KDP now Supports HTML Descriptions

HTML pic

Amazon Book Description HTML

How it was:

  • Kindle Direct Publishing (KDP) didn’t used to support HTML for the book description.
  • In order to use boldface, italics, ordered lists, and unordered lists, it used to be necessary to visit Author Central (https://authorcentral.amazon.com).
  • Once you used Author Central for your Kindle e-book description, republishing the e-book at KDP wouldn’t have any effect. You had to return to Author Central to revise the blurb.

It’s changed:

  • KDP now supports HTML for your description. (I know this because I just tried it and it worked.)
  • The HTML at KDP is the same as the Author Central HTML (e.g. there is a funny space in the linebreak tag, <br />).
  • If you republish your Kindle e-book, whatever description you have with KDP now overrides your Author Central description.

If there was any announcement regarding this, I missed it. I just discovered it by checking my product pages after republishing and hearing from others who’ve done the same.

Important notes:

  • Just a small change, like modifying your price, causes your Amazon book description to revert to whatever you have at KDP.
  • Before you republish at KDP, visit Author Central, edit your book description, select the HTML option, copy the description, save one copy in Notepad, and paste it into the description you have at KDP.
  • After your updated book goes live on Kindle, check your blurb at Amazon.

Good news:

  • This is better because now the Kindle description can include formatting when the book first goes live.
  • Although you can’t preview the description at KDP, you can edit the description with an existing book at Author Central and preview it there (then simply cancel the edit so it doesn’t affect your other book).

You don’t need the <p> tag to make paragraphs. Just use two consecutive <br /> tags; they work like using the Enter key twice to create a blank line between paragraphs.

Note that KDP respects the Enter key. Therefore, if you’re using <p> tags and using the Enter key, you may get much wider linespacing than you expect. Ordinary HTML ignores the Enter key. Author Central ignores the Enter key (in HTML mode). But KDP doesn’t.

Basic KDP Blurb HTML:

  • Place text between <b> and </b> to make boldface, as in <b>bold</b>.
  • Place text between <i> and </i> to make italics, as in <i>italics</i>.
  • Use <br /> at the end of a line to have the same effect as the Enter key.
  • Use <br /><br /> to create a blank line between paragraphs.
  • Don’t use the Enter key in addition to the <br /> tag.
  • If you use <p> tags, don’t use the Enter key in addition to the <p> tags. (Use <p> at the beginning of a paragraph and </p> at the end. Don’t press Enter between paragraphs.)
  • Use <ol> to start an ordered list (with numbers) and </ol> to end an ordered list.
  • Use <ul> to start an unordered lists (just bullets) and </ul> to end an unordered list.
  • Use <li> to create an item on a list and </li> to end that item.

You don’t actually need to know HTML to format your description with it:

  • Edit a book description for any book at Author Central.
  • Type the description with boldface, italics, the Enter key, bullets, or ordered lists.
  • Preview the description to see how it turned out.
  • Switch to HTML mode. (There is a little yellow rectangle for HTML and another called Compose. Click the HTML rectangle to switch to HTML mode.)
  • Copy the HTML for your book description into Notepad.
  • Cancel the edit at Author Central so it doesn’t affect the book’s actual description at Amazon. (That’s why it didn’t matter which book you used.)
  • Paste the HTML into KDP. (If you also want to use it at CreateSpace, remove the spaces from the <br /> tags. You can do a find and replace in Notepad.)

There is an important difference between KDP, Author Central, and CreateSpace HTML: At Author Central and KDP, the linebreak tag <br /> has a funny space, while at CreateSpace there is no space, <br/>. If you use the linebreak tag in your HTML, be sure to adjust the space between CreateSpace and the two other sites.

Also noteworthy is that KDP, CreateSpace, and Author Central all permit descriptions of 4000 characters (it used to be 2400 at Author Central).

 

About Me

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

  • Volume 1 on formatting and publishing
  • Volume 2 on marketability and marketing

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Models of Good Books: What to Look for

Models

Model Books

Indie authors must go way beyond writing the book. There is also editing, formatting, cover design, and marketing.

But self-publishers don’t need to invent the wheel. When it comes to formatting and cover design, there are many effective models available to help serve as guides.

Look at books as models for what can be done.

It’s important to realize that different books serve different purposes. Don’t take your favorite book and use it as a model for everything.

  • Paperback formatting: Look at books similar to yours by the big publishers. Money-saver: Visit your local library.
  • Cover design: Browse through top-selling indie books in your genre. (Note: Big publishers and popular authors can get away with lesser covers. When you see a popular book with a blah cover, it doesn’t mean that covers aren’t important.)
  • E-book formatting: Try to find professional e-book conversion services with a strong reputation or e-book formatters who appear very knowledgeable. Browse through books they’ve formatted. For example, KDP has a list of conversion services: https://kdp.amazon.com/help?topicId=A3RRQXI478DDG7. One of these is Book Nook Biz, which has a gallery of books: http://www.booknook.biz/bk_books.
  • Blurb: Best-selling indie books often have great blurbs. Look for popular indie books in your genre. (Note: Big publishers and popular authors don’t need the best blurbs to sell books.)
  • Price: Look for books that are very similar to yours to see what price range is common.
  • Categories: Search for popular books similar to your book on Amazon. See which categories they are listed under.
  • Marketing: Find successful indie authors in your genre and see what kinds of marketing strategies they are employing. Their social media pages may give you some clues. Many top indie authors have Author Central pages at Amazon, and very often their blogs or tweets feed into Author Central. Click on a blog post or tweet to find these authors online.

For any single aspect, such as formatting, don’t limit yourself to just one book. Look at a variety of books in your genre.

Your goal isn’t to copy what someone else has done, but to sample a variety of quality books that show you what some of your options are. You can also develop a feel for design by studying well-designed books. The more you study, the better (provided that they were designed well).

What to Look for

Here is a sample of specific things to look for when studying models.

Paperback formatting:

  • Are the books justified or ragged right? Are all the pages like this, or are there exceptions in the front or back matter?
  • What size font is used? What style font is used? Research suitable fonts for your genre that are available for free for commercial use. Print out a sample paragraph in a few different font sizes and compare your sample paragraph to what you see printed by the big publishers. You can learn a lot about book design by trying to recreate a page that you see. (Recreate the page only as a test. You don’t want to copy the design of any book, but want to develop your own style from studying these models.)
  • Measure the linespacing. Chances are it’s close to single spacing, but not quite. Google how to measure font leading. You can set the linespacing to Exactly a pt measure (font sizes being measured in terms of pts).
  • Measure the page margins. Also measure the distance between any headers and footers to the body text.
  • Do the lines of text line up at the top and bottom of all the pages? Are there exceptions, like the first or last page of each chapter?
  • Which pages have page numbers? Which pages have Roman numerals?
  • Which pages have page headers at the top? Study the style of the page headers. What text appears on different page headers? Note that the publisher name or author name are less relevant for indie books.
  • Study the chapter heading and subheading styles, including the font size, font style (e.g. bold), numbering, and space before and after the headings. Do the first-page chapter headings drop down from the top of the page?
  • Does the book use hyphenation? How frequent are the hyphens? If the book is justified, are the gaps between words ever noticeable?
  • Do you find any widows (a single line of a paragraph that appears on a page by itself)? Do you see orphans (a word or short phrase all by itself on the last line of a paragraph)?
  • Is there a single space after a period and before the next sentence starts instead of two spaces? Look closely.
  • Look for bullet points, footnotes, citations, and any other kinds of formatting that you plan to use in your book and study the formatting.
  • Does the book have a drop cap at the beginning of each chapter? Is the first paragraph of each chapter non-indented?
  • How are the front and back matter organized? Which sections are included?
  • Examine the copyright page closely. Formatting is important. You need to prepare a professional copyright statement and, if you write fiction, a fictional works disclaimer. Your print-on-demand book won’t have a Library of Congress number or printing numbers like traditionally published books do.
  • Study the formatting of other front and back matter sections, like the table of contents, references, index, glossary, and about the author section.
  • Look for little design marks that improve the feel of the book. Are they small? How do they look? Where are they used?

