in the same place).

As you find books similar to yours—especially books where the author wasn’t well-known, but which are selling well—see which categories they are listed in. You want to choose the most relevant category for your book.

Although you can only choose one BISAC category at CreateSpace, you can actually get your book listed in two relevant categories at Amazon. After your book is published, simply contact member support and politely as CreateSpace if they could please add your book to one more category. First go to Amazon to find the browse path—something like Books > Romance > Contemporary.

You have to make a separate request for Amazon US and Amazon UK. Note that the category choices are different on both sites, so you have to find the category that you want on each site before making the request.

You can’t add your book to a second category in children’s or teen unless your BISAC category is in juvenile. If you want one category in children’s or teen and one category different from this, first choose your BISAC category within juvenile and then request to add the other category on Amazon.

When your book first goes live, it may be way down the list (several pages, perhaps) in search results. Through successful marketing, if your book gets searched more and sells after being searched, this will help to improve the book’s position in the ordering of search results. You can’t expect a new book to pass bestsellers in the results, can you? It takes time for Amazon’s program to establish relevance.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Unpublishing, Republishing, and Updating Your Book

Ideally, you would publish your book perfectly the first time, everything would work out nicely, and you’d live your happily ever after publishing fairy tale.

Ah, but it doesn’t always work out that way.

For whatever reason, suppose you’re considering whether or not to unpublish your book.

Before you decide, you should learn exactly what will happen when you unpublish it. Here are some questions you need to ask:

  • Will the book disappear completely? If not, in what ways will it remain visible?
  • Will the book remain on your author page?
  • If you’re only unpublishing one edition, will the reviews stay linked together?
  • If you republish a revised version later, will old reviews return?
  • How long will it take for the book to be unpublished?

Of course, different publishing services have different policies, as do different online booksellers. So you want to consider all the possibilities.

A book won’t vanish from Amazon. However, an unpublished e-book can be removed so that customers won’t find it when they’re shopping. Print books, on the other hand, are permanently listed for the benefit of anybody who might have a used copy to sell.

At Amazon, once you add a physical book to your author page at AuthorCentral, it will evidently remain there forever. If you publish a paperback, for example, and add it to your author page, even if you unpublish the book, it will remain on your author page. The rationale behind it is that a previous customer could potentially have a used copy to sell, and this allows other customers to purchase such copies.

That’s something to consider when you sign up for an author page and when you add a new book to it. Think it over very carefully to make sure you won’t want to remove it from your author page in the future. (Suppose you have a Kindle edition already on your author page and then publish a paperback edition. If these become linked together, your paperback will appear on your author page even though you didn’t specifically add that edition to your author page.)

However, this isn’t an issue with e-books. If you unpublish a Kindle edition, the e-book can be removed from your author page. If it’s linked to a print edition, the print edition will remain on your author page, but the Kindle edition can be removed.

Suppose you have Kindle and print editions linked together. Some reviews may declare that they are for the Kindle edition or for the print edition. If you unpublish the Kindle edition, all of the reviews for both editions will remain on the print edition’s product page. However, you can politely ask AuthorCentral to unlink the two editions once the Kindle edition is unpublished, if you wish to have the reviews from the Kindle edition removed from the print edition.

A print book can’t truly be unpublished from Amazon. You can disable the Amazon sales channel. If you publish through CreateSpace, you can disable all other sales channels, too. You can even ask CreateSpace to retire the book for you once the sales channels have been disabled. However, the book will still continue to appear on Amazon, even though customers won’t be able to buy new copies directly from Amazon. This allows any customers or vendors who have new or used copies to resell them on Amazon.

If you unpublish an e-book and republish a revised version later, any reviews that you had before could suddenly appear on the republished e-book. It might be a month down the line, if not sooner. (I’ve never tried republishing an e-book, but other authors have discussed their experiences with this.) If it does happen and you’ve made significant revisions, you might contact Kindle Direct Publishing (KDP) and politely explain this. Nevertheless, nothing prevents a customer who left a review the first time from finding your e-book again and leaving a new review.

