The New and Improved Read Tuesday Book Catalog

If you didn’t care much for the old catalog, there is good news… 🙂 Read Tuesday will be a Black Friday type of event just for books.

Kindle Countdown Deals—Better than the Original KDP Select?

Countdown

Amazon’s Kindle Direct Publishing (KDP) sent out an email announcement today about the new Kindle Countdown Deals—a new promotional tool for KDP Select users.

This looks very promising. It will entice some authors who’ve left to switch back to KDP Select; and any who have been contemplating leaving KDP Select may be swayed to stay.

The drawbacks to the KDP free promo are well-known:

  • You don’t earn any royalties for your promotion.
  • The freebies affect your free rank, but not your paid rank. So your sales rank goes up while your book is free.
  • Changes in Amazon Associates’ policies have greatly discouraged sites from promoting the freebies.
  • People who loathe the KDP Select freebies can take out their frustrations by leaving one-star reviews, and they don’t even have to buy or read the book to do this and get it to show as an Amazon Verified Purchase.
  • Many customers from outside your target audience are attracted to the free price; since they aren’t familiar with your genre, they’re less likely to leave a favorable review.
  • When the book is free, many shoppers won’t bother to read the description and check out the free sample, so they are more likely to be disappointed with your book.
  • An abundance of freebies and 99-cent books makes it difficult to create the perception of value.

The new Kindle Countdown Deals solves these problems:

  • Your book won’t be free—but it will be at least $1.00 less than the list price. So you don’t have to worry about not earning royalties during your promotion.
  • You can even earn 70% if your sale price is lower than $2.99, but you do have to contend with the usual delivery fee. Your book must have the 70% option to begin with, of course, for this to apply.
  • Websites can promote your discounted book through Amazon Associates without having to worry about the penalty for linking to freebies.
  • You will have paid sales during the promotion, so this should affect your sales rank, unlike free promotions.
  • If anyone wants to slam your book, at least they’ll have to pay for it if they want it to show as an Amazon Verified Purchase.
  • Shoppers are more likely to read your description and check out the Look Inside, so they are less likely to be frustrated with a book that’s really not for them (provided that your packaging is clear).
  • Customers are more likely to be in your target audience since they actually have to pay for your book.
  • There won’t be as many free books because many authors who ordinarily use the free promotion tool will be using the countdown tool instead (you must choose one or the other for any 90-day period). Similarly, many of the books that are always 99 cents will now be $2.99 or higher for 83 out of every 90 days. Amazon has given everyone an incentive to choose a higher list price.

Here are some more notes about the new countdown tool:

  • You can use the tool for up to 7 out of every 90 days, with as many as 5 price increments.
  • You can only schedule one Countdown Deal per 90-day enrollment period. (You can schedule one in the US and another in the UK). Unlike the free promo, you can’t run two or more separate sales. The only way to use all 7 days is to use them all at once. See https://chrismcmullen.wordpress.com/2013/12/07/kindle-countdown-deal-limit-one-per-90-days/
  • The regular list price must be between $2.99 to $24.99 (or 1.99 to 14.99 pounds).
  • The promotion can be as short as one hour or as long as one week.
  • You must wait 30 days after joining KDP Select and since you last changed your regular list price.
  • It looks like you can schedule the promotion without having to republish (like you do for ordinary price changes).

Some people are infamous for complaining about too many free and 99-cent books. Some of these people are already talking about how the new countdown program will drive even more books to the bottom. But that’s crazy!

The new countdown program encourages the books at the bottom price point to move up!

The minimum regular list price must be $2.99 in order to be eligible. The books that participate in the countdown won’t be free. The books that are 99 cents through the countdown program will only be 99 cents for 7 out of every 90 days. Right now they are 99 cents for 90 out of 90 days.

Many authors are already doing special short-term promotions. Now there is a tool for this, they can earn 70% instead of 35% royalties during their promotions, and all customers will see the discount at Amazon, even if they hadn’t heard about the author’s promotion.