E-book formatting:

  • Most of the bullet points listed above for paperback formatting apply here, too, except that you may prefer to look at indie e-books converted by professional e-book formatters. If so, it’s also worth comparing these to traditionally published e-books.
  • Look for differences between e-book and paperback formatting.
  • Do e-books tend to give you the freedom of font size, font style, linespacing, and other user options?
  • Do the images fill the width of the screen when reading on a pc? Would you be able to make out the detail in the images on a cell phone? How do they look on a black or sephia background? Are there some images, like glyphs, that don’t appear full-width? Do the images look nice? If they are in color, how do they look in black and white? (Obviously, if you have the chance to sample some of these things on a few different devices, that will help.)
  • Does it seem like some front matter sections are missing? Is the table of contents in the front or back?
  • Study the way the e-book begins, especially the formatting and order of the title page, copyright page, contents, introduction, and how the book starts.
  • Does the end of the book include a short sample from one of the author’s other books?
  • Examine the chapter headings closely. Study the formatting. Do they appear as text or as images? Do they come with images, or are they text only?
  • Is the first paragraph of each chapter non-indented? Are there any lines from the table of contents or copyright page that appear indented?
  • How large is the indent? Does the indent look the same size if you change the font size or view the book on a different device? (You can save a Word document as a filtered webpage, open the e-book in Notepad, and change the size of the indent to something like 2 em instead of a value in inches. That way, the size of the indent depends on the font size.)
  • Is the book justified or ragged right? Which text is centered (copyright page, chapter headings, etc.)? If the book is justified, do you see any large gaps between words?
  • Does any of the text appear in color?
  • Is the e-book reflowable, fixed layout, or comic book format?
  • Are there any or many long paragraphs? Or does it seem like the e-book has mostly short paragraphs to prevent a single paragraph from easily filling up a screen?
  • Does the Look Inside get into the action quickly or build slowly?
  • It’s worth skimming all the way through a well-designed e-book shortly before viewing your own e-book on the previewer. That will help you notice possible issues.

Cover design:

  • See how everything (i.e. the central image, background, and text) seems to fit together on the best book covers. You don’t want your cover to look like separate pieces slapped together.
  • Can you immediately guess what the book is about by glancing at the cover? Compare the thumbnail image to the full cover.
  • What are readers in your genre accustomed to seeing on covers?
  • How many images do you see on the best covers?
  • Do the people on the covers have blank stares, bored looks, or appropriate expressions? Do you see the same stock images on many of the top sellers?
  • How many main colors are there? What kinds of colors are common in your genre? Which color combinations seem to work well together?
  • Do the fonts fit the genre? Are the fonts plain, fancy, or somewhere in between? Are the fonts easy to read? Is the title easily read on the thumbnail? Is the text horizontal? Do you recognize popular fonts like Times New Roman, Arial, and Comic Sans, or did the designer spend time browsing font sites like Font Squirrel (http://www.fontsquirrel.com) and FontSpace (http://www.fontspace.com) to find the one that works best?
  • Although you should study top-selling indie book covers, traditionally published books reveal an important point: They don’t mention the cover designer on the front cover, but instead mention the designer in small print on the back cover and on the copyright page.

Blurb:

  • Is it short or long? If it’s long, is there space between paragraphs? Does it have bullet points? Does it use italics or boldface? (You can do these things from Author Central: https://authorcentral.amazon.com.)
  • Does it grab your attention right away? Does it hold your attention throughout?
  • Can you tell right away what the book is about?
  • How does the text flow? Is it easy to read? Does sentence structure and length vary? Is the writing simple or complex? How strong or plain is the vocabulary?
  • Is it written in the third person or something else? What tense is used?
  • Are there review quotes in the description? If so, what are the sources?
  • Also study author pages, including biographies and author photos.

About Me

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Authors, You Are Amazon

Me yes you

Why You

Because your book is available for sale at Amazon.

Amazon does sell many other products, but most customers think of books when they think of Amazon.

Millions of customers will buy other books besides yours, but some will (hopefully) buy your book.

When those customers read your book, your book—for that period of time—represents Amazon.

If the customer enjoys the shopping and reading experience that your book provides, the customer doesn’t just think highly of your book and you, but Amazon, too.

A poor buying or reading experience produces the opposite effect.

Of course, you have your own reasons for wanting to create a positive reading experience: You want the customer to recommend your book to others and to look for more of your books.

You want other authors’ books to create positive reading experiences. The more customers who enjoy shopping for books at Amazon and reading those books, the more likely those customers are to buy more books from Amazon and recommend Amazon to their friends, which improves the sales potential of your own books.

So it’s in your interest to support your fellow authors when they need and ask for help. (Offering unsolicited advice isn’t always received well, though.)

It’s also in your own best interest to help brand a positive image for Amazon, Kindle, and CreateSpace. The more customers who shop on Amazon, the better for all authors.

It’s even in your best interest to have good things to say about books similar to yours because those books are likely to appear on your customers-also-bought lists, and even if they don’t, most customers buy multiple books that are similar, not just one of them. Similar books can thrive together (or they can sink together).

When you hear negative things about Amazon, Kindle, or CreateSpace, take a moment to calmly and concisely say something good—and then let it be. Don’t get into a confrontation. Brand a positive image for yourself, too.

If you ask a customer what Amazon is, he or she will probably mention that it’s a huge website with an enormous selection of well-priced books.

But that’s not how the customer feels about Amazon. How the customer feels depends on shopping experiences and reading experiences. Each sale of your book contributes to a customer’s perception of Amazon.

You are Amazon.

We are Amazon.

Even the customer is Amazon. Anyone who enjoys the great selection, convenience, and prices benefits from helping to brand a positive image for Amazon.

Of course, indie authors must be thankful for the opportunities that Amazon has created.

Indie authors account for a significant share of Amazon’s book sales.

Indies are Amazon, too.

And the best indie books have shown that they can create wonderful reading experiences.

Beyond Amazon

You’re more than Amazon.

If you sell books on Nook, Kobo, Sony, Smashwords, etc., you’re all of these.

Wherever your book is sold, your book represents that retailer.

You want to brand a positive image for all of these outlets, and for whatever publishing service you use.

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Can You Be too Professional?

Pro Am

Amateurish!

There are many ways that a book or author may be perceived as amateurish.

Many of these correspond to doing what seems intuitive or convenient:

  • Commenting on reviews.
  • Not realizing that the cover is a visual representation of what quality to expect.
  • Including the word “by” before your name.
  • Using the default settings in Microsoft Word.
  • Creating indents with the spacebar or using the Enter key to pagebreak.