You could republish an e-book with a new title or cover. However, this may confuse customers to the point that some of your previous customers buy a second copy of the same book by mistake, which could result in negative reviews. (Perhaps a clear explanation in the blurb could help minimize this.) With a new title, old reviews are unlikely to show up on the republished e-book.

If you just need to revise your book, you may not need to unpublish it. It depends on the circumstances. If it’s desirable to prevent the sale of your book until the corrections are made, then for an e-book you must unpublish it in the meantime, and or a print book you must disable the sales channels until the changes are made.

It’s not necessary to create a new edition (with a new ISBN, for a print book) when revising your book. You can simply update the current edition, perhaps mentioning this briefly in the blurb. Include the edition number (or something that you’ll recognize) in the Look Inside for your own benefit. This way, when you check out the Look Inside at Amazon, you’ll be able to tell precisely which edition is showing; and if a customer shows you your book or inquires about the content, you’ll be able to check which edition the customer is referencing.

With Kindle, it is possible to notify previous customers that a file has been revised, but it depends on the circumstances and what KDP (not you) decides. You can find a place to send a request to KDP from the KDP help pages.

  • If KDP determines that the issue is minor, they will not contact customers. However, if a customer visits the Managing Your Kindle page at Amazon, the customer can receive the update there. The problem is that the customer won’t know to look for the update.
  • If KDP declares that the issue is critical, your e-book will go off sale until you correct the problem. When you fix it, notify KDP of the update. Then there may be a lengthy delay. Once KDP approves the revision and puts the book back on sale, customers will be notified.
  • If the issue is major, but not critical, in KDP’s eyes, then customers will be notified that an update is available.

There may be lengthy delays if you use an e-book aggregator like Smashwords, if the e-book has already been distributed.

The best action is to do everything possible to get the book right the first time. You only get one chance to make a good first impression.

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

  • Volume 1 on formatting and publishing
  • Volume 2 on marketability and marketing

Have you Considered These Benefits of Kindle MatchBook?

First I’ll address how customers can benefit from Kindle’s new MatchBook, and then I’ll conclude with how authors and publishers can benefit from it.

Note: As of October, 2019, the Matchbook program has been canceled.

The new Kindle MatchBook allows customers who buy a print edition (hardcover or paperback) of a book to buy the Kindle edition of the same book at a discounted price – if the publisher enrolls the book in the program. The discount will be at least 50% off the digital list price, and may be up to 100%.

https://kdp.amazon.com/self-publishing/help?topicId=AVJCUBZXDNUM4

Have you ever bought a book as a hard copy because that was the most convenient way to read it? Maybe it was a nonfiction book, such as a how-to guide. You want the book spread open, with a lot of information on one page, as you try out the instructions. Maybe you have highlighting and annotations throughout the book. The index and glossary may have been quite handy.

Every once in a while, you really wished that you had the book with you, but didn’t. Too bad you couldn’t find a copy of it on your cell phone.

Imagine if you could have downloaded a copy of the e-book for free, or a low price like 99 cents (pretty cheap compared to a print copy that may run $10 to $25, or so). This way, you could always have the e-book right at your fingertips, while still enjoying the print edition.

Here is another example of how to benefit from MatchBook. You can buy the print edition at the going price and the Kindle edition at the discounted MatchBook price. When you finish reading the print edition, you can resell it, give it to a friend, or lend it to a neighbor, for example, while still retaining the digital copy for yourself. This lets you share your book with others and keep it, too.

This could be handy for books that are published as print editions first, and Kindle editions later, provided that they are enrolled in Kindle MatchBook (and assuming that Amazon doesn’t impose a time limit on taking advantage of the MatchBook offer – or perhaps the e-book will be available for preorder, if published by one of the big publishing houses).

Collectors should see a great benefit of Kindle MatchBook. Suppose you buy a brand new first edition and wish to collect it. You can keep it in mint condition by not reading the print edition at all: Simply save the collectible copy and read the Kindle edition instead.

Authors and publishers should expect to do more than merely enroll their books in the program and see what happens. All authors and publishers who are familiar with marketing know that books don’t sell themselves – i.e. just hitting the publish button isn’t enough. It takes marketing to sell books.

