Review Copies

Publishers and authors sometimes send out several advance review copies in an effort to try to build buzz for an upcoming book and, hopefully, generate some early reviews.

(If you’re interested in review copies for any of my books, please see the end of this post.)

Note that there are different types of book reviews. There are customer book reviews that can be posted on Amazon, Barnes & Noble, or Goodreads, for example. Bloggers can post reviews on their blogs. Then there are media reviews that may appear in newspapers, magazines, etc.

Readers who receive an advance review copy are required to include a note in the review stating that they received a free review copy.

Amazon, for example, permits this as long as the reviewer isn’t compensated in any way other than a free review copy, it is made clear that the reviewer can leave a good or bad review, and the review doesn’t violate any of Amazon’s customer review guidelines. (Note that Amazon’s program is now pretty effective at blocking many reviews from close friends and family. They can help you generate buzz and promote your book, but aren’t eligible to review your book.)

There are a few ways that an indie author can give out advance review copies.

One way is to get fans to sign up to be on a mailing list for the chance to receive a review copy of your next book. When a fan contacts you, this is something you might offer. Or when you’re ready to send out a limited number of advance review copies, you can post an announcement. You could do this with paperback books or e-books.

Another way is to sign up for a Goodreads giveaway. Recipients are encouraged to post a review, but aren’t required to do so, and, of course, a review could be good or bad.

KDP Select provides an alternative means of giving away free copies with the hope of generating a few reviews. However, there is no guarantee that any reviews will come, and if they do, they may be good or bad. Actually, there is somewhat of an increased chance of getting a negative review because the freebie may attract readers from outside the genre, who aren’t familiar with what to expect, as well as readers who may not bother to read the description and check out the book as thoroughly as if they were to make a purchase. It’s also possible to give away hundreds of free e-books through a free promotion without getting a single review in return.

The KDP Select free promotion is more likely to be effective if you succeed at promoting the freebie to your target audience.

One nice benefit of the KDP Select freebie is that the reviewer may opt to have the Amazon customer review show as an Amazon verified purchase. Other kinds of customer reviews generated at Amazon from review copies will show as unverified purchases. Many reviews that show as unverified purchases may seem suspicious to buyers (although when they come from review copies, they are the result of additional marketing steps that the author or publisher has taken).

A month ago I announced that I was trying out the Goodreads giveaway program. Today I sent books out to 10 lucky winners. Now I cross my fingers.

If you weren’t one of the lucky winners, but are interested in receiving a copy for any of my books or future books, please let me know. One way to email me is to click my name where it shows the photo for the about.me on my blog (on the sidebar to the right). Or you can just leave a comment (but don’t post personal information in the comment), and I’ll try to contact you in return.

Please specify which types of books that I write interest you (or if you have any specific titles, feel free to make a special request) – e.g. self-publishing, math workbooks, etc. It doesn’t have to be for you – e.g. if you have or know some kids who could benefit from some good old-fashioned math practice.

It’s not really a review copy in that I don’t expect anything in return; I just hope the book will be put to good use (or at least firewood). 🙂 (Of course, if there turns out to be a high demand, I may have to be selective. I’ll be surprised – pleasantly – if this offer turns out to be that popular though.)

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Do You Support the Underdog as a Shopper?

There are many crowd-pleasing movies and books where the protagonist is an underdog who will beat the odds to triumph in the end. So as an audience, we tend to root for the underdog.

Is the same true when you’re shopping?

All other things being equal, would you prefer to buy a product from a major, national company or a small, local business?

Ah, but the question isn’t that simple because very often those other things aren’t equal. The big business may offer a better price or greater selection, or may provide more appealing financing. The small business may provide incentives of its own, by going the extra mile or being closer to your house.

There is yet another way that it’s not so simple to call the small business the underdog. Suppose, for example, that a huge company brings very low prices, saving people a great deal of money. Suppose further that this helps many low-income families live a little better. Aren’t those families the underdogs? So maybe if a huge business is helping people who could use the help in some way, then the business is supporting the underdog.

