Cover Fonts

Bloody

Plasma Drip font from Font Squirrel at http://www.fontsquirrel.com

The right font is an important ingredient for successful cover design. It can also be one of the more challenging elements to perfect.

What to look for

  • The cover text should fit the genre or subject matter.
  • It should look like the font belongs on the cover.
  • The font should inspire interest in the book.
  • It shouldn’t be a distraction.
  • The text should be easy to read. Any uncommon words should be immediately clear.
  • Key words should stand out in the thumbnail.
  • Pixelation, stray marks, blurriness, and other issues will detract from the cover.
  • Too many different fonts on the cover is a problem. Two different fonts must work well together.

Examples

We’ll look at a movie and t.v. show. Although these aren’t books, the font is equally important—more so, if you count the money invested.

Check out the font for Disney’s Frozen: movies.disney.com/frozen. It fits the content perfectly.

Another example is Nick’s The Haunted Hathaways: www.nick.com/shows/haunted-hathaways.

Getting it right

The font and cover as a whole must look right to your eye. Well, not your eye. What really matters is your specific target audience.

That’s why feedback is so important. Some people have a good eye for font style. If you can get their opinions, that will help. You can also solicit feedback from your target audience, helping you build a little buzz while also perfecting your cover.

Finding the font

You need to go on the Great Font Scavenger Hunt. But it’s worth it.

If you’re using the font on your book cover, you’ll need a font that permits commercial use. There are many fonts online that allow free commercial use, along with many more with reasonable prices. For example, check out Font Squirrel. Google free fonts to find a host of other sites. You can also find many font collections for sale.

Read the license agreement carefully to learn whether or not commercial use is permitted. While some free fonts allow commercial use, beware that some paid fonts don’t. Check the license to be sure.

Note that paid font collections often exaggerate the total number of fonts. If the same font comes in normal, bold, italics, condensed, and expanded, for example, that single font might count as 9 different fonts (since condensed bold italic is different from condensed bold, for example).

Another issue is browsing through the fonts and testing it out with your specific text. A paid collection might come with a booklet that shows just the first 7 letters of thousands of fonts, which really makes it challenging to find the right one. An advantage of browsing online is that you often see larger fonts, spaced out better, and you can search and filter to better find what you’re looking for.

Once you have the fonts of interest installed on your computer, you can open up Microsoft Word, type the text, highlight the text, then scroll through the various fonts to see how it looks using the up/down arrows on the keyboard. This is pretty convenient. (If the font window blocks the text, you can move the text over by changing its alignment to right, for example.)

Don’t ignore it

If you did a survey among avid readers who know nothing about cover design, they might tell you that font style isn’t important to them. But that’s only because they don’t realize it.

Online, before you see the book’s product page, you see the thumbnail for the cover. Usually, the thumbnail is on a page with a dozen or more other covers. Very often, a shopper is scrolling through several pages of thumbnails to find a book. In a bookstore, you see the spines of hundreds of books.

The cover that best attracts the target audience gets the most attention. The font style does have a significant impact on cover appeal, even if we don’t realize it.

A successful cover signifies the genre and attracts the specific target audience in three seconds. The right font helps to pull this off.

Cover Design

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles, including cover design, by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Self-Publishing Experiments

Experiment

With millions of books to choose from, why would anyone choose to buy an experiment?

If the author treats a book like it’s an experiment, the quality of the content, packaging, and marketing will reflect this. Customers will see it.

  • It’s not worth putting a fantastic cover on a book that’s an experiment.
  • It’s not worth perfecting the editing or formatting for an experiment.
  • It’s not worth crafting a most wonderful story for an experiment.
  • It’s not worth marketing an experiment.
  • The author won’t be confident in or passionate about an experiment.

So why bother making an experiment?

If you just want to know if your writing appeals to others, simply share drafts of it or join writing groups.

It’s not Necessary to Experiment First!

Why not? Because there are already millions of books on the market. Researching those, especially successful indie books, will prove far more valuable than any experiment you might do yourself.

  • Sales ranks and reviews can help you gauge which kinds of books are or aren’t popular.
  • Repeated comments in a subgenre can help you learn specific things that many readers do or don’t like.
  • Writing samples in the Look Insides can help you see what kind of writing appeals to readers.
  • Covers of bestselling indie books can help you learn how to attract your target audience and signify your subgenre.
  • Look Insides of bestselling traditionally published books can show you what a nicely formatted book should look like.
  • Product pages of bestsellers can show you how to make the most of your book’s detail page.
  • Author pages and websites of top indie authors can show you a variety of marketing possibilities.
  • A ton of free and low-cost publishing and marketing resources can help you perfect your book.