If you have several pictures and your book is on the 70% option, the delivery fee may be significant. What you want to determine is whether your royalty would be greater at 70% or 35% for the discounted price (because of the delivery fee, if the file size is large, it may actually be greater at 35%). Note that you can’t change the royalty plan during the promotion or for fewer than 24 hours prior to the promotion. So you must change this, if needed, 24 hours before the promotion (and then change it back afterward, if desired). This would be the case if you normally earn a greater royalty at 70%, but would earn a better royalty at 35% during the promotion. If you have several pictures, you should check into this.

You still need to promote your sale if you want the promotional tool to be effective. Just dropping the price won’t have nearly the impact as effectively marketing the promotion.

This also looks like a great tool for Read Tuesday—a Black Friday type of event just for books.

Click the following link to learn more about the new countdown tool:

https://kdp.amazon.com/self-publishing/help?topicId=201298260&ref_=pe_445910_34749920

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

  • Volume 1 on formatting and publishing
  • Volume 2 on marketability and marketing

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Share Your Opinion about the New WordPress Reader

Reader

Don’t like the new WordPress Reader?

Do like it?

Either way, share your opinion. There is an open forum about this at WordPress here:

http://en.forums.wordpress.com/topic/reader-changed?replies=4#post-1503145

Haven’t tried the new Reader? Check it out.

The only way for WordPress to know how people feel about this is if people share their opinions. So if you don’t (or do) like it, let WordPress know. They may not respond to one opinion, but if there are numerous responses, perhaps that will get some attention.

I love WordPress, and I love the old Reader. I want to keep loving WordPress. How do you feel?

Some of the changes that I’ve observed are summarized in my previous post.

Chris McMullen

New WordPress Reader? What Do You Think? (Updated)

Reader

My WordPress Reader has looked much different as of yesterday. I wondered if maybe it was just being haunted for Halloween, but if so, the ghosts aren’t very good at keeping track of the calendar. So, is it just me?

The font size is larger in my reader, I see fewer posts on the screen at a time, and I don’t see the word count.

With fewer posts per screen, I have to do a lot more scrolling to skim through it and find posts that interest me. It just seems like a greater chance of people giving up sooner.

I guess the font is a little more readable. But I was used to it the way it was, so now it just seems too large. I guess I’ll get used to this, too, if it stays this way.

The disappearance of the word count seems interesting. Were short posts getting more attention, and long posts being overlooked (or vice-versa), because people were checking out the word count? If so, removing this will force us to choose the post that interests us regardless of length. Or will it cause frustrations, or less use of the Reader?

I think all of the clicks where people get to the post, then think ugh, that’s too short or too long—all that wasted energy will mean some posts that would have been read won’t get read.

Yesterday, there was a huge gap in posts, from 1 hr ago to 16 days ago. I’m sorry if I missed any posts that I would normally read.

That Follow by Email button is handy for blogs we really look forward to. 🙂

And is there an issue with pictures showing in the Reader? It seems that some posts have pictures (are they smaller?), yet none of the pictures show in the Reader.

If WordPress did make changes to the Reader, I wonder if they were beta tested. (Or is this part of a beta test?) If so, maybe they have already determined that the pros outweigh any cons.

There is a forum on this topic now: http://en.forums.wordpress.com/topic/reader-changed?replies=4#post-1503145

I keep looking for a button on my Reader that I might accidentally have pressed. (Is this all just a big OOPS?)

Have you had the same experience? What are your thoughts?