Here’s an interesting puzzle: When it comes to buying books from Amazon or a local bookstore, who is the underdog? Amazon is the huge company. Does this make the local bookstore the underdog?

Amazon supports millions of underdogs: indie authors, indie musicians, indie filmmakers, small business owners, small publishers, etc. This is in addition to underdog consumers who may derive benefits from shopping at Amazon. Furthermore, Amazon features success stories of indie authors and small business owners right on their home page from time to time.

Yet the local bookstore is an underdog, too, right? I don’t think it’s so clear-cut in this case. I know many people who would argue the point each way, and both arguments sound good to me. One is an underdog, but the other supports many underdogs. (Now maybe there are other underdogs who are being disadvantaged in the process… I don’t know, but if there is, that’s yet another complication to consider.)

Let me back up. It’s not always right to root for the underdog, is it? Suppose the favorite has worked tremendously hard, learned much from experience, and has rightfully earned the spot as the favorite. Should we automatically root for an inexperienced underdog who comes along just for the same of favoring the underdog? That doesn’t seem right to me.

If you think about the movies and books that feature an underdog, very often the protagonist displays positive character traits and is up against an evil villain.

My point is that character is important, too. It’s not just about figuring out who the small guy is. If the big business has a positive influence on the community, while the small business shows some signs of negative character, for example, that changes everything. Or at least, it should.

Suppose you’re an author (which will be easy to do for many of you because you are). Let’s say that you walk into a bookstore and discover that they have a flat-out “No!” policy regarding self-publishing or the management treats you condescendingly or you otherwise have a bad experience there. Are you likely to support that bookstore in the future?

(I’m not saying that they have to carry all self-published books; just that they should be open to the idea and base the decision on the merit of the book. If they have a few indie books on a shelf for local authors, that will earn my support. How they treat the inquiring author is very important, too.)

If instead you walk into a small, local bookstore that makes you feel like a royal prince, wouldn’t you feel compelled to drive traffic their way and do your shopping there, too? (You should.)

Does the underdog support other underdogs and treat other types of underdogs well? How about the big business? Also look at character. These are important considerations to me.

When it comes to buying a product, quality is also important. Perhaps the big business and small guy don’t have equivalent products. If one has superior quality, it’s more like comparing apples to oranges.

Finally, let me mention one more thing about buying books. This time, let’s look at the publisher instead of the bookseller. The indie author or small publisher is the underdog compared to the big publishing giants, right? Maybe not.

A book may have a small-time author who got a contract with a big-time publisher. And the big-time author was an underdog once upon a time, until many readers supported that author enough to turn the author into a success.

I suggest that there are many gray areas here.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Creativity: Good or Bad for Books?

Imagination is a good thing, right? I believe so.

It’s good to be creative as a writer, isn’t it? No argument from me there.

So books should show originality, don’t you think? Got my vote.

Nonetheless, here comes a great big BUT!

(Those who can spell realize I’m not talking about anatomy.)

Just to be clear, I’m not going to argue against creativity. I’m in favor of it.

Consider this: Does the bookselling industry discourage certain types of creative storytelling, rather than rewarding it?

Here are some examples of what I mean:

  • Suppose you write something so different that you’re breaking ground with a brand new genre. It doesn’t stand a chance of getting browse category visibility. How will readers discover it? The book is inherently disadvantaged.
  • Readers have an expectation for what to expect in terms of storyline, characterization, etc. in any given genre. The author who deviates from these expectations risks negative reviews for being creative.
  • How do romance readers react when the ending doesn’t turn out to be happy? Is there a significant readership for specific types of unhappy endings in this genre? There are some types of originality that many readers aren’t willing to support.
  • Even creativity in cover design has a significant potential downside. Many readers judge their interest in a book based on a cover. They are familiar with how the books they tend to read tend to look. If a book doesn’t look like it belongs to their genre, they might not check it out.

Do readers want to read the same types of books every time? I don’t.

First, I’m not saying that all forms of creativity pose problems. Some don’t, but others do.

