Category books

Sep 25 2013

Unpublishing, Republishing, and Updating Your Book

Ideally, you would publish your book perfectly the first time, everything would work out nicely, and you’d live your happily ever after publishing fairy tale.

Ah, but it doesn’t always work out that way.

For whatever reason, suppose you’re considering whether or not to unpublish your book.

Before you decide, you should learn exactly what will happen when you unpublish it. Here are some questions you need to ask:

  • Will the book disappear completely? If not, in what ways will it remain visible?
  • Will the book remain on your author page?
  • If you’re only unpublishing one edition, will the reviews stay linked together?
  • If you republish a revised version later, will old reviews return?
  • How long will it take for the book to be unpublished?

Of course, different publishing services have different policies, as do different online booksellers. So you want to consider all the possibilities.

A book won’t vanish from Amazon. However, an unpublished e-book can be removed so that customers won’t find it when they’re shopping. Print books, on the other hand, are permanently listed for the benefit of anybody who might have a used copy to sell.

At Amazon, once you add a physical book to your author page at AuthorCentral, it will evidently remain there forever. If you publish a paperback, for example, and add it to your author page, even if you unpublish the book, it will remain on your author page. The rationale behind it is that a previous customer could potentially have a used copy to sell, and this allows other customers to purchase such copies.

That’s something to consider when you sign up for an author page and when you add a new book to it. Think it over very carefully to make sure you won’t want to remove it from your author page in the future. (Suppose you have a Kindle edition already on your author page and then publish a paperback edition. If these become linked together, your paperback will appear on your author page even though you didn’t specifically add that edition to your author page.)

However, this isn’t an issue with e-books. If you unpublish a Kindle edition, the e-book can be removed from your author page. If it’s linked to a print edition, the print edition will remain on your author page, but the Kindle edition can be removed.

Suppose you have Kindle and print editions linked together. Some reviews may declare that they are for the Kindle edition or for the print edition. If you unpublish the Kindle edition, all of the reviews for both editions will remain on the print edition’s product page. However, you can politely ask AuthorCentral to unlink the two editions once the Kindle edition is unpublished, if you wish to have the reviews from the Kindle edition removed from the print edition.

A print book can’t truly be unpublished from Amazon. You can disable the Amazon sales channel. If you publish through CreateSpace, you can disable all other sales channels, too. You can even ask CreateSpace to retire the book for you once the sales channels have been disabled. However, the book will still continue to appear on Amazon, even though customers won’t be able to buy new copies directly from Amazon. This allows any customers or vendors who have new or used copies to resell them on Amazon.

If you unpublish an e-book and republish a revised version later, any reviews that you had before could suddenly appear on the republished e-book. It might be a month down the line, if not sooner. (I’ve never tried republishing an e-book, but other authors have discussed their experiences with this.) If it does happen and you’ve made significant revisions, you might contact Kindle Direct Publishing (KDP) and politely explain this. Nevertheless, nothing prevents a customer who left a review the first time from finding your e-book again and leaving a new review.

You could republish an e-book with a new title or cover. However, this may confuse customers to the point that some of your previous customers buy a second copy of the same book by mistake, which could result in negative reviews. (Perhaps a clear explanation in the blurb could help minimize this.) With a new title, old reviews are unlikely to show up on the republished e-book.

If you just need to revise your book, you may not need to unpublish it. It depends on the circumstances. If it’s desirable to prevent the sale of your book until the corrections are made, then for an e-book you must unpublish it in the meantime, and or a print book you must disable the sales channels until the changes are made.

It’s not necessary to create a new edition (with a new ISBN, for a print book) when revising your book. You can simply update the current edition, perhaps mentioning this briefly in the blurb. Include the edition number (or something that you’ll recognize) in the Look Inside for your own benefit. This way, when you check out the Look Inside at Amazon, you’ll be able to tell precisely which edition is showing; and if a customer shows you your book or inquires about the content, you’ll be able to check which edition the customer is referencing.