Similarly, just enrolling the books in Kindle MatchBook isn’t enough. If that’s all authors and publishers do, they shouldn’t expect to see a significant impact from MatchBook.

Instead, what authors and publishers need to do is promote the benefits of MatchBook to their potential customers. Just like always, price doesn’t sell books. However, marketing helps customers find books that meet their needs.

Here are a few ways to promote the benefits of MatchBook:

  • Promote the discounted MatchBook price. If the Kindle edition is free with the purchase of a print copy, market this selling point. Even if it’s not free, the discount is worth promoting as an incentive. Make potential customers aware of this through your marketing endeavors.
  • Spread the word about the possible benefits of MatchBook. Help to convey the idea that it’s beneficial to customers. Give specific examples to show customers how they might individually benefit from the program. Especially, giving them ideas that might not have occurred to them might get their attention.
  • Help to build positive buzz for this new marketing tool, while specifically trying to build buzz for how customers might benefit from MatchBook for your books.

Note that if the digital list price is $2.99 or higher and you ordinarily earn a 70% royalty (after subtracting the delivery charge based on the file size), you will still earn a 70% royalty on the MatchBook price even if it is 99 cents or $1.99. (You normally earn 35% on any Kindle e-book priced below $2.99, so it’s pretty cool that they’re paying 70% on these 99-cent and $1.99 MatchBook prices.) You’ll be able to see what your royalty will be before you hit the publish button.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Review Copies

Publishers and authors sometimes send out several advance review copies in an effort to try to build buzz for an upcoming book and, hopefully, generate some early reviews.

(If you’re interested in review copies for any of my books, please see the end of this post.)

Note that there are different types of book reviews. There are customer book reviews that can be posted on Amazon, Barnes & Noble, or Goodreads, for example. Bloggers can post reviews on their blogs. Then there are media reviews that may appear in newspapers, magazines, etc.

Readers who receive an advance review copy are required to include a note in the review stating that they received a free review copy.

Amazon, for example, permits this as long as the reviewer isn’t compensated in any way other than a free review copy, it is made clear that the reviewer can leave a good or bad review, and the review doesn’t violate any of Amazon’s customer review guidelines. (Note that Amazon’s program is now pretty effective at blocking many reviews from close friends and family. They can help you generate buzz and promote your book, but aren’t eligible to review your book.)

There are a few ways that an indie author can give out advance review copies.

One way is to get fans to sign up to be on a mailing list for the chance to receive a review copy of your next book. When a fan contacts you, this is something you might offer. Or when you’re ready to send out a limited number of advance review copies, you can post an announcement. You could do this with paperback books or e-books.

Another way is to sign up for a Goodreads giveaway. Recipients are encouraged to post a review, but aren’t required to do so, and, of course, a review could be good or bad.

KDP Select provides an alternative means of giving away free copies with the hope of generating a few reviews. However, there is no guarantee that any reviews will come, and if they do, they may be good or bad. Actually, there is somewhat of an increased chance of getting a negative review because the freebie may attract readers from outside the genre, who aren’t familiar with what to expect, as well as readers who may not bother to read the description and check out the book as thoroughly as if they were to make a purchase. It’s also possible to give away hundreds of free e-books through a free promotion without getting a single review in return.

The KDP Select free promotion is more likely to be effective if you succeed at promoting the freebie to your target audience.

One nice benefit of the KDP Select freebie is that the reviewer may opt to have the Amazon customer review show as an Amazon verified purchase. Other kinds of customer reviews generated at Amazon from review copies will show as unverified purchases. Many reviews that show as unverified purchases may seem suspicious to buyers (although when they come from review copies, they are the result of additional marketing steps that the author or publisher has taken).

A month ago I announced that I was trying out the Goodreads giveaway program. Today I sent books out to 10 lucky winners. Now I cross my fingers.

If you weren’t one of the lucky winners, but are interested in receiving a copy for any of my books or future books, please let me know. One way to email me is to click my name where it shows the photo for the about.me on my blog (on the sidebar to the right). Or you can just leave a comment (but don’t post personal information in the comment), and I’ll try to contact you in return.

