Tag Archives: Kindle

Apr 14 2014

Check Your KDP Dashboard. Cool New Feature.

New 2

Finally!

Visit your Kindle Direct Publishing (KDP) bookshelf and check out the new, totally amazing Sales Dashboard.

It may not help you get more sales, but it will make it easier to track what sales you do get:

  • The best feature may be the running totals at the bottom (under the chart), showing you exactly how much you’re making in each country (well, borrows can’t be figured into this since). Change the period from the last 30 days to month-to-date and click the update report button to see how much you’ve made in each country this month.
  • A graph shows you your sales over a period of time. This will help to keep track of which days are better or worse for sales and how a promotion impacts your sales frequency.
  • For KDP Select authors, the graph shows borrows separately from sales (and if you do a freebie, those are shown separately, too). Uncheck a box at the bottom of the chart for any data you don’t want to see.
  • The left filter lets you see all marketplaces together, or you can pick a specific country.
  • You can also see data for a specific book rather than all titles.
  • Note that the report defaults by showing you data for the last 30 days. If you prefer to see what you’ve sold just this month, for example, change this to month-to-date. There are 5 time periods to choose from.
  • You can also create your own time period by using the calendars.
  • Click the button at the right (Update Report) when you wish to make a change.
  • Try the button at the bottom called Generate Report. This gives you a customizable Excel table.

I’d like to see one more thing in this report: Why not add a column at the bottom showing the total number sold in each country? If you’d also like to see this, send KDP an email. They won’t know if this may be a popular feature unless they hear from you.

What do you think of the new report?

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Apr 11 2014

Amazon: Experimenting with Review Changes..?

Amazon Review Changes

If you’ve shopped for Kindle e-books recently on Amazon.com or Amazon.co.uk, you may have noticed some changes to the way that search results are displayed.

Or maybe not. Not all shoppers have been affected.

Apparently, Amazon is testing something out with many customers, but not all customers. That would make sense, actually. Then Amazon would have data for two groups: a control group, shopping like normal, and an experimental group, experiencing the changes.

What’s going on?

This doesn’t apply to everybody. Many customers are observing the following:

The review tally and average star rating are not showing up next to Kindle e-books in search results for many (but not all) customers.

Just to be clear:

  • Reviews are showing, but only on the product page. Normally, you see the total number of reviews and average star rating before reaching the product page, but for those who are experiencing the change, you don’t see any review information until reaching the product page.
  • Print books are not affected. Only Kindle e-books are affected (and only for some customers).
  • Some customers who aren’t seeing the review info in search results were able to switch web browsers (e.g. from Internet Explorer to Mozilla FireFox) and then see the review info. The browser switches haven’t been consistent (e.g. for one person, going from Explorer to FireFox works, but for another, it’s FireFox to Explorer that does the trick). Some customers report that no browser changes resolved the issue.
  • The test applies to shopping for Kindle e-books on Amazon.com or Amazon.co.uk. (There are other ways to shop for Kindle e-books, such as right on the device. Most people shop for Kindle e-books from Amazon’s home page.)

The way we “know” this (of course, only Amazon “knows” for sure) is from various customers (including myself) observing this firsthand, and some authors (this time, myself excluded) contacting Amazon to inquire about this and receiving similar responses.

Will the World End?

Predicting the end of the world doesn’t come with many rewards. Whether you’re right or wrong, either way you seem to lose.

Right now, it’s evidently just a test.

Here is my pure speculation. I don’t have any evidence of the following; I just tried to reach a logical conclusion from what data I have. It might be like watching a news story break out: You hear eight theories for what happened, some of which seem reasonable, and they all turn out to be wrong. But sometimes it’s still fun to play along.

  • Amazon is probably looking at (A) sales data between the control group and experimental group and (B) any impact the changes may have on creating a positive shopping experience.
  • A positive shopping experience may include data on returns, review activity, customer complaints, and average review ratings, for example. Maybe they are also listening to publisher feedback.
  • If the changes lead to (A) increased profit or (B) improved shopping experience without any decrease in profit, it would seem logical for the changes to become permanent.
  • If the changes instead result in a decrease in profit or adversely affect the shopping experience, this will probably be a temporary change and things will soon return to the way they were.
  • It could be a long delay. It might take time for affected customers to get accustomed to the change before they return to their usual buying habits.

What’s going to happen? Would you like to call heads or tails?

I’m interested in the outcome, but I don’t feel strongly one way or the other, either as a customer or as an author.

I sort of like browsing through titles and thumbnails without that review tally in search results. I sort of feel that it may (at least, in principle) encourage authors to worry more about writing and marketing and much less about reviews (but in practice…). I believe there could be a few small benefits. But again, I don’t feel strongly about it. Either way, I won’t lose sleep over this.

Some books may benefit from the changes. Some books may be hurt by the changes. Probably, it will balance out to a large extent. If the changes persist, it probably means that it’s helping more books than it’s hurting.

Sales do fluctuate for all books. So any author whose books are presently on the downward part of a typical fluctuation are presently pulling out their hair. It might be pure coincidence that their sales are down, but if they noticed these review changes, they will surely blame the reviews. But those authors whose books are presently on an upward swing will be thinking that evidently the changes are helping them out. One author isn’t a good statistical sample. Even a handful is not a sufficient indicator.