With Kindle, it is possible to notify previous customers that a file has been revised, but it depends on the circumstances and what KDP (not you) decides. You can find a place to send a request to KDP from the KDP help pages.

  • If KDP determines that the issue is minor, they will not contact customers. However, if a customer visits the Managing Your Kindle page at Amazon, the customer can receive the update there. The problem is that the customer won’t know to look for the update.
  • If KDP declares that the issue is critical, your e-book will go off sale until you correct the problem. When you fix it, notify KDP of the update. Then there may be a lengthy delay. Once KDP approves the revision and puts the book back on sale, customers will be notified.
  • If the issue is major, but not critical, in KDP’s eyes, then customers will be notified that an update is available.

There may be lengthy delays if you use an e-book aggregator like Smashwords, if the e-book has already been distributed.

The best action is to do everything possible to get the book right the first time. You only get one chance to make a good first impression.

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

  • Volume 1 on formatting and publishing
  • Volume 2 on marketability and marketing
Sep 23 2013

What would you like to see on our Read Tuesday website?

Read Tuesday

As it may help anyone who participates on Read Tuesday, I would like you to think of the Read Tuesday website as our website, rather than my website. So I encourage your suggestions, comments, ideas, concerns, feedback, etc. 🙂

Reminder: The Read Tuesday concept is our effort to provide readers with a Black Friday or Cyber Monday type of sales event specifically for books. You can learn more about it through the link below.

https://chrismcmullen.wordpress.com/2013/09/21/red_tuesday_idea_for_boosting_book_sales/

I’ll list some of my thoughts here, and invite you to add yours in the comments section.

  • The Read Tuesday banner, once it is ready.
  • A description of the Read Tuesday concept.
  • A separate list of quotes from authors and readers who are looking forward to the event. If you’d like to contribute, all you need to do is give me your quote, whether you’re speaking as an author or reader, how you’d like your name or nickname to appear, what I should put for your location (or leave blank, if you wish), and if you would like me to include, say, your author website. You can contact me by email from my about me page, or leave a comment (whatever you prefer). I intend to sprinkle some throughout the website, and have one page dedicated to it if there are enough.
  • A Like button for Facebook, a Follow button for Twitter, etc. once those pages are setup.
  • A page with information for readers and a page with information for prospective authors.
  • Contact info.

Can you think of other content? What other kinds of images? Other types of pages?

If you have any requests for the style or structure of the website, those suggestions are encouraged, too.

I could try to make a page of participating authors, with names and maybe photos. But if the list gets really long…

I could also try to make a catalog of participating books (perhaps not to be released until closer to the event date). But again, if it gets very long… If anyone can think of a way to make it very easy to add and update, please turn on the lights. 🙂

Of course, all authors can promote their own books through the Read Tuesday event by mentioning their own books while simultaneously spreading word of the program. Similarly, authors can get together in groups (by subgenre, for example, but not necessarily) and make sub-catalogs, featuring their books that will be in the program. Such smaller catalogs could prove more beneficial than a master catalog.

Sep 23 2013

Moody Sales

Moody PicAh, the beginning of the month;

Such a pleasant time for sales.

You can hear the buzz of customers

And the chirruping of registers.

 

Nothing tops the rush hour,

When sales are just ecstatic.

The lines are seemingly endless,

The products quickly vanish.

 

But then it slows down so much;

Sales shed tears from their sadness.

Where did everybody go?

Why have you all abandoned us?

 

Sales always wonder if the end has come

During extensive periods of loneliness.

Is that the end of life as they know it?

Will they never feel energized again?

 

When sales rebound, they jump for joy;

Happier than ever, they smile quite broadly.

They knew the buyers would return.

The experience is so rejuvenating.

 

Then that time of the month comes;

Inevitable, yet sales dread it so.

Those few days where sales are dismal.

You can count on it like clockwork.