Chris McMullen

The Multi-Book Strategy

Math

There are several potential benefits to publishing multiple titles, especially if the titles are similar:

  • When customers see that the author has written several different books, it creates the perception that the author is a serious, dedicated writer. When the author only has one book available, the perception is that this is a new author.
  • Customers who enjoy one of your books are likely to try more of your books. There is a big IF involved here—i.e. how likely are customers to enjoy your books? If so, having multiple titles out can earn you repeat business.
  • The books that have been out the longest are likely to have more reviews, which can help lend credibility to your newer books even when they don’t have reviews yet.
  • You can build a fan base among your prior customers and utilize this to help create buzz and initial sales for your new books.
  • When shopping for print books, customers often buy a few books at a time. One reason is that customers may qualify for free shipping this way; but even without this incentive, multi-book shopping is still common for print books. The more books you have available in print, the more customers are likely to buy a few of your books at the same time, especially if you have similar titles. (If you have an omnibus for a series, you can discount it to offer an incentive to buying the entire set up front.)
  • Your own books are likely to show upon on each other’s Customer Also Bought lists. This way, sales of your own books help to inspire same-day or future sales of your other books.
  • If the titles form a series, the further along you are in the series, the less risk readers will see in the time they will invest. When only the first volume is out, there is a greater chance that the series won’t be completed. (If you have two different series out, but neither is finished, this may be a deterrent. Readers may wonder if you don’t tend to finish what you start.)
  • The more books you publish, the more experience you gain, which gives each new book potential for improvement.
  • Working on your next book will keep you from checking your stats too frequently, take your mind off reviews, and give you an incentive not to waste your time.

More and more authors are becoming aware of possible benefits of the multi-book strategy.

This news leads to a few common mistakes:

  • The temptation to hurry. Rushing the writing and rushing to get the books out there, with the hope of multi-book success, may backfire. Delivering quality content is much more likely to earn referrals and good reviews. A lack of quality due to a rushed delivery is much more likely to earn bad reviews and no future business. (You can revise a book to improve it, but you only get one chance to make a good first impression, your reputation is at stake, and bad reviews are there to stay with print books.)
  • The temptation not to market. Authors may hope that the benefits of having multiple books will make up for a lack of marketing. There are two ways to look at this. First, consider that if the books aren’t selling, the lack of reviews and dismal sales ranks will discourage sales even more so. Second, consider that every customer you attract through marketing may buy multiple books in the long run. Therefore, if you plan to write multiple books, you should be more motivated to market because there is more potential gain in the long run.
  • The temptation to create a larger number of shorter works. The problem here is that customers want a good value for their hard-earned money. If customers feel that the content isn’t a good value, they are less likely to provide referrals, repeat business, or good reviews. If they feel that it’s a poor value, bad reviews are more likely. (This is on top of being less likely to buy the book in the first place because it doesn’t seem like a good value, let alone try out a new author.) Just to be clear, I’m not saying you should price your book cheap (most books should avoid the minimum price point—here is another common mistake, but that’s for another day). Rather, I’m saying that providing full-length books may be better than a series of short stories.

The first books you publish help to establish your reputation. You want to start out with a good reputation as a professional author who delivers quality content. You want to give your first books the best possible chance of earning referrals, repeat business, and good reviews.

Satisfying customers is the key to long-term success.

If you have the motivation and diligence to write and publish several books, then you’re obviously interested in long-term success. So take the time now to give your future its best possible chance of success.

If you have the motivation and diligence to write and publish several books, market your books avidly from the beginning in order to derive the greatest possible benefit from your efforts. You have more to gain from marketing in the long run than an author who only writes one book, so you should be more motivated to do this.

On the other hand, there comes a point where the book is excellent, but if you’re too much of a perfectionist, your book may never get finished. The temptation to rush is much more common than to continually delay because there is always something else that could be improved. However, if you’re one of the perfectionists who may take forever to get your book out there, then you have the opposite problem of needing to say that enough is enough, it’s already very, very good. It helps to have pre-readers who can help you judge this (since thinking it’s very good when it’s not good can be a major problem, while thinking it’s not good when it’s already excellent may be an unnecessary delay); however, getting honest feedback is another issue, too.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Druidical

Druidical

 

Mysterious

Magical

Romanticized

Monumental

 

Priestly

Sacrificial

Reincarnating

Pagan

 

Astronomical

Cosmological

Lunar

Eclipsing

 

Ancient

Ritualistic

Archeological

Megalithic

 

Celtic

Welsh

Irish

Gaulish

 

Harvesting

Guising

Mumming

Divinational

 

Copyright 2013 © Chris McMullen

 

Halloween

Beating a Dead Horse

Beating a Dead Horse

Artwork by Melissa Stevens @ http://www.theillustratedauthor.net.