Personally, I don’t expect things to change much if the changes are here to stay. Right now, you still see the reviews on the product pages, so it’s not like reviews have vanished; you just have to get to the product page before you see them.

Maybe some books that are getting clicked frequently because their ratings are really high won’t be clicked quite as frequently. Maybe some books that aren’t getting clicked as much now because the review ratings are really low will get a few more clicks. Maybe not.

Constant Change

There is only one constant in the publishing business: change.

Several months ago, Amazon eliminated the 4-for-3 program for print books. I expected that to hurt sales, but my paperback sales actually improved significantly after that. Perhaps it’s because Amazon started discounting CreateSpace paperbacks more after discontinuing the 4-for-3 program. Or maybe my sales were about to rise for other factors, such as new releases and marketing. It’s a complicated analysis.

Amazon changed the FREE Super Saver shipping price and the fee for Amazon Prime, but these don’t seem to have affected my sales.

Here are a couple of things to consider:

  • The change is fair because it affects all Kindle e-books. It’s not like they just did it to your e-book, but left all others like they were.
  • People still want to read Kindle e-books. Your book is still available. Customers are still shopping for books.
  • Reviews generally have much less impact than authors realize. Sometimes a negative review improves sales, sometimes a positive review deters sales, very often reviews don’t affect sales at all, and when sales do change, it might very well be because of some other hidden factor and a review just coincidentally showed up at the same time.

Don’t worry. Be happy. Just read and write more books.

You can’t change the change.

It may not change at all.

If it does, don’t sweat it.

There are probably more important things that you should be doing right now than worrying about this. 🙂

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Apr 4 2014

A Glitch in the New Kindle Series Changes?

Prequel

Kindle is in the process of changing the way that Kindle series books are displayed in Amazon.com search results, as I recently posted (click here if you missed it). Basically, search results will look like:

Book Title: Subtitle (Series Title Book Number)

For example, a search result might look like:

It Wasn’t the Butler (Guess Whodunit Book 2)

I recently came across an interesting question about this on the Kindle community forum:

https://kdp.amazon.com/community/thread.jspa?messageID=715460

It’s a good question: What happens with prequels, novellas, and short stories that relate to the series?

Authors want to include the series title to help readers find all the books that relate to a series, but authors don’t want to include volume numbers for prequels, novellas, and short stories.

If it’s not really a volume of the series, that volume number may be misleading—especially for a novella or short story, where it’s not another “book” of the series.

Presently, a series title and volume number are required on series books.

Maybe a prequel could be book 0 or i, but will Kindle allow these numbers? Good question!

Many authors use short stories and novellas to hook readers on a series. You don’t want those to be numbered volumes, but do want to make it clear that it’s part of the series so that if the reader enjoys the book, it’s easy to find the series (or to help someone who has read the series find the supplemental content).

I hope Kindle will have a good solution to this problem.

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Apr 3 2014

Series Changes with Kindle

Series

Kindle is changing the way that series appear at Amazon:

  • The change will make it easier for customers to see that a given book is part of a series.
  • The change will clearly show the volume number to help customers find the next volume of a series and to read a series in order.
  • The change will show the series name to help customers find all of the volumes of a given series.

Example

You publish an e-book with Kindle Direct Publishing (KDP) and enter the following information in the publishing fields:

  • Title: Mr. Wrong Feels Oh So Right
  • Series Title: Bad Romance
  • Volume: 3

When people search for your e-book on Amazon, they will see the following in search results:

  • Mr. Wrong Feels Oh So Right (Bad Romance Book 3)

The parentheses show that this book is part of a series. The “Book 3” makes it clear that this is the third volume of a series.

What If

Are you wondering whether it matters if your book is a stand-alone book that could be read all by itself out of sequence?

  • Doesn’t matter. If you publish your book with a series title, your book is part of a series and will include the series title and volume number in parentheses.
  • Anything that comes in multiple volumes will be treated as a series.

Impact

Personally, I like it. When I first published The Visual Guide to Extra Dimensions, volumes 1 and 2, Amazon included Volume 1 and Volume 2 with the title and subtitle in search results.

Several months later, the volume numbers disappeared from search results, and sales did slow a little along with it. Before, it had been very clear that two separate volumes were available. I had contacted CreateSpace and Amazon, and the volume numbers have reappeared and vanished a couple of times.

As a customer, I had trouble buying Robert Jordan’s Wheel of Time. It wasn’t clear which volume was which, or how many volumes there were. It seems to make sense to wave a flag that says, “Over here, I’m volume 7, buy me next.”

If Amazon is making this change, it appears that someone high up has realized that either (A) this will help to improve sales by helping customers find the books they are looking for or (B) this will improve the customer buying experience because customers have been buying books that they hadn’t realized were parts of series. Maybe both.

Do you have a series published on Kindle? If so, you might want to check what you have entered under the title, subtitle, series, and volume fields. You can update this information as needed to help improve the transition.