If you want to write a romance, for example, there are already a variety of popular ways to go about it. First, there are subgenres, like contemporary or historical. If you choose a subgenre, there is plenty of room to follow a model while still being very creative. You don’t even necessarily need to follow a particular model. Yet there are some features that are high-risk to change – like taking away the happy ending, or giving the protagonist certain types of flaws.

The point is that while there are endless possibilities that do work, there are limits to it – i.e. there are some features that can hinder sales significantly if changed.

And something completely different is especially challenging to sell.

The problem of a new category is tough for the author or publisher to work around. But it can be done. We have genres now that we didn’t have in the past. So it is possible to breakthrough with something quite unique. Statistically, however, there have been many people with ideas for new types of books, but the ideas that actually opened the door for a new genre have been very rare in comparison.

It would be easy to solve this problem. Suppose, for example, that Amazon created a new book category called “Fresh and Exciting” or “Out of this World.” Don’t you think readers would check it out? Wouldn’t it also attract authors? It could be a very popular category. It has potential.

(Sure, there would be some not-so-good books in there. But you can find such books in all categories. When they don’t sell, they fall to the bottom, out of the way, where they aren’t harming anyone. And some of the books at the bottom are fairly good, but just not selling for whatever reason, and some readers will be happy to find them.)

Right now, the closest thing is “Other.” The name is important. It’s just not the same. “Other” suggests that the book just doesn’t belong.

But as it is, the bookselling industry seems to discourage, rather than reward, such innovation on the part of the author.

Writing a book that’s appealing to readers is important for sales. With the modern self-publishing revolution, every author has ample room to exercise creativity. However, if readers don’t respond well to the originality, the book won’t sell.

Even if many readers do appreciate the originality, some readers who don’t may inhibit sales through negative reviews.

So it’s not just the booksellers, like Amazon or Barnes & Noble. It’s the readers, too. Even if the book does have significant appeal, those readers who don’t like the change can influence sales through reviews.

Then there are agents and editors, who are looking for books that are highly marketable. They may be reluctant to take a chance on too much novelty. It would seem easier for a big publisher to attract readers with something fresh; but it’s also a risk.

Shouldn’t the system encourage innovation, particularly if the book is very well done?

How about you? Do you search for highly original books? Have you read anything that’s really clever and different lately? Do you reward originality in your reviews, or criticize the author for the deviation? Do you help spread the word when you find something very creative and also enjoyable to read?

(I have: For example, Reapers, Inc. by Dave Hunter. I thought the concept was cool; even the cover seemed different in a good way.)

We read books. We are part of the readership. From our end, the best we can do is help to promote original thought and encourage it through positive reviews.

Imagine H.G. Wells writing The Invisible Man, Jonathan Swift writing Gulliver’s Travels, or Mary Shelley writing Frankenstein. Or imagine trying to write realism when romanticism was popular.

We have a very healthy variety of books today. Yet what are your prospects for setting the trend with something totally new?

If you haven’t already seen it, you should check out Misha Burnett’s clever idea for a new writing software package (his irony should be obvious, but I’ll mention it, just in case):

http://mishaburnett.wordpress.com/2013/09/16/new-software/

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

You Might Be a Stat Junkie If…

Stats Pic

How often do you check your stats?