“Beating a Dead Horse” is the follow-up to the original poem of clichés, “Once Upon a Time.”

Out of the gate, the detective was bored out of his mind.

Not a single person was even horsing around.

He couldn’t hold his horses for a case to work on.

It was a one-horse town, but it wasn’t his horse.

Then a damsel in distress strolled into his office.

She was a bombshell; a perfect ten; out of his league.

He was a silly goose to be daydreaming about her.

What chance did a loser like him have with a girl like her?

So he picked his eyeballs off the floor and stuttered like glue.

Turns out her horse had been murdered in the dead of winter.

Even worse, she caught someone beating the dead horse.

It was a knight in shining armor beating the poor beast like a drum.

A knight living in 2013? Sounded like an open and shut case.

It would have been a challenge if the knight had had some horse sense.

What kind of fool would linger at the scene of the crime like that?

He told the damsel that he would take care of the matter.

The next morning he went to see the horse with his own eyes.

It was an absolute nightmare; the horse was literally black and blue.

Now that was a horse of a different color.

Her story fit: The horse had been struck by the broad end of a sword.

The detective went to the station to call in a favor.

They gave him the address to the only castle within a hundred miles.

Sure enough, he found the culprit just where he thought he would be.

The detective asked the knight to confess to his sins.

He had no doubt, but wanted to hear it straight from the horse’s mouth.

But it was no use: The knight wouldn’t say a word.

It was like putting the cart before the horse, without first having proof.

So the detective went outside to dig up the buried hatchet.

Of course, it was a sword, not a hatchet, but you get the idea.

The sword had the knight’s fingerprints all over it.

However, the knight still denied it. He pleaded innocent.

Well, you can lead a horse to water, but you can’t make him drink.

There was one thing the detective needed to make his case: Motive.

What he had was only close enough for horseshoes and hand grenades.

The detective pried into the knight’s life like a crowbar.

Turns out that the knight was up to his ears in debt.

He had been sued for food that turned out to be horse meat.

So the knight had bet all of his money on a long shot.

He was hoping it would be a dark horse that would make his day.

But the damsel’s horse edged it out by a nose.

The knight begged the damsel for mercy.

He lost his cool when the damsel got on her high horse.

That’s when the knight plotted his revenge.

The knight showed up at her house with a box of chocolates.

She had been hungry enough to eat a horse.

So she looked the gift horse straight in the mouth.

That candy had a sedative that knocked her out like a light.

The knight slipped into the stable to do his dirty work.

But he was too late: The horse was already stone dead.

The horse’s heart just couldn’t take it anymore.

The knight couldn’t even do a simple thing like kill a horse.

So he took his frustrations out on the poor horse’s corpse.

The case was solved; it was a done deal; finis.

He reported his findings to the damsel. She was impressed.

What the heck? He got up the courage to ask her out.

The worst she could do was crush his heart like a bug.

Yet that didn’t happen: She took him up on his offer.

They got married and lived happily ever after.

He never could figure out what she saw in him.

Not that he minded one little bit.

He would have given an arm and a leg to be with her.

And that’s exactly what she saw in him: chivalry.

In the end, it didn’t take armor to be a knight.

Click here to see the original poem of clichés, “Once Upon a Time.”

Copyright © 2013 Chris McMullen. Educators and parents may use this poem for free for non-commercial, instructional purposes.

Book Reviews, Interviews, Guest Blogs, & Author Support

Cool Books

I see many bloggers doing book reviews, author interviews, guest blogs, and supporting authors in several ways. That’s awesome! 🙂

I’ve been wanting to do such things for some time now, but the main hurdle has been something that I often preach on my blog:

  • Gear your content toward your specific target audience.

