Legislating Against Cyber Bullying

This seems like a step in the right direction. Check it out.

Tim Burrows's avatarWalking the Social Media Beat

Kudos to the Canadian Province of Nova Scotia for introducing legislation to attack cyber bullying.  That is a very noble and much-needed law to help protect the vulnerable and the abused.  I applaud the attempt but, I also have real concerns with the legislation, the least of which, this is a Provincial piece of legislation, not a Federal one.

Given the number of suicides, injuries and serious life impacts that have occurred because of this issue, perhaps a real effort needs to be made to help protect.

I see failures in law start when an interpretation of a broad nature has to be applied.  In this case, who is to say what cyber bullying is?  According the legislation, the definition is:

“…typically repeated or with continuing effect, that is intended or ought reasonably be expected to cause fear, intimidation, humiliation, distress or other damage or harm to another person’s health…

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Dealing with Writing Stress

It’s amazing how much anxiety authors tend to experience:

  • Trying to reach daily writing goals.
  • Wondering if the book will ever get finished.
  • Hoping that people like it.
  • Doubting whether it will sell.
  • Learning how to format.
  • The frustrations of the publishing process itself.
  • Searching for professional help.
  • Monitoring sales reports.
  • Waiting for reviews.
  • Receiving critical feedback.
  • Cyberbullying.
  • The scary world of marketing.
  • Deadlines (often self-imposed).

(So you want to be an author, huh?)

Authors can manage this anxiety.

One trick is to not let yourself get frustrated over things that are beyond your control. You just have to let those things go. First you have to realize that you just can’t do anything about them. The only thing you can do is get upset, and that doesn’t help at all.

You can’t control what other people say or do.

(No doubt, if you could, that universe would be incredibly boring to live in.)

You can do your best. If you do, this knowledge should provide its own satisfaction. Remind yourself of this.

Your behavior can also limit your anxiety.

If you frequently monitor your sales reports and product pages (looking for reviews), emails, blog activity, etc., you’re more likely to be disappointed.

Suppose for example you sell an average of 4 books per day. This means that you sell an average of 1 book every 6 hours. If you check your sales report every hour, 83% of the time you will be disappointed.

I know, when you see that sale, it gives you a temporary euphoria. But being disappointed by no sales most of the time isn’t worth it.

If you sell 4 books per day, just check your sales report once a day, and most of the time you will be happy to see some activity.

Try to wait long enough to see at least 10 sales, and don’t monitor your reports more frequently than that.

When you receive critical feedback, try to stay offline for a couple of days and engage in healthy activities. Keep your mind busy with those. Then see if the criticism offers something that you can use to improve. If so, use it and consider the matter settled. If not, discard it and forget about it.

Diet and exercise are highly important for writers.

We don’t get much exercise while writing. Think about that. We sometime keep irregular hours, staying up overnight to finish our thoughts. We sometimes don’t eat well – taking whatever is convenient – and eat in a rush.

Lack of exercise, poor diet, and especially anxiety can lead to stomach aches, irritable bowel syndrome, depression, and a host of other serious problems.

Exercise is a great way to help your mind deal with stress, besides being something that your body needs. Walk (but don’t pace), jog, ride a bike, play tennis, or go golfing, for example. If you can’t leave the house, buy an elliptical or treadmill and make like a hamster.

Balance. The more you check your sales reports and read reviews, the more you should exercise.

Avoid nervous habits like biting your nails.

Writing should be fun.

It is. Remember that.

We tend to make it far more stressful and less fun than it really is.

Focus on enjoying the art of writing. It may help to think of something far worse that you could be doing instead. A little perspective never hurts. 🙂

And here is something I’ve said before: Don’t compare yourself to others. Instead, compare yourself to your former self.

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon

Self-Editing Checklist for Fiction Writers Part II: Micro Issues

A handy checklist for editing.

Change It Up Editing's avatarChange It Up Editing

ID-10051081Whether you plan to self-publish or try for a traditional publishing contract, your post-writing/prepublication steps begin the same way. In Self-Editing Checklist for Fiction Writers: Macro Issues, we looked at some “big picture” strategies you can use for your first round of revisions and self-edits. In this continuation, we’ll consider the smaller details, the “small-tooth comb” review, that every writer should consider before declaring a manuscript ready for the copyeditor.