 

Copyright (c) 2013 Chris McMullen

Sep 22 2013

Red Tuesday: Initial Brainstorm

Red Tuesday Pic

The idea behind Red Tuesday is for authors to get together and provide a book-oriented version of Black Friday and Cyber Monday. You can learn more about the idea here:

https://chrismcmullen.wordpress.com/2013/09/21/red_tuesday_idea_for_boosting_book_sales/

The purpose of this post is to brainstorm the ideas that we’ll need to get started. Most of this should be done in the comments section below. We’ll need more brainstorming sessions as we go. Here we should focus on just getting things underway.

Red Tuesday is an opportunity for otherwise ‘independent’ authors (we largely behave this way when we sit down to write and when we market, even those of us who are traditionally published) to organize together and form something special – without, hopefully, too much more work than we would do just to have our own separate promotions. Here at WordPress, there is a strong sense of community among authors and artists. If we participate and harness this community feeling, we may all benefit from Red Tuesday.

It’s not about one person succeeding from the work of many others, and it’s not about one person being in charge. It’s about several people collaborating together. The beauty of the marketing involved is that every author can promote his or her own books while simultaneously promoting Red Tuesday.

BRANDING IMAGE: We want to brand the concept of Red Tuesday. Therefore, we need an image that we can use to help brand this visually. We want to include this image on all of our marketing materials for Red Tuesday. The more people see this image, the better.

We want to use the same image over and over, but we’ll need it to come in a few different forms. We’ll need a couple of headers for blogs or social media, an image to insert into our posts, a sidebar image, a thumbnail image, a logo, and anything else we think of. Essentially, we’ll need a variation of the same image in various aspect ratios.

TamrahJo drafted a good concept (see below). It will be easy to produce the image in a variety of shapes and sizes, it’s really suggestive about the idea of gifting books, it matches the color of the event (red), it fits with the holiday theme, and it has a cute play on the color and verb homophones. I made a similar image for this post (above).

http://wp.me/aZNrI-WF

What we need is an improvement on our efforts (or a better idea, if anyone has one). If you can make a better present, bow, font, etc.

Whatever image we use, we will need permission for every author who participates to use the image for their Red Tuesday marketing (except for possibly putting in a restriction to prevent anyone from abusing the idea). This means that any images or text used must grant this permission, also.

Again, we’ll need the images to come in an assortment of sizes, suitable for various purposes. It may also be desirable for some of the images to include text (a slogan, for example), but others to exclude it.

BRANDING TEXT: We’ll need a slogan, catch-phrase, strapline, marketing line, blurb, and/or whatever other short text may be useful to help us brand the concept of Red Tuesday successfully. Again, we’ll need permission for every participating author to use the ideas that we decide to go with. TamrahJo included a suggestion for some text in the draft of the branding image (along with font effects).

WEBSITE: Unfortunately, it appears that the ‘redtuesday’ domain has already been taken as a .com site. We could throw in a hyphen, but then anyone who misses the little hyphen will go elsewhere. Perhaps we could add the word ‘books’ to the end of it.

We should have one website setup that’s geared to tell customers all about Red Tuesday. This is a link that we’d want to include with all of our promotional materials.

I don’t mind springing for the domain name. I could put together something basic, or add basic materials that others prepare. But if there are any volunteers with web skills, maybe that could lead to something better. I guess we could start with a WordPress template, or I could get something from GoDaddy, for example.

To begin with, we want to include our Red Tuesday branding image and a description of the program. What else could we put here?

Perhaps catalogs (including subcatalogs) listing books by genre (or subgenre) that will be discounted on Red Tuesday. (We could also highlight a few books that have very deep discounts – good examples that may help to draw interest.) Depending on how many books wind up in the program, this could be an extensive catalog. We want to make it easy for customers to sort through it, appealing to look at, and easy to update as new authors join in. If there is an easy way to do this, maybe where authors can add their own books yet the formatting still looks nice, it would be nice to find it. It will probably take some volunteer efforts to put this together, but hopefully we can think of some automated services to help do much of the work…

Maybe an extensive catalog isn’t worth the effort. Being buried in a long list – if the list becomes long – probably isn’t the most helpful marketing tool. What will be helpful is when authors individually promote their own books while simultaneously promoting Red Tuesday.

