An Example of Successful Nonfiction Marketability and Marketing

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Today, instead of discussing marketing ideas in general terms, I will provide a specific example.

I think this will be quite useful. This post features a specific nonfiction book, which has many instructive marketability features, and its author, who has done some wonderful things in the way of marketing which are accessible to most authors.

The e-book is currently number #1 in Happiness at Amazon, and was in the top 1000 in paid books in the Kindle store when I checked on it last night. This is a result of the book’s marketability combined with the author’s marketing. I will try to reveal many of the instructive features that have made this book successful, with the hope that doing so may help other authors.

I plan to do a future post on a fiction book, too. I also have one in mind that features a specific website with instructive marketing and publicity features. If these work out well, I’ll consider preparing posts like these more often.

The book I selected is Happiness as a Second Language by Valerie Alexander. This book is available as a paperback, e-book, and audiobook. I happened to discover Valerie’s blog several months ago and immediately bought the book because it strongly appealed to me. (I have several books from my fellow bloggers, and you can bet I’ll be a happy shopper on Read Tuesday.)

I recommend checking out the paperback edition on Amazon. Explore the book’s detail page and the Look Inside. There are specific features that help its marketability. I’ll refer to these; if you see them for yourself, it will be more instructive. The Kindle edition has the much better sales rank presently, but the paperback edition has some nice formatting that I’ll mention in a moment.

What makes this book so marketable?

Several things:

  • The concept: Who doesn’t want to be happier? It’s a hot commodity. But it’s not just happiness: It is teaching happiness like it’s a foreign language (which correlates with experience).
  • Cover appeal: (1) Yellow is a happy color, which fits the theme. I like the ‘A,’ because it sends out good vibes. I feel happy just looking at it. (2) Three color rule: Mostly yellow, contrasting with black and red nicely. (3) Easily readable, yet the font is interesting and seems to fit the theme. A large title is common in nonfiction. (4) Grabs the attention of the target audience quickly. (5) Simple yet effective. Didn’t make the mistake of being too busy.
  • Effective blurb: It’s concise and clear. It comes right out with the best stuff. What’s really nice is that it presents ideas that seem foreign, so you feel like there is a lot of material you can learn, but it also makes everything seem like it might be easy to understand (“happy colors” isn’t technical jargon, but sounds easy to learn and apply).
  • Formatted blurb: Note the occasional use of boldface and italics, which can be done through AuthorCentral.
  • Emotion: Check out Valerie’s bio. She experienced life’s challenges and overcame them with the techniques that she explains in her book. It’s a moving success story. Notice that she just briefly mentioned her low point in her bio, instead of going into detail her. Wise decision, I think.
  • Smile: Her author pic shows a nice smile, which it must, because she’s selling happiness. The photo is appealing, which is important.
  • Professional Look Inside: This is very important. Once the cover and blurb entice the reader, the Look Inside has to close the deal. The copyright page shows that it was published by Goalkeeper Media, Inc. Look at the bottom of the copyright page where it lists people who took the author photo, designed the cover, did the cover layout, and designed the interior; you’ll find similar information in many traditionally published books.
  • Design marks: The design marks on the first page of each chapter and the page headers look professional (I’m referring to the paperback edition). Note that the page header marks are light so as not to call too much attention from the reader (and distract from the reading). If you can find any of the tables or textboxes, they are well-formatted, too (maybe try searching for “Pop Quiz” in the Search Inside feature). Professional touches make a big difference.
  • Editorial reviews: A few of these on your book’s detail page can be helpful.

The book looks professional from cover to cover. This is so important. Combine this with content that appeals to a large target audience a book will have amazing potential.

That’s what readers want. They want books that appear professional from cover to cover and on the product page, where both the content and packaging appeal to them. Isn’t that what you want when you’re shopping for a book?

What did the author do to market this book?

Note that these are all observations that I have made on my own. I did contact Valerie to get her consent before preparing this post, but I have based everything on my own observations.

Like just about everyone else reading this post, Valerie has a blog. I checked out her Speak Happiness blog and the archives date back to January, 2013. I checked her Kindle and paperback product pages, and her publication date is April 30, 2013. Therefore, I see that she started building an online following and creating buzz for her book 3-4 months before she actually published it. Premarketing is very important.

You can see from her blog site that she—like many authors—is also active on Twitter and Facebook. Her headers are effective, too. They help to brand an image from her cover.

She doesn’t just have the social media going, she’s also an active and supportive member of the community. I know this firsthand from my occasional interactions with her on both of our blogs.

Creativity can be put to good use in marketing. Check out the Reader Gallery on her blog site. You see pictures of readers holding her book up. This was a clever idea, and Valerie succeeded in getting participation.

One of the best things, in my humble opinion, that Valerie has done in the way of marketing is to get visibility among her target audience in high-traffic areas. This can be huge. She achieved this by publishing articles that relate to her book’s content. This is a very valuable resource that most authors don’t bother with. There are so many places online and offline that need relevant content that it gives you a chance to succeed in getting an article published and mentioning next to your name, Author of My Book Title.

Valerie published multiple articles with the Huffington Post. You can’t do it if you don’t try. Valerie tried and succeeded, and it greatly helps with exposure.

When I first contacted Valerie to mention that I enjoyed her book, months ago, she had asked very politely if I might be interested in doing a blog interview with her. At the time, I said no. As you know if you follow my blog, I don’t presently do book reviews or blog interviews. But it shows that she was contacting bloggers to help gain exposure. From a recent comment she made on one of my blog posts, I learned that she’s had some recent success with bloggers featuring her book. (Yes, today, months later, I have featured her book. I still don’t do interviews or book reviews so-to-speak, but I am testing out the idea of preparing posts with useful marketing ideas that feature a specific book.)