Others are more subtle:

  • Not seeking editorial reviews to earn buyer confidence.
  • Typing two spaces after a period.
  • Poor font selection.
  • Not using Word’s style functions and First Line Indent from the Paragraph menu.
  • Getting a free .wordpress.com site instead of buying a domain or using .org.

Add to this at least 90% of the things done in the name of “marketing.”

Too Far?

If it’s not professional, does that make it amateurish?

Unfortunately, I see comments about other books and authors of the sort:

  • “That’s so amateurish!”
  • “You need to enroll in Publishing 101.”
  • “What a newbie!”
  • “Nothing says ‘amateur’ like Times New Roman.”
  • “Didn’t you preview your book first?”
  • “That book is in bad need of editing help.”

In a moment, I will come to an alternative to professional and amateurish.

First, let’s consider some of these points:

  • If there is something reasonable that you can do to improve the formatting of your book, you should do it. A better-formatted book makes a better impression. It’s certainly harder for readers who enjoy a story to recommend a poorly formatted book. A better-looking Look Inside is more likely to close the sale. However, once the book looks pretty good, for most buyers who support indie publishing, there will come a point where the formatting is good enough to earn the sale.
  • Some of the people who are avidly complaining about grammar, spelling, and writing style, and who are pointing out editing issues, are themselves editors. They want to advertise the importance of editing to drum up business. If they love editing books, naturally editing will be quite important to them. But it’s also important to readers. Frequent mistakes will lose reader interest. Not just in spelling and grammar, but using a vocabulary and style that suits the audience, having the book flow well, even improving the storyline and characterization. There are many different kinds of editors, and all editing is important. However, like formatting, customers who support indie books have some degree of tolerance. The important thing is to be on the safe side of where this line is drawn for the majority of your target audience.
  • A lousy cover suggests a lack of effort. Who wants to read a book where little effort was put into it? If the cover reflects much effort, the cover should, too. The cover is also a valuable visual tool. Customers searching on Amazon see the thumbnail among many others before deciding which books to check out. Most of the thumbnails don’t receive any attention. The cover is also a valuable branding tool. An effective cover makes the genre and content immediately clear to strangers in the target audience and appeals to the target audience. In nonfiction, sometimes large keywords can be effective with little imagery. If you interact with people personally, this can offset not having a great cover. But a fantastic cover opens many doors, and is a must for selling fiction through discovery online.

Option 3

If not professional nor amateurish, what else?

Stephen King is a professional author. Sold millions of books, traditionally published, famous.

You don’t expect to see Stephen King use his children’s school artwork for his cover. You don’t expect to see him commenting on many of his reviews. You expect his books to be professionally edited and formatted. You probably have really high expectations for the quality of his stories. Stephen King can easily get a ton of editorial reviews, famous authors to write forewords, professional book reviews, etc. His author site is stephenking.com, which looks very professional.

You’re not Stephen King. (If you were, why on earth would you be reading this blog?)

But you don’t need to be.

In fact, you can do some things that you wouldn’t expect Stephen King to do. (I’m not saying he doesn’t do them, just thinking what average expectations are.)

Personalization.

It’s your asset. You can interact with your fans, your target audience. Stephen King can interact personally with fans, too, and probably does. You can easily interact personally with a much larger percentage of your fan base. By the sheer numbers, Stephen King is pretty limited percentage-wise.

The Personal Touch

I see some authors with an AuthorName.com website without a blog. I’ve even see a few authors switch from the free WordPress .com site to .org, and I’ve seen the Likes and Follows disappear to be replaced by Facebook and Twitter options only.

I perceive this as an attempt to appear more professional (and .org may also offer more flexibility, although .com has everything I feel that I need). Also, displaying a tally of views, likes, and follows might show that a website isn’t too popular, so perhaps some aim to hide this data.

But it seems less personal.

In addition to personalization, humility may be another factor.

We like to discover the small guy, with a humble book that tells a great story, that we can support.

By the way, WordPress.com is huge and may help, rather than hurt, with search engine traffic compared to .org. See here: http://onecoolsitebloggingtips.com/2014/05/05/no-metadata-required-for-good-seo/. There is a lot of helpful info there; for this point, look at the end of the first paragraph under “Keyword Use in Branding.” I have .com (with the WordPress extension in it) and draw in over 100 views per day from search engines, so .com seems to work well for me.

Readers who want a professional, impersonal reading experience can already find that with traditional publishing. One of the advantages of self-publishing is the opportunity to provide a more personal experience to a larger percentage of readers. There are disadvantages, too, so it’s important to take advantage of the benefits.

Readers can also choose a personal experience, with a perhaps more humble book and author. I’m not saying to not worry about being professional. Get the formatting, editing, and cover to look as good as you can. Marketing-wise, think personal. That’s your advantage.

An interactive blog, where it’s easy to interact and follow however the fan prefers (WordPress, Facebook, Twitter, Google, Pinterest, email, etc.), with the convenient option of commenting from WordPress without having to sign into Facebook or Twitter, encourages participation. A simple Like while logged into WordPress offers a quick and easy show of support.

Think of ways to find and interact with your target audience. Readers who personally interact with an author, online or in person, and who enjoy the experience are more likely to buy the book, and to recommend the book to others if they enjoy it.

Many of the ways that books are bought are inaccessible to new authors: bestseller lists, showing up high in a category, professional reviews, name recognition, etc. But one of the big ways that books are purchased is following personal interaction with the author. Every indie author has this opportunity.

How about editorial reviews and advance review copies? This is very common among traditionally published books. Should indie authors be copying what traditional publishers do? I know, there are some incentives to reviews, as some sites that promote indie books set a bar to reach.

Some customers don’t like to see numerous reviews show up shortly after a book is published: It can create buyer suspicion. Some disregard all those quotes of how wonderful a book is. At the same time, customers want to see an assortment of neutral opinions. Ah, what is neutral? Are all those glowing remarks inside a top-selling book really “neutral”?

Is it possible for a humble book with a personal touch, along with a possible personal experience, to have more appeal than a book that seems “too” professional? Food for thought, perhaps.

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Even Indie Authors Get Rejected

Rejection

One great benefit of self-publishing is that it’s a sure thing.

You don’t need to send out query letters or book proposals.

You won’t be rejected by agents or editors.

But that doesn’t mean you won’t feel rejected.

Formatting Rejection

Once your manuscript is complete, you spend several days hammering that square peg of a book into a round hole, trying to reshape it into acceptable formatting.

You might be rejected by Microsoft Word, refusing to number pages, format headers, or keep the layout the way you would like it.

The publishing service might reject your file because it didn’t meet the technical guidelines.

Kindle might show you a preview that doesn’t look anything like your Word file.

Smashwords might not accept your e-book into the premium catalog.

Editing Rejection

People may point out spelling and grammar mistakes in your writing.

They might suggest that you really need an editor.

You might receive some constructive criticism on your writing, which, even when it has merit, can be hard to swallow.

Even worse, when you seek to hire an editor, the editor can choose to turn down the job.

Technical Rejection

When you order printed books, there is a chance of receiving defective copies.

A customer can receive a defective copy. No manufacturing service is perfect.