Right now, it seems that Amazon is doing this for Kindle. I’d like to see it for print books, too (which would make sense, as many Kindle editions are linked to print editions).

How do you feel about it?

(Speaking of changes, WordPress seems to have made a nice one recently. Now, I can copy and paste from one of my blog articles to another and it retains formatting and links. I like it.)

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Jan 26 2014

Kindle e-book Prices and Royalties

Prices

What Is the Best Kindle Price?

That’s the million-dollar question. The answer also varies from book to book.

A recent article from TechCrunch points out that the $9-10 price range is the most profitable list price for e-books in the United States, evaluating sales data for all books—i.e. it includes both traditionally and indie published e-books. Click here to check it. It’s short and makes some informative points for both US and UK pricing.

However, the article doesn’t make a few points that may be particularly significant for indie authors:

  • Thousands of traditionally published e-books are priced at $9.99 and sell frequently because the authors are quite popular. Think about it: If a hardcover is selling dozens of copies per day at $35 or if a trade paperback is selling frequently at $25, then $9.99 is an enticing e-book price.
  • Many e-books that would be priced between $10 and $20 are selling at $9.99 because the publisher actually makes a greater royalty with a $9.99 list price. Kindle offers a 70% royalty on books with a list price of $9.99, so the royalty on a $9.99 e-book can be as high as $6.99 (it will be somewhat lower due to the 15 cents per Mb delivery fee). A Kindle e-book priced at $19.99 draws the same royalty of $6.99 because the royalty rate is 35%. Think about it: Would you rather sell your book at $9.99 or $19.99 if either way the royalty will be $6.99? Therefore, the $9-$10 price range is selling many, many more e-books than other price ranges above and below this—it’s kind of like ten price ranges in the same slot.
  • Technical nonfiction—especially, textbooks—tends to sell for higher prices.

I’m not advocating cheap e-book prices. I’m just warning that e-book prices of $7.99 to $9.99 might not turn out to be as profitable as this article might suggest for newbie fiction authors.

Low Prices

The article also shows that many e-books sell at low prices. One reason is that there are tens of thousands of books selling for free, 99 cents, $1.99, and $2.99. These are very popular price points, especially among indie authors. New authors often feel that they have a better chance to get discovered with a more enticing price. Others use this strategically, hoping that readers will get hooked and check out the author’s other books.

There is something important to note about low prices:

  • Kindle e-books priced 99 cents to $2.98 earn a 35% royalty. A 99-cent e-book earns a royalty of 34 cents and a $1.99 e-book earns a royalty of 69 cents.
  • A Kindle e-book priced at $2.99 which qualifies (public domain books, for example, do not) for the 70% royalty and has a small delivery fee earn royalties of up to $2.09.
  • In this case, you would have to sell 6 times as many e-books at 99 cents as you would at $2.99 or you’re losing profits.
  • Similarly, you would have to sell 3 times as many e-books at $1.99 as you would at $2.99 just to break even.
  • Amazon seems to have made recent changes to the sales rank algorithm to factor in list price. This would make sense, as Amazon would prefer to sell 100 books at $2.99 than 100 books at 99 cents.
  • Books enrolled in KDP Select can benefit from Countdown Deals. Books priced under $2.99 aren’t eligible for Countdown Deals.

Perception

Most authors expect to sell more books at lower prices and fewer books at higher prices, but it doesn’t always work out that way. Many customers believe that you get what you pay for, and this perception affects the economics of e-book sales. Even if you do sell more e-books at a lower price, you might make more profit at a higher price (since you draw less royalty per sale at the lower price).

Some authors have actually raised their prices from $1.99 to $299 or $2.99 to $3.99, for example, and started selling books at a higher frequency. This doesn’t happen for all books, but it does happen for some.

It depends in part on the value that your book provides, how it appeals to the target audience, and on the buying habits of your specific subgenre or subcategory.

There are many customers who have been disappointed with e-books that they purchased for 99 cents to $2.99, who now shop for e-books priced from $3.99 to $6.99.

Another factor is marketing. If you market your book effectively and reach potential readers on a personal level, they may be willing to spend more money on your book.

Suggestions

Here are some things to consider when deciding on the price of your Kindle e-book:

  • Research books that are very similar to yours, including top sellers. Buyers will know what the typical price range is. If your book seems underpriced, they might wonder what’s wrong with it, and if it seems overpriced, it might not seem to be worth the money.
  • Consider the length of your e-book and the value it provides. Customers like to feel that they are receiving good value for their money.
  • Most e-book buyers want to save at least 50% off the print price.
  • Some buyers will also purchase both print and e-book editions through MatchBook. If you use MatchBook, set your list price high enough that the MatchBook price may seem like a compelling option.
  • A boxed set may help to create the perception of value. The $5.99 to $9.99 price point may be more profitable for a boxed set than for a single volume by a new fiction author. Ideally, the individual volumes would be priced so as to help the boxed set seem like a good value.
  • Technical nonfiction books that provide significant content are generally worth more to buyers.
  • If you succeed in selling multiple print books per day priced $20 or higher, you have much better prospects for selling e-books at a $9.99 list price.
  • Authors who will be signing up for Kindle Select have an incentive to price their e-books between $2.99 and $9.99 in order to take advantage of the Kindle Countdown Deal. This allows you to create a short-term sale to help stimulate sales.
  • Amazon’s algorithm for sales rank may currently factor in the list price. Only Amazon knows for sure, but some authors have expressed recently that this seems to be the case now, and this is consistent with my observations, too.
  • If you have several similar books for sale, a compelling price on one book may help to generate interest in your other books.
  • If you have a series, offering the first book cheap may help to hook readers in the series.
  • How professional does the book look, in terms of both content and formatting? A higher price does command higher expectations.
  • What is the demand for your book? If the content is very specialized, this may warrant a somewhat higher price.
  • What are your specific objectives? Is your goal to draw the most royalty? Is your goal to maximize your readership? Is your goal to get on a bestseller list? When a higher price may draw a greater net profit, if you’re more focused on sales than royalties, then a lower price may fit your objectives better.