I think it’s very notable that she didn’t price her e-book at the bare minimum. Her original e-book price was $6.99. I’d say that most of the books in the 99 cent to $2.99 price range (but note that I myself have some for $2.99) should actually be in the $3.99 to $5.99 range instead. Exceptions might be the first book in a series or every book in a really long series, for example. I know some authors with marketable books whose sales actually increased when raising the price from $2.99 to $3.99. Many readers who get frustrated with a 99-cent or $2.99 e-book purchase shop in the $3.99 to $5.99 window, hoping to get what you pay for. (On the other hand, they still want value for their money. A short story can be a hard sell, but pricing a short story in the higher price range might not work out.)

You can create the perception of value. First, the price itself helps to establish this. Next, personal interactions with your target audience add value to your book. If you’re providing quality service like this and you have a marketable book, you don’t have to price at the low end of the spectrum.

Also note that a higher price may actually help your sales rank if you can succeed in generating sales at  the higher price. If a 99-cent e-book sells 100 copies per day, a $5.99 e-book that sells 50 copies per day actually makes more profit for Amazon. So Amazon should (for Amazon’s own benefit), and seems to, factor price into sales rank.

Her relatively higher e-book price also helped her achieve some recent success. Valerie placed multiple ads (BookBub, Book Gorilla, and others) for a special, one-time promotional discount of her e-book. Happiness as a Second Language is presently 99 cents, which is a huge savings. The promotion ends on Halloween, so you still have a chance to take advantage of this if the book happens to interest you. (I wasn’t asked to say this. I enjoyed the book and highly recommend it.)

Valerie is just doing one huge promotion this October, and after that her e-book will be permanently priced at $4.99 (a discount off the original price, but nothing like 99 cents). I’m fond of this strategy. She went all-out to promote the daylights out of her book’s sale. She makes it very clear that it’s a one-time deal, which provides a sense of urgency. After the sale, nobody will be thinking to wait until the next sale.

I really like that she isn’t giving her book away for free, yet she is making highly effective use of a one-time sale. She’s getting ample exposure while still drawing royalties. Unlike freebies, since people are paying for the book, they’re probably actually reading the blurb to make sure it’s something they want and they are more likely to actually read the book once they buy it.

There are a couple of marketing tools that Valerie has used, which many authors don’t. One is a book trailer and another is an audiobook (there is a significant market for audiobooks, especially among truck drivers; if your target audience is in this market, it may be helpful to do).

An important note about Valerie’s book trailer is that she shot the video on her iPhone. You don’t need access to a professional movie studio to do this. If you need a little help, try contacting the film department at the nearest university. There is a good chance that a film student would be interested in earning a little income to help you out.

When I showed Valerie a draft of this post, she mentioned that she sees her shortcomings more than what she may be doing right and compares herself to other authors who seem to be doing everything right. If you feel this way, as many authors do, there is something you can take from this. Even authors who seem to have achieved various degrees of success struggle with doubts, find faults in themselves, and see greener grass on the other side. In a way, this can be good and help to keep you humble. It may be helpful to other authors to realize that even successful authors experience these same issues.

I hope you got something useful out of this article. In the past, I haven’t done interviews or book reviews. This is as close as I’ve come. I feel like I’m providing useful marketing content while also helping another author at the same time. Please let me know how you feel about this, as feedback will help me decide whether or not to try it again in the future.

Let’s offer a big THANK YOU to Valerie for allowing me to feature her book in my post.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Read Tuesday Progress and Plans

It's going to be HUGE!

It’s going to be HUGE!

 

What is Read Tuesday?

It’s a Black Friday type of event just for books. This is a great opportunity for readers to shop for books at discounted prices; not just for themselves—books make nice gifts, too. It’s also a great opportunity for authors to participate in a global one-day sales event.

When is Read Tuesday?

In 2013, Read Tuesday will be held on December 10. Mark your calendar.

Is it free?

Authors, self-publishers, and booksellers can participate for free. Everyone is eligible. There are no forms to fill out, no obligations. To participate, a book simply has to have a short-term discount including Read Tuesday, which is lower than the ordinary selling price.

Similarly, there are no special fees, sign-ups, or obligations for readers to participate. Simply buy discounted books on Read Tuesday at your favorite booksellers. Authors may choose to list their books in the Read Tuesday catalog (click here to complete the forms), and many authors will be promoting their books on their blogs and other sites on Read Tuesday.

Many of the participating e-books will be discounted at Kindle. Some e-books will also be available at Smashwords through discount codes (a list of discount codes will be displayed on the Read Tuesday website closer to the day of the event).

Many of the paperbacks will be discounted through CreateSpace discount codes or through authors’ or small publishers’ websites (a list of these discount codes will be displayed as well). If you’re buying multiple paperback books on Read Tuesday, the combined savings will help to offset the shipping charges, especially as the per-book shipping costs less when buying multiple books together.

Read Tuesday is not selling anything. There isn’t anything to subscribe to, either. The only things being sold are books, and that is being handled strictly by publishers, booksellers, and authors, as usual. Read Tuesday is not a middleman.

Where can you learn more?

Check out the official Read Tuesday website: http://readtuesday.com

Follow Read Tuesday on Twitter: @ReadTuesday

Like Read Tuesday on Facebook: https://www.facebook.com/ReadTuesday

Tell your friends. The more interest there is among readers, the more authors will want to sign their books up; and the more authors who show support, the more readers will get interested.

How can you help?

Anyone can help. Just telling other people who enjoy reading books or authors who sell books about the event will go a long way toward making the event a success. Word-of-mouth referrals and recommendations are among the best ways to create buzz for a big event. This will help improve reader interest and author participation, which is a win-win situation for everyone.

Views, clicks, Likes, and Follows of any Read Tuesday posts or pages are very helpful. The more support prospective readers and authors see for the event, the more they are likely to be interested.

If you mention Read Tuesday in a post on Twitter, consider using the hashtag #ReadTuesday.

How is Read Tuesday coming along?

Here is how things have developed:

  • I didn’t get the idea for Read Tuesday until September 21st. So Read Tuesday has only been in the works for about one month.
  • Melissa Stevens designed images that anyone may use for free to support the Read Tuesday event in a positive way. You may have seen various authors and readers display this image on their blogs, websites, social media pages, and elsewhere.
  • The official Read Tuesday website launched on October 5, just three weeks ago. The Twitter and Facebook pages launched at approximately the same time.
  • In the first three weeks, the Read Tuesday website has had over 1,000 views and over 300 followers. More than 250 people have liked Read Tuesday’s Facebook page and there are more than 70 followers on Twitter.
  • Read Tuesday is being advertised on multiple websites (even though it’s not a company and no individual or business is profiting from this investment). Tens of thousands of people have seen an advertisement for Read Tuesday with the targeting directed toward authors and readers.
  • Authors and readers have been talking about Read Tuesday. People have contacted me to inquire about Read Tuesday, telling me that they heard about the event through other people’s (i.e. not mine or Read Tuedsay’s) blog or Facebook pages. I’ve seen Read Tuesday mentioned a number of times on Twitter, too.

What’s next?

Here’s what we’re looking to do presently and in the coming weeks:

  • Continue building buzz for Read Tuesday. Until now, much of the focus has been on spreading the news to authors, encouraging them to sign up or show support. Thank you very much to everyone who has contributed to this. We’re planning to start spreading the news to more readers, too. If you have ideas for posts and articles that may attract readers, please feel free to share them (or to write and post your own article on your blog, publish it, or submit it for consideration to be posted on the Read Tuesday blog—remember, you’re welcome to use the Read Tuesday images for free to support the event in a positive way). If you’d like a blog interview on your blog or website about Read Tuesday, we will try to accommodate requests (if you’d like to get interviewed on a website to talk about Read Tuesday, that would be great support, too).
  • We’d really like to go outside the blogging and social media world (in addition to this, that is) to try to attract readers and authors. If you can think of affordable advertising suggestions that may target this audience in this way, we’ll consider them. There is also the free alternative, which is publishing an article, getting interviewed, or getting the media to write an article about Read Tuesday. I’ve been working on this. If you have suggestions, I’d be happy to hear them. If you have access or connections, please feel free to help. Remember, you’re welcome to write your own article and may use the images for free to help support the event.
  • I’m contacting marketing and publicity contacts that I have. You’re encouraged to do the same, or to connect them to me if you don’t want to approach them about this. Some people have already volunteered to help spread the word in November or early December (I appreciate all the help we get, and a big thank you to anyone who has helped or supported in any way). I’m trying to get exposure with sites that have a lot of traffic or a large readership among authors or readers (any help or connections with this would be great, too). What would you think about an article in the CNN Community? It may get attention in that community even if CNN doesn’t do anything with the news. Any ideas, suggestions, or contacts in the way of publicity would be quite welcome.
  • This week was insanely busy for me, but the coming weeks should at least be sane. 🙂 I’m working on the author and book catalogs. I plan to improve the layout and design (at least, up to the point where the catalog may become too extensive for me to keep up with it, but it isn’t there yet—if it starts to look extensive in the coming weeks and you’re interested in volunteering, I might take you up on the offer). A visually appealing, well-organized catalog may help to improve interest among readers and authors both. You should see some growth and improvement in these catalogs in the coming days.
  • I received a suggestion to describe Read Tuesday somewhere like Indiegogo, which might get the event a little exposure while also helping to raise some advertising funds. Obviously, if every author contributed a small amount, it would raise a lot. But I want Read Tuesday to be free for authors, and my hope is for authors to benefit from the Read Tuesday promotion. I really don’t want other authors starting out in the hole, so I’m quite hesitant to do this. If you can think of sites where we can get similar exposure, but where we won’t be asking for money, those would be really handy suggestions.
  • As we get closer to Read Tuesday, authors may want to promote the Read Tuesday even while simultaneously promoting their own books. The Read Tuesday flag (remember, you can use the Read Tuesday images for free to support the event) may be able to help you market your own books in this way.

Ideas, suggestions, and comments are not only welcome, they’re even encouraged. 🙂

Chris McMullen, Coordinator of the Read Tuesday event

more, More, MORE; will it ever be enough?

More Pic

 

You start out with some sales.

So happy to sell your first book.

Something to show for your hard work.

 

Then you realize it’s not like you dreamed.

You had fantasized about a bestseller.

Now that seems ridiculously far-fetched.

 

Maybe it’s your cover. Could it be the blurb?

Or does it need an edit? What’s the problem?

See if some revisions will do the trick.

 

You’re excited when sales improve.

Until you realize it wasn’t all that much.

Your dreams remain a long way off.

 

Aha! Marketing must be the answer.

You scour the internet for information,

Learning everything you possibly can.

 

Sales improve after trying these ideas out.

That must have been the key.

Except that it’s still not enough.

 

Then you get a new idea. Write another book.

The sales will feed off each other.

Why hadn’t you thought of this before?

 

Your new book helps. As does the next.

Pretty soon you have several books out.

Sales are so much better now.

 

But it still isn’t enough. You want more.

You crave it. You can taste it. You need it.

Why? You don’t know. You just do.

 

Afterword:

 

I think it’s important to compare yourself to your former self (and not just in terms of numbers).

Don’t worry about how many books other authors are selling.

Some books rarely sell, some sell like hot cakes.

Trying to grow your numbers is a good goal to strive for, as long as you don’t go overboard.

As you learn more and gain experience, and as you have more books out, this should help your numbers grow.

Improvement will give you a temporary euphoria.

Then you get accustomed to it and expect better.

When the numbers drop, as they surely will, you’ll feel depressed.

Sales fluctuate. It’s a fact of life. Strive for long-term growth. Try to ignore short-term drops.

There are seasonal and many other effects, which guarantee some drops.

Try not to let your sales dictate your happiness. Otherwise, you’ll be unhappy much of the time.

Try not to fall into the MORE trap, which doesn’t just plague book sales, but plagues many aspects of life, such as finances.

More can’t really make you happy. You seem happy about it at first. But you can’t always get more. Do you want to be unhappy all those times that you can’t have more?

But more can be a healthy goal, in moderation.

You can use this goal to strive for improvement, and to stay motivated.

Just try not to let it consume you. Then more becomes a huge problem.

Remember, you can measure “more” in other ways besides numbers—better quality, for example.

The last things you want to do are lose your passion for your hobby, forget your roots, or feel like you sold out… all to get more, More, MORE.

If you focus on more, it will never be enough.

 

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Book Marketing through Paid Advertisements

Fourth Quarter Pic

The first question is whether or not it may be worth paying to advertise a book. See my previous post for more information on that.

Once you decide to advertise, there are many advertising services to choose from.

What you really want to know when making this decision is this:

  • What percentage of the people who see your advertisement are in your book’s target audience? Don’t buy advertisements that aren’t effective at reaching your target audience.
  • How many people are likely to see your advertisement? (It will certainly not be 100% of the readership or viewership. It will only be a fraction of the published circulation number.)
  • Do the possible additional short-term sales and/or long-term prospects outweigh the costs of the advertisement?
  • How good will your advertisement be (image, strapline, and any additional description)? Will it interest your target audience? Your advertisement needs to be marketable and geared toward your specific target audience in order to be effective.
  • Is your book highly marketable? Advertisements won’t help a book that lacks marketability.

There are many different ways to advertise.

Social media sites like Twitter and Facebook offer advertising which is geared toward businesses hoping to get views (branding), clicks (visits to their websites), Likes (popularity), Follows (interest), and reposts or comments (interaction). The question is whether or not you can effectively target your audience and, if so, how responsive those people will be to an advertisement for a book in this context. Note that Twitter lets you target followers of specific people (could be authors of similar books). If you’re going to target a category, make sure it’s a very good match for your specific target audience (targeting books or readers, for example, is way too broad to be effective).

Goodreads has a similar advertising structure compared to Twitter and Facebook, while being focused on books and reading. On the other hand, there are several authors and publishers advertising on Goodreads, and many of these ads look highly professional and flash different images to get attention. The basic self-service advertisement (which is much cheaper) shows a very tiny image (it says 50 x 66 pixels) and is static. It may be tough for indie authors to compete with advertising on Goodreads. However, the giveaway program is much less expensive (just the cost of the book plus shipping). You might not get any reviews or sell any books through a giveaway (it happens), but you might get a few hundred to a thousand (or so) views. This is an affordable way to gain some exposure, create a little buzz, and help a little with branding. The possible long-term benefits may be worth the small investment even if the giveaway doesn’t help with short-term sales or reviews.

There are a variety of websites and email newsletter subscription services that may be helpful for short-term promotional discounts (not necessarily free). Examples include BookBub, Ereader News Today, Kindle Books & Tips, Book Gorilla, Book Blast, and Pixel of Ink. Note that some of these specifically service e-books. Some of these services have minimum average-star or other requirements, but some don’t. These services can be very helpful in getting more exposure from a free promotion, and can also help to promote a sale that isn’t free. (In the case of a freebie, you have to ask yourself if you really want to invest money in the advertisement on top of giving away books. If you’re going to advertise, it might seem desirable to recover some of the investment quickly with some early royalties. If you have a series, though, a promoted freebie may lead to sales for the other books in your series.) Yet another consideration is whether the market is primarily in the US, UK, or elsewhere.

You can find many other websites online where you can advertise. Search for online websites, magazines, newsletters, and activities that are likely to attract your specific target audience. If you can find a place to advertise that’s a good fit for your target audience, that may turn out to be more effective than going with websites with bigger names.

Another route is the blog tour. Depending on the tour, it may be better for you to plan ahead and try to contact bloggers individually. Also, people you follow and interact with regularly may be more receptive, since you have a rapport together and often support one another, than a stranger; this also gives you more insight into the blogger and lets you see firsthand how many active participants there are on the blog and how many of those are a good fit for your target audience. If you’re looking for exposure from bloggers, you definitely want to ensure that the blog is a good match for your specific target audience.

There is also the potential for offline advertising, like small newspapers, magazines, and circulars. Once again, the magic words are “specific target audience.”

Research the advertising service.

Advertising services generally publicize relevant statistics, such as:

  • Size of the viewership, readership, or circulation.
  • Classification of the circulation by genre (e.g. what percentage is mystery, romance, fantasy, etc.).
  • Average percentage of views, clicks, Likes, follows, or sales. The average isn’t a guarantee, but is a compromise between ineffective and highly effective advertising. The marketability of your book and of your advertisement are very important, as are additional promotional activities (especially, free and low-cost marketing to supplement your advertisement). Some authors who have large fan bases to begin can drive these averages up.

Even if you don’t have any intention of advertising on Twitter, Facebook, or Goodreads, it’s worthwhile to check out their advertising options because they have a lot of helpful information and tips. Also, when you check out the stats of other advertising services, you can compare it to the information that you see at these websites. Any data you find here will give you some type of benchmark, like the average percentage of clicks at Goodreads.

In addition to numbers, try to find authors who have used the service and learn what they have to say about it. (Another issue is how much you can trust the published numbers.)

Only a fraction of the circulation number will see your advertisement.

The first question to ask yourself is how much of the circulation consists of other authors. Authors who want to advertise with an email newsletter probably subscribe to it first as readers to check it out.

However, authors are readers, too, and many indie authors are likely to read other indie books when they aren’t writing. So to some extent it’s okay if there is a healthy percentage of authors in the circulation. But it’s probably desirable to have many readers who aren’t authors in the circulation, too.

Many people won’t open an email newsletter that they have subscribed to; or they may only open it once in a while—e.g. when they happen to be in the mood for a book.

No matter how you advertise, some people in the circulation won’t see your ad. Even on television, some people watching the show will be in the bathroom, cooking, or on the telephone during a commercial. In a magazine, most people who read it won’t see every page. And so on.

Of those who see an advertisement, only a tiny fraction will actually click on it, visit the website, Like a page, Follow you, or buy a book. Just the percentage who click on it compared to those who see it is typically very low—although this number can vary considerably depending on the marketability of the book and the effectiveness of the advertisement. It can also vary considerably from one advertising service to another.

Gear your advertisement toward your specific target audience.

Any image in your advertisement needs to attract your target audience. It’s just as important as cover design is for marketability. The image might even be your book cover (but not necessarily). Check the size of the image, aspect ratio (you definitely don’t want this to be distorted), and quality (e.g. pixilation). Ensure that the text is legible and crisp on the photo for the ad.

You need a good strapline that’s likely to draw interest from your target audience. If you’re advertising a short-term discount, contest, or free content of some kind, for example, this may draw more interest than simply advertising your book.

Check all of your writing very carefully. Any mistakes in the little writing you do in the advertisement won’t bode well for the quality of thousands of words written in a book. Remember that the goal of any writing in an advertisement is to catch the interest of your target audience and make them curious for more. Get feedback from others (especially, in your target audience) before placing your ad.

The cost of an advertisement can be calculated in different ways.

Some services charge a flat fee—e.g. $80 to place the ad.

Some services charge a fixed fee that depends on choices you make, such as the price of your book. For example, it might be $60 to place an ad for a freebie, $120 if the price is 99 cents, or $180 if the price is $1.99.

Some services charge a fee based on activity (like a fee per click, or a fee per Like or Follow).

Some services require you to bid on the ad. For example, you might bid 5 cents to a few dollars. In this context, different ads compete with one another for the chance to be viewed. You can usually place an upper limit on your daily spending and/or on the total amount for your campaign. For example, you might bid 25 cents for the ad with a maximum daily limit of $5.

When you bid on your ad, very often views of the ad are free, but you pay based on activity (e.g. a click, Like, or Follow). In this case, your ad may actually benefit from hundreds of views without any charge to you. What percentage of people view your ad actually click, Like, or Follow can vary significantly depending on the effectiveness of the ad and the content you’re advertising. Also, at some sites, clicks, Likes, or Follows are much more likely than at other sites.

The bid is usually the maximum that you’re willing to pay, and will often be less. For example, if you bid 50 cents for the ad, sometimes you may be charged less than 50 cents (any number from the minimum bid to 50 cents). Your ad competes against other ads in an auction format, so when you bid 50 cents, you’re basically saying, “50 cents is the most I’ll pay, but if possible I’d like to pay less.”

I recommend starting out at the minimum bid with a cap on your daily spending. Monitor your stats for a few days before raising your bid. This way, you can see what effect your bid has while keeping the risk low in the beginning. If you’re happy with the results, then you can safely avoid higher bids.

Don’t rely on the advertisement to do all the work for you.

I discussed the need to supplement advertisements with free and low-cost marketing in my previous post. Advertising isn’t a substitution for the need to market your book; it’s a supplement that can help improve the sales of a marketable book.

How would you like to participate in a Black Friday type of sales event designed specifically for books? Check out Read Tuesday. It’s going to be HUGE!

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Paid Advertising Options for Book Sales

Fourth Quarter Pic

The success of any book depends on a combination of effective marketing and the degree of marketability.

  • Effective marketing strategies help customers in the target audience discover a book.
  • Creating a highly marketable book improves the chances that a customer who discovers the book will purchase the book.

There are numerous free and low-cost marketing ideas out there. Some of these can be quite effective. The great thing about free and low-cost marketing strategies is that there is very little financial risk.

There are also ways to invest money in the marketing. One way to invest money in marketing is through paid advertisements. This is the focus of this article.

What advertising won’t do.

Let me begin by saying what paid advertising won’t do. It doesn’t do the marketing for you.

If you’re tentative about marketing or inexperienced with marketing, paying for advertisements is not a substitution for marketing. You can’t just throw money somewhere to relieve yourself from having to market your book.

So if you were hoping that paid advertising would be the solution to your marketing dilemma, think again. If you’re in this boat, I recommend putting several months of effort into free and low-cost marketing to develop some firsthand marketing experience.

First gain some marketing experience.

If you want paid advertisements to be effective, you will need that marketing experience. There are decisions you must make and things that you need to design where poor marketability decisions will render the advertisement ineffective. You need this marketing experience to help make better advertising choices.

Furthermore, you need to promote the advertisements in some cases, and in any case you need other marketing strategies in place to supplement the advertisements. It will take marketing experience to do this effectively. It will also take connections to help with your promotions. The more time you spend marketing with free and low-cost methods, the more connections you will build through networking in the process. Remind yourself that you’re not just trying to promote your book: You’re also networking and hoping to develop helpful connections (especially, win-win situations, where help runs both ways).

Identify your goals.

What are you hoping for the advertising to accomplish?

If your main goal is to turn a profit, then you need to do a cost-benefit analysis and weigh the risks versus the possible rewards carefully. Figure out how many books you must sell to recover you investment. Try to research data that can help you project how plausible this is.

However, if you are more concerned about initial exposure, but aren’t concerned about recovering your investment quickly, then you should be focusing more on what kind of exposure you might gain from the venture. The risk still matters. The distinction is whether you’re more focused on long-term potential or short-term profit.

What’s your net?

Advertising may lead to an increase in sales. If you have a steady baseline (how many books you sell per day on average), this will help you gauge the effect of your advertising. Specifically, this tells you how many additional sales you are getting per day on average.

What you really want to know is your net profit or loss. Compute your net additional royalty and subtract your advertising expenses.

Keep in mind that sales can fluctuate, increase, or decrease all on their own. There are many complicating factors that you’re likely not to be aware of. The more data you have prior to your advertising campaign, the better you can gauge this statistically.

Advertising doesn’t always lead to an increase in sales. Like any investment, advertising carries risk. The more experience you have with marketing and the better you understand marketability and marketing, the better your advertising prospects; but even then, there are no guarantees.

Some of the benefits are long-term.

Advertising isn’t just about generating short-term sales.

There are many other possible benefits of advertising:

  • Build buzz to hopefully stimulate initial sales, reviews, and word-of-mouth news.
  • Help the target audience discover a new product.
  • Tell people about a short-term sale.
  • Try to boost sales to get onto bestseller lists, which may help to stimulate sales further.
  • Try to stay on bestseller lists once getting there.
  • Brand the title or author name through repetition.
  • Brand the cover by sight through repetition.
  • Get people to associate your book with a distinguished quality.

Commercials very often don’t generate immediate sales. What they tend to do is create a brand name through repetition. Months later, when the customer is buying a product, the customer is most likely to choose a product that sounds familiar. This is called branding. It’s a very important aspect of marketing.

Branding requires patience. It can take many months before a customer has seen your book enough times to recognize it, and then it may take many more months before the customer is in the market for a book like yours.

Advertising can be one part of your branding efforts.

The more people in your target audience hear your book’s name, your name, and see your cover, the more branding occurs.

Advertising can help with this, especially if the ads are targeted to your specific audience. However, advertising shouldn’t be your only attempt at branding. You need to get your cover, title, and name out in front of your target audience through a variety of different resources (a blog, website, social media, blog interviews, blogger reviews, etc.) to improve the chances for the same potential customer to see your book multiple times. This is one more reason that you need to combine free and low-cost marketing with paid advertisements. (You don’t necessarily need to do the paid advertising; that’s optional. You definitely need to do the free and low-cost stuff.)

Advertising books is different from advertising household products.

You’re probably familiar with commercials and other advertisements for household products that you buy in stores or online. What you need to realize is that advertising books is much different.

How many different brands of toilet paper do you need to choose from at the grocery story? You can probably count them on your fingers. You probably recognize a few of these brands from t.v.

Now think about going to buy a book. If you want to buy a mystery, for example, you have to choose from thousands of books. There are many, many more alternatives.

Advertising toilet paper is cost-effective because millions of people will use it and there are only a few brands to choose from. Although millions of people read books, there are also millions of books to choose from.

There are thousands of other authors trying to promote their books. There are also many publishers doing this. Some of the bestselling authors and top publishers invest a considerable sum of money into their advertising campaigns.

All these factors make it a challenge for you to reap a short-term reward from advertisements.

Since advertising is a risk that may result in a loss, the safe thing to do is stick with the many free and low-cost marketing alternatives.

What else can you advertise besides your book?

When you advertise your book, people immediately realize that it’s an advertisement. People generally don’t like advertisements because they are interruptions. For this reason, most people don’t click on advertisements and most people don’t buy the product in the near future. However, the people who see your advertisement and don’t click on it or buy the product may still recognize your book in the future. Advertisements are often more effective through branding than they are in short-term sales.

However, there are other things that you can advertise besides your book. Some of these things may be more effective at generating clicks or sales.

  • Advertise a website rather than the book. If the website has content that will attract the target audience and this is clear in the advertisement, then customers may be more likely to click on it.
  • Advertise a short-term sale. This may help to create a sense of urgency.
  • Advertise a contest. The chance to win something may generate interest. (On the other hand, there are many people who feel that they never win anything, so don’t bother to enter, and there are so many contests that it would be a lot of work to enter them all. Not everyone thinks this way, though, and some people still love contests.)
  • Advertise something that’s free and that your target audience will want to have. There are many possibilities. A free PDF booklet, for example, won’t cost you any money to make, and if it looks nice and has information that your target audience will want, it may draw interest. This can help to get people from your target audience to visit your website and discover your book.
  • Advertise a series. You don’t have to actually advertise a series in the advertisement. You could advertise the first book or the most recent book, and this may help to draw interest in the whole series. If you have a set of books, this makes advertising more economical when you think about the cost per book.
  • Advertise an event, like a workshop or start a special week that relates to your book.

How marketable is your book?

Paid advertisements won’t make up for poor marketability.

A highly marketable book will sell through free and low-cost marketing.

It doesn’t take paid advertisements to sell a highly marketable book; it just takes discovery.

If a book doesn’t have marketability, advertising isn’t likely to help.

Advertising can help a marketable book get discovered and thereby sell more frequently.

See the following link for help assessing your book’s marketability:

https://chrismcmullen.wordpress.com/2013/09/10/marketing-why-isnt-it-working/

In one of my next posts, I’ll discuss some specific advertising options at a few websites that many authors are familiar with.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Sample Detail Page Recommended by Amazon Rep

I received an email from Amazon’s marketing department from an inquiry I sent. The representative sent me a link to this sample detail page:

http://amzn.com/0385347316

The way it was worded, the link was just to show what an example of a book’s detail page looks like at Amazon, but it was in the context of selling an advertising campaign to direct traffic toward a book’s product page. (This was not what I inquired about, but obviously if you contact a marketing department for a huge company like Amazon, if they respond, they will probably try to sell you one of their services. They are probably pretty good at this, if they work for Amazon.)

I think this product page is interesting, especially in the context in which I encountered it. Can we learn anything from it? That’s the purpose with which I write this post—to see if there is anything that we can learn from it in the way of marketability and marketing. (The rep didn’t specifically say that their campaign had been applied to this book, but maybe there is an inference to draw here.)

  • The cover didn’t impress me. Simplicity of design can be effective, and with nonfiction the cover doesn’t need to be so eye-popping, but there seems to be room for improvement. (The copyright page even notes a special jacket art designer.) There is a lot of text, although this is often done in nonfiction. At least, the title is easy to read in a thumbnail and the cover concept gets through. What I was thinking was, WHY did Amazon’s marketing rep pick THIS cover? (Are they trying to show that their marketing services can help a book sell even if the cover isn’t hot?)
  • Check out the sales rank. When I looked, it was #63 in books, and 1 and 2 in various categories. The author rank also shows right on the author page, varying from 11 to 81 in several categories. The publication date is October 8, 2013, which is just 6 days ago. Keep in mind that we’re looking at the hardcover edition. There were 16 reviews, mostly 5 stars, including a top 500 reviewer (Vine Voice).
  • The main thing that impressed me on the product page and Look Inside is the encyclopedic list of praising quotes for the book. I guess if that many qualified people say a book is good, it has to be.
  • On the Look Inside, the first page that mentions the title has only that, and the second one is fairly plain, too. Most of the interior is fairly plain. The main exception is the use of the HEAL acronym, using a letter from this word sort of as (but not quite) a bullet, and this is content-oriented as each letter has a specific meaning. The title page does have a publisher logo and another design mark between the title and author.
  • If you look at the author page, you see a resume that nonfiction publisher’s are looking for. There are also five author videos there.
  • From the author page, you can click on a link to the author’s blog to see his website. At the top is the option to subscribe to a newsletter—that’s one marketing tactic. Now look at the bottom of the website to find another. You’ll see an offer for a bonus gift, advertised as a $49 value, for free with purchase. The same thing is actually advertised at the top of the page, but in different wording (and it was so large I missed it the first time). One thing I notice about the cover now is that the color scheme seems to fit with the website—not my favorite, but a consistent color scheme for the book, blog, and beyond can help with branding.
  • The content is a hot commodity. Who doesn’t want happiness? And the author’s qualifications fit well with the content.

Of course, if you have mega qualifications and a big publisher picks you up, you have a big advantage. Still, to be successful, buyers still have to choose your book. So what is selling this book?

  • I don’t think it’s the thumbnail image that’s wowing buyers. It’s still getting a lot of attention. At least, the cover doesn’t seem to be deterring sales.
  • The author had a large fan base to begin with, which is clear if you look at his prior publications. Having an existing fan base is a great help when you release a new book that fits the same audience.
  • There is a top 500 reviewer and there are several initial reviews. The publisher and/or author probably made use of advance review copies. Building buzz for a book helps.
  • With nonfiction, qualifications can be highly important, and this author has a relevant resume posted on his author page. This helps a great deal.
  • Since Amazon’s marketing rep pointed me to this page, I’m wondering if their marketing services helped improve this book’s visibility. I’m not suggesting that you should spend big $$$ to advertise your book. The more you spend on advertising, the more books you have to sell just to break even, and there is a greater risk that you won’t even do that. There are many effective free and low-cost marketing ideas that all authors can use. If the book is highly marketable, free and low-cost will likely be effective; and if it’s not so marketable, paid advertising will have a tough time overcoming that.

If you’re hoping to improve your sales, it can be very helpful to research other books’ product pages (and their authors’ websites). You may get useful packaging or marketing ideas that way.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

The Importance of Feedback on Marketability, Pre-Marketing, and Marketing

Feedback is important for both marketability and marketing.

Let me illustrate this with Read Tuesday.

There are four reasons that I’ve been seeking feedback on many stages of the development of Read Tuesday:

  • Marketability. Feedback from members of the target audience helps you assess your product’s marketability in addition to possibly giving you useful ideas or pointing out the need for revisions. This is something that every author should do with every book.
  • Pre-marketing. As you’re putting your next book together, if you seek input for the title, cover reveal, draft of a blurb, draft of the Look Inside portion, and so on before you publish, this helps to build buzz for your book.
  • Marketing: If your interactions involve other authors, publishers, editors, publicists, etc., in the process of receiving feedback, you may also establish useful leads and connections. This may lead to blog interviews, reblogs, and many other forms of help, especially if they like your idea or feel that they have become involved in the process.
  • Content: In my case, it provides some examples of things that authors can do with their own marketing. Many of the ideas you see going into Read Tuesday are things you might consider for your own marketing.

So keep these things in mind with your own books, and when you see me request feedback, consider how it might relate to your marketing.

I actually have a fifth reason. We’re all in Read Tuesday together. I want this to be inclusive, rather than exclusive. While I can’t use every idea, I do consider every idea, and I have tried to incorporate most of the ideas I’ve received. I value everybody’s input. This fifth reason doesn’t apply to writing books. Most good stories weren’t written democratically like this. So you probably don’t want to borrow my fifth reason, at least in regards to authorship.

I’m working on a press release kit for Read Tuesday, and I’m also thinking of other ways to show the Read Tuesday catalog. So this post offers another chance for anybody to provide feedback, ideas, suggestions, etc.

The main thing I’m looking for with the press release (however, feel free to share ideas for any part of it) is a sample of participation. I don’t want to leak pricing information early, but it may be helpful to show samples of authors or books that will be participating. The big problem is which books or authors to feature.

Naturally, every author should want to be featured. I could feature a different set of authors in different press releases, but I can’t include every author. So how do I choose? There are many ways this could be done. If you have ideas, I’ll consider them.

You can use the Contact Us form on Read Tuesday (or just click on my Gravatar on the sidebar and email me) if you’d like me to consider using your book. So far, very few authors have used the Contact Us forms, so if this continues as usual, your chances would be very good this way. 🙂

Also, do you have suggestions for the Read Tuesday catalog? You can check it out on the Read Tuesday website. I’ve only posted the very preliminary book catalog of the first books to sign up. I need to update it, and I also haven’t added the author catalog yet.

What I see on my end is a spreadsheet. I can sort it by genre or other information that was entered into the catalog. I didn’t include every column on the preliminary catalog, so there are a couple of things that I can add to it. If you have ideas for how the catalog could be better and it turns out to be fairly easy to implement it, please let me know.

Once the catalog grows large enough, I will probably post subcatalogs on different pages—e.g. one page for children’s fiction, or even one page for mystery if the list is long enough. I think this will help with organization (along with a menu).

If you haven’t already filled out the Google Docs forms to add yourself and books to the catalog, it’s not too late to do it. Remember, you don’t have to worry about price at this stage. Just click on the Author link on the Read Tuesday website to find the forms. It’s easy. (But if you have any issues, please let me know.)

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Need Help with Read Tuesday News Story

I wrote a news story about Read Tuesday, with hopes to get the article some visibility.

I don’t want to post the draft here, for the benefit of whatever news agency or site may be willing to publish it—i.e. they can be the first to reveal it. However, I will try to briefly describe what this story does. If and when it gets posted somewhere, I’ll provide a link so you can check it out. (Maybe there will be more than one kind of story.)

First, it explains what Read Tuesday is. I emphasized how it will help to spread literacy and reading, which I believe is a good cause. Next, I describe how it’s a coordinated effort among indie authors, made possible by the fact that indies control their prices. I think the fact that it’s not driven by big business, but is unity among indies from around the world, is newsworthy. Finally, I briefly outlined the problem with Black Friday and Cyber Monday in regards to books, explaining how Read Tuesday creates a special sale for book lovers.

I could use a little help. For example, it would be nice to have a few quotes about the event. Some of you have expressed your sentiments about Read Tuesday on your blog, as comments here, and elsewhere. If there is a remark that you wouldn’t mind being included in the news story (and I’ll mention your name and briefly your qualifications, e.g. indie author of Your Book—I’ll let you decide how you’d like this to appear), please let me know. I think the news will be better if it reflects more than just one person’s opinion (i.e. mine).

If you have any ideas that I might consider regarding this news story, please feel free to share them.

Feel free to write your own news story. If you get it published somewhere, this could be nice exposure for you (with your name, Author of Your Book, at the bottom).

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Preliminary Read Tuesday Catalogs Coming Soon

It's going to be HUGE!

It’s going to be HUGE!

Misha Burnett wrote a nice article about the importance and ease of gifting in relation to Read Tuesday. We’ll be posting this article tomorrow. The article mentions the Read Tuesday catalog of books, so I’ll be posting a preliminary catalog on the Read Tuesday catalog tomorrow.

If you’d like to get listed in the preliminary catalogs (it’s free!) before I put them up, you still have a window of opportunity.

Link to enroll books in the catalog:

https://docs.google.com/forms/d/1LlEzgrnBWsU0FMsEezTvlvczexv9o2nRN_93i0pJAh8/viewform

Link to enroll authors in the catalog:

https://docs.google.com/forms/d/13nXp9yRxtC-PUrV_D7zMqmlThUJSKGobKcCRNEtnEG8/viewform

If you encounter any issues with the forms, please let me know.

(There are also additional forms for any small publishers or booksellers who want to show their participation.)

The official Read Tuesday website: www.ReadTuesday.com

Read Tuesday: It’s going to be HUGE!

Give the gift of reading this holiday season.

Chris McMullen

Better Readability at the Read Tuesday Website?

It's going to be HUGE!

It’s going to be HUGE!

For those of you who expressed opinions of the color scheme at the Read Tuesday website, thank you. A common concern was readability. I have tried to improve this without making any drastic changes.

I changed the background to white and the body text to black. I believe it’s more readable now. Please let me know what you think.

Read Tuesday: It’s going to be HUGE!

Give the gift of reading this holiday season.

The official Read Tuesday website: www.ReadTuesday.com

Chris McMullen