You might be a stat junkie if…

  • You bought a cell phone mainly to check your stats away from home.
  • You check a different device when nothing has changed just in case that might be the problem.
  • You can’t resist the temptation to check your stats during a movie. Especially, a good movie.
  • You actually spend more time during the day checking your stats than doing anything else.
  • Your spouse calls from the room, “Honey, are you checking your stats again?” And your spouse is right.
  • You checked your stats when you saw this post. Hey, they might have changed.
  • You experience withdrawal symptoms when the internet is down, when your cell phone doesn’t work, when the site needs maintenance, when the phone line is out, or when you otherwise can’t check your stats for few minutes.
  • You’re a member of Stat Checking Anonymous. Or, if having heard the name of this organization, you feel the need to join it, until you realize that it’s fictitious. Even worse, you feel like founding such a program because it should exist.
  • You hardly get any writing done because you spend so much time checking your stats.
  • You check your stats every time even the smallest thing doesn’t go your way, hoping the stats will make you happier.
  • You get out a calculator to see how many sales you’ve averaged per day, or to figure out how many more you need to get back on track.
  • You wish that you could receive an email every time a sale is made.
  • Your stats control your mood.
  • Your muse doesn’t come around anymore because you’re too busy checking your stats.
  • You’ve ever checked your stats twice in a row (or more) because you forgot what the number was as soon as you logged out.
  • You’ve ever cried because your stats disappointed you.
  • You’ve ever walked into a wall, tripped, or otherwise mis-stepped because you were checking your stats while walking.
  • You’ve ever bought your own product just to see the stats change. Then repeatedly became upset that haven’t changed yet.
  • You can’t go to sleep until you finally get that one last sale. And when it doesn’t come for many hours, you start begging for it. Out loud.

Related Posts:

1. I got this idea from Victoria Grefer’s recent post: http://crimsonleague.com/2013/09/15/bloggers-why-you-shouldnt-be-a-stat-junkie/

2. If you missed my previous clockwatcher post, you might enjoy this: https://chrismcmullen.wordpress.com/2013/06/29/authors-are-you-clockwatchers/

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

An Index of Cover Design, Blurb, Editing/Formatting, Marketing, Writing, and Publishing Posts

Having seen a few followers hunting through old posts, I thought it might be handy to make an index for potentially useful posts on my blog.

The index page is divided into 6 parts:

  1. Cover Design
  2. Blurb
  3. Editing/Formatting
  4. Marketing
  5. Writing
  6. Publishing

(I haven’t yet included my poetry and related posts.)

You should be able to find the index page over to the right (on the sidebar). If you have any trouble finding it please let me know. It includes a date so you will know when it was last updated. If you know anyone who you believe would find some of these posts helpful, please feel free to direct them to the index.

If you check it out, please share any comments, feedback, or suggestions. The index is for anyone who might find those posts useful; especially, you. So if you have any requests, please share them. 🙂

Kindly,

Chris

 

How to Be a Superhero

Superhero Pic

These people have secret identities.

They do normal activities each day,

But every once in a while duty calls.

That’s when they put on a mask, cape, and suit.

Nobody knows who did all these good deeds.

They didn’t do them for fame or fortune.

They just did what they thought was right to do.

 

Bob saw a clever post that caught his eye.

He read it and enjoyed it. Bob was pleased.

Not a single like or follow. Wowwee!

So Bob liked the post and followed it, too.

Then he reblogged it for many to see.

More likes and follows came to the rescue.

It turned into a nice newbie welcome.

 

Suzy found a book with a huge sales rank.

Apparently, it hadn’t sold lately.

That didn’t mean it wasn’t worth reading.

So she decided to give it a shot.

Suzy thought it was a pretty good read.

She couldn’t think why the sales rank was high.

But she spread the word about the story.

 

One book in the search caught Joe’s interest,

But the poor book had just a single star.

Yet Joe didn’t turn his head in disgust.

He clicked on the link and examined it.

It actually looked just like what he sought.

So Joe gave it a try. He liked it much.

He left it five stars, brought the average up.

 

There are many superheroes out there,

Doing good deeds for strangers secretly.

Let us all give you a round of applause.

It doesn’t just involve blogging and books.

Just lending a helping hand when needed,

Or a random act of kindness. So sweet!

Even spreading smiles merits my handshake.

 

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Target Your Audience

Target Pic

Yeah, I know. As a consumer, the feeling that businesses may be targeting you may not be the most wonderful feeling; and the picture probably doesn’t help with this. Yet the phrase is useful to anyone who is selling a product or service, to remind them of the importance of marketing the product or service to the people who are most likely to want it.