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Jan 13 2014

Commuter Fiction—Making a Case for Short Kindle e-books?

Short

When I want to shop for something to read on my Kindle, I visit Amazon’s homepage on my PC and click on the Kindle books link. It’s called ‘Kindle books,’ so intuitively what you might expect to see are ‘books,’ right?

After a half hour of searching, I may finally find one that suits my mood. Then I examine the product page closely to learn that it’s 36 pages long. Wait a minute. Is that a book?

Sometimes, I check out the Look Inside of a prospective book. I see the cover, title, copyright notice… where’s the rest? Wow! How short must a book be not to show anything from the first chapter?

A Kindle e-book can have just 12 pages. It can have 6 pages. Is there a lower limit? At 6 pages, I hope there isn’t a title page, copyright page, about the author section, and free sample of another book taking up space inside… I also hope the ‘book’ is self-contained. It would be awfully frustrating to learn that it was really one chapter in a series, where you don’t get any sense of closure until the series is complete.

Of course, despite the fact that all of these ‘books’ are listed under ‘Kindle books,’ they aren’t all books. These Kindle e-books include short stories, booklets, presentations, and novellas, too.

Until recently, I was troubled by the growing number of short e-books. I was thinking, “Don’t customers want good value for their money?” “Are customers getting tricked, buying what they expect to be a book only to discover it’s really a short story?” “Are more authors getting lazier, writing and publishing shorter pieces?”

I understood reasons for the short e-books, but I was still troubled by it.

Customers can easily return e-books if they are dissatisfied. (Many do.) They can also check the page count before purchasing, and read the description carefully. If the Look Inside is brief, that’s a big hint. If they’re getting fooled by short books, they can get their money back or leave a review about it. The customer is certainly protected.

Writers are posting short e-books for a variety of reasons. Some don’t want to commit too much into their self-publishing endeavors, so a short piece is a way to experiment. Some are hoping to see what sort of customer feedback may come for short writing samples before laying their hearts on the line for full-length novels. Some plan to compile short works into an omnibus later on, such that the omnibus will look like a good value. There are other reasons, too. Not all of the reasons may be justified.

It’s not easy to get discovered as a new writer, whether writing full-length novels or short stories. Even 99 cents is a lot of money to invest in for one short story from a relatively unknown author; the story will be over quickly, so just imagine what you’ll spend for several hours of reading buying individual short stories. On the other hand, a full-length novel is a long commitment to make for a reader with a new author.

Is it easier to get readers to try out your short story, enjoy your book, and give your full-length novel a shot? Or is it easier to get new readers to appreciate the value of your full-length novel and commit to that as the first thing they read by you? Neither is ‘easy’ for most authors.

Commuter Fiction

I recently discovered this phrase in the KDP community forum. I like the concept. It’s changing my view of short e-books.

The idea behind commuter fiction is to write a short work that travelers can enjoy at a single sitting on an airplane or bus, for example. If you have a three-hour flight, for example, wouldn’t it be perfect to buy an e-book that you could read in three hours?

Authors and publishers have discovered that there is a market for short fiction, and they’ve responded with a way to make short fiction marketable.

You can call your short story a short story. You can call your novella a novella. You can list the word count. Kindle will estimate the page count. But that might not be the way to market your short e-book.

Consider selling it as commuter fiction. Maybe it would be handy to know approximately how many hours it would take the average reader to finish your e-book. A commuter might be interested in that figure.

Truck drivers have been listening to audio books for years. They buy books by the hour. If a truck driver is going on an eight-hour drive, it would be ideal to have an audio book that lasts eight hours (or four audio books that last two hours each), for example.

The same concept applies to passengers of buses, airplanes, and trains who are reading e-books on Kindles, tablets, laptops, and cell phones. What they would really like to know is how long it will take to read the e-book. Of course, this varies from person to person because we all read at different rates. If they can deduce an average, though, that will help them judge this.

I’m not saying that you should write short e-books. It might be harder to sell than full-length books. (Who knows?) Personally, as a customer, I like to receive a good value for my money. However, there are many customers who behave differently than I do.

What I am saying is this: If you’re going to write a short book, maybe you can improve its marketability by selling it as commuter fiction.