(We could also have a humble page that gives credit to any volunteers who provide valuable services.)

What else should we have on the website? For now, we just want to get it started with the minimum, and we can add to it as we go along.

We want a different hub to direct interested authors rather than the website designed for customers (though some authors, like me, will be shopping for books on Red Tuesday, too). Our blogs can help with this. Remember, you’re welcome to create your own posts about Red Tuesday (reblogging isn’t the only way to spread the word, though you’re also welcome to reblog Red Tuesday posts).

MORE: There are other things we’ll need soon, but these are a few things that we’ll need right away. Can you think of anything else that we’ll need immediately? If so, please bring these up in the comments.

COMMUNITY: Through our involvement in Red Tuesday, we can be part of something much bigger than ourselves. The magic word is participation. Please share and discuss your ideas in the comments section below. Brainstorming isn’t about one person coming up with ideas, but about many people bouncing ideas off of one another and discussing them to see where it leads.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Sep 21 2013

Red Tuesday: Idea for Boosting * Your * 4th Quarter Book Sales

Fourth Quarter Pic

This idea came to me this morning. It has the potential to help you sell many books in the fourth quarter. It’s a simple idea; it’s free; and it will be easy. It just involves a little marketing, but, as you know, marketing is exactly the kind of work that can move books.

I’m not talking about marketing for a few sales. I see potential for a great deal of exposure.

THE PROBLEM: Black Friday and Cyber Monday are huge days for holiday shopping among retailers. However, booksellers probably won’t reduce the price of your book any more than usual, they probably won’t advertise your book as part of the sale, and you might even sell fewer books than normal because all of the customers are too busy buying electronics, toys, tools, and clothing.

You can discount your book significantly on these days and promote your sale to help stimulate some traffic during this time, but it probably won’t be any more effective than promoting your book this way on any other day of the year. In fact, it may be better to do this on some other day where you’re readers aren’t too busy shopping for other items.

THE IDEA: Thousands of authors participate in special one-day pricing of incredible discounts. We’ll call it Red Tuesday (a homophone with the past tense of what you do with a book). Actually, we’ll do it again just after Christmas, when everyone just got a new e-reader and still has holiday money to spend. We’ll call this one White Thursday (a play on “write,” perhaps).

It’s simple, really: Each author promotes his or her own discount while simultaneously promoting the huge event. You don’t do any more work than normal, but by being part of a huge group of authors involved in this, you can gain the enhanced publicity of the event as a whole.

For example, you would write, “Title of My Book will be 80% off as part of the Super Incredible Red Tuesday Extravaganza.” Take a moment to briefly describe what Red Tuesday is all about in addition to promoting your book. Link to the event page as well as to your book. Think of all the content you could post on your blog and social media regarding Red Tuesday, where you will also mention your own book’s participation in the event. Red Tuesday helps you with your marketing.

One author is really tiny. Together as a community, we can thrive.

All we need to do is spread the word and get super-mega-incredible participation among authors.

If we can get significant participation, it will open up many marketing opportunities that may otherwise elude us. Imagine the growth and buzz building up so large that the media takes notice. I have a list of other ideas below, and more will come. Together, we can help Red Tuesday go viral.

ELIGIBILITY: You just need to be an author who is willing to significantly discount your book on Red Tuesday and/or White Thursday. All authors are welcome, regardless of how you published, what you write, etc. (You don’t have to worry about your book being listed in an electronic catalog with an adult content book because we could always make separate catalogs for different kinds of books. At this point, there is no guarantee that there will be a catalog; that’s just one of the ideas below.)