Even an e-book customer can experience technical hiccups while downloading or reading a book.

When one of your few customers encounters a problem that’s beyond your control, it can be frustrating.

Content Rejection

You can’t publish anything.

Amazon has content guidelines.

CreateSpace has content guidelines.

Kindle, Nook, and Kobo have content guidelines.

If you probe the limits of your writing freedom, your work could get rejected.

Sometimes there isn’t a clear line between what is or isn’t acceptable, but a murky gray area.

Legal Rejection

If you quote a line from a song, you could receive legal notice to take your book down.

If your writing infringes upon the rights of others, your book could lead to a lawsuit against you.

Legal action could cause a retailer to stop selling your book, or the publishing service to stop distributing your book.

Article Rejection

With the hope of gaining more exposure among your target audience, you may submit an article for publication.

Just like submitting a book proposal, your article may be rejected.

Contest Rejection

If you enter your book into a contest, you might not win.

You might not even make the first cut.

Review Rejection

Critics can leave bad reviews.

They can post one-star reviews right on the product page, where every shopper can see it.

Where your family and friends can see it.

Where you can see it.

Those comments can cut deep.

Sales Rejection

There is no guarantee that you will sell a single copy of your book.

Many books never sell 100 copies.

Not 100 per month. Not 100 per year. Not ever.

There are books that have been on the market for over a year that have no sales rank.

To not sell any books must hurt worse than receiving thirty rejection letters.

Public Rejection

People you know can complain about your book.

Or about how you’re wasting your time pretending to be an author.

While you strive to build positive publicity for yourself, once you enter the public eye’s scrutiny, one false step can lead to negative publicity.

Bully Rejection

Cyberbullies can target you.

Family Rejection

Your own family might not appreciate your writing.

They might wish you did something more “meaningful” with your time.

Self Rejection

You could be your own worst critic.

You might regret your prior writing.

You might delete your work and start over before you ever finish.

You might not even find the courage to publish in the first place.

Approved!

You write, therefore you are an author: See “Intimidation is nine-tenths of the writer’s law,” by Ionia Martin.

You don’t need permission to share your passion. You are approved!

Don’t focus on the worst that can happen. Focus on readers who can benefit from your writing. Those are the people worth writing for.

Writing and publishing a book is a huge accomplishment, no matter how you do it. Give yourself a round of applause. Congratulations!

Grow a thick skin. Find a support system. Don’t let ’em bring you down.

When you feel rejected, turn it around. Use it as a motivator. Let it boost you up.

Support

Offer support to other authors.

Read. When the writing is good, leave positive reviews. Spread the word about good books.

Share your wisdom and experience with authors who seek help from you.

Provide emotional support where it’s needed. Oh, yes, it’s needed.

Applaud authors everywhere for working hard to create wonderful reading experiences.

Listen.

It’s faint, but listen.

Do you hear it?

Sounds like a clap.

More clapping.

It’s growing louder.

Applause.

Take a bow. That applause is for you.

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Why You Want Fellow Authors to Succeed

Compliments

You want your fellow authors to be successful.

You even want books similar to yours to do well.

And it’s not just about creating good karma.

It makes good business sense, too.

Some would have you believe that the way to thrive in the competitive publishing business is to play the cutthroat game and slam the competition. Unfortunately, you can find stories of a few big authors and publishers slamming one another, not just recently, but even going way back. You can also find gossip about more underhanded activities.

But that’s just foolish.

And again, it’s not just because it’s not nice. Economically, it doesn’t make sense if you take a moment to look a few moves ahead.

Highly similar books usually sell together. Some customers buy them all at once. Some buy one today, another in a month, and another a few months from now.

Similar books help one another out through customers-also-bought associations. They also help one another out through word-of-mouth referrals because they share a common target audience and people within that audience do discuss books they enjoy.

When you buy a book online, Amazon recommends similar books. When you visit your homepage, again Amazon recommends similar books.

Foolish authors look at similar books and think, “Oh no! That book looks good. It might take all my sales.” The immature reaction is to slam the competition.

And shoot yourself in the foot in the process.

Most likely, that book won’t take your sales. Most likely, that book will either (A) help your sales or (B) not affect your sales.

When customers really like a book, they want to find more books similar to that.

But there is one way that similar books can take your sales. That’s when you succeed in hurting that book’s sales.

Then, instead of that book’s sales helping your book out through customers-also-bought associations, it’s hurting your sales by not sending traffic your way.

When authors slam one another and a lot of the competition, it creates a bad vibe for the whole set of similar books. It hurts sales for everybody.

Similar books are free marketing for you. Other authors’ great content and effective marketing helps you through customers-also-bought marketing. You don’t need to do anything to benefit from this except continue writing your own books, developing your own author platform, and marketing your own books.

Applaud your fellow authors and watch them help you without even trying.

Act on your jealousy and watch you hurt yourself.

First of all, your efforts to hurt the competition may actually help the competition because you’re giving those other books more publicity, even if it’s negative. And you have to credit people, who can often smell a rat.

Second of all, you don’t want to hurt the sales of similar books that can only help you out.

And what about those amazing authors who break through and make it big time?

Does that make you feel all jealous inside? Do you look at those books critically and think how childish the storyline is, how poorly edited the book is, and completely miss the big picture?

Applaud those authors. If you self-publish, applaud the indie authors who succeed. They’re helping to make a great name for indie authors. They’re reaching hundreds of thousands of readers and showing them that indie books can be amazing.

If you self-publish, you want other indie authors to be successful. Their success builds a large audience of readers who are willing to take a chance on indie books. That helps you.

It’s not just indie author success. It’s any author success. Any author who makes readers love the reading experience creates future sales for many other authors.

There is no indie versus traditional battle. What’s most ridiculous about that is the increasing number of authors who publish both ways. Should they punch themselves in the face?

There is just one battle. That’s you wrestling against yourself, your emotions, and your irrational instincts.

What’s good for readers is good for all authors.

And if there are readers who enjoy a book, that book is pleasing readers and therefore good for all authors, including you, whether or not you approve of that book.

Way to go, Amanda Hocking! You made a huge name for yourself. You made a huge name for indie authors.

Way to go, Hugh Howey! Way to go, E.L. James!

Way to go, Stephen King! Your great works have hooked millions of readers not just on your books, but on the love of reading.

Way to go, J.K. Rowling! Way to go, Anne Rice!

Way to go, all authors, big and small, whose books have pleased readers.

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

The Critical Book Sales / Marketing Chain

Chain

Sales Formula

How many books will you sell? There is a simple formula for this:

SALES = (# of views) X (% of buys)

For example, if 1000 people view your book every day, but only 0.5% of those people purchase your book, you would sell 5 copies per day.

The two ways to maximize sales are to

  1. Maximize the frequency with which people view your book—i.e. increase your book’s exposure.
  2. Improve the percentage of people who purchase your book after viewing it—i.e. improve the buying ratio.

Wasted Effort

If your buying ratio is lousy, any time you spend improving your book’s discoverability is wasted because the buying ratio is inefficient. It would be 20 times more effective to raise your buying ratio from 0.001% to 0.1% (that’s 100x better) than it would be to increase your daily views from 1000 to 5000 (that’s 5x better). (The 20 times more effective compares 100x to 5x.)