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

  • Volume 1 on formatting and publishing (236 pages, 8″ x 10″; it’s a real ‘book’)
  • Volume 2 on marketability and marketing (212 pages, 8″ x 10″; it’s a real ‘book’)

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Jan 12 2014

Which Should Come First—Kindle or Paperback?

First

Unless you have a book where Kindle formatting is impractical, you should make both Kindle and paperback editions of your book.

Benefits of the Kindle Edition

  • You can make the Kindle edition much more affordable. If your price is $2.99 or higher, you can still draw a high royalty (70% minus delivery costs).
  • Many customers only read e-books.
  • It’s much cheaper for you to send out review copies.
  • There is no extra charge for color.

One reason not to create an e-book is if you have a book where this is impractical, such as a workbook where the reader needs to write down answers.

You should also consider publishing your e-book with Nook, Smashwords, Kobo, etc. The only reason not to do so if you feel that the benefits of enrolling in KDP Select outweigh the benefits of having your e-book available with several e-book retailers.

Benefits of the Paperback Edition

  • Some customers prefer to read print books.
  • Amazon will show your Kindle edition as a percentage off compared to the paperback edition (once the two editions are linked together).
  • Kindle’s new MatchBook program encourages the sale of both editions.
  • It’s convenient to edit your writing with the printed proof.
  • You get to experience the incredible joy of holding your baby in your hands.
  • Local bookstores and other retailers might be willing to stock your book. If nothing else, your friends and family will believe you really are an author.

Which Should You Publish First?

Once you decide to make both Kindle and paperback editions, you must decide which edition to publish first.

Most authors simply publish each edition as soon as it’s ready. Some authors prefer to format e-books and have the Kindle edition ready first; others love the art of formatting pages and have the paperback edition ready first.

That’s not necessarily the best course. Suppose you had both editions prepared, but neither was published yet. What’s the best thing to do? Should you release them simultaneously? Or is there a reason to publish one edition first?

Some authors who plan this—rather than simply first publish whatever happens to be ready first—choose to arrange preorders for the paperback edition using Amazon Advantage. They use preorders as part of their strategy for building buzz for the book’s release, and to help foster a strong sales rank and prospects for early reviews when the book is released. They then release the Kindle edition when the paperback goes live.

Once you have both Kindle and paperback editions available, you can have them linked. This creates an interesting possibility that was recently mentioned in the CreateSpace community forum: If your Kindle edition is available for sale now and linked to a paperback edition that’s on preorder, any reviews left by Kindle customers should, theoretically, show on your paperback’s product page, since the reviews are linked together. (Paperback customers can’t review the paperback edition until it goes live.)

There are two good reasons not to release both editions simultaneously:

  1. You gain visibility by having a book in the Last 30 Days and Last 90 Days categories on Amazon. This is based on your publication date. (Tip: Don’t enter any publication date at CreateSpace. That way, your book’s publication date will be the day you click Approve Proof. This maximizes your book’s visibility with the new release search filters.) Release one book 90 days prior to the other and you get 180 days of new release visibility out of one book.
  2. You have the opportunity to create double-buzz. Build buzz for one edition. Then a month after its debut, you have two months to build buzz for the other edition if it’s going live 90 days after the first.

You could release the Kindle edition first. At the same time, setup preorders for the paperback edition. Arrange the paperback edition to go live 90 days after the release of the Kindle edition. Make the publication date of the paperback edition when it goes live, so you get a total of 180 days visibility in the Last 90 Days category.

If you’re one of those authors who can publish two books per year, you can use this method to always have a book listed under Last 90 Days.

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Jan 1 2014

Kindle Countdown to the New Year

54321

I love KDP’s new Kindle Countdown Deal tool. I did a couple of preliminary tests with it when it first came out in November, 2013. I used it with several e-books on Read Tuesday, December 10. I even ran a couple of free promos on Read Tuesday so I could compare the results to the Countdown Deals. I used the Countdown Deal once again after Christmas, when e-book sales are usually on the rise.

What is it?

Let’s begin with what it isn’t. It’s not a cure-all for any e-book that doesn’t sell. If your e-book isn’t selling, the Countdown Deal probably isn’t the answer. Instead, you need to reassess whether the content, writing, and packaging are marketable. At least one of these areas needs to be improved to get your book selling.

If you have a marketable book, the Countdown Deal can help to stimulate sales. A short-term sale price can help you create added interest in your book, especially if you market the promotional price effectively.

Here are the main details of the new Kindle Countdown Deal:

  • If your Kindle e-book is priced from $2.99 to $24.99 in the US or £1.93 to £14.99 in the UK, you can put your e-book on sale for as little as one hour or as many as 7 days consecutively in a 90-day KDP Select enrollment period. (Many e-books with a $2.99 price in the US have a UK price below £1.93. If so, you need to republish and raise the UK price to £1.93 before running a Countdown Deal in the UK.)
  • Customers will see both the sale price and the list price during the promotion, so they will know exactly how much they are saving. There will also be a countdown timer, showing customers when your sale ends, which helps to create a sense of urgency.
  • The sale price must be at least $1.00 off in the US and £1.00 off in the UK and must end with .99.
  • Your e-book must be enrolled in KDP Select, which requires publishing the e-book edition of your book exclusively with Kindle. Your e-book must be enrolled in Select for at least 30 days before you can run a Countdown Deal.
  • If you change your list price, you must wait 30 days before running a Countdown Deal. You must also wait 14 days after the promotion to change your list price.
  • You must schedule your Countdown Deal at least 24 hours in advance of the day on which your promotion would begin. You need 24 hours notice to cancel a Countdown Deal.
  • Note that you can only run a single Countdown Deal in a 90-day enrollment period, even if your first Countdown Deal didn’t use the full 7 days. (This is in contrast to the free promo, where you can run up to five separate one-day promotions or use them all at once.)
  • If your book is on the 70% royalty plan, you will still earn 70% after subtracting the delivery fee even if your sale price is $0.99 or $1.99. However, if you have a large file size, which is typical if there are several images, you might actually earn more money during the Countdown Deal on the 35% royalty plan. In fact, your royalty could be zero on the 70% plan. Unfortunately, KDP doesn’t show you in advance what your Countdown Deal royalty will be; you need to figure this out yourself. On the 70% royalty plan, subtract the delivery fee (find this in Step 2 of the publishing page) from the promotional price, then multiply by 0.7. Compare this to 0.35 times the promotional price for the 35% royalty rate. You can switch plans by republishing before (it must go live 24 hours before the day your promotion starts) and again after the promotion (but then you earn 35% for sales for a day before and the period after your promotion while your e-book is being republished).

Comparing the Countdown Deal to the free promo

Kindle’s Countdown Deal solves many problems that the free promo suffers from:

  • Since customers are paying money for your e-book, most of your customers will actually read your e-book. A huge problem with the free promo is that many people who take the e-book for free never get around to reading it.
  • Since customers are paying money for your e-book, most shoppers will actually read your blurb, check out reviews, and explore the Look Inside prior to making a purchase. Another huge problem with the free promo is that many shoppers don’t bother seeing if the e-book actually appeals to them since it’s free.
  • Customers are more likely to be in your e-book’s specific target audience. This means they are more likely to have reasonable expectations for your genre. The free promo attracts customers from outside your genre, who then compare apples to oranges. This sometimes shows up in critical reviews.
  • Unfortunately, there are many outspoken individuals who strongly loathe freebies. Some, with mean spirits, actually ‘buy’ freebies with the preconceived idea of slamming them. By running a Countdown Deal, your e-book won’t attract the freebie haters, and if someone does wish to slam the e-book, at least they must make the purchase first if they want it to show as an Amazon Verified Purchase.
  • You earn royalties during the Countdown Deal. You don’t earn one penny during a free promo. The hope of the free promotion is that some customers will actually read the e-book, like it, and help spread the word. It’s a big risk. The Countdown Deal has the same benefits, without the risk. Sales during the Countdown Deal affect your paid sales rank, whereas a free promo only affects your free sales rank. Your paid sales rank actually slides during a free promo, but will most likely rise during a Countdown Deal.
  • There are fewer freebies saturating the market with the introduction of the Countdown Deal. There are also fewer Kindle e-books priced at 99 cents and $1.99 because those e-books aren’t eligible for a Countdown Deal. More Kindle e-books now have a regular price of $2.99 and higher. This helps everyone create a better perception of value. Those e-books that are on sale during a Countdown Deal can only be on sale for up to one week out of 90 days, so most of the time they are not cheap.
  • Websites that link to Kindle e-books through Amazon Associates are discouraged from promoting freebies, but have an incentive to promote Countdown Deals. It would be smart to search for sites that promote Countdown Deals for your genre. It’s a win-win situation, since they can earn money through Amazon Associates by promoting your e-book.

My experience

I ran a Countdown Deal on several e-books during Read Tuesday, a Black Friday type of sale just for books on Tuesday, December 10. I actually ran my promotions from December 9 to December 11. I sold more e-books on average on the 9th and 11th, but had the greatest surge in sales on the 10th, the day in which Read Tuesday was being promoted. On December 10, my sales of e-books for the month doubled what they had done all together from the 1st to the 9th. Several other authors also ran Countdown Deals on Read Tuesday. Of those who have shared their results with me, all but one had similar successes, and some had a far better yield than I had.

A Countdown Deal can be highly effective for a marketable e-book that is promoted effectively.

I ran a couple of free promos on December 10, also, so that I could compare the two programs. I did get a few sales of those e-books after the free promos ended, but those sales paled in comparison to the Countdown Deals.

In early November and late December, I also tested the Countdown Deal on a couple of other e-books (you can only run one Countdown Deal on a given e-book in its 90-day enrollment period in KDP Select). On these occasions, I didn’t promote the sale. I did this with one of my better sellers, with the result of increasing the sales frequency by a factor of 3.4. Trying this also with a couple of e-books that ordinarily don’t sell much, I confirmed that a Countdown Deal isn’t the solution to an e-book that lacks marketability.

You still need to promote your sale

You will certainly get the most out of your Countdown Deal if you effectively market your promotion. As already mentioned, you should search online for websites that actively promote Countdown Deals. If they use Amazon Associates, they have an incentive to help you promote your e-book, so don’t be too shy to search and ask.

There are also several websites that specialize in announcing e-book promotions, e.g. by emailing readers who are subscribed to daily newsletters. For example, check out these sites: BookBub, Ereader News Today, Kindle Books & Tips, Book Gorilla, Book Blast, and Pixel of Ink. You want to learn about stats to help you with your decision. For example, the BookBub pricing page provides data for subscribers by genre, average downloads, and average sales.

The exclusivity drawback

You must enroll your Kindle e-book in KDP Select in order to take advantage of the Countdown Deal tool. This requires publishing your e-book exclusively with Kindle during the 90-day enrollment period. You can’t publish your e-book with Smashwords, Nook, Kobo, Apple, or any other e-readers besides Kindle during this period. However, you may publish a paperback edition of your book with CreateSpace, for example; the exclusivity clause only pertains to electronic versions of your book.

It’s also possible to initially enroll in KDP Select, then 90 days later opt out and publish your e-book with every e-reader. This allows you to test the water; the 90-day period also gives you a chance to prepare your e-book for the other e-reader formats.

Some e-books sell very well on Nook, Kobo, Sony, or Apple, while others sell primarily on the Kindle. The only way to know for sure is to try it out. If your e-book sells very well with Nook, for example, you probably don’t want to enroll in KDP Select. However, if your e-book rarely sells anywhere but Kindle, you might as well take advantage of the program. Select also has other benefits, like earning royalties on borrows from Amazon Prime members.

Attention, Amazon: You need a Countdown Deal for CreateSpace paperbacks, too

It would be very cool to have a Countdown Deal for CreateSpace paperbacks. This would solve a major problem. The Expanded Distribution channel limits how low you can set the list price for a CreateSpace paperback. If you want to run a short-term promotion, you can simply lower your list price temporarily. However, if you have Expanded Distribution, you might need to temporarily disable it in order to make a compelling sale price.

Amazon and CreateSpace could get together, potentially, and create a Countdown Deal that only lowers the Amazon sale price, but not the list price or Expanded Distribution price, during the promotion. If you like this idea, please feel free to contact Amazon and CreateSpace with your suggestion. The more authors who suggest this, the more likely they will consider the idea.

Presently, the Countdown Deal only applies to Kindle in the US and UK. Hopefully, they will add this to Australia, Canada, and other websites for Kindle sales soon.

Happy 2014

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

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Dec 8 2013

Chance to Improve a Kindle Pricing Issue

Change

When you run a Kindle Countdown Deal, if you have a paperback edition linked to the Kindle edition, the paperback product page shows the regular list price of the Kindle edition, and not the sale price.

Why not? Wouldn’t showing the sale price improve the chances of getting a sale?

Is Amazon trying to push paperback sales? Does Amazon figure that customers who have a Kindle will check out the Kindle page anyway, then when they see the even lower price, this will help stimulate a sale? Is Amazon hoping the customer will buy both editions, taking advantage of MatchBook? Or did Amazon simply overlook this pricing issue?

Would you rather have the paperback product page show the sale price of the Kindle edition?

If you’d like to see a change, the best way to proceed is to voice your opinion. Be clear and concise, and avoid triggering KDP’s auto-responses (e.g. if you mention that your paperback edition is published with CreateSpace, KDP might send you a message that you need to contact CreateSpace).

I contacted KDP to point out this issue and suggest changing it to show the sale price of the Kindle edition on the paperback page. Their response stated that the paperback product page shows the regular Kindle price because the CountDown Deal is not presently available for paperbacks. (What does that have to do with the price of tea in China?) KDP did say that they understand the issue and will forward my suggestion to their business team, who can make such decisions.

I’ve submitted dozens of suggestions to Amazon, CreateSpace, Kindle, and AuthorCentral over several years. A few of them have actually been implemented. To be clear, they didn’t implement my suggestion. Several other customers made a similar suggestion. That’s the key. One voice is likely to be lost in the wind. When changes have occurred, I’ve heard from many other customers who had submitted similar suggestions. So if you want to improve the chances of a change occurring, you must voice your own opinion.

Do you have other suggestions? If you keep them to yourself, they probably won’t make a difference. (Don’t make all of your suggestions at once. Spread them out here and there.) Here are a few other things that you might consider:

  • A total at the bottom of the KDP month-to-date sales report.
  • Consolidating KDP sales reports for other countries into a single report.
  • Showing the subtitle in the cart at CreateSpace so you can see exactly what you’re buying (if you have multiple books with similar titles and only the ending is different, you can’t tell which it is when checking out).
  • Give us the option of 35% or 70% on CountDown Deals without having to republish a couple of days in advance (if you have a large file size, you might actually draw a larger royalty from a CountDown Deal at the 35% rate).
  • Show us what the royalty will be while we’re scheduling a CountDown Deal (you’d hate to find out later that you only made one penny per sale, for example). (I love math, so this doesn’t bother me, but I’m thinking this would be convenient for some.)
  • Allow UK authors to order proofs from CreateSpace printed from the UK instead of the US (Amazon UK orders are fulfilled that way, so why not proofs?). (Again, this doesn’t affect me as I live in the US.)
  • Any other issues you come across and would like to see improvement. Tell others about the issue and encourage them to send in suggestions if they feel the same way.