Think of it this way: Businesses are trying to help people discover products and services which may be a good fit for their individual preferences. This is accomplished by marketing toward a specific target audience – perhaps not the friendliest phrase for a specific group of people who share common interests, like dirt bike riders or Trekkies.

Imagine standing outside of a football stadium trying to sell used golf balls to fans who are buying tickets. Sure, some of the football players will be golfers. But don’t you think you’d have better luck selling golf balls at a golf course? Even if you meet a football fan who plays golf, his mind will surely be on football, and he will probably be irritated to have you try to switch his mindset so he can discuss golf business with you right before the big game.

Even if the marketing is free, it still costs time and effort. And there are many more things that one can do to market a product than any human being can do in a single day. So you must choose wisely.

Marketing is much more likely to be effective when it’s geared toward a specific target audience, which is a good fit for the product.

Recall the football fan who might be irritated to discuss golf when his mind is on football. This point is important for customer satisfaction.

Suppose you succeed in selling a product to many people who fall outside of the target audience. These customers are less likely to be pleased with the product, which can affect reviews, referrals, and recommendations – i.e. it can lead to a little negative marketing. These customers don’t understand the nature of the product as well as the target audience, and therefore may not have realistic expectations for what the product should actually do.

As an example, this is often the case with free e-books. Readers outside the genre are tempted to buy the book because it looks like a good deal. Since the e-book is free, they may not feel the need to invest time and effort reading the blurb or checking out the Look Inside. These readers are less likely to know what is typical of the genre. They might also be trying the genre out, only to discover that they really don’t like it. Therefore, these readers from outside the genre are more likely to be disappointed with the book, which could lead to bad reviews.

When the author invests in the time or money to promote the freebie to the specific target audience, then many of the free e-books also go to members of the target audience, which helps to balance the freebies downloaded by other readers.

So if you just market a product to a general audience, thinking that the audience is so large that even a tiny percentage is significant, there may be possible negative effects to take into consideration.

Whenever possible, market the product toward the specific target audience. This can have a big impact on the cost-benefit analysis.

The first step is to identify the specific target audience. Think about who is most likely to use the product. Is there a gender preference? Which age group? What common interests will they share?

The common interests are especially important. Be as specific as possible – e.g. baseball is more specific than sports, and contemporary romance is more precise than romance which isn’t as vague as fiction.

Avoid being hypothetical like, “Chess players might be interested in graphic arts.” They might be, but you’re more likely to reach chess players through their interest in chess, since many won’t be in the market for graphic arts.

The goal isn’t to widen the audience as much as possible. Targeting an audience that is far wider than the people who are most likely to use the product makes marketing less efficient. Many companies, such as small book publishers, achieve success with a narrow audience – such as niche marketing. A very narrow audience can lead to good results if you succeed in reaching a large percentage of the audience. Marketing efficiency is very important, especially if you don’t have a huge supply of money to invest – like many indie authors and musicians.

Sometimes, you can widen the audience. For example, suppose that you wrote a mystery that strongly relates to basketball. In this case, you can target mystery readers and basketball players, as both may have a strong interest in the book.

In contrast, if a book is partly mystery and partly fantasy, trying to reach both mystery and fantasy readers may backfire: The mystery readers might not like the fantasy, and vice-versa. It’s better to market the book one way or the other, focus on the primary component, and try not to sell the secondary component. Some genres do mix well, like romantic suspense, which is already an established category.

Once you establish who the target audience consists of, the challenge is to reach them. Base this on the commonalities that they share.

  • Where are they likely to shop – both physical stores and online? Which departments?
  • Where will their common interests take them? Hobbies, sports, activities, entertainment, vacations, clubs, organizations, etc.
  • What do they read? What do they do online? Magazines, newspapers, websites, etc.

The more you know about the specific target audience, the better your chances of marketing success.

Start out by thinking about it and discussing your ideas with others. Focus groups can help, and so can customer surveys (but be careful what you ask, and show tact). Meeting and interacting with customers gives you firsthand information.

As you consider various marketing strategies, think about how each strategy may or may not be able to reach the specific target audience effectively. Following are some examples. You just have to think long and hard about this, as every situation is unique.