Too many authors are focused on increasing the number of views instead of improving the % of buys. The latter may be easier and more effective.

You probably get hundreds or thousands of more initial views than you realize. Amazon.com sells millions of books every day (because the top 200,000 or so sell at least one copy per day, and the top books sell hundreds of books per day, adding up to millions overall). Shoppers view many more books than they buy, so there are probably billions of books seen on Amazon every day. At this stage, I’m saying that the thumbnail has been seen, but the book may not have been clicked on.

Of these billions of views, many shoppers click on one of the Last 30 Days or Last 90 Days links, which helps to find new releases. This filters the search results to help books that are otherwise hard to find get discovered in the first few months of the publication date.

TIP: Don’t enter a publication date at CreateSpace or Kindle. Leave this blank and the publication date will automatically be the date that you click the magic button to publish your book. This maximizes your book’s exposure in the new release categories.

Why should we think that a newly published book buried in Amazon’s haystack may be viewed hundreds or thousands of times more than the sales (or lack thereof) might suggest? (Again, by view, I mean that the thumbnail has been seen, not necessarily the product page.)

Because there are unmarketed books that get discovered and start selling frequently right off the bat. Although this is a rare percentage of books, it does happen, which shows that shoppers are discovering books through the new release filters.

Most books that don’t sell frequently on their own generally suffer more from a poor buying ratio than from poor exposure.

Buying Ratio

The buying ratio depends on this critical marketing chain:

  1. What percentage of people who see the thumbnail click on the book to visit the product page?
  2. What percentage of people who view the product page click to look inside?
  3. What percentage of people who look inside purchase the book?

This gives us another formula:

% of buys = (% of clicks) X (% of look insides) X (% of closes)

where the percentage of closes corresponds to point 3 from the marketing chain.

Suppose 1000 people view your book everyday, but:

  • 990 of them don’t click on it because it doesn’t look like it belongs to a genre that they read. In this case, a simple cover mistake may be costing you many sales.
  • 990 of them don’t click on it because the cover doesn’t look like it belongs in the category that it’s listed under. Such a target audience mismatch can greatly deter sales.
  • while 500 of those people do click on your book to see the product page, 495 of those don’t look inside because the blurb describes a different genre than the cover depicted. The cover and blurb must send a unified message.
  • while 500 of those people do click on your book to see the product page, 490 of those don’t look inside because the blurb doesn’t capture their interests.
  • while 500 of those people do click on your book to see the product page and 250 of those go on to look inside, 248 of those don’t make the purchase because the Look Inside doesn’t seal the deal.

More Sales

If you can improve the buying ratio, it will significantly improve your sales frequency.

There are three steps in the chain. Just one problem with these three steps can greatly deter sales even if the other steps are incredible:

  1. Improve the effectiveness of your cover at attracting your target audience. Cover appeal isn’t satisfactory. The most effective covers (A) pull you into them and (B) grab the specific target audience.
  2. Improve the effectiveness of your blurb to engage the interest of and arouse the curiosity of your target audience.
  3. Improve the effectiveness of your Look Inside in convincing your target audience that your book is Mr. Right for them.

A great cover with a lousy blurb = many lost sales.

A great cover and great blurb with a lousy Look Inside = many lost sales.

It’s really hard to make all 3 fantastic. But that’s what it takes to achieve a highly effective buying ratio.

Consider these points when designing your cover:

  • Spend hours researching bestselling covers within your specific subgenre. Find top sellers overall, good sellers with content similar to yours, and the best indie books. These are the kinds of images, font styles, and layouts that attract your target audience. But note that top authors and publishers can get away with a lesser cover due to name recognition.
  • Study cover design tips and mistakes. You can find such lists here at my blog, for example (click the Cover Design tab above).
  • Consider hiring a cover designer. You might think you can’t afford one. It might turn out that you really can’t afford not to have one. If you get a highly effective cover (now that’s a big IF, not guaranteed by hiring a designer, so do your research well) that improves your buying ratio by 10 times, that could make a huge difference over the next few years (especially, when you finally reach the level of having a professional author platform and several books out). On the other hand, if the blurb, Look Inside, or content greatly deter sales, that will put a huge dent in your cover’s potential effectiveness. There are no guarantees.
  • Get feedback, especially from your target audience. Be patient and redesign as needed.

Consider these points when writing your blurb:

  • Spend hours studying the blurbs of top selling books in your specific subgenre. What makes these books seem interesting? Does the writing flow well? Are the easy to read, or do you have to puzzle them out? Do they engage your interest throughout? Do they arouse your curiosity and make you want to click to look inside?
  • Don’t write a summary of your book for your blurb!
  • Ask yourself and your beta readers which elements of your book are most likely to attract interest in your book. Your blurb should use these effectively to draw out the shopper’s curiosity. You don’t want to give out information, but want to plant seeds that will make the reader want to know more.
  • Every sentence of your blurb needs to engage the shopper’s interest. Any sentence that doesn’t can greatly diminish your buying ratio.
  • Any spelling, grammar, or punctuation mistakes can greatly deter sales. Let’s face it: If you make a mistake in a 100-word blurb, that doesn’t bode well for writing tens of thousands of words well. Get help combing through this carefully.
  • Make sure your blurb reads well, flows well, and will be easy for your target audience to comprehend. Most people are looking for an easy read.
  • Shorter is often more effective for fiction. Anything extra increases the chances of the reader walking away. Come out punching, hook the reader, and make the reader look inside to learn more. For nonfiction, concise may also be good, though there are also benefits of showing expertise, qualifications, and listing selling features. If so, use basic HTML or go to Author Central to separate your paragraphs with blank lines and to use bullets to list features.
  • Get feedback, especially from successful indie authors and your target audience. Be patient and rewrite as many times as it takes to nail it.

Consider these points when preparing the Look Inside:

  • Browse through dozens of professional looking Look Insides of top selling books in your genre and compare them closely to your book. Don’t copy them; rather, learn what makes them highly effective.
  • Good editing and formatting are more important than many authors realize. Books tend to have more mistakes than the author realizes because the author tends to see what he or she meant to write rather than every word exactly as it was written. Get help ironing out your Look Inside. Your Look Inside is the only salesperson at Amazon making the difference between Buy It Now and Walk Away. Yeah, it’s that important.
  • The Look Inside needs to grab the reader’s interest right off the bat, arouse the reader’s curiosity, and seem like the kind of book that the cover and blurb depicted. The cover and blurb create expectations; the Look Inside must deliver on the promise.
  • The Look Inside must read well. The words should flow well. Even little things, like avoiding repetition, varying sentence structure, organizing your ideas well into paragraphs, dialog tags, and consistent style can have a significant impact if everything else is right.
  • This last point is huge. Your book idea has to have a significant audience (or a significant niche audience), and the category, cover, and blurb have to be effective at reaching this audience. The first step really is to research the potential of your book, starting by finding similar books and seeing how well they do, then by receiving ample feedback before, during, and after your book is written.

Putting extra time into perfecting the effectiveness of your cover, blurb, and Look Inside can pay huge dividends over the lifetime of your book. Rushing can cost you big time.

The X Factor

There is another factor that can have a huge impact on your buying ratio besides your cover, blurb, and Look Inside:

The impression that the content of your book has on your audience.

This make a big difference in the way of reviews, recommendations, and word-of-mouth referrals.