As you may recall, addressing a manuscript’s macro issues includes reviewing for global details, like how the characters develop over the course of the story and whether or not the story arc works; micro issues include sentence structure and word choices.

When checking a manuscript for macro issues, here are some points (in no particular order) to consider:

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A Model for Pricing Books

Pick two.

If you want to go out to eat, the best you can hope for is two out of three.

The three options are:

  • Quality
  • Service
  • Price

If you want top quality – i.e. excellent taste, fresh food, amazing cleanliness, incredible ambiance, superb view – and awesome service – i.e. friendly greeting, quick seating, fantastic personality, everything you want just when you want it – then you should expect to pay for it.

It’s not reasonable to expect perfect quality, perfect service, and super low prices.

So if you want low prices, you should expect to sacrifice either quality or service to some extent.

Pick two. If you can get two of the three, that’s very good.

Sometimes you only get one. When it’s really bad, you strike out.

The ‘pick two’ idea has been around for some time. It’s worth considering when pricing books.

The first step regarding price is to try to find other books that are very similar to what you’re selling. Customers will be comparing your book to other books like yours when they shop.

Now the question is whether you should be at the high end or low end of this price range – or somewhere in between.

Don’t assume that you need to be at the bottom end of this price range in order to sell books. Don’t assume that you can’t compete with top selling authors or big publishers.

It’s intuitive to most people that a lower price should lead to more sales. It seems like a basic law of economics, right? But it often doesn’t work out that way.

One major reason is that so many people believe that you get what you pay for. Another issue is that several buyers have some experience with poor quality.

Thus, there are cases of authors selling fewer books after lowering the price or actually selling more books after raising the price. It doesn’t always work out this way, but sometimes it does.

Price doesn’t drive sales.

Look at it as two out of three. Price is only one factor.

Quality and service are two other factors.

If you have a high-quality book, setting the price at the low end of the range for similar books may be a problem. People who are looking for better quality may not be browsing the low end of the price range. Where are the readers who are thinking, “Nah, I don’t want quality”? Readers who’ve had a poor experience at the low end of the price range may be exploring somewhat higher prices, hoping to get something better.

Quality doesn’t just mean one thing. It includes good editing, good writing style, good formatting, good characterization, good plot, ease of understanding, entertaining, creativity, professional touches, evoking strong feelings, etc. It also includes a great cover, great blurb, and great Look Inside – since these features help readers judge quality when they’re about to make a purchase.

Then there is also service. For authors, this comes through marketing.

Marketing drives sales. Price doesn’t drive sales. Price may deter sales, if too low or too high. But price doesn’t create sales. Quality and service (i.e. marketing) help to stimulate book sales.

Marketing can be a service. For one, marketing helps bring the book to the customer, whereas it’s such a challenge to find the right book through a search.

A good review online or at a blog from a credible source helps customers find a book in a genre that they read, which may potentially be high in quality. That’s two out of three already, so the price shouldn’t be at the bottom end of the spectrum.

Personal interaction helps to sell books. Interact with the target audience in person. That’s a service that the author provides to the reader.

Readings and signings are services, too.

If you have a quality book and you market effectively, your book shouldn’t be at the bottom end of the price range.

If your book is at the bottom end of the price range, shoppers may be wondering what the book may be lacking. If it’s not lacking anything, it should be worth paying for.

If a cup of coffee made in less than a minute can sell for three bucks, a book that reflects months of hard work should be worth more than that. 🙂

One last word about price. Just having a low price doesn’t suggest a great deal. It suggests that quality is lacking.

But having a sale may stimulate sales. If the price is normally higher, a temporary reduction in price may have this effect. Not from the random customer who just discovered the book – this customer doesn’t know that the price is usually higher. You have to promote a sale for this to work.

Promotion is a form of marketing. As long as you’re going to the trouble to spread the word about your book, you might want to earn a higher royalty for your effort.