Study books that have succeeded. That’s experimental data that you have right at your fingertips.

It’s a Mistake to Experiment First!

Why? Because your first impression is very important. A big part of marketing is the author’s brand. It takes time to build credibility as an author.

If your first effort is an experiment, many shoppers who come across your book and were interested in it may remember your book or name in the future. The next time they see one of your books, even though it may be much better, they may pass on it simply from their first experience.

Success in the publishing business is difficult to come by, so start out by putting your best foot forward.

About My Blog

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Comma Chameleon

Comma

Comma, comma, comma, chameleon.

Such a subtle separator can disguise meaning.

“Let’s eat, everyone,” sounds rather inviting.

“Let’s eat everyone,” sounds cannibalistic.

, , , , ,

Comma, comma, comma, chameleon.

Such a subtle mark can affect the pace.

“The rabbit with broken legs limped home,” sounds quick.

“The rabbit, with broken legs, limped home,” sounds slow.

, , , , ,

Comma, comma, comma, chameleon.

Such a subtle mark can hold so much power.

“My mom said her husband is crazy,” means one thing.

“My mom, said her husband, is crazy,” means another.

, , , , ,

Copyright © 2014 Chris McMullen

, , , , ,

Related articles:

Riddle: What Does Every Writer Need to Succeed?

Question

It’s not a pen because you could use a pencil or a computer.

It’s not a medium on which to write because the writing could simply exist in a bard’s mind.

It’s not a brain because that doesn’t distinguish a writer from any other art form.

It’s not lucky underwear because this job is clothing-optional.

It’s not a dictionary or thesaurus; although these come in handy, they aren’t always needed.

It’s not an audience because it is possible to define a new genre and gather a new audience.

It’s not money, as a writer can start out empty-handed and become successful.

It’s not writing instruction; while it does help to be well-versed, it is possible to become fluent through avid reading, for example.

It’s not praise, since although most writers would like it, the road to success is often paved with much criticism.

It’s not criticism because it’s already spurious and not everyone benefits from it.

It’s not an agent or great connection, which may help, as some writers have succeeded without this.

It’s not research, though it can be a big asset, since it can be compensated or trumped by a huge imagination.

It’s not imagination because many writers succeed with small changes to what’s already out there.

It’s not a pet squirrel, yet it’s highly recommended.

It’s simpler than all that, and everyone can have it. It’s passion.

Writing without passion. Is it worth reading? Was it worth writing?

Copyright © 2014 Chris McMullen

Authors, Don’t Write Books; Create a Whole New World

Image of Mars from NASA.

Image of Mars from NASA.

People don’t buy books. People buy the experience that a story provides.

So authors shouldn’t write books, and they shouldn’t market books. Authors should create a whole new world, and they should market the experience of visiting that world.

Don’t think of your book as a book. Think of the story as one part of the world that you created.

Don’t think of how to market your book. Think of how to get people interested in your world.

The world you create is far more than a mere book. It’s the world, not the book, which people want.

How do you do this?

  • Give your world life before your book is published. Spread the word about the world you are creating. Create buzz for it. Reveal the cover, blurb, and sample chapter in advance.
  • Design striking, relevant images for your cover, blog, social media pages, website, bookmarks, business cards, brochures, PR kit, all your online activity, and all your printed materials. These materials come in different sizes, so you need a flexible design. All the products should fit together. They don’t all have to be exactly the same, but it should be immediately obvious that they match. Everything prospective shoppers, readers, and fans see are a visual representation of your book.
  • Supplement your book with additional material. Post free bonus content on your website or an email newsletter to give fans an incentive to stay in touch. This might include maps, character sketches, or short stories or poems, for example. Not everything has to be free. For example, you can sell a short story that relates to your book.
  • The great thing about a series is that the world can last well beyond just one book. It also helps you create anticipation for each book in the series and steadily grow a following. You can make the first e-book permanently free or 99 cents to help lure readers into your world. An omnibus with significant savings can entice readers to buy the whole world all in one shot.
  • Sell, give away, or hold contests for additional products like bookmarks, special editions, t-shirts, buttons, or maps.
  • Create a highly marketable world and it will help attract visitors to your world. Some ideas are more marketable than others. Some writing is more pleasing than others. The packaging—cover, blurb, and Look Inside—are also very important in attracting attention to your world.
  • Find your target audience—especially, people who aren’t already in your following—in person and online, interact with them, and show them the benefits that your world has to offer. You’re not selling a book, but a roundtrip ticket to paradise. Introduce people to your world. Create a video trailer that depicts your world visually.