If your book is already 99 cents, pretty much the only way to discount it is to make it free. However, many authors might want to just drop their prices, but not make them free. Why not allow for both? Any catalogs could easily come in separate editions for discounted titles and freebies. We could also feature the deepest discounts at the top to help catch interest in the program.

I have several e-books priced between $2.99 to $5.99. I’m thinking to drop all of the prices to 99 cents (except where the file size is so large that it prevents the e-book from being priced this low).

I also sell several paperbacks. These could be reduced, too. Or I could make a significant percent-off discount code for my CreateSpace eStore. Or I could sell them from my website at 50% off and take payments through PayPal.

The important thing is to make the book on sale during the promotion for a significant discount.

EXPRESS YOUR INTEREST: If you’re interested in this, please post a comment below to let us know. If there doesn’t appear to be interest, this idea will just slowly die out. The idea can only succeed through your participation. Please share the idea to help spread the news, so that we can find more authors who are willing to participate.

If there is plenty of initial interest, then we’ll move onto the next step and Red Tuesday may become a reality and a success.

We’re still in the planning stages. So if you have ideas, suggestions, comments, or concerns, this is a good time to express them. Nothing is set in stone yet.

There is no cost. You’re only commitment is to significantly lower your price for Red Tuesday and/or White Thursday. Any other work will strictly be voluntary. It would be wise for you to promote your discount and the event in order to help you get the most out of it.

MORE INFORMATION: As long as there continues to be significant interest, I’ll post information about Red Tuesday here on my blog. Please feel free to help spread the news – directly, by reblogging, or by creating your own posts about Red Tuesday.

If there is significant interest, I’ll send out a sign-up post on my blog, whereby authors can sign up. If you have a better idea for how to get authors to sign up besides just using the comments section of a sign-up post, please share your idea.

If several authors sign up, I will put up regular posts with information, ideas, suggestions, etc. here on my blog. Again, feel free to help spread this information.

DATES: In 2013, Black Friday is November 29 and Cyber Monday is December 2. Everyone is now exhausted from shopping. So my thought is to wait until Tuesday, December 10 to celebrate Red Tuesday. Then we’ll have White Thursday on January 3. (I liked White Wednesday better, but it falls on January 2, just a day after New Year’s.)

IDEAS: First we need to brand the concept of Red Tuesday. We’ll want to have a small number of images that we can all use with our blog posts and other Red Tuesday promotions. I can announce a contest to submit images for consideration. Then we’ll use the winning image to brand our image. Everyone should use this image with all of their Red Tuesday promotional materials.

We’ll also want to brand White Thursday (which will come about a month later). But we want White Thursday to be a surprise. We don’t want readers skipping Red Tuesday, knowing that White Thursday will come later. We want to generate huge exposure twice, not once. We’ll need a different image for White Thursday.

Some kind of catchy slogan, jingle, strapline, or something of this sort would be nice, too. I can solicit suggestions in a separate post.

Soon we’ll need to build a great deal of buzz and generate plenty of author participation. We can post and reblog about Red Tuesday to spread the word. Assuming this takes off, I’ll make a post in a couple of days with more ideas of how to help create buzz for this special day.

If we succeed in creating ample buzz for Red Tuesday, this may create additional marketing opportunities. Write an article about it and try to publish it in a relevant high-traffic zone. (Your article won’t go to waste because you can always post it to your bog if it doesn’t get used anywhere else.) We can try to get writers with a large following to write about Red Tuesday, and we can aim for a little media attention.

We can make a webpage specifically for the Red Tuesday event and everyone can link to it in all of their posts. If we’re able to make any electronic catalogs of books (volunteers can make this possible), we’ll post them on the event page and circulate them in others, too.

If many authors do a few small things in the way of promoting Red Tuesday, it will really add up. We all have different areas of expertise. If you’re a video whiz, for example, you can post a trailer on YouTube about Red Tuesday, and the rest of us can help get people to check it out. Remember, any marketing that you do voluntarily to promote Red Tuesday will also help you with your own book as a part of your promotion.