If you have a fantastic cover, a killer blurb, and an amazing Look Inside, but the content fails to meet the expectations that the cover, blurb, and Look Inside created, everything can backfire.

Bad reviews that highlight important points (i.e. important to buyers) which shoppers can corroborate with your Look Inside can kill your buying ratio.

So it’s also worth perfecting your content. Perfect your storyline, characterization, editing, formatting, and writing. This can make the difference between favorable recommendations and unfavorable criticism. You can’t completely avoid criticism because not everyone shares the same interests, but you want to do your best to limit it and to encourage positive feedback.

There is an abundance of good content already on the market. Writers who can achieve something extraordinary have an opportunity to stand out with marked word-of-mouth referrals. It’s not easy. Sometimes a story or character is just so memorable. Study stories and characters, especially those in your subgenre, that are exceptionally memorable.

There are two more ratios that are worth considering as they also impact your net sales:

  • Your return ratio: How often a customer is dissatisfied with your book.
  • Your referral ratio: How often a satisfied customer helps you reach a new customer.

Marketing

The higher your buying ratio:

  • The more books you will sell without marketing.
  • The more effective any marketing that you do will be.

For a given buying ratio, there are two ways that marketing can help sales:

  • Marketing can help you improve your book’s exposure. More views among your target audience means more sales.
  • Marketing can help you improve your buying ratio. Personal interactions can help stimulate sales even if the cover, blurb, and Look Inside are lacking to some extent.

Marketing is most effective when your efforts reach many people in your specific target audience who don’t already know about your book.

For example, spending a little time every week over the course of several months to prepare content toward developing a content-rich website that will attract hundreds of people from your target audience through search engines every day can give you amazing long-term exposure. 100 people per day equates to 36,500 people learning about you and your book every year. It’s an activity that can start out very slowly at first, but if done right can be highly effective after a year or more.

Long-Term Success

However many copies you sell, whether it’s a few a month or several per day, imagine if you could multiply this number by 2, 5, or 10. Going from 3 per month to 6 per month may not seem like much, but your book won’t be available for just a month. What if your book continues to sell for years? After a decade or lifetime of sales, multiplying all those sales by 2, 5, 10, or more could turn out to be huge.

This is especially true if you’re not trying to be a one-hit wonder. Most new authors’ books struggle. It’s not easy to get discovered. But there is a lot of potential for good writers with good ideas who persevere.

Focus on long-term success. Imagine having several similar books on the market. Now every book that you sell has the prospect of helping to market your other books. Anything you can do to improve your buying ratio can pay added dividends by helping to sell your other books.

Work toward having a professional author platform in the long run. Do a little here and there with this long-term goal in mind. Do marketing that is likely to reap long-term rewards.

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Omnibus … or … Omni-Bust?

OmnibusI’ve seen an increasing number of omnibus editions on the e-book market in recent years.

It’s an attractive idea:

  • Customers save money when the omnibus is discounted compared to buying individually.
  • It’s convenient: Customers don’t have to hunt down the separate volumes or remember to buy later.
  • The omnibus allows continuity in reading: When you finish one volume, the next is sitting right there, ready to read.
  • Seeing the omnibus available, you don’t feel worried that the series might not be completed (provided that the omnibus is a complete set).
  • Authors benefit by encouraging customers to buy the entire series up front.

The benefits sound pretty good. So I was about to hop on the bandwagon myself. Until I started having second thoughts.

Are there any disadvantages?

  • Will the presence of your omnibus edition deter the sales of your other books? If so, this may offset the benefits of a stronger sales rank and your reviews may get spread thinner.
  • If you already have some volumes out with good sales ranks and a healthy number of reviews, you’re kind of starting over with the omnibus edition. Maybe the potential savings will help to stimulate many early sales to quickly build up the sales rank and reviews, but then returns the issue of what happens to your other books?
  • If you’ve already promoted your individual volumes, have many links online pointing to your other books, and have already been branding and marketing your books, you need to consider your omnibus with your marketing plans. The omnibus does give you new time in the new release category and provides new opportunities to create buzz, but you must also consider your other books.
  • If you sell both e-books and print books, will you make a print omnibus, too? Paperback customers may appreciate having separate volumes over one mammoth book. Also, for lengthy novels, a single book may exceed the maximum number of pages possible.
  • For Kindle e-books, if you’re planning to set the omnibus price above $9.99, you need to consider that the royalty rate is 35% for Kindle e-books priced $10 and up, so you may actually make much more money selling the e-books separately or limiting the price of the omnibus to $9.99. If your books include many pictures, you must also factor in the delivery costs.

How do you feel about omnibuses, as an author or reader? If you have experience publishing an omnibus, please share it so that others may learn from your experience.

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

My original self-publishing guide, How to Self-Publish a Book on Amazon.com, has recently been updated and expanded.

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

A Good Goal for Indie Authors: How Many Books Should You Sell?

Covers

How Many?

At any stage of writing or publishing—from the concept to already having a few books out there—you want to know how many books to expect to sell.

It’s the million-dollar question. Well, you hope it’s a million-dollar question. You’d hate to find out it’s a hundred-dollar question, a five-dollar question, or a zero-dollar question.

Getting answers isn’t easy. Many authors are reluctant to share their numbers. Perhaps there is good reason for this:

  • Revealing a high frequency of sales may attract unwanted attention. For example, it may evoke jealousy in others.
  • Revealing a low frequency of sales may make it seem like the author has failed, it may draw pity, and it may even deter sales.

It’s also not easy to gather sales data from Amazon, BN, Apple, and all the other book and e-book retailers out there.

Nonetheless, there have been several attempts to determine the average number of books sold. The numbers can vary somewhat depending on a number of factors, such as:

  • Whether the research involves all books, just print books or just e-books, just fiction or just nonfiction, just indie books or just traditionally published books, just Amazon or all retailers, etc.
  • The time period over which the research was gathered, since the numbers may change significantly within a few years.
  • How the researchers went about gathering their data.

Despite these differences, the average number of books sold is often said to be a figure like 100, 250, 500, or 650.

I can hear some of you asking an important question: Is that per month? per week?

Nope.

That’s right: It’s not per month, per week, or per anything. It’s just a period. That’s lifetime.

Those are some small numbers!

You know what I think about those numbers?

Unacceptable!

Too many authors work their rears off crafting a hundred thousand words, editing, formatting, polishing, learning the craft, blogging, tweeting, facebooking, developing a website, writing sequels, supporting other authors, working 40 hours a week to pay for the luxury of writing part-time, and supporting families while spending years writing their books… to sell a few hundred books all together.

That’s too much hard work.

The worst part of this is that there are many authors who’ve done all this hard work who are presently thinking, “It sure would be nice to sell 100 books,” because they haven’t gotten there yet.

Most of the authors I’ve encountered love to write so much they couldn’t imagine not writing. Many were writing novels before print-on-demand made self-publishing viable. Now they have the opportunity to share their work with others.

They do all of this hard work so that some readers can find a few weeks of enjoyment.

It might be a small niche audience who enjoys that book, but for many authors, that’s okay. They know that some people will enjoy their books even though they didn’t write the most popular topics (or didn’t write them the way they’re usually written), and they want very much for the audience that will appreciate their books to find them.

Another Number

One.

One what, you ask?

One book.