Self-publishing world

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

New Year’s Resolutions for Writers

Happy 2014

What writing resolutions are you making for 2014? Here is a sample of goals that you might set:

  • A writing quota for books, stories, or articles that you will write. Set a reasonable expectation.
  • Marketing goals might include trying out new ideas, learning new strategies, or devoting more time to this task.
  • If you feel like you worked too hard in 2013, you might want to devote more time to family and find a better balance between writing, marketing, and family time.
  • You might want to devote more time to writing if marketing or other activities are cutting into your writing time.
  • The new year might be a good time to try out a new writing style or genre, or to develop some new characters.
  • Making an effort to get traditionally published, or switching over to self-publishing, are possible goals.
  • You might join a writer’s forum or book club, attend a conference, or get involved with a writing-related group.
  • A new year is always another opportunity to stay positive and deal with stress better.
  • Common resolutions, like exercising more and eating write, are valuable for writers, too, especially as we spend much time sitting at a desk.
  • Perhaps you’d like to read more books in 2014.

What are your writing resolutions for 2014?

Happy New Year!

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

The Great Paperback Hangover

Hung Over

Sales of most print books peak in December because paperbacks and hardcovers make for great holiday gifts. Any book that would make a suitable gift tends to see a considerable improvement in sales frequency during December.

Up until Christmas Eve, that is. Then the happiest time of the year for print book sales is followed by the great paperback and hardcover hangover.

People are busy spending time with family, traveling for the holidays, checking out their new presents, and enjoying their vacations to buy books. Besides that, they’re broke from all the holiday shopping they just did. Therefore, few print books sell between December 23 and January 1. Sales may slowly build after that, but probably not like they were in mid-December, except for seasonable books that do well in January, like academic books.

CreateSpace authors are likely to see little activity between December 23 and January 1, and it’s not just from the lack of post-Christmas sales. This has to do with holiday returns.

More sales in December means more returns. It’s even worse since many people who receive gifts return or exchange them, or simply prefer or need the cash instead.

So even if a few books do sell shortly after Christmas, there is a good chance that they will be filled with returned books rather than by printing new ones, in which case no royalty will be reported.

This is a great time to focus on family, spend time writing, and avoid checking your stats for a week or two.

Good News?

However, there may be good news if you sell e-books. While the sale of most print books drop off in late December, the sale of most e-books are on the rise. The effect is probably not as pronounced as it had been in recent years, but some people did receive new e-readers this holiday season and are looking for e-books. The residual of this effect may last as long as the end of February or so, though the most significant impact will likely be seen just thru January.

About My Blog

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

What Are Your Writing Goals?

Goal

How you define success, establish expectations, and prepare a marketing plan depend on your objectives.

So as you plan the new year and make writing resolutions, take a moment to consider your objectives as an author.

Here is a sample of writing goals:

  • To master the craft of writing. Spend more time writing, of course. Also, spend time reading classics and the kind of writing you wish to master. Seek feedback from readers. Search for writing tips.
  • To share your writing with others. Post writing on your blog. Publish a book. Publish poetry, short stories, essays, or articles online or in print. Market your written works to your specific target audience.
  • To support your writing hobby financially. Research which kinds of books you are a good fit to write, where there is a significant demand. Perfect your book to improve your prospects for good reviews and recommendations. Seek a traditional publisher or design a highly marketable cover, blurb, and look inside. Learn how to market your book effectively. Look for related jobs that you may excel at, such as editing or cover design.
  • To have fun. Write in your spare time as a hobby. Enjoy it. Be creative. Devote more time to writing and less time to marketing and other related activities. Find fun and creative ways to do those other activities so you can keep the focus on enjoying your writing. Don’t get caught up in stats or reviews.
  • To leave a legacy for your children. Involve your kids with your books. Make up stories for them at bedtime. Write special stories or poems just for them and publish them privately. Encourage your kids to assemble books and publish those privately. Mention your family in the acknowledgments or dedications section of your book. Specify how royalties will be awarded and distributed in your will, and provide information that will help your heirs understand and manage your books and author platform.
  • To gain accolades. Master the craft of writing and storytelling. Focus on perfecting your book idea and the book itself. Enter contests. Learn from your experience and enter more contests. Create a fan page and include a link to it at the end of your books. Interact with your fans. Attend writing conferences. Build connections among writers, agents, and editors. Develop a very thick skin because there is much criticism on the road to praise.
  • To try out a new genre or writing style. Don’t view it as an experiment. Have fun with it, but also take it seriously. Research what you will be writing thoroughly. Motivate yourself to master the new art. Do your best, as if it’s the only way you will ever write.
  • To share your knowledge or help others. Master the material you wish to share. Master the art of explaining ideas clearly. Master the art of teaching effectively. Research your specific target audience’s learning styles and background level. Perfect your article or book. Post relevant free content on your website. Post relevant content on other websites to reach people who aren’t already in your following. This can be an online article or a YouTube video channel, for example.
  • To get published traditionally. Research books that are highly marketable which are a good fit for you to write. Master the craft of writing your book in a way that will please a specific target audience. Make connections with agents, editors, illustrators, cover designers, and publicists. Receive advice from experienced, successful publicists and agents at the outset of your project. Subscribe to magazines and newspapers that are a good fit for your writing. Read and study those articles for several months, then submit your own articles for publication. Research how to write query letters and book proposals. Find a literary agent. Post your rejection letters where you will see them every morning to fuel your motivated self-diligence. Strive to improve. Never give up.
  • To become instantly rich and popular without any effort. Don’t write at all. Get a full-time job. Be frugal. Spend every spare penny on lottery tickets. Hope. Pray. Don’t be disappointed if it doesn’t pan out.