If you write a sci-fi book, for example, a blog that attracts sci-fi readers is the best place for a book review or author interview. Much of the content on my blog, in contrast, is of general interest to many different kinds of authors.

As you may have seen in a recent post, I finally thought of a way to help provide a small measure of support for specific authors and books in the context of my usual content. I plan to make more posts of this sort in the future, including:

  • Demonstrating what is marketable about specific books.
  • Illustrating marketing strategies that specific authors are employing.
  • Showing specific book covers that work well.
  • Discussing marketing features that specific author websites are utilizing.
  • Describing specific books, authors, or websites that provide good examples of some marketing, publishing, or formatting concept.

I feel that specific examples can be instructive, and by featuring a specific book or author, I would be supporting fellow authors in a small way.

Note that I will only mention books or authors by name that I feel are doing something well. Although it may be instructive to point out mistakes, I won’t point out any mistakes of specific books. (When I do point out common mistakes, which can be useful, I do it in general terms, not in reference to any specific books or authors. Well, I may point out my own mistakes, but that’s different.)

Another way that I plan to provide a little support to fellow authors is with some new pages. You can see one of the new pages already, called Cool Books (look for it on the index at the top of the page or in the sidebar to the right). It just has a few scary books right now, but I’ll be adding to it as I get the chance (keep in mind that I’m also working on the Read Tuesday stuff).

If you have an author interview or guest blog in mind that coincides with the publishing or marketing content that I often provide on this blog (e.g. you want to discuss your publishing or marketing experience), please feel encouraged to contact me with your proposal. 🙂

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Kindle MatchBook has Launched at Amazon (Updated)

Just Launched

Update: It looks like Amazon has updated Kindle MatchBook to display an advertisement about Kindle MatchBook on the top of the page for print books, where there is a corresponding Kindle edition enrolled in the MatchBook program.

Note: As of October, 2019, the Matchbook program has been canceled.

Today Amazon launched the new Kindle MatchBook program. There is an advertisement for it on Amazon’s homepage, presently, and a very brief email was sent out to authors who had already signed up for it.

The idea behind the MatchBook program is to allow customers who purchase a print edition of the book to receive a significant discount off the Kindle edition of the same book (it may even be free).

MatchBook only applies to books where the same edition is available both in Kindle and in print (i.e. paperback or hardcover).

Not all books are in the MatchBook program. The publisher (or author, if self-published) must manually enroll the book in the program. Some publishers may opt not to do this. The discount is also at the publisher’s discretion, provided that it is a minimum of 50% off the Kindle edition’s list price (and must be free, 99 cents, $1.99, or $2.99).

You can learn more about the new Kindle MatchBook program by clicking the following link, which goes to a Kindle Direct Publishing (KDP) page:

https://kdp.amazon.com/self-publishing/help?topicId=AVJCUBZXDNUM4

If the Kindle edition offers MatchBook, you’ll see one of three things near the top of the Kindle edition page:

  • Nothing at all if you already own the Kindle edition. Why frustrate you by showing you that you could have bought it for less by waiting for MatchBook to come out? If you want to see the MatchBook offer, log out of Amazon first.
  • An offer to buy the Kindle edition at the discounted MatchBook price if you already own the print edition of the same book.
  • A note that you could buy the Kindle edition at the discounted MatchBook price if you also purchase the print edition if you don’t already own the print edition.

There are a few important things to note here:

  • If you try to give the book as a gift, you must pay the full list price. Apparently, the MatchBook price doesn’t apply to gifting. That’s too bad, as it would be a nice incentive for someone to buy the print edition to keep and the Kindle edition to gift. However, you can keep the Kindle edition and give the print edition away as a gift (or try to resell it used, perhaps).
  • It looks like you can only buy one Kindle edition at the MatchBook price. This may help to prevent possible abuse.
  • The print edition page now includes an advertisement about the MatchBook program at the top of the page if the Kindle edition of the same book is enrolled in the MatchBook program.