Don’t flood Amazon with tons of suggestions all at once. Please don’t tell them that I sent you. 🙂 I didn’t. You have a mind of your own. Do what you feel is best.

Love books? Check out Read Tuesday, a Black Friday event just for books (all authors can sign up for free) on Tuesday, December 10: website, Facebook page, Twitter

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Volume 1 (formatting/publishing) and Volume 2 (packaging/marketing), Facebook page, Twitter

Volumes 1 and 2 will be on sale on December 9 thru 11 as part of Read Tuesday on December 10. These books haven’t been on sale all year, so this is a rare opportunity. The Kindle edition of Vol. 1 will be $1.99 (60% off from $4.99) in the US and 1.99 pounds (37% off from 3.14 pounds) in the UK, while Vol. 2 will be $0.99 (80% off from $4.99) in the US and 0.99 pounds (70% off from 3.25 pounds) in the UK. The paperbacks will also be 40% off ($5.99 instead of $9.99) at CreateSpace:

Nov 20 2013

Updating a Book at CreateSpace or Kindle Direct Publishing

Update

Today I will share my experience of updating books at Amazon. I recently updated Volume 1 of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers at CreateSpace and Kindle Direct Publishing (KDP). The paperback now includes a comprehensive 18-page index, and both the paperback and eBook include minor updates (such as mention of recent changes at CreateSpace, Amazon, and Kindle and correcting a few minor typos).

If you need to revise your interior or cover file at CreateSpace, first study your sales rank history (you want to know the time of the sales, not the time that the royalties report) to help choose the time where you’re least likely to sell books. Your book will be unavailable for sale while the new file is being reviewed, so you don’t want it to interfere with sales (unless your revision is more urgent, then you just have to do it immediately).

It takes approximately 12 hours for your files to be reviewed. The biggest concern is how Murphy’s law will get you:

  • One way is for CreateSpace to make changes to your cover, even when you didn’t change the cover file and it had been perfect. The best thing to do is resubmit your files for review and hope the next reviewer doesn’t make changes to your cover. This is another 12 hours. But if you call, they put in a request to research the problem, and this can take a couple of days (and may not even resolve the problem). There is, unfortunately, a worst-case scenario where your book is offline for several days. You just have to cross your fingers and hope it doesn’t happen to you. Let me add that this rarely happens, so most likely it won’t be an issue. I didn’t mean to scare you. Just prepare for the worst, then if something does happen, you won’t be surprised by it.
  • Another way is for you to make a minor revision, which winds up causing major changes to the layout of your book. You see, revising a phrase on page 3 could cause a crazy page break on page 8. Take the time to scroll page by page through your book in the Digital Proofer to ensure that there aren’t any crazy layout problems and you might be able to avoid this problem.
  • Then there is conservation of typos, whereby you introduce a new typo in the process of correcting others.
  • Finally, there is the Doh! moment when you click Approve Proof and suddenly remember something else that you should have done.

Very often, your book is again available for sale in 12 to 24 hours after uploading the revised file.

A crazy thing is that you can actually order the paperback directly from Amazon after the revision and receive the older version. This evidently happens when they already have your older version stocked in their warehouse (e.g. if there was a returned copy to resell or if they had ordered some in advance to stock up).

What I like about KDP is that your previous edition remains available for sale while your new eBook is in the process of publishing. This way you don’t miss out on any sales in the meantime.

I put a note on the copyright page indicating when the eBook was last updated. This way, when I viewed the Look Inside at Amazon, I knew I was looking at the updated version.

I like the way the Look Inside turned out. The Look Inside when viewing on a PC is the greatest formatting challenge. I went into the HTML in my effort to perfect this. The indents look large on the PC, but that’s because I set them to a percentage instead of a value in inches. That way, the indents will look fairly reasonable from a cell phone to an iPad.

Another thing to consider is updating the description. I updated the paperback description from CreateSpace, using the basic HTML that’s allowed to create linebreaks, boldface, italics, and bullets. I used Author Central to do this for the eBook. The paperback description begins with a note about the new index that has been added.

The paperback was ranked around 14,000 on Amazon, but has now dropped down to 45,000. It’s amazing what a 16-hour window of no availability can do to sales rank. On the other hand, the eBook edition jumped up to 40,000 from the 100,000’s. I guess when the paperback wasn’t available, people decided to go with the eBook (ordinarily, I sell many paperbacks for each eBook that sells).

For those who may have purchased the original paperback without the index, there is a free index available in PDF format online: https://chrismcmullen.wordpress.com/index-for-a-detailed-guide/

Now I need to work on an index for Volume 2.

Volume 1 eBook: http://amzn.com/B00AA5CJ7C

Volume 1 paperback: http://amzn.com/1480250201

Volume 2 eBook: http://amzn.com/B00CSDUP66

Volume 2 paperback: http://amzn.com/1484037243

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook page, Twitter

Check out Read Tuesday (a Black Friday event just for books): website, Facebook page, Twitter