  • If you’re selling something instructive (how-to guide, software, nonfiction, learning resources, etc.), you could write and publish helpful articles, develop a blog, provide help in an online forum, give a workshop or seminar, etc. But focus on attracting the specific target audience.
  • Common interests among the target audience can help you meet them at clubs, organizations, presentations, etc.
  • Send a press release kit to local papers, radio stations, and television networks that have sections or shows which are a good fit for your target audience. Look for magazines and websites that match your target audience and try to get visibility there.
  • Research how to use social media to target a specific audience. For example, on Twitter, use relevant hashtags.
  • Develop a website (or blog, or both) with content that is likely to attract the target audience.
  • Build relationships with potentially useful contacts, with your target audience in mind.

Remember that most people don’t like advertisements. Advertising works better for companies with much money to invest, which can sell a large number of products, and where there aren’t too many competitors. Free marketing tends to be much more effective for smaller businesses or individuals, and this is even more important when there are thousands of competitors – which is the case for authors, for example. Low-cost advertising in products that may actually be used by the target audience – like pens or bookmarks – can benefit those with fewer resources.

In the latter case, provide helpful content that attracts the specific target audience, try to be visible yet unobtrusive, and make it easy for the audience to discover your product without looking like an advertisement.

An important aspect of marketing is branding – getting the target audience to recognize the name of the product or business, and perhaps associate it with some quality (like luxury, creativity, or inexpensive). Advertising that does work does so through the branding effect. But marketing that isn’t advertising can also be highly successful at branding – perhaps even more so, since it doesn’t intrude like an advertisement.

Individuals and small businesses can benefit by interacting with the target audience in person – online, too, but in person can be highly effective. It can be a treat to meet the owner, author, or inventor, for example, in person. This is a valuable resource available to the “small guy.” Start locally and work your way outward. Take advantage of the fact that local newspapers, radio stations, and television networks are looking for local stories.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Lousy Post

Not even a picture,

Self-deprecating title;

Just a bunch of words

Strewn loosely together.

 

No insights, no fiction,

Or knowledge to give;

Even lacking humor.

How can it be worth reading?

 

Yet bloggers will view it,

Read it, perhaps even Like it.

Do you really appreciate

Such a humble post as this?

 

(c) 2013 Chris McMullen

Carrying a Book’s Theme Too Far?

Imagine that you are shopping for a Halloween book – ghost stories or puzzles with a Halloween theme, for example. You find a book that catches your interest and pull up the blurb. How would you react if the blurb reads with a Halloween theme? For example, the description may include phrases of the sort, “will chill you to the bone,” “great for entertaining vampires,” or “ghosts may or may not be included with purchase.”

When you explore the Look Inside, the copyright statement might include a remark like, “If you copy any portion of this book without the author’s express written consent, you will be cursed for thirteen years.”

Or maybe you’re buying a romantic nonfiction relationship book, where the copyright statement includes a statement like, “If you abide by the terms of this copyright agreement, the author will love and cherish you always and forever.”

An author of a Christmas-related book might include “Ho! Ho! Ho! Merry Christmas!” and other holiday remarks on all online posts in the fourth quarter, and wear a Santa hat for personal marketing endeavors.

The end of a humorous book might suggest that if readers leave any reviews, to please consider trying to make their reviews funny. Or if they tell any friends about the book, try to do so in a funny way. That is, the author may even try to carry the theme into the fans. Why not? Look at the Trekkies.

What if a zombie apocalypse novelist uses make-up to look the part at a signing or reading? Or for a vampire book, just imagine the author being wheeled onto the stage, riding in a coffin.

Is this going too far? Does it convey the author’s passion? If an author can make boring statements on the copyright page enjoyable to read, does that bode well for the rest of the book? Are such samples of creativity good?

What do you think?

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Book Marketing: The Power of Perception

Perception is a very powerful marketing tool. Are you using it to your advantage?