Publishing help

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Why Do You Write?

Why

 

Is your writing fueled by passion?

Is it a hobby that’s much fun?

 

Do you possess knowledge to share?

Do you give help because you care?

 

Perhaps you write to entertain.

Maybe you do it to heal pain.

 

Please don’t say you write for money,

Although sales are sweet as honey.

 

Are you just a muse’s vessel?

Are you writing to soothe your soul?

 

Could your books be your legacy?

Could they be art for all to see?

 

Copyright © 2013 Chris McMullen

The Power of a Backlist

Backlist

If you read about the success stories of indie authors, you’ll see that many of these authors benefited from a backlist.

What is a backlist?

A backlist consists of books that the author had written previously.

Authors who have been struggling to publish traditionally for several years have a backlist, which includes rough drafts and proposals for several books. Writers who have been writing for a hobby sometimes have a backlist—i.e. books that they’ve completed, but have never done anything with.

(Publishers use this term differently. For a publishing house, a backlist includes books that have already been published previously, as opposed to new releases.)

How can it help?

2008 was a great time to be an author with an extensive backlist. The indie revolution was just getting underway. CreateSpace, Kindle, and Smashwords were unlocking doors. Authors with a backlist who self-published hit the market with several books in a short period of time. Few customers were aware of self-publishing. There was much less competition. A backlist then gave indie authors a huge advantage.

A backlist can still be powerful today.

Here are some ways that a backlist can help an author:

  • With several [good] books on the market, you [can] look like a professional author who is serious about the craft of writing. Readers see that if they try your book and like it, there is much more where that came from.
  • Some customers will buy multiple books at once. Customers who like one book may try your other books. Your books appear one on another’s customers-also-bought lists. Having already written all these books when you first publish, you can mention all of them in the front or back matter of every book. In these ways, your books help to market one another.
  • You skip that long period where you’re starting out with just one or two books available, looking like a newbie author. Whatever sales you would have with just one or two books, you’ll have more with several [marketable] books. You’re not just marketing one book; you’re marketing multiple books. Anything you do in the way of marketing helps to stimulate more sales than if you just had one book. These things help to give each book a more solid sales rank when it starts out, which helps each book’s visibility.
  • Completing a few books before you start publishing, you’re a more experienced author before your books hit the market. You also have the opportunity to solicit feedback, benefit from a writer’s forum, start a blog, build a following, build buzz for the release of your books, get your social media started, learn more about publishing, etc. There are many benefits to starting out looking like a complete, professional author, compared to starting out with one book and then learning about book marketing.
  • Too many authors who publish one book make the mistake of viewing it as an experiment. If you don’t put your best effort into the book, into cover design, into formatting, into editing, into marketing, and into spreading the word about your book, the results of the experiment will be meaningless. In contrast, the author who publishes a backlist of a half dozen books that he or she has been working on for years takes publishing very seriously. This author is more confident, more determined, more motivated, more diligent, and won’t give up easily. This author will also, in general, put more effort toward the marketability of the book (i.e. perfecting the cover, blurb, editing, formatting, and writing). The author is also more likely to research which kinds of books sell and how to write a highly marketable book.

What about a series?

A fictional series might work better to release one volume at a time. As the popularity of the series grows, this helps to create buzz for the next volume. Most nonfiction series probably works best to release several books together (unless it reads more like fiction).

A set of similar books, in contrast to a series, might work better to start with several books at once.