Please specify which types of books that I write interest you (or if you have any specific titles, feel free to make a special request) – e.g. self-publishing, math workbooks, etc. It doesn’t have to be for you – e.g. if you have or know some kids who could benefit from some good old-fashioned math practice.

It’s not really a review copy in that I don’t expect anything in return; I just hope the book will be put to good use (or at least firewood). 🙂 (Of course, if there turns out to be a high demand, I may have to be selective. I’ll be surprised – pleasantly – if this offer turns out to be that popular though.)

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Do You Support the Underdog as a Shopper?

There are many crowd-pleasing movies and books where the protagonist is an underdog who will beat the odds to triumph in the end. So as an audience, we tend to root for the underdog.

Is the same true when you’re shopping?

All other things being equal, would you prefer to buy a product from a major, national company or a small, local business?

Ah, but the question isn’t that simple because very often those other things aren’t equal. The big business may offer a better price or greater selection, or may provide more appealing financing. The small business may provide incentives of its own, by going the extra mile or being closer to your house.

There is yet another way that it’s not so simple to call the small business the underdog. Suppose, for example, that a huge company brings very low prices, saving people a great deal of money. Suppose further that this helps many low-income families live a little better. Aren’t those families the underdogs? So maybe if a huge business is helping people who could use the help in some way, then the business is supporting the underdog.

Here’s an interesting puzzle: When it comes to buying books from Amazon or a local bookstore, who is the underdog? Amazon is the huge company. Does this make the local bookstore the underdog?

Amazon supports millions of underdogs: indie authors, indie musicians, indie filmmakers, small business owners, small publishers, etc. This is in addition to underdog consumers who may derive benefits from shopping at Amazon. Furthermore, Amazon features success stories of indie authors and small business owners right on their home page from time to time.

Yet the local bookstore is an underdog, too, right? I don’t think it’s so clear-cut in this case. I know many people who would argue the point each way, and both arguments sound good to me. One is an underdog, but the other supports many underdogs. (Now maybe there are other underdogs who are being disadvantaged in the process… I don’t know, but if there is, that’s yet another complication to consider.)

Let me back up. It’s not always right to root for the underdog, is it? Suppose the favorite has worked tremendously hard, learned much from experience, and has rightfully earned the spot as the favorite. Should we automatically root for an inexperienced underdog who comes along just for the same of favoring the underdog? That doesn’t seem right to me.

If you think about the movies and books that feature an underdog, very often the protagonist displays positive character traits and is up against an evil villain.

My point is that character is important, too. It’s not just about figuring out who the small guy is. If the big business has a positive influence on the community, while the small business shows some signs of negative character, for example, that changes everything. Or at least, it should.

Suppose you’re an author (which will be easy to do for many of you because you are). Let’s say that you walk into a bookstore and discover that they have a flat-out “No!” policy regarding self-publishing or the management treats you condescendingly or you otherwise have a bad experience there. Are you likely to support that bookstore in the future?

(I’m not saying that they have to carry all self-published books; just that they should be open to the idea and base the decision on the merit of the book. If they have a few indie books on a shelf for local authors, that will earn my support. How they treat the inquiring author is very important, too.)

If instead you walk into a small, local bookstore that makes you feel like a royal prince, wouldn’t you feel compelled to drive traffic their way and do your shopping there, too? (You should.)

Does the underdog support other underdogs and treat other types of underdogs well? How about the big business? Also look at character. These are important considerations to me.

When it comes to buying a product, quality is also important. Perhaps the big business and small guy don’t have equivalent products. If one has superior quality, it’s more like comparing apples to oranges.

Finally, let me mention one more thing about buying books. This time, let’s look at the publisher instead of the bookseller. The indie author or small publisher is the underdog compared to the big publishing giants, right? Maybe not.

A book may have a small-time author who got a contract with a big-time publisher. And the big-time author was an underdog once upon a time, until many readers supported that author enough to turn the author into a success.

I suggest that there are many gray areas here.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)