A sale can be useful if the copies sold at the promotional price are likely to draw in additional sales. Promoting the first book in a series or discounting an omnibus may have such an effect, especially when the first book is very good at compelling readers to want more (this isn’t the case with all series).

A sale is also more effective when it’s not too frequent. Otherwise, people will just wait for the sale, and it will be hard to sell books in between sales.

Finally, you want your promotion to be targeted at new customers. If you’re advertising your sale to people who’ve already bought your book, you’re not reaching new customers – instead, you might be frustrating buyers who’ve paid more.

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon

Cyber bullying and why we must ACT! For Hannah and others x

A sad story with a good message. We need to be aware of this and think of what we can do to help end it.

Show and Tell

Show and Tell Pic

If you go out on a date, would you like to be told a good time or shown a good time?

Similarly, readers expect books to entertain them. They shop for books that will show them a good time.

This is true even for nonfiction books that provide instruction or knowledge. Given two books comparable in the level of knowledge and clarity of instruction, the book that entertains the reader is more likely to attract and engage the interest of the audience.

Also, people are more apt to remember what they are shown versus what they are told.

A writer could simply say that a girl is furious. That’s telling.

Alternatively, the author could state that the girl kicked a metal pail so hard that it bounced off the corrugated tin roof, waking up all of the neighbors. That’s showing.

It’s not worth showing everything. Showing minor details, instead of telling them briefly in passing, could be quite an interruption, for example.

Rather, if you find yourself telling, consider whether showing may have been more effective. Writers tend to tell more and show less than they should. It takes a conscious effort to overcome this.

It’s often not what you say, but the way you say it, that really matters.

You must also know your audience well enough to know what your audience prefers.

Asking for a hand in marriage is telling. Getting down on one knee beside a dinner table with a beautiful ocean view at sunset just after arranging a mariachi band to sing is showing.  But if your fiancée prefers the simple proposal to the fancy one, then telling is better than showing. Know your audience.

Inertia is the natural tendency of an object to maintain constant momentum. That’s telling.

When the skateboard hits the curb, the monkey flies forward because of inertia. That’s showing. Even in nonfiction, showing can be more effective than telling.

However, if your audience consists of mathematicians who crave abstract concepts and the challenge of showing themselves with what they are told, then telling may be better than showing.

Showing more and telling less doesn’t mean that you need to add pictures and links to websites and videos. Pictures and links can be highly useful, but don’t add them for the sake of showing more. You’re not trying to turn your book into a movie. Also, those links can be distractions – or worse, diversions (i.e. someone who is reading your book may click on it to go elsewhere).

Do you think that movies show more than books?

Actually, a book can show much more than any movie. Have you ever watched the movie of a book you’ve read and thought that the book was better?

One advantage that books have is the imagination of the reader. Movies don’t leave much room for that. Well-crafted stories and characterizations effectively harness the reader’s imagination.

Another advantage that books have over movies is that they are not restricted by budgets, special effect capabilities, and manpower. In fantasy, they aren’t even constrained by the laws of physics. Anything is possible in a book.

The question isn’t what you can do; you can do anything.

The question is only how best to show it to your reader.

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon

Which Edition Is It?

After publishing, it’s almost inevitable that at some point you’ll want to make changes:

  • You might discover a typo yourself, or have some pointed out to you.
  • The formatting of the Look Inside often doesn’t come out quite as expected (even if the book looks great on Kindle).
  • After writing another book, you may want to include a short sample of the first chapter at the end of your previous book.
  • You might want to add your website, email, or other author information to your books.
  • As you learn more about publishing, you may find good ideas or inspiration that you’d like to incorporate into your existing books.

Revising your book is fairly painless: You simply revise your files and resubmit them. (If you were wise enough to keep track of which version of the file was your latest file and where you saved it, that will be quite handy. The last thing you want to do is introduce mistakes by accidentally using the wrong file.)

Beware that a tiny change can create a domino effect, messing up the formatting on dozens of pages that follow. Take the time to inspect the formatting throughout the book, no matter how small the change is.