As we approach Red Tuesday, our marketing campaign should go nuts. Everyone should be posting and promoting in anticipation, and especially on Red Tuesday itself.

It’s very important to reduce your price in time, allowing for probable delays (which can be several hours or more – and may be longer if there is widespread participation) to get your book’s price reduced in time for the big event. Better early than late.

GREAT FOR READERS: Red Tuesday doesn’t just have the potential to benefit authors. It can greatly benefit readers, too. Red Tuesday would be a great day to stock up on books by all your favorite participating authors. It’s also a great day to buy books as gifts. There is ample reason for authors and readers alike to spread the word and make Red Tuesday a huge hit.

Sure, some readers will see Red Tuesday coming and try to hold off of buying books until Red Tuesday comes around. There will still be readers buying books before then. If your sales rank does slide somewhat going into Red Tuesday, just think what a potential avalanche of sales on Red Tuesday could do for it. The better you promote your discount and Red Tuesday and the more marketable your book, the better your chances of having a successful Red Tuesday.

NO GUARANTEES: There is no guarantee that this will improve your exposure or increase your sales. However, if participation is widespread, there is much potential for numerous authors to receive a marked boost in both exposure and sales. The more marketable your book (i.e. good content, appealing cover, effective blurb, well-formatted and -edited, attractive storyline and characterization, and good readability), the better the prospects for you to benefit from the promotion. Also, the more active participation we receive and the more effective we are, collectively, at marketing the event, the better the chances of success.

FINAL WORD: Ideas, comments, suggestions, and concerns are not only welcome, they are strongly encouraged. 🙂

We can be part of something much bigger than ourselves. The magic word is participation.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Sep 17 2013

Do You Support the Underdog as a Shopper?

There are many crowd-pleasing movies and books where the protagonist is an underdog who will beat the odds to triumph in the end. So as an audience, we tend to root for the underdog.

Is the same true when you’re shopping?

All other things being equal, would you prefer to buy a product from a major, national company or a small, local business?

Ah, but the question isn’t that simple because very often those other things aren’t equal. The big business may offer a better price or greater selection, or may provide more appealing financing. The small business may provide incentives of its own, by going the extra mile or being closer to your house.

There is yet another way that it’s not so simple to call the small business the underdog. Suppose, for example, that a huge company brings very low prices, saving people a great deal of money. Suppose further that this helps many low-income families live a little better. Aren’t those families the underdogs? So maybe if a huge business is helping people who could use the help in some way, then the business is supporting the underdog.

Here’s an interesting puzzle: When it comes to buying books from Amazon or a local bookstore, who is the underdog? Amazon is the huge company. Does this make the local bookstore the underdog?

Amazon supports millions of underdogs: indie authors, indie musicians, indie filmmakers, small business owners, small publishers, etc. This is in addition to underdog consumers who may derive benefits from shopping at Amazon. Furthermore, Amazon features success stories of indie authors and small business owners right on their home page from time to time.

Yet the local bookstore is an underdog, too, right? I don’t think it’s so clear-cut in this case. I know many people who would argue the point each way, and both arguments sound good to me. One is an underdog, but the other supports many underdogs. (Now maybe there are other underdogs who are being disadvantaged in the process… I don’t know, but if there is, that’s yet another complication to consider.)

Let me back up. It’s not always right to root for the underdog, is it? Suppose the favorite has worked tremendously hard, learned much from experience, and has rightfully earned the spot as the favorite. Should we automatically root for an inexperienced underdog who comes along just for the same of favoring the underdog? That doesn’t seem right to me.

If you think about the movies and books that feature an underdog, very often the protagonist displays positive character traits and is up against an evil villain.

My point is that character is important, too. It’s not just about figuring out who the small guy is. If the big business has a positive influence on the community, while the small business shows some signs of negative character, for example, that changes everything. Or at least, it should.