My backlist

I started writing books, drafts of books, putting together book ideas, preparing worksheets, and drawing illustrations on the computer back in the late 1980’s. I published my first book in 2008. That gave me twenty years to prepare an extensive backlist.

I didn’t plan it that way, but I benefited from this. This huge headstart is how I have published as many books as I have.

I published the Improve Your Math Fluency series of math workbooks starting in 2009. I released several titles in a short period of time. Customers didn’t view each of my math books as a book, but as part of an extensive series. This definitely helped. Also, it was very clear from my royalty reports that more customers bought several books from the series at once than bought just one book. All of the books in the series were showing on each other’s customers-also-bought lists in a short period of time.

Have times changed?

Comparing 2013 to 2008, most people know about self-publishing now, whereas few knew about it then. Yet there is much support for indie publishing now, since there are numerous indie authors plus their family, friends, and acquaintances, many of whom support the concept.

There is much more competition now. Many authors who had a backlist and published around 2008 turned into success stories that inspired many other authors to try self-publishing out. There are now millions of indie books on the market. Unfortunately, most self-published books sell fewer than once a day on average. Only the top couple hundred thousand books sell once a day or more on average. There isn’t too much more competition at the top than there had been, which provides a good opportunity for highly marketable books. A backlist of highly marketable books can help you rise toward the top.

Also, similar books tend to be more complimentary than they are competitive. Sales of similar books actually help one another. A foolish author who succeeds in deterring sales of similar books shoots him- or herself in the foot through customers-also-bought associations and other ways that similar books tend to help one another out. Customers don’t usually buy one book or the other, but over time buy several similar books. If all the similar books start selling better, it helps them all out; if any start selling worse, especially the ones with a better sales history, it can pull the similar books’ sales down, too. (So don’t be a fool.)

The most significant change recently is the role of the traditional publisher. Originally, self-publishing was more of a minor nuisance and inconvenience. People in the publishing industry either ignored it or miscalculated the effect of trying to market a lousy image for self-publishing and a great image for those exclusive authors who publish traditionally. They also kept their e-book prices high, which left the door wide open for indie authors. They went with traditional marketing, i.e. book reviews in major newspapers and televised author appearances, feeling that professional marketing gave them a big edge over indie marketing. Many successful indie authors tap into many more marketing resources and show more creativity in their marketing. One big factor is that the indie author feels a greater need and sees a more direct benefit for the marketing.

Recently, more traditional publishers have explored the effect of more affordable indie pricing. More traditional authors and publishers are starting to take advantage of the marketing opportunities that until now have mostly been sought out by indies.

Some traditional publishers are starting to adapt more effectively to the publishing revolution. This will in turn change what indies need to do to succeed in the publishing business.

Starting out by publishing a backlist is one way to potentially begin your writing career with a healthy headstart.

Should you wait to publish?

If you have one or two books in progress now, nobody is twisting your arm to publish your book at the earliest possible moment. There is no harm in waiting. In fact, there may be several benefits to exercising much patience. You could choose to spend a couple of years putting a professional online platform together, learning publishing tips, growing a following, receiving feedback, building buzz, preparing a backlist, and perfecting your books. Starting out looking like a serious, professional author with a complete author package may outweigh the benefits of getting one or two books on the market quickly.

Which will be better depends on your unique situation, and also depends on exactly what happens in the future, which, of course, isn’t entirely predictable.

It’s hard to say. But it’s something to consider. Many highly successful indie authors started out with a backlist of highly marketable books. This shows that it can be an advantage. (But it doesn’t guarantee that it will be.)

Another thing I see is a large number of tween and teen authors. I think this is great, but I also wonder if some may benefit by waiting until they are older and starting out with a backlist. (Especially, the more immature ones are more likely to make big marketing and publicity mistakes.)

When I was a teenager, I would have enjoyed reading a good book by one of my peers. It’s easier for teens to relate to teen writers. Most people who write about teen writers focus on the benefits of older writers having more wisdom and life experience. These are great points. But there are also advantages to teen authors writing to a teen audience in terms of being easy to relate, having a more hip style, being more lively and energetic, and being at that point in life where you have big dreams and wondrous curiosity, etc.

But I also know that as we grow older, we sometimes look back at our earlier writings in a different light. Some writers who publish at an early age come to regret it later.

There’s always the pen name as a back-up. It’s generally easier to market in your own name, but if you write as a teenager and regret it later, you can always start over with a pen name.

The idea of a backlist might tip the scale in the favor of waiting a couple of years until you have a half-dozen books ready.

Publishing help

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.