A cool thing about MatchBook for authors is that if you ordinarily earn the 70% royalty rate on a sale, you still earn 70% if the MatchBook price is below $2.99.

Note that if you make the MatchBook price free, MatchBook sales won’t affect your book’s paid sales rank. Instead, they will affect your book’s free rank. This is what KDP told me after a week of research. If you discover otherwise, please share the news. 🙂 (It will be interesting if your book toggles between free and paid sales ranks with a free MatchBook price, since some customers will still be buying the book at the list price because they don’t own the print edition.)

It doesn’t look like the month-to-date sales report will help you see how many MatchBook sales you have, but you should be able to see it in the six-week report. Unfortunately, it will be a while before any MatchBook sales appear in a six-week report since the program started today.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Book Proposals for Indie Authors . . . WHAT?!

Proposal

One of the advantages of self-publishing is that you can spend more time writing your book instead of investing much time and effort writing and sending query letters and book proposals.

However, it is still beneficial to indie authors to learn how to write a book proposal and apply it to their own books.

I don’t mean to actually sit down and write a detailed, lengthy proposal.

I do mean to consider the ingredients, think how you would prepare each part of the proposal, and do the research that it would entail.

Why? Because it can help you with your marketability and marketing.

When you write a book proposal, you’re trying to convince a publisher that your book is marketable. Writing a proposal will help you better understand how to improve your book’s marketability and how to market your book.

Here are some examples:

  • A book proposal requires you to identify your specific target audience. You need to pinpoint your audience, justify it, and research numbers. The publisher wants to know that the audience exists and how large it is. Why do this? When you design your cover, write your blurb, and choose categories and keywords, you will know who you are trying to sell your book to.
  • You need to make lists of current competitive and complimentary titles when you write a proposal. The publisher wants to see proof that books similar to yours can succeed, to know if your book fills a need, and to determine if the market is already saturated. Why does it matter to you? First, you should share these same concerns. Second, checking out similar titles will help you see what kinds of covers attract your target audience and show you what kinds of formatting are common in your genre.
  • Your experience and expertise are important when proposing a new book. Not only that, but you must present these in a way that will show that you’re the best person to write your book. Why bother? If your author biography is effective at convincing customers that you’re well-suited to you write your book, this can be significant.
  • A query letter must catch the editor’s or agent’s interest while also briefly describing your book. So what? Well, doesn’t a blurb basically achieve this? Your blurb shouldn’t read like a query letter; they are two different things with different objectives. However, they do both need to catch attention and briefly describe what to expect. A little practice trying to sell your book with a query letter may help you see your blurb from the perspective of marketability.
  • You must research marketing options and prepare a promotional plan as part of a book proposal. Publishers want to know what you will do to help sell your book (not what you’re willing to do, but what you will do—if you ever write a book proposal, this distinction will be important). Why worry about marketing? Because, unfortunately, books generally don’t sell themselves. It’s better to learn about marketing before you publish your book than afterward. You should do pre-marketing, such as building a following and creating buzz before you publish. You’ll want to have a concrete marketing plan in place when you do publish.
  • A proposal also requires you to prepare an outline, sample chapter, and chapter summaries. If the editor becomes interested in your book, this will help the editor see your project in more concrete terms. Why does it matter? The sample chapter of a book proposal should sell the book to an editor. Similarly, the Look Inside sample of a book must sell the book to a buyer. The outline and chapter summaries can help you see the structure of your book, make connections, and keep things in order. It can also be a useful planning tool to authors who like to plan things out before they write. Authors who write by the seat of their pants might still find it helpful afterwards.

If you go through the trouble of trying to get published and get rejected or change your mind, use the experience of writing the query letter and book proposal to help you with marketability and marketing.

Note that Candace Johnson at Change It Up Editing has a 10-step article in progress on how to write a compelling nonfiction book proposal.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)