Where the fun begins is after your revise the book. You check out the product page, wondering if the changes have been made. If they occur in the beginning, you might be able to see them on the Look Inside. You might be wondering if you should buy your own book just to see if it has been corrected, but then you’ll be really disappointed if you invest in this just to discover that it hasn’t been.

Suppose a customer brings a paperback copy of your book to you. It might be handy for you to know which edition of the book that customer has read – i.e. did the customer buy it before or after you made the changes?

Fortunately, there is a simple solution: When you revise your interior file, simply place something that will show up in the Look Inside that will distinguish one version from another.

If the copyright page shows up in the Look Inside (it should, unless you move it to the back matter, which some authors and publishers do with eBooks in order to maximize the free sample), you could simply write Edition 4, for example. Then when you check out the Look Inside on Amazon, if you see Edition 3 instead, you know that the old Look Inside is still showing.

If you added new material and made corrections, you could write Revised and Expanded Edition instead of the edition number. You can even write a brief note like Revised to Include…

It’s not necessary to make it appear like a new edition has been made. If you only made a few small corrections, for example, you might not want to advertise that it has been updated. If you don’t want to advertise the update, but want to be able to tell yourself that it has been updated, then you just need to make some subtle change to the Look Inside that will help you tell which edition you’re seeing when you see your book.

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon

Improving Writing and Publishing Habits

In every aspect of life, we tend to pick up bad habits much more readily than good ones:

  • When we hear others complain, we tend to become complainers ourselves – even if the complaints that we heard spoiled our good moods. We applaud positive reactions to adversity, but those reactions don’t spread the way that complaints do.
  • In golf, it’s natural to lift the head up too soon, hoping to see a beautiful shot, but when the head comes up early, inevitably the shot isn’t worth watching. We must train ourselves to overcome such tendencies. The more we practice the natural tendency, the worse the bad habit becomes.
  • After hearing others swear, we tend to unconsciously curse in similar circumstances. But when someone stubs her toe and says, “Oh dear, that smarts,” this gentler reaction doesn’t spread the same way. It takes a conscious effort to develop this milder habit.
  • A common mistake in chess is to focus on what you’re trying to do, and to overlook what the opponent is trying to do. It generally takes many losses to retrain our brains to overcome this natural tendency.

The same is true with writing and publishing:

  • If you aren’t well versed in the rules of writing, the more you write without learning the rules, the more you will continue to develop poor writing habits. Even if you hire an editor, the fewer mistakes you make in the first place, the easier it will be to perfect the manuscript. And editors themselves make mistakes, so you must know the rules in order to spot the editor’s mistakes.
  • Every writer has a unique style. Some elements of style tend to work better than others, and often the natural tendency isn’t best. For example, it’s natural to tell what happened instead of show what happened, but showing is often more effective. We can become better writers by identifying our natural tendencies and determining which ones we must consciously work to overcome.
  • When we see other writers complaining – which is all too common – about sales, reviews, and so on, it spreads negativity to others. And complaining in public adversely affects the author’s image. We must strive to maintain a positive outlook and behave professionally.
  • A natural reaction to a critical review is to take it personally and respond to the review with a comment, but this often turns out to be a mistake. If you learn that it’s a mistake and understand why, and have this in mind when checking your reviews, you may be able to profit from overcoming your natural tendency.
  • Authors tend to publish their books without a plan. It takes a lack of sales to convince most authors that a marketing plan may have been necessary. If you’re aware of this, you may invest the time to put together a marketing plan prior to publishing.

In physics, inertia is the natural tendency of an object. According to Newton’s first law of motion, objects tend to maintain constant momentum. That is, once an object is set in motion, it tends to stay in motion naturally according to its inertia; that’s why it’s hard to stop a boulder that’s rolling down a hill. If instead the object is at rest, its momentum is zero, and so it tends to stay at rest. It takes a net external force to overcome an object’s inertia.