Think about a moment where you’ve just heard about a new product. Perhaps a friend told you about it. Maybe you heard about it on the radio. You might have seen it in a store.

You probably didn’t use the product first and then form an opinion of it. Nope. Most likely, you developed an immediate perception about the product. You might investigate the product further before making the purchase, but that first impression is very important. If you had a poor impression, you may not even consider the product again. If it made an excellent impression, you tend to look for things that reinforce this – i.e. you see it in a better light.

Don’t just try to brand the book’s title or your name. Strive to brand a perception about your book.

The first step is to think about how you want your book to be perceived. It must be something that most readers will agree with once they read the book; otherwise, marketing the perception will be ineffective in the long run. In what way is your book distinguished, which will appeal to readers?

Here are some dos:

  • Keep it simple. People can remember a few words; a long sentence will likely be forgotten. One to three words that paint the perception can be branded effectively.
  • The perception should be highly relevant to the target audience. This way, the branding helps to attract the readers who are most likely to want the book.
  • Think about the selling points of your book, but just pick one. What distinguishing feature might appeal to customers?
  • If a popular book helps to paint the perception efficiently, you may be able to do this in a positive, tactful way – e.g. “like Harry Potter in space” (notice that it doesn’t say anything negative about the other book). Only try this if there is another book that’s a great fit to help you quickly paint the proper perception, and if the book is also well-known.

Now for a few don’ts:

  • The perception must be accurate, otherwise it will backfire. You don’t want readers expecting one thing, when in fact they will get another.
  • It can’t be “the best book ever.” This doesn’t say anything specific about the book, so it won’t attract the target audience. It also tends to generate the negative reaction, “Yeah, right!”
  • Don’t try to top popular books or movies, like “better than Star Wars,” or “the best mystery ever.” If the expectations don’t seem reasonable, buyers won’t invest in the book. Definitely, don’t put anyone’s favorite books or movies down. If you try to advertise that your book is better, it will create a mindset among some readers to try to prove you wrong.
  • Limit yourself to one quick phrase. Don’t try to market two or more perceptions. It’s much easier to brand one simple perception.

There are many possibilities: audience specific (a clean romance), a distinguished character (Gollum or Darth Vader), an attractive idea (a children’s series that teaches decision-making skills), a unique feature (like the twist-a-plot idea), a cool concept (imagine what it would be like to…), an improvement (a workbook and textbook integrated into one), or even exceptional preparation (“Judy spent three years doing the research for this book,” or “Bob had three different editors work on the manuscript” – but note that these two examples don’t attract a specific audience)… and the list goes on.

How do you paint the perception?

  • It helps if a glance at the cover reinforces the perception that you’re trying to paint.
  • Similarly, the title, blurb, and Look Inside need to reinforce this perception.
  • Mention it with your title on all of your online and offline marketing materials: end of posts, just after your book link, social media, bookmarks, advertising, press release kit, etc.
  • Use your phrase (it’s a strapline) in your personal marketing endeavors – mention it at readings, signings, interviews, blog tours, conversations, presentations, and whenever you have the opportunity to discuss your book.
  • Strive to paint this perception when trying to generate buzz for an upcoming book.
  • When you enlist others to help with your marketing – e.g. to create buzz or to help spread the word for a promotion – see if this perception can be included.

Perception is a difficult thing for a lone author to judge. External input is valuable for trying to make such predictions. Ask people what they perceive about your book? Run the perception that you’d like to paint by them and see how they react to it.

Some things are beyond your control. This includes reviews, recommendations, and referrals – which can be good or bad. You can get lucky and a complete stranger who enjoys your book may spread the word to many others, and you can get unlucky and someone can strive to paint a negative perception. You can’t control this. But there are a couple of things that you can do:

  • The better your book and the more effective your marketing, the more reviews, referrals, and recommendations you will get. The more you receive, the less effect the negatives will have and the more likely you are to have some helpful advocates among your fans.
  • Be wise, courteous, respectful, and professional in your interactions with readers, blog reviewers, sending out advance review copies, and all of your public relations.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)