Sell a single book to a stranger.

Have one stranger enjoy your book.

The first time you autograph a copy for somebody.

Let one stranger reach out to you and tell you that your book was worth writing.

One can be a powerful number.

You can’t get to 50,000 without starting at one.

Number one in a category would be a pretty cool “One,” too, don’t you think?

Goal-Setting

First, I said that a few hundred is unacceptable. Then I said that one is special. Am I sending mixed messages?

My suggestion is that you don’t set a single goal, but set several goals in stages:

  • The first goal is to get regular sales of any sort. It doesn’t matter if it’s one book per month, one book per week, one book per day, a few per day, or what. A sales frequency with some regularity will net you sales in the long run. Time is on your side. One book per month doesn’t seem good, but if you can keep it up, after several years it will add up to something. Eventually, you’ll break that average number of books sold.
  • The second goal is to improve your sales frequency over the course of time. If you start at one book per month and raise it to one book per week, that’s a 400% improvement. The slower you start, the easier it is to improve. Starting with one book per day, try to get to 2 a day, then 3 a day, and so on. Be patient. And work toward your goals.
  • Better than comparing yourself against others (there will always be a bigger fish out there), try to improve upon your former self. Not just quantitatively. If you feel that your writing or publishing skills are improving, even if your numbers aren’t growing, that provides some satisfaction and gives you hope for future improvement.
  • One of your long-term goals has to be to exceed the average number of books sold. Whether it’s a year, a few years, a decade, or whatever—it’s not so much the time period that matters, but the satisfaction of getting over this hump—you’ve got to reach 1000 books and grow from there. First you’ll get there with the sum of all your books, but eventually you want each book to break this threshold. Work for it. Remember, it doesn’t have to happen this year. Time is on your side.
  • Then you’ve got to keep the momentum up. 1000 isn’t close to what your hopes and dreams were when you were fantasizing about sales before you pressed that publish button. If your numbers are growing, that’s a great sign. Let your long-term goal be to steadily improve your numbers and you will have much potential for future success.
  • Don’t just focus on the numbers. In the end, it’s not the numbers that matter. It’s how many readers benefit from your books that truly matters. Focus on your readers and, naturally, both your books and your marketing will be better with your readers at heart.

It’s not Easy

If the average number of books sold is 250, this doesn’t mean that every book is selling 250 copies.

Since it’s an average, it means that for every book that sells 100,000 copies, there are thousands of books that hardly sell at all.

There are millions of books available for sale, with tens of thousands coming out every month. It’s not easy to get discovered.

But the challenge makes success that much more rewarding. Accepting the challenge makes you want to write an even better book.

It’s also not as hard as it at first seems.

Many authors give up. Some books were published as tests. A few people took up publishing with the misconception that it would be an easy money-producer.

There are a number of reasons that tens of thousands of books hardly sell at all:

  • Content is lacking.
  • Little or no marketing.
  • Ineffective cover.
  • Bad need of editing.
  • Poor choice of categories.
  • Content doesn’t have an audience.
  • Author didn’t have relevant expertise (especially, for technical nonfiction).

This means there is hope. Books that were slapped together with the hope of making easy money are bringing that average down. Authors who got discouraged quickly are bringing it down. Books that need a much better cover, authors who don’t market, unedited books, all these factors make the average number of books sold smaller. If you could throw all these out, the average number of books would be higher. How much higher? That’s a good question, but higher nevertheless.

Work for It

It may not come easily, but you can do it.

You. Can. Do. It.

Here are some ideas to help you on your way:

  • Research the idea before you write. See what’s already out there. Try to gauge your book’s potential.
  • Give your readers the best content you can. Don’t rush it. Focus on long-term success. Quality affects long-term sales through word-of-mouth, customer reviews, and branding.
  • Get ample feedback from your target audience and fellow authors. Assess your storyline, characterization, writing style, formatting, cover, and blurb.
  • Make or buy a cover that will specifically attract your target audience. If you have a quality book, the cover can be a very influential sales tool. Most best-selling indie authors credit their covers for much of their success. A fantastic cover won’t sell a lousy book, but can make a huge difference for a great book. You work so hard hoping for your target audience to find your book, wouldn’t you like for them to actually click on it once they see it? It’s the cover that makes the difference. An appealing cover isn’t satisfactory. It has to attract your target audience to give your book maximum potential.
  • Write a killer blurb. Rewrite as many times as it takes, get as much advice as you need. A few sentences on your product page are the only thing that will determine if the customer will click to Look Inside or walk away. Similarly, perfect the Look Inside.
  • Good editing, good formatting, a professional appearance, a professional author photo, an effective biography… all these things influence sales and some also impact word-of-mouth sales and reviews.
  • Develop a professional online author platform. When people check you out, you want to look like a professional author. Create content that will attract your target audience, as this can be a highly effective marketing tool. Don’t try to build Rome in a day or a week. A little work every week over the course of several months can get you there. Visualize the professional author platform you’d like to have and work for it, little by little, with your long-term vision in mind. Meet and interact with other authors and check out their websites to help you improve your vision for your own platform. One year from now, you want to have 100 or more people who don’t already know about your book visiting your author platform every day by searching for relevant keywords through search engines (that’s over 30,000 visitors per year!—if the content fits your book well, these are people who may enjoy your book). It takes nonfiction content that’s a good fit for your book to attract them. Done right, it may be the most effective marketing you do.
  • Write more books. Every quality book you write improves your exposure. Customers who find one of your books are likely to find your other books, which gives each book much increased exposure. Some customers will also buy multiple books. You look like a serious author with several books out. Shoppers also realize that trying one of your books has the possible reward of providing a large supply—the risk is they may not like the book, but the reward is that it will be easy to find several other books like it if they do enjoy it. Each book also helps you reach more readers, and every reader you reach is one more person who might eventually tell a friend. Some authors get discouraged by a slow start and give up. Authors who push on and continually strive for improvement have a great deal of potential. Writing several quality books greatly enhances your prospects of selling a significant number of books.
  • Learn about marketing. Try out a variety of ideas. Spend a lot of time writing, but also spend a little time marketing every week. Marketing can pay off in the long run, but you have to do some of it and keep it up for marketing to pay long-term dividends for you.

If your book isn’t selling well, try to change it up. If sales decelerate or a critical review suggests need for improvement, consider a change.

One way to improve your numbers is to improve your books:

  • Try changing the blurb. This is something simple to change and in a couple of weeks, you may be able to judge its effect.
  • The next simplest thing to consider changing is the Look Inside. Both the blurb and Look Inside can have a significant impact when the content is highly marketable.
  • A new cover is a more drastic change. If you believe in your book and if feedback suggests that your current cover isn’t attracting your target audience, this may be worth considering.
  • If your book isn’t selling or if a critical review suggests improvement, consider improving your book’s content.
  • Be patient. Sometimes, there is an audience out there for a book and it just isn’t easy to match the book to the audience. It is possible for word-of-mouth and branding to eventually pay off, even if things start out very slowly.
  • When things seem really bad, seek advice from (A) people with experience and (B) people in your target audience. If it’s not working, you should be open to suggestions.
  • Market your book, run a promotion, try to get the word out. Paid advertising probably isn’t the answer for a book that isn’t selling, but there are a lot of ways to advertise for free that may be more effective. First perfect the content and packaging, then turn to marketing. Quality and packaging are more important for long-term success. Interact with your target audience.

Good luck with your books. 🙂

Wish your fellow authors well, too, and mean it. Similar books work together, whether you like it or not. Quality similar books thrive together through customers-also-bought lists and word-of-mouth. Foolish authors who shoot down their neighbors hoping to get ahead shoot themselves in their own feet because if they actually succeed in deterring sales of similar books, their own books will sell fewer copies from customers-also-bought lists. Customers don’t buy one book. Over time, they buy several similar books. Authors can benefit from this greatly, or lose from this, much depending on how the authors of similar books support one another.

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

My original self-publishing guide, How to Self-Publish a Book on Amazon.com, recently updated and expanded, is temporarily on sale for 99 cents at Amazon.com.

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

The Vulnerable Author

Shattered

Introduction

Once you press that publish button, your book will be publicly visible. This allows the general public to discover and purchase your book, but it also makes you vulnerable.

What could happen?

  • You could spend years researching and producing a book, and in just a few seconds someone can write a few words in a review that sends you seething.
  • You could spend months doing even more work to market your book, only to find that some of your former social media friends no longer wish to speak with you.
  • You could be unfortunate enough to attract the attention of cyberbullies.
  • You could stick your foot in your mouth publicly in a few seconds, shattering months of hard work to brand your author image.
  • You could have a steady flow of sales going, and then suddenly the algorithm that was helping your book get discovered can freeze your sales like an Arctic chill.
  • You could have virtually no sales at all.

Authors need firewall protection—not so much for their computers as for themselves!

What Can You Do?

Think positively:

  • Don’t dwell on the worst that could happen.
  • Visualize a positive future for you and your book.
  • Don’t waste anxiety over what hasn’t actually happened.
  • At the first sign of a problem, don’t react out of fear. Things might be much better than they seem.
  • Be patient. Try to stay positive. Feel confident (but not arrogant).
  • Don’t be a stat or review junkie.
  • Eat healthy and exercise.

Be the best you that you can be:

  • You can’t control other people, but you can control your own actions.
  • Refrain from remarks and activities that may attract negative attention.
  • Strive to maintain a professional author image.
  • Don’t behave reactively or defensively.
  • Show patience, think things through, talk things out privately.
  • Ask yourself, “Does this look professional?”
  • Show good character.

Diversify your assets:

  • If you only have one book and it’s only available on Amazon, you’re ultra vulnerable.
  • Strive to sell effectively through multiple sales channels. That way, if something is adversely affecting sales at Amazon.com, chances are that it’s not also affecting Amazon UK, Nook, Kobo, Smashwords, Sony, Apple, BN.com, The Book Depository, local bookstore sales, direct sales from your website, in-person sales, etc. While Amazon.com may be your main sales channel, other additional sales help to give you continued activity when Amazon.com sales are slow.
  • Write multiple books. If you write different kinds of books, consider using a pen name as this offers protection from being targeted (on the other hand, it’s easier to market books that are all published in a single name).
  • If you have a talent for cover design or basic editing, for example, you can combine this with your writing hobby so that you’re not entirely dependent on book sales.

Market, market, market:

  • Pre-marketing helps to generate early sales. The more sales you generate, the more likely you are to get valuable reviews from customers (which looks more natural than recruiting reviews in a time when customers are learning to be suspicious of reviews).
  • Learn ways to market your book effectively and do the work. Personal interactions can help to generate sales, even if there is a sales deterrent on your product page. Customers you interact with personally through marketing are also more likely to post reviews.
  • Run book promotions or contests to help generate interest in your book. This can help to inspire sales and reviews when you’re going through a lull.

Experiment. When sales slow, that’s a good time to try and shake things up:

  • Try revising your blurb. If there is a recent bad review, sometimes a blurb change can render the review less effective. For example, if the blurb points out the same thing that the review says, new customers may think, “It wasn’t useful to say that in a review. It says it right there in the product description.” For example, if the customer was surprised that it was just a novella, or if the customer complains that there is too much violence, making such things clear in the blurb can help to offset the review. Your blurb is a dynamic marketing tool.
  • If a review complains about editing, consider getting your book edited. If you receive helpful feedback about features of your book that you might improve, consider doing this. Don’t blindly revise your book every time you receive a review; but when you do receive feedback, do give it your consideration. If you do update your book, consider mentioning this in your blurb.
  • Reexamine your Look Inside and cover. A slow period is the best time to try something new.

Support:

  • Develop a fan base. Create a fan page or email newsletter with content or activity that will attract fans. Provide instructions for signing up at the end of your book.
  • Make connections with fellow authors. Share stories and advice with one another. Help one another out (scrupulously, of course).
  • Research to find others who have shared a similar experience. See how they handled it, both what they may have done wrong and what worked well.
  • You’re not alone. There are thousands of other supportive authors out here. Reach out.

Look for the silver lining:

  • Don’t just see and focus on the bad. Look for the good that comes with it.
  • Sales have ups and downs like roller coasters. Remember to see and enjoy the ups, and when falling down, remember that it may go back up later.
  • When a customer says something like, “I enjoyed the characters, but…” don’t focus solely on the BUT! See the good remarks, too, not just the bad ones.
  • If you did the best you could at the time, remind yourself how hard you’ve worked. Believe that your hard work will pay off in the long run.

Things may be better than they seem:

  • A bad review can actually improve sales. You never know. Wait and see. One thing’s for sure: It will increase your total number of reviews, which makes your book seem more popular.
  • Customers are growing suspicious not only of good reviews, but also of bad reviews. Give your customers credit. They might be able to see through smoke and mirrors (if there is any).
  • A review that points out a problem may help you in the long run. You might wind up making a revision that puts a much better book on the market.
  • There are seasonal effects, economic factors, Amazon’s algorithm periodically changes things up, and a number of reasons that sales might slow down temporarily. You really need to wait a few weeks to see if things are really slower than normal. Be patient.
  • Don’t fret over the actions of a jealous rival. Customers may see through this. If a rival does succeed in bringing your book down, at least you can be sure that he or she has shot him- or herself in the foot foolishly. Similar books help each other sell better through customers-also-bought lists, for example. More likely than not, a jealous review will actually help your sales and hurt the sales of the author who left it. Try not to sweat it.

Avoid making mistakes:

  • Avoid commenting defensively on a review. Avoid commenting at all. Be patient, think things through, talk things out, learn how other authors have handled this (both good and bad), ask yourself if the worst that can happen offsets the best possible outcome.
  • It’s tempting to send your “posse” to your blog and downvote a review you don’t like, but how will that look? In the worst-case scenario, you and your friends vote and the reviewer and the reviewer’s friends vote on all your reviews. How will that look? Put yourself in a customer’s shoes. There may be a special situation, but at least think things through and talk things out, be patient, let emotions calm down and wisdom kick in.
  • Avoid ranting about a customer in public, such as on your blog. What you post on your blog doesn’t stay on your blog; it’s not like Vegas. You want people to read your book. You don’t want people thinking, “Is that how you treat your customers?” I don’t know about you, but I absolutely LOVE my customers. They aren’t easy to find.

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

My original self-publishing guide, How to Self-Publish a Book on Amazon.com, recently updated and expanded, is temporarily on sale for 99 cents at Amazon.com.

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