You have natural writing and publishing tendencies. You must work to identify them and overcome any that may inhibit your chances of success. Following is a sample of some things to look for:

  • Not checking spelling, vocabulary, or rules of grammar while using a word or rule that the author is unsure of (or at least take the time to write * check * to remind yourself to look into it later).
  • Not thinking through contractions, like seeing “it’s” as “it is.” This helps to avoid confusing words like “it’s” with “its,” “they’re” with “there,” etc.
  • Not checking for potential homophone mistakes, like using “their” when it should be “there,” “our” when it should be “are,” etc. (You can easily find such lists on Google, then use the find tool in Word.)
  • Not checking for consistency in tense, person, number, etc. (Of course, there may be reasons to change them. For example, you might be writing in the present tense, but need to describe an event from the past.)
  • Telling the reader what happened in a situation where showing the reader would work better.
  • Not putting enough time and effort into editing.
  • Repeating words, as in, “I wrote this this word twice.” This is especially common when one word appears at the end of one line, while the other word begins the next line. Search for “the the,” “that that,” and other common words (but without the quotes, of course) to help find some of this repetition.
  • Not joining a writer’s group or approaching it with the right attitude to make the most of it.
  • Not writing with a specific target audience in mind. It’s a very common mistake to try to write for too wide an audience (like mystery, romance, and suspense combined together) or to write a book for which an audience will be quite a challenge to find (e.g. there isn’t a browse category for it at Amazon).
  • Not realizing that writing, like singing, is an art that takes some talent as well as time and effort to develop and master.
  • Expecting everyone to compliment your work. Criticism and complaints are very common, so we must expect it, and some of the criticism helps authors grow as writers.
  • Finding faults in others, but not looking for them in ourselves. How often do we have advice for others, but not follow the same advice ourselves? And how often do we get upset with or ignore advice from others, instead of considering whether or not it may have merit? And how readily do we give advice, versus how often do we seek it?
  • Not researching similar books to learn what kinds of covers, blurbs, writing styles, storylines, and characterizations tend to attract your target audience.
  • Not researching similar books’ sales ranks to see whether or not the book idea may be worth the effort.
  • Formatting a book without using similar traditionally published books as a guide, and without learning basic formatting concepts like how to make different headers for each chapter, how to use Roman numerals for front matter and Arabic numbers afterward, and what to do about widows, orphans, and rivers.
  • Formatting an e-book without learning about common issues, like which characters are supported, how to properly size and compress pictures, and how to modify and use Word’s styles.
  • Not designing a cover and blurb that instantly identify the book’s genre to potential shoppers.
  • Not learning about marketing and how to brand a name or image.
  • Advertising the book openly, rather than working to get discovered. For example, “You should check out my new book,” versus waiting for the question, “So what have you done lately?”
  • Not contemplating where to meet and interact with your target audience.
  • Underestimating the value of meeting people in person, letting them discover that you’re a writer, and charming them with your personality.
  • Not developing a following over the course of several months prior to publishing.
  • Thinking that Facebook and Twitter provides a complete marketing campaign.
  • Not coming up with a marketing plan prior to publishing.
  • Not thinking hard about how to create buzz for your upcoming book.
  • Not making it easy for readers to contact you.
  • Complaining about sales, reviews, etc.
  • Not staying positive throughout the writing and publishing process, and beyond. Strive to not let negativity bring you down.
  • Expecting to be an instant success.
  • Expecting writing, publishing, marketing, and sales to all be easy.
  • Giving up too soon. Be patient and constantly strive to improve.

Millions of books are available.

Only the top couple hundred thousand sell at least a book per day, on average.

Most self-published books feature one or more of these natural tendencies.

Make your book stand out by identifying your natural tendencies and striving to overcome those that need improvement.

Imagine for a moment that you’re a professional tennis player instead of a writer. You come on the scene with a great serve, strong forehand, and weak backhand. What’s going to happen? Everyone will try to hit the ball to your backhand side. You can lose many matches with your weak backhand, or you can acknowledge that you have room for improvement and strive to become a better player.

Find your weak writing and publishing ‘backhand’ and work to improve it in order to become a more successful author.

Remember, bad habits are easier to get and harder to overcome than good habits.

Look for great habits that you see in others to find other great things that you could be doing. Remember that you must consciously work to overcome your natural tendencies.

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers