The Publicity Paradox

Double Edged

Do you remember the days when you first applied for a job? Scouring the want ads, preparing resumes and cover letters, going to job interviews.

It seemed like everybody wanted you to have experience. The only problem was that you didn’t have any. You may have thought, “How will I ever get experience if I need experience just to get hired?”

Publicity suffers from a similar seeming paradox: You may feel that publishers, agents, publicists, editors, bookstores, reviewers, and even the media want you to have publicity before they will help you get more publicity. That’s great if you’re a celebrity.

Breaking through as a new author is a challenge. You’re an unknown. There are too many uncertainties. How will people react to your storytelling, characterization, and writing? How good is your idea? How will you handle the pressure? How effectively will your market your book? How well will you follow through with your commitments? How much help do you need? How professional or amateurish are you? How much do you need to learn about writing, editing, formatting, marketing, publicizing, social media, and making connections? And most importantly, how will you go from being a nobody to becoming an author with much publicity? Ah, if you only had that publicity (among your target audience) to begin with, that would help to make the risk so much more worthwhile.

How do you get publicity when you don’t have it to begin with?

If you had publicity, it would lend you credibility as an author; it would lend your book credibility, too.

If you credibility, it would help you gain publicity.

If you could lay an egg, you could make a chicken out of it.

If you could make a chicken, it could lay an egg for you.

It’s like you’re on a deserted island with no chickens or eggs, but you desperately need one or the other.

Baaak! Baak, baak, baaak!

I see a similar hurdle for Read Tuesday, a Black Friday type of event just for books.

If we had authors with more name recognition, it would greatly improve the publicity that we could receive from the media, internal promotions, paid advertisements, etc.

If we had more publicity, it would help us attract authors with greater name recognition.

However, Read Tuesday has a big advantage. There are many indie authors who are experiencing the challenges of marketing their books firsthand who have been very supportive of the Read Tuesday event. This has helped to give Read Tuesday much initial support, and we are fortunate to have the participation of some authors who have achieved some modest levels of success (e.g. top books in their categories at one time, or ranking at around a thousand on Amazon for a limited time in paid sales). We also have a couple of small publishers who will be participating.

(We are fortunate to have every author who has agreed to participate, no matter how big or small—everybody is vital to our success, all participation is valuable, and each author is much appreciated. I wish for every author to have a successful Read Tuesday.)

Read Tuesday also has something to offer. An author with name recognition could gain increased exposure from the Read Tuesday promotional efforts, as the Read Tuesday publicity and promotions would feature this author’s name.

On the other hand, would the author who has risen to the top want to come back down and play with the small fish? Would he or she remember his or her roots? Would he or she support his or her fellow indie authors? Surely, it’s much easier to say what you would do if you get there than it is to do it when you’re sitting at the top.

The thing is, all indies have the same advantage that Read Tuesday has. There is a very large readership that supports indie authors. Why? Because there are hundreds of thousands of indie authors and hundreds of indie publishers, and their friends, family members, acquaintances, and coworkers raise this number to the millions.

Although some people try to paint a poor image of self-publishing, there are millions of people who support it. “This book was published with CreateSpace, was it? My niece published a book through them.” The books that have serious issues aren’t hurting anyone, while the large number of very good indie books and the growing number of successful indie authors show that indie publishing has much potential.

Ultimately, what the reader wants is a professional book. Whether or not the book is traditionally or indie published is secondary. A book that looks professional, pleases the target audience, and is discovered by the target audience can gain much support.

Read Tuesday also has the opportunity to help indie authors promote their own books. The event itself is far more popular than any single participating author. By promoting Read Tuesday in addition to the author’s own book, Read Tuesday has the potential to help authors market their books.

It can be a win-win situation for any author, tiny name or big name. Every author’s participation helps to improve the credibility and success of the event, and the event can help any author promote his or her own book in conjunction with the event.

Back to the publicity paradox. What you have to do to break out of the paradox is start small, work hard, be wise, be patient, market effectively and diligently, keep writing, and spread outward.

You gradually build a following, increase your number of connections, gain a little exposure, and build a little publicity. Continue writing and you’ll have a few books out.

The better your books are from cover to cover, the more they will help you grow your following, connections, exposure, and publicity. The better your marketing efforts, the more they will help you grow your sales.

Eventually, you may achieve some small measure of credibility and publicity. Once you finally get your foot in the door, you have the chance to run with it. Once you have a little credibility, it will help you gain publicity, and once you have a little publicity (with your specific target audience), it will lend you credibility.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook, Twitter

Read Tuesday, Facebook, Twitter

Build an Effective Author Website + Press Release (2-in-1 Post)

Free author resources at the Build Book Buzz website: http://www.buildbookbuzz.com.

Today I will show you a highly instructive example of how to build an effective author website. It’s actually the website for a former publicist, so it’s no surprise that the website excels at attracting the target audience.

We can learn a lot about how to attract our own traffic by studying the many cool features on this website. Also, there is an abundance of free content on this website, like how to prepare and distribute a press release to create book publicity.

In this way, we’ll learn two things at once:

  • how to attract your target audience through a website
  • how to prepare and distribute a press release

The website is called Build Book Buzz. This is the website that former publicist Sandra Beckwith uses to attract her target audience—authors who need help with book publicity (both traditionally published and indies). She no longer provides book publicity services to authors, but now helps many authors save thousands of $$ by teaching them how to do it themselves.

I will describe various features of her website, showing how they help to attract her target audience. This will be instructive if you check these features out as I describe them. Try to think of ways that you might be able to utilize similar features to attract your target audience.

Here is the link to her website: http://buildbookbuzz.com. Check it out.

Tip #1: The website name is geared toward the content, not the author. You know what the content is about instantly.

Tip #2: The homepage identifies the target audience and attracts their interest immediately. Notice how the website doesn’t mention who is offering this content (i.e. you don’t learn that it’s a former publicist’s website or who the former publicist is) until further down the page.

Tip #3: Nothing is for sale on the homepage. The homepage is geared around free content relevant for the target audience. It doesn’t look like an advertisement for a book, it doesn’t look like a fan page or biographical record, and it doesn’t look like a blog. Valuable free content that will interest the target audience is what will attract your audience to your website.

Sandra does have books and services that she sells, but none of these appear on her homepage. Think about this.

Tip #4: Visual branding. Study the images. The images aren’t the same, but most follow a similar blue, yellow/gold, and white theme, and feature a picture (not always the same) of an open book. Making the images slightly different helps you see that it’s not the same image, so you don’t ignore it. Having them all uniformly styled helps with the visual branding, and shows you that you’re clearly on the same website. Notice that they follow the three-color rule. The cover images look 3D, which helps to make a good visual impression. The information in the booklets is clear from the keywords that stand out in the title.

Tip #5: The homepage offers a free booklet. The content will interest the target audience. The offer appears first at the top to attract interest, and is repeated at the bottom so if you’re sold when you get there, you don’t have to scroll back up to the top.

Tip #6: The free booklet offer is a clever way to build an audience for an email newsletter. This helps to populate an email newsletter database (note that you must provide an unsubscribe option).

This is worth considering:

  • How do you get an audience for a newsletter? Offer a free booklet to sign up.
  • How do you get your target audience in the email list? Make a booklet that has content relevant for your target audience.
  • How do you get your audience to discover your booklet? As part of a content-rich website geared toward your target audience.

Tip #7: I recommend signing up for the email newsletter. (I did.) Why? Two reasons:

  • The emails you receive will provide a sample of how to use an email newsletter effectively. Although your content will be much different, there is much to learn here.
  • If you have a book that you’re trying to market, this content is relevant to you.

Tip #8: The website is easy to read. There isn’t a busy, distracting background. There is effective use of color with the text.

Tip #9: Free content. See the Tips page (each page can be found by clicking on the index at the top of the website). There are a variety of free PDF files of interest to the target audience. It’s a content-rich website, and much of it is free. This attracts the target audience.

Tip #10: Check out the PDF files on the Tips page. I highly recommend these in particular:

  • See the tips for writing a press release (book announcement). These are invaluable. A press release is critical for news publicity, and has a specific formula for its preparation.
  • Also see the tips for writing a tip sheet. Like the press release, this is something you need to help create news for your book.

The other tips on the Tips page are also worth exploring.

Tip #11: There is a blog on this website, but it really functions primarily as an author website, and the blog is just one of many components; it’s definitely not a website that was built around a blog. The blog, like the rest of the website, is content rich and free. You can probably find a lot of valuable information here.

Tip #12: Let’s jump ahead to the Press Room page. When you prepare the press release for the news about the publication of your book (if you haven’t already done so, you want to do this), you should add a Press Room page to your website.

Study the two press release examples on this page. They show you how to structure and format a press release. When you study the tips for how to write a press release, you should also re-read these two examples. This page also shows you how to format a Press Room page.

Tip #13: Check out Sandra Beckwith’s e-book, Get Your Book in the News. This is a detailed guide that spells out the formula for how to prepare a press release. I bought a copy, read it, and relied heavily upon it to write my press release for Read Tuesday. I recommend it.

Tip #14: Finally, check out the other pages. There are a couple of books and services offered that aren’t free. Note that there is an abundance of free content, but also some paid content. The paid content is different from the free content. Also, the free content is complete. It’s not a free sample; it’s free content.

There is ample free content, so you don’t feel disappointed or frustrated. If you don’t buy anything, you still feel that the website was highly useful.

The free content is very good. This gives you the sense of trust that you need before moving onto the paid content. The taste of the free content makes you consider the paid content. Note that the paid content also has a satisfaction guarantee.

I recommend that you take advantage of the free content on the Build Book Buzz website. There are a lot of valuable, yet free, resources there.

I was not asked to write this post. I was not asked to promote the Build Book Buzz website or any of its goods or services. I discovered this website, found much of the material useful, and thought it would be handy to share it. I did contact Sandra Beckwith to let her know that I would be writing this post.

I hope you found something useful. 🙂

Sandra Beckwith is a former national award-winning publicist who now teaches authors how to promote and publicize their books. Get free tips and subscribe to her complimentary Build Book Buzz e-zine at http://buildbookbuzz.com. Connect with her on Twitter, Google+, LinkedIn, and Facebook.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Twitter, Facebook

Learn more about Read Tuesday, a Black Friday type of event just for books: website, Twitter, Facebook

Read Tuesday would Love Your Help

It’s going to be huge.

What is Read Tuesday? It’s a Black Friday type of event just for books. In 2013, it will be Tuesday, December 10, 2013.

We’re off to a good start:

  • We have an official website up and running, with content.
  • We have a healthy start in terms of followers, especially the Facebook page and Twitter.
  • We have several authors who’ve shown interest and agreed to participate.
  • We have a press release and we’re now at the stage where we will distribute it.
  • We have been advertising on various websites to let both authors and readers know about the event.

Read Tuesday could use your help. If you can help with one or more of the following, your help will be greatly appreciated:

  • We’re looking for any name recognition that may help to promote the event. We have a little to begin with; the more we can get, the better. Any authors (or even indie publishers or booksellers), for example, who have achieved some small measure of success who may be willing to participate in Read Tuesday could help to promote the event as a whole. It’s a win-win situation, as we would include your name with our press release, press release distribution, and other efforts to promote the event (including paid advertisements and social media). This would help to advertise the authors (or entities) who have a little name recognition in addition to advertising the event. This will help to promote these authors along with the event. If you know anyone with mild success, please let them know about this offer. They can contact Chris McMullen at the email in the next bullet.
  • We can always use more participation, especially books and authors added to the catalog. We’ve had many more authors say they will participate than have taken the time to add their books or names to the catalogs. I expect they will be promoting their books on December 10 and participating. It would help the event be better if we could get more books and names in the catalogs. Simply email your ASIN (for a Kindle book that will participate) or a link to your book at a website where it will be on sale to Chris McMullen at greekphysics@yahoo.com. It’s that easy.
  • Tell a friend, or several friends; tell anyone. If you like the idea of Read Tuesday, you can help make it better just by helping to spread the word. Word of mouth, email, blog, Facebook, Twitter, any way you might spread the word will be valued. 🙂

Give the gift of reading this holiday season.

Chris McMullen, founder of Read Tuesday

Follow the Read Tuesday blog: http://readtuesday.com

Like the Read Tuesday Facebook page: https://www.facebook.com/ReadTuesday

Follow Read Tuesday at Twitter (@ReadTuesday): https://twitter.com/ReadTuesday

How to Sell Hundreds of Books a Day

Sales Pic

This is a marketing post, but it’s actually about false advertising. As such, I felt that this title may indeed be appropriate. 🙂

Just in case you really had your hopes up, you might not have understood correctly. This post probably isn’t going to show you how to sell hundreds of books a day. This post is about false advertising.

And just in case you’re trying to read what you want to hear: This post is NOT going to show you how to sell hundreds of books a day through false advertising. At best, it may convince you that if you try this, your book’s days will be numbered.

Now it’s probably clear to everybody. 🙂 Unfortunately, I suppose that 90% of the traffic won’t make it past this line. Well, there isn’t anyone to blame but myself.

That’s a shame, too, because the 90% who just left probably need to read the following sentence. If it sounds too good to true, like a get-rich-quick scheme, it probably is.

Well, maybe it doesn’t really matter. If they were searching a for get-rich-quick scheme, they probably weren’t going to take my advice.

The real point of this post is that false advertising isn’t always so obvious. Sometimes it’s subtle. Some people even do it to some extent without realizing it.

A common form of false advertising is over-hyping a product, event, or service so that it seems better than it really is.

Creating buzz is a useful marketing tactic. But it has the danger of promising too much. When it doesn’t live up to the hype, word spreads through reviews and conversations. Although hype can generate many initial sales, the total sales may be greatly reduced if excited customers don’t feel satisfied.

I’m not saying not to try to create buzz; just to be careful what you promise. You want people to look forward to it, but not to expect more than will be delivered.

Another form of false advertising is writing a blurb that makes a great sales pitch, where you get a little carried away with the sales part. For many online sales, the blurb is the only salesperson at the point of sale. So it’s important for the blurb to be effective at drawing interest from the target audience and inspiring sales. At the same time, an over-hyped blurb can lead to negative product reviews.

One more example of false advertising is packaging that targets a wider audience, but the wrong audience. This tactic is generally quite ineffective. Most people will just be frustrated when they realize the product isn’t for them, and the few who unknowingly make the purchase are likely to show their frustration through product reviews. Packaging is most effective when it targets the appropriate audience.

Okay, I lied. This post is all about how to sell hundreds of books per day. I just didn’t want the greedy people to take advantage of the secret, so I motivated them to not read all the way to the end of this post. Whereas if you’ve followed my blog for a while, you knew I wouldn’t mislead you. 🙂

It’s very simple, really:

  • Research the kinds of book ideas that become bestsellers, along with the type of storyline, characterization, and writing that they use to achieve this.
  • Have the talent, creativity, background, and do the necessary research to write such book.
  • Write a killer book where the storyline and writing appeal to a wide audience.
  • Perfect the book from cover to cover; get your book professionally edited and formatted.
  • Design a killer cover and write a killer blurb that attract your target audience.
  • Choose a short, catchy title that your target audience will love.
  • Write more books like this to create a hot series.
  • Research successful marketing and publicity strategies and study the marketing and publicity habits of top-selling authors who went from nobody to famous.
  • Apply what you learned about marketing and publicity brilliantly to become as famous as a celebrity.
  • Build a large following prior to publishing and spend months on effective pre-marketing.
  • Permanently discount the first book. At the right time, put the entire series on sale for one day only and promote the daylights out of this sale, with and without paid advertisements; but only do this very rarely so nobody waits for it.
  • Find an experienced publicist whom you can verify turned nobodies into bestselling authors, get this person’s attention and interest in your book, hire this person at any cost (and an experienced attorney to iron out the contract), and get this person to advise you before you even start writing your first book (you’ll be directed to get help every step along the way, from the writing to contacting a recommended agent).
  • Exhibit extraordinary self-motivated diligence, develop key connections and relationships, and be very patient.
  • Streak naked through a major, widely televised sporting event with your book cover quite visibly tattooed on your chest (shave first, if needed), but first be very sure that the networks will actually show you while you do this (which may require hefty bribes and threats), but do so slowly and calmly, facing the cameras, so everyone gets a good, long look. When you’re sitting in jail, please remember that I advised you NOT to do this. (I said I’d show you how to sell a hundred books a day, but I didn’t say I’d advise you to actually try it.)
  • And, of course, just get lucky.

See, there’s nothing to it! 🙂

(And the 90% who left early weren’t going to do all this work anyway, so it doesn’t matter that the only false advertising was convincing them to leave.)

Now for some legal verbiage: Results are not guaranteed. Results described may not be typical. Sales of a hundred books a day may only last for one day, give or take (most likely take) a day. Offer void in the Milky Way galaxy and anywhere else prohibited by law.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

more, More, MORE; will it ever be enough?

More Pic

 

You start out with some sales.

So happy to sell your first book.

Something to show for your hard work.

 

Then you realize it’s not like you dreamed.

You had fantasized about a bestseller.

Now that seems ridiculously far-fetched.

 

Maybe it’s your cover. Could it be the blurb?

Or does it need an edit? What’s the problem?

See if some revisions will do the trick.

 

You’re excited when sales improve.

Until you realize it wasn’t all that much.

Your dreams remain a long way off.

 

Aha! Marketing must be the answer.

You scour the internet for information,

Learning everything you possibly can.

 

Sales improve after trying these ideas out.

That must have been the key.

Except that it’s still not enough.

 

Then you get a new idea. Write another book.

The sales will feed off each other.

Why hadn’t you thought of this before?

 

Your new book helps. As does the next.

Pretty soon you have several books out.

Sales are so much better now.

 

But it still isn’t enough. You want more.

You crave it. You can taste it. You need it.

Why? You don’t know. You just do.

 

Afterword:

 

I think it’s important to compare yourself to your former self (and not just in terms of numbers).

Don’t worry about how many books other authors are selling.

Some books rarely sell, some sell like hot cakes.

Trying to grow your numbers is a good goal to strive for, as long as you don’t go overboard.

As you learn more and gain experience, and as you have more books out, this should help your numbers grow.

Improvement will give you a temporary euphoria.

Then you get accustomed to it and expect better.

When the numbers drop, as they surely will, you’ll feel depressed.

Sales fluctuate. It’s a fact of life. Strive for long-term growth. Try to ignore short-term drops.

There are seasonal and many other effects, which guarantee some drops.

Try not to let your sales dictate your happiness. Otherwise, you’ll be unhappy much of the time.

Try not to fall into the MORE trap, which doesn’t just plague book sales, but plagues many aspects of life, such as finances.

More can’t really make you happy. You seem happy about it at first. But you can’t always get more. Do you want to be unhappy all those times that you can’t have more?

But more can be a healthy goal, in moderation.

You can use this goal to strive for improvement, and to stay motivated.

Just try not to let it consume you. Then more becomes a huge problem.

Remember, you can measure “more” in other ways besides numbers—better quality, for example.

The last things you want to do are lose your passion for your hobby, forget your roots, or feel like you sold out… all to get more, More, MORE.

If you focus on more, it will never be enough.

 

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Book Marketing through Paid Advertisements

Fourth Quarter Pic

The first question is whether or not it may be worth paying to advertise a book. See my previous post for more information on that.

Once you decide to advertise, there are many advertising services to choose from.

What you really want to know when making this decision is this:

  • What percentage of the people who see your advertisement are in your book’s target audience? Don’t buy advertisements that aren’t effective at reaching your target audience.
  • How many people are likely to see your advertisement? (It will certainly not be 100% of the readership or viewership. It will only be a fraction of the published circulation number.)
  • Do the possible additional short-term sales and/or long-term prospects outweigh the costs of the advertisement?
  • How good will your advertisement be (image, strapline, and any additional description)? Will it interest your target audience? Your advertisement needs to be marketable and geared toward your specific target audience in order to be effective.
  • Is your book highly marketable? Advertisements won’t help a book that lacks marketability.

There are many different ways to advertise.

Social media sites like Twitter and Facebook offer advertising which is geared toward businesses hoping to get views (branding), clicks (visits to their websites), Likes (popularity), Follows (interest), and reposts or comments (interaction). The question is whether or not you can effectively target your audience and, if so, how responsive those people will be to an advertisement for a book in this context. Note that Twitter lets you target followers of specific people (could be authors of similar books). If you’re going to target a category, make sure it’s a very good match for your specific target audience (targeting books or readers, for example, is way too broad to be effective).

Goodreads has a similar advertising structure compared to Twitter and Facebook, while being focused on books and reading. On the other hand, there are several authors and publishers advertising on Goodreads, and many of these ads look highly professional and flash different images to get attention. The basic self-service advertisement (which is much cheaper) shows a very tiny image (it says 50 x 66 pixels) and is static. It may be tough for indie authors to compete with advertising on Goodreads. However, the giveaway program is much less expensive (just the cost of the book plus shipping). You might not get any reviews or sell any books through a giveaway (it happens), but you might get a few hundred to a thousand (or so) views. This is an affordable way to gain some exposure, create a little buzz, and help a little with branding. The possible long-term benefits may be worth the small investment even if the giveaway doesn’t help with short-term sales or reviews.

There are a variety of websites and email newsletter subscription services that may be helpful for short-term promotional discounts (not necessarily free). Examples include BookBub, Ereader News Today, Kindle Books & Tips, Book Gorilla, Book Blast, and Pixel of Ink. Note that some of these specifically service e-books. Some of these services have minimum average-star or other requirements, but some don’t. These services can be very helpful in getting more exposure from a free promotion, and can also help to promote a sale that isn’t free. (In the case of a freebie, you have to ask yourself if you really want to invest money in the advertisement on top of giving away books. If you’re going to advertise, it might seem desirable to recover some of the investment quickly with some early royalties. If you have a series, though, a promoted freebie may lead to sales for the other books in your series.) Yet another consideration is whether the market is primarily in the US, UK, or elsewhere.

You can find many other websites online where you can advertise. Search for online websites, magazines, newsletters, and activities that are likely to attract your specific target audience. If you can find a place to advertise that’s a good fit for your target audience, that may turn out to be more effective than going with websites with bigger names.

Another route is the blog tour. Depending on the tour, it may be better for you to plan ahead and try to contact bloggers individually. Also, people you follow and interact with regularly may be more receptive, since you have a rapport together and often support one another, than a stranger; this also gives you more insight into the blogger and lets you see firsthand how many active participants there are on the blog and how many of those are a good fit for your target audience. If you’re looking for exposure from bloggers, you definitely want to ensure that the blog is a good match for your specific target audience.

There is also the potential for offline advertising, like small newspapers, magazines, and circulars. Once again, the magic words are “specific target audience.”

Research the advertising service.

Advertising services generally publicize relevant statistics, such as:

  • Size of the viewership, readership, or circulation.
  • Classification of the circulation by genre (e.g. what percentage is mystery, romance, fantasy, etc.).
  • Average percentage of views, clicks, Likes, follows, or sales. The average isn’t a guarantee, but is a compromise between ineffective and highly effective advertising. The marketability of your book and of your advertisement are very important, as are additional promotional activities (especially, free and low-cost marketing to supplement your advertisement). Some authors who have large fan bases to begin can drive these averages up.

Even if you don’t have any intention of advertising on Twitter, Facebook, or Goodreads, it’s worthwhile to check out their advertising options because they have a lot of helpful information and tips. Also, when you check out the stats of other advertising services, you can compare it to the information that you see at these websites. Any data you find here will give you some type of benchmark, like the average percentage of clicks at Goodreads.

In addition to numbers, try to find authors who have used the service and learn what they have to say about it. (Another issue is how much you can trust the published numbers.)

Only a fraction of the circulation number will see your advertisement.

The first question to ask yourself is how much of the circulation consists of other authors. Authors who want to advertise with an email newsletter probably subscribe to it first as readers to check it out.

However, authors are readers, too, and many indie authors are likely to read other indie books when they aren’t writing. So to some extent it’s okay if there is a healthy percentage of authors in the circulation. But it’s probably desirable to have many readers who aren’t authors in the circulation, too.

Many people won’t open an email newsletter that they have subscribed to; or they may only open it once in a while—e.g. when they happen to be in the mood for a book.

No matter how you advertise, some people in the circulation won’t see your ad. Even on television, some people watching the show will be in the bathroom, cooking, or on the telephone during a commercial. In a magazine, most people who read it won’t see every page. And so on.

Of those who see an advertisement, only a tiny fraction will actually click on it, visit the website, Like a page, Follow you, or buy a book. Just the percentage who click on it compared to those who see it is typically very low—although this number can vary considerably depending on the marketability of the book and the effectiveness of the advertisement. It can also vary considerably from one advertising service to another.

Gear your advertisement toward your specific target audience.

Any image in your advertisement needs to attract your target audience. It’s just as important as cover design is for marketability. The image might even be your book cover (but not necessarily). Check the size of the image, aspect ratio (you definitely don’t want this to be distorted), and quality (e.g. pixilation). Ensure that the text is legible and crisp on the photo for the ad.

You need a good strapline that’s likely to draw interest from your target audience. If you’re advertising a short-term discount, contest, or free content of some kind, for example, this may draw more interest than simply advertising your book.

Check all of your writing very carefully. Any mistakes in the little writing you do in the advertisement won’t bode well for the quality of thousands of words written in a book. Remember that the goal of any writing in an advertisement is to catch the interest of your target audience and make them curious for more. Get feedback from others (especially, in your target audience) before placing your ad.

The cost of an advertisement can be calculated in different ways.

Some services charge a flat fee—e.g. $80 to place the ad.

Some services charge a fixed fee that depends on choices you make, such as the price of your book. For example, it might be $60 to place an ad for a freebie, $120 if the price is 99 cents, or $180 if the price is $1.99.

Some services charge a fee based on activity (like a fee per click, or a fee per Like or Follow).

Some services require you to bid on the ad. For example, you might bid 5 cents to a few dollars. In this context, different ads compete with one another for the chance to be viewed. You can usually place an upper limit on your daily spending and/or on the total amount for your campaign. For example, you might bid 25 cents for the ad with a maximum daily limit of $5.

When you bid on your ad, very often views of the ad are free, but you pay based on activity (e.g. a click, Like, or Follow). In this case, your ad may actually benefit from hundreds of views without any charge to you. What percentage of people view your ad actually click, Like, or Follow can vary significantly depending on the effectiveness of the ad and the content you’re advertising. Also, at some sites, clicks, Likes, or Follows are much more likely than at other sites.

The bid is usually the maximum that you’re willing to pay, and will often be less. For example, if you bid 50 cents for the ad, sometimes you may be charged less than 50 cents (any number from the minimum bid to 50 cents). Your ad competes against other ads in an auction format, so when you bid 50 cents, you’re basically saying, “50 cents is the most I’ll pay, but if possible I’d like to pay less.”

I recommend starting out at the minimum bid with a cap on your daily spending. Monitor your stats for a few days before raising your bid. This way, you can see what effect your bid has while keeping the risk low in the beginning. If you’re happy with the results, then you can safely avoid higher bids.

Don’t rely on the advertisement to do all the work for you.

I discussed the need to supplement advertisements with free and low-cost marketing in my previous post. Advertising isn’t a substitution for the need to market your book; it’s a supplement that can help improve the sales of a marketable book.

How would you like to participate in a Black Friday type of sales event designed specifically for books? Check out Read Tuesday. It’s going to be HUGE!

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Paid Advertising Options for Book Sales

Fourth Quarter Pic

The success of any book depends on a combination of effective marketing and the degree of marketability.

  • Effective marketing strategies help customers in the target audience discover a book.
  • Creating a highly marketable book improves the chances that a customer who discovers the book will purchase the book.

There are numerous free and low-cost marketing ideas out there. Some of these can be quite effective. The great thing about free and low-cost marketing strategies is that there is very little financial risk.

There are also ways to invest money in the marketing. One way to invest money in marketing is through paid advertisements. This is the focus of this article.

What advertising won’t do.

Let me begin by saying what paid advertising won’t do. It doesn’t do the marketing for you.

If you’re tentative about marketing or inexperienced with marketing, paying for advertisements is not a substitution for marketing. You can’t just throw money somewhere to relieve yourself from having to market your book.

So if you were hoping that paid advertising would be the solution to your marketing dilemma, think again. If you’re in this boat, I recommend putting several months of effort into free and low-cost marketing to develop some firsthand marketing experience.

First gain some marketing experience.

If you want paid advertisements to be effective, you will need that marketing experience. There are decisions you must make and things that you need to design where poor marketability decisions will render the advertisement ineffective. You need this marketing experience to help make better advertising choices.

Furthermore, you need to promote the advertisements in some cases, and in any case you need other marketing strategies in place to supplement the advertisements. It will take marketing experience to do this effectively. It will also take connections to help with your promotions. The more time you spend marketing with free and low-cost methods, the more connections you will build through networking in the process. Remind yourself that you’re not just trying to promote your book: You’re also networking and hoping to develop helpful connections (especially, win-win situations, where help runs both ways).

Identify your goals.

What are you hoping for the advertising to accomplish?

If your main goal is to turn a profit, then you need to do a cost-benefit analysis and weigh the risks versus the possible rewards carefully. Figure out how many books you must sell to recover you investment. Try to research data that can help you project how plausible this is.

However, if you are more concerned about initial exposure, but aren’t concerned about recovering your investment quickly, then you should be focusing more on what kind of exposure you might gain from the venture. The risk still matters. The distinction is whether you’re more focused on long-term potential or short-term profit.

What’s your net?

Advertising may lead to an increase in sales. If you have a steady baseline (how many books you sell per day on average), this will help you gauge the effect of your advertising. Specifically, this tells you how many additional sales you are getting per day on average.

What you really want to know is your net profit or loss. Compute your net additional royalty and subtract your advertising expenses.

Keep in mind that sales can fluctuate, increase, or decrease all on their own. There are many complicating factors that you’re likely not to be aware of. The more data you have prior to your advertising campaign, the better you can gauge this statistically.

Advertising doesn’t always lead to an increase in sales. Like any investment, advertising carries risk. The more experience you have with marketing and the better you understand marketability and marketing, the better your advertising prospects; but even then, there are no guarantees.

Some of the benefits are long-term.

Advertising isn’t just about generating short-term sales.

There are many other possible benefits of advertising:

  • Build buzz to hopefully stimulate initial sales, reviews, and word-of-mouth news.
  • Help the target audience discover a new product.
  • Tell people about a short-term sale.
  • Try to boost sales to get onto bestseller lists, which may help to stimulate sales further.
  • Try to stay on bestseller lists once getting there.
  • Brand the title or author name through repetition.
  • Brand the cover by sight through repetition.
  • Get people to associate your book with a distinguished quality.

Commercials very often don’t generate immediate sales. What they tend to do is create a brand name through repetition. Months later, when the customer is buying a product, the customer is most likely to choose a product that sounds familiar. This is called branding. It’s a very important aspect of marketing.

Branding requires patience. It can take many months before a customer has seen your book enough times to recognize it, and then it may take many more months before the customer is in the market for a book like yours.

Advertising can be one part of your branding efforts.

The more people in your target audience hear your book’s name, your name, and see your cover, the more branding occurs.

Advertising can help with this, especially if the ads are targeted to your specific audience. However, advertising shouldn’t be your only attempt at branding. You need to get your cover, title, and name out in front of your target audience through a variety of different resources (a blog, website, social media, blog interviews, blogger reviews, etc.) to improve the chances for the same potential customer to see your book multiple times. This is one more reason that you need to combine free and low-cost marketing with paid advertisements. (You don’t necessarily need to do the paid advertising; that’s optional. You definitely need to do the free and low-cost stuff.)

Advertising books is different from advertising household products.

You’re probably familiar with commercials and other advertisements for household products that you buy in stores or online. What you need to realize is that advertising books is much different.

How many different brands of toilet paper do you need to choose from at the grocery story? You can probably count them on your fingers. You probably recognize a few of these brands from t.v.

Now think about going to buy a book. If you want to buy a mystery, for example, you have to choose from thousands of books. There are many, many more alternatives.

Advertising toilet paper is cost-effective because millions of people will use it and there are only a few brands to choose from. Although millions of people read books, there are also millions of books to choose from.

There are thousands of other authors trying to promote their books. There are also many publishers doing this. Some of the bestselling authors and top publishers invest a considerable sum of money into their advertising campaigns.

All these factors make it a challenge for you to reap a short-term reward from advertisements.

Since advertising is a risk that may result in a loss, the safe thing to do is stick with the many free and low-cost marketing alternatives.

What else can you advertise besides your book?

When you advertise your book, people immediately realize that it’s an advertisement. People generally don’t like advertisements because they are interruptions. For this reason, most people don’t click on advertisements and most people don’t buy the product in the near future. However, the people who see your advertisement and don’t click on it or buy the product may still recognize your book in the future. Advertisements are often more effective through branding than they are in short-term sales.

However, there are other things that you can advertise besides your book. Some of these things may be more effective at generating clicks or sales.

  • Advertise a website rather than the book. If the website has content that will attract the target audience and this is clear in the advertisement, then customers may be more likely to click on it.
  • Advertise a short-term sale. This may help to create a sense of urgency.
  • Advertise a contest. The chance to win something may generate interest. (On the other hand, there are many people who feel that they never win anything, so don’t bother to enter, and there are so many contests that it would be a lot of work to enter them all. Not everyone thinks this way, though, and some people still love contests.)
  • Advertise something that’s free and that your target audience will want to have. There are many possibilities. A free PDF booklet, for example, won’t cost you any money to make, and if it looks nice and has information that your target audience will want, it may draw interest. This can help to get people from your target audience to visit your website and discover your book.
  • Advertise a series. You don’t have to actually advertise a series in the advertisement. You could advertise the first book or the most recent book, and this may help to draw interest in the whole series. If you have a set of books, this makes advertising more economical when you think about the cost per book.
  • Advertise an event, like a workshop or start a special week that relates to your book.

How marketable is your book?

Paid advertisements won’t make up for poor marketability.

A highly marketable book will sell through free and low-cost marketing.

It doesn’t take paid advertisements to sell a highly marketable book; it just takes discovery.

If a book doesn’t have marketability, advertising isn’t likely to help.

Advertising can help a marketable book get discovered and thereby sell more frequently.

See the following link for help assessing your book’s marketability:

https://chrismcmullen.wordpress.com/2013/09/10/marketing-why-isnt-it-working/

In one of my next posts, I’ll discuss some specific advertising options at a few websites that many authors are familiar with.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Which Genre Is Best?

Genre Pic

ROMANCE: Everyone knows I’m the best genre. I give readers the happy ending they crave.

EROTICA: Honey, you’re just a tease. I have what they really want.

SELF-HELP: That’s not quite true. What people really want is a healthy relationship with a warm, breathing body. A romance provides an escape from reality. But with a relationship guide, people can have a better reality.

ADULT: It’s not the relationship part that’s the challenge; it’s the intimacy. I’m the three-letter word that everybody wants, but most people are afraid to talk about.

MYSTERY: Relationships are fueled by passion. What kind of romance are you going to have if you need to read a guide to learn how to do it? People want books to entertain them. I give them a puzzle to solve to engage their interest.

SUSPENSE: If you want to really engage your audience, you need elements of suspense.

COMEDY: What’s more entertaining than humor? Everybody loves a good laugh.

FANTASY: Why not have it both ways? I offer the reader a better reality and I entertain the reader.

SCI-FI: But your reality is too far-fetched to be believable. I do it with a better version of the real universe.

HISTORICAL FICTION: Are you kidding? Jumping through wormholes, extra dimensions, aliens, going back in time… Who are you calling unbelievable? What I do is take events that have actually occurred in reality and make them better.

PUZZLES: You’re living in the past. I give people a way to make the present more fun.

COMICS: Exactly. And I do it in color with pictures.

CURRENT EVENTS: What’s wrong with reality? I show readers that the real universe in the present is really quite fascinating. It turns out that the truth is stranger than fiction.

POLITICAL SCIENCE: Ain’t that the case? And there isn’t a more fascinating current event than politics.

ETHICS: Where have you been? Politics is the reason reality is so screwed up right now. If everyone read me, the world would be a much better place.

HOW-TO: People can read you, but you’re not going to change people. The way to make reality a better place is to read a how-to guide. We have a guide for everything.

TEXTBOOK: Technology makes the world a better place. You can’t do rocket science or brain surgery with a how-to guide. You need a technical book deep in knowledge.

SPIRITUAL: Don’t you see the problems in society caused by having so much technology without the wisdom and spiritual harmony to go along with it? Look at the happy children playing with rocks and sticks, and the unhappy spoiled children with cell phones and video games. What we really need to teach is how to get along with other people, how to believe in ourselves, and how to overcome adversity.

RELIGION: And what would be better than the word of God himself to show you exactly how to do that?

PHILOSOPHY: That would be a lot easier if there weren’t so many gods and religions to choose from.

CHILDREN: The important thing is to get kids reading early. Teach them the fundamentals they need to succeed in life. Give them the gift of reading. If they don’t learn how to read as children, every genre will be out of business.

TEEN: The critical stage is when the child turns into a teenager. Most people want to ignore teens, or just punish them for bad behavior. What we need is to understand the problems of the teenager and help them through this critical stage of their lives. It can have a drastic impact on their adult lives.

SPORTS: That’s where I come in. I give them something they enjoy doing, provide plenty of exercise, keep them too busy to get into trouble, and teach valuable teamwork skills.

POETRY: Really? Then why are so many professional athletes getting into trouble with drugs and legal problems? Let’s face it. No matter what you do, people will have problems. I help people understand the human experience better, and I inspire them through creativity.

DRAMA: Nobody can illustrate the tragedies of life better than I can.

TRAVEL: When life beats you up, you just need to get away from it all. I can take them to the perfect place and help them enjoy it while they’re there.

COOKING: You can’t run away from your problems. Everybody feels better after a good meal.

LEGAL: That’s a good idea. I’m starving. Let’s all have a good meal. Besides, if you think you’re better than I am, I’ll just sue you for it.

Copyright © 2013 Chris McMullen

Authors: Try Giving Yourself Advice

If another author asked you for advice and you checked out the other author’s book, would suggestions come to your mind? Maybe you would comment on what you do or don’t like about the cover. You might have suggestions for the blurb. If you found something in the Look Inside that put you off, would you mention it?

People generally love to give out advice. That’s why everyone tends to receive a lot of advice, even when it wasn’t sought. People form opinions easily, and many people don’t hesitate to share them.

Even if you don’t share your opinion so freely, you still form opinions. Suppose you’re checking out a book. You’ll know in an instant if you like or dislike the cover, if the blurb attracts your interest or not, and if there is something that you do or don’t like about the book.

But a funny thing about advice is that while people love to give it to others, they often don’t take their own advice.

  • Evidently, you don’t have to have a good track record in your own relationships in order to give dating advice to others.
  • Apparently, you don’t need to have any skill in a sport yourself in order to give tips to others.
  • Clearly, you don’t have to make the best work-related decisions in order to advise others about their career paths.

Here’s my point. If you’re looking at someone else’s cover, you might find yourself wondering, “How can you put that on your book?” But if it’s your own cover, you don’t tend to be as critical. If you’re shopping for a book, you might think to yourself, “That blurb doesn’t try to catch my interest at all.” But when it’s your own blurb, you’re already interested in it. When you pay five bucks for a book, you tend to get disappointed if you catch several typos. But when it’s your own book, you often read what you meant to write instead of what you actually wrote.

There are two things you can learn from this:

  • You need to try to step aside and evaluate your work critically. Take a break from it and try to approach it as if you were seeing it for the first time, and try to evaluate it as if it were someone else’s book.
  • No matter how hard you try, you can’t see your own work as if it were written by someone else. There is no substitute for external opinions. Getting this before you publish is invaluable.

I know a few authors who will think that they judge themselves more harshly than anyone else – i.e. you feel that you are your own toughest critic. Many of us feel that way.

But we’re our toughest critics only in certain aspects. You’re not your own toughest critic in every aspect. You judge yourself harshly only in the areas that you care about most. You give yourself a large allowance in areas that you don’t care much about.

However, those areas that aren’t so important to you might be very important to shoppers. So even if you are your own toughest critic in some regards, honest external feedback – if you can get it – is still very likely to help you find ways to improve your book.

You shouldn’t necessarily change everything based on external feedback. But first you need to know what that feedback is before you can decide whether or not you feel it merits attention.

Have you ever come across books where the cover, blurb, Look Inside, category selection, or something else probably could have benefited from a little advice? Of course, if you send advice to all of those authors and publishers, some of them won’t want it. I’m not telling you to go advise others about how to publish their books. I’m suggesting that we all need to evaluate our own books more critically, and especially to benefit from more external feedback prior to publishing.

We just don’t look at other books the same way that we look at our own. In this regard, books are kind of like kids. Your book is your baby. It’s not like other books, is it?

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

How to Reach Your Target Audience (Marketing for Authors)

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Does it seem like your book is one needle in a haystack?

Just tossing another needle into the haystack isn’t the best way to get your book discovered and read. You have to reach your target audience.

How?

There are two ways to reach your target audience:

  • Attract your target audience to you.
  • Find and interact with your target audience.

(1) How to attract your target audience

(1a) What will bring your target audience to you? Valuable content.

Think about what your target audience wants. Such content can attract your target audience to you.

Content may include writing in the form of knowledge or entertainment, images, songs, or video, for example. The most important thing about content is that it must be highly relevant for your specific target audience. (You can supplement your main content with other things, but if you lack content that’s a good fit for most of your target audience, then it won’t serve its purpose.)

It’s easier to develop content for most nonfiction books. Your book provides information or skills, so you can draw in your target audience by supplementing this with additional content.

You can also attract a target audience effectively for fiction, but you have to be more creative and it may require more thought. The better you know your target audience and can gauge their interests, the better you can provide content relevant for them.

There may be a nonfiction topic from your fictional work that’s relevant for your target audience. For example, if the book strongly relates to some sport, people who enjoy that sport may be interested in your book. If your story takes place mostly in one city, people from that city may like your book. If the book involves a particular culture, use this to help reach your target audience.

(1b) How do you use content to attract your target audience?

One way to do this is with an online platform.

Your online platform includes all of your online activities where you provide valuable content that is relevant for your specific target audience.

The main component of your online platform should be a website.

A website that just features your books or describes you isn’t likely to attract your target audience – unless perhaps you’re famous. There has to be valuable content on your website that will draw your potential readers in.

One problem with blog and social media posts is the difficulty in searching through older posts. The structure of a website organized into pages can make it easier to find information.

If the few most recent blog or social media posts aren’t quite what someone is looking for, the person will just pass on it. When someone sees a website with plenty of resources nicely organized, there is a much greater chance that something will be of interest. Also, a nice resource is more likely to be recommended – which helps to spread the word among the target audience.

You can make a blog look very much like a website. If it mostly contains sequential posts, it’s just a blog. If there is also content organized so it’s easy for the target audience to navigate, then it’s much more than a blog.

Content serves two roles for your website. First, it’s something that your target audience wants. Secondly, it can help with SEO rankings.

Just a website by itself is quite limited. The greater your online presence, the greater your marketing net. Your blog, social media, and other online marketing endeavors all work together.

You’re trying to enhance your visibility. You want to become more visible among your target audience. This helps you with your branding. Visibility also helps people find your online platform.

Think of what else you can do online that will help with visibility. Posting content outside of your own online platform can help with this. Guest blogs, book reviews, videos, and interviews can help.

If you write an article relevant for your target audience and get it published in a high traffic area, it will do wonders for your visibility – especially, if the bottom reads, “Your Name, Author of Your Book.”

Getting an article published isn’t as hard as you may think. Consider how many places there are online to publish an article – it’s a very large number, which is in your favor. The most important thing is to make sure that the site is relevant for your specific target audience. The second consideration is the level of traffic.

Some online resources, like fan pages, can help you provide content to previous readers. These readers are very important because if they liked your previous book well enough to find your fan page, they are very likely to be interested in your next book.

(2) How to find your target audience

Finding your target audience can not only help significantly to bring new readers directly, but it can also help you gain visibility online.

Think about the interests of your target audience – the same things that help you develop valuable content – and how you can use these interests to find your target audience.

If your target audience is likely to have a particular hobby, find people who have this hobby. If they are likely to have a common cultural background, you can tap into this resource. Are there conventions that they are likely to attend? Is there a seminar or workshop that you can hold that may attract their interest? Are they likely to be interested in a reading?

You can also meet your target audience online. Look for places where your target audience is likely to hang out online.

It takes some creativity and thought, but if you can find your target audience, this can pay big dividends. Meet and interact with your target audience. People who meet you and who enjoy this interaction are more likely to check out your book or your online platform.

Spend time thinking about who your specific target audience is and how you can use this information both to attract your target audience and to find your target audience.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)