Suppose you’re an author (which will be easy to do for many of you because you are). Let’s say that you walk into a bookstore and discover that they have a flat-out “No!” policy regarding self-publishing or the management treats you condescendingly or you otherwise have a bad experience there. Are you likely to support that bookstore in the future?

(I’m not saying that they have to carry all self-published books; just that they should be open to the idea and base the decision on the merit of the book. If they have a few indie books on a shelf for local authors, that will earn my support. How they treat the inquiring author is very important, too.)

If instead you walk into a small, local bookstore that makes you feel like a royal prince, wouldn’t you feel compelled to drive traffic their way and do your shopping there, too? (You should.)

Does the underdog support other underdogs and treat other types of underdogs well? How about the big business? Also look at character. These are important considerations to me.

When it comes to buying a product, quality is also important. Perhaps the big business and small guy don’t have equivalent products. If one has superior quality, it’s more like comparing apples to oranges.

Finally, let me mention one more thing about buying books. This time, let’s look at the publisher instead of the bookseller. The indie author or small publisher is the underdog compared to the big publishing giants, right? Maybe not.

A book may have a small-time author who got a contract with a big-time publisher. And the big-time author was an underdog once upon a time, until many readers supported that author enough to turn the author into a success.

I suggest that there are many gray areas here.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Sep 17 2013

Creativity: Good or Bad for Books?

Imagination is a good thing, right? I believe so.

It’s good to be creative as a writer, isn’t it? No argument from me there.

So books should show originality, don’t you think? Got my vote.

Nonetheless, here comes a great big BUT!

(Those who can spell realize I’m not talking about anatomy.)

Just to be clear, I’m not going to argue against creativity. I’m in favor of it.

Consider this: Does the bookselling industry discourage certain types of creative storytelling, rather than rewarding it?

Here are some examples of what I mean:

  • Suppose you write something so different that you’re breaking ground with a brand new genre. It doesn’t stand a chance of getting browse category visibility. How will readers discover it? The book is inherently disadvantaged.
  • Readers have an expectation for what to expect in terms of storyline, characterization, etc. in any given genre. The author who deviates from these expectations risks negative reviews for being creative.
  • How do romance readers react when the ending doesn’t turn out to be happy? Is there a significant readership for specific types of unhappy endings in this genre? There are some types of originality that many readers aren’t willing to support.
  • Even creativity in cover design has a significant potential downside. Many readers judge their interest in a book based on a cover. They are familiar with how the books they tend to read tend to look. If a book doesn’t look like it belongs to their genre, they might not check it out.

Do readers want to read the same types of books every time? I don’t.

First, I’m not saying that all forms of creativity pose problems. Some don’t, but others do.

If you want to write a romance, for example, there are already a variety of popular ways to go about it. First, there are subgenres, like contemporary or historical. If you choose a subgenre, there is plenty of room to follow a model while still being very creative. You don’t even necessarily need to follow a particular model. Yet there are some features that are high-risk to change – like taking away the happy ending, or giving the protagonist certain types of flaws.

The point is that while there are endless possibilities that do work, there are limits to it – i.e. there are some features that can hinder sales significantly if changed.

And something completely different is especially challenging to sell.

The problem of a new category is tough for the author or publisher to work around. But it can be done. We have genres now that we didn’t have in the past. So it is possible to breakthrough with something quite unique. Statistically, however, there have been many people with ideas for new types of books, but the ideas that actually opened the door for a new genre have been very rare in comparison.

It would be easy to solve this problem. Suppose, for example, that Amazon created a new book category called “Fresh and Exciting” or “Out of this World.” Don’t you think readers would check it out? Wouldn’t it also attract authors? It could be a very popular category. It has potential.

(Sure, there would be some not-so-good books in there. But you can find such books in all categories. When they don’t sell, they fall to the bottom, out of the way, where they aren’t harming anyone. And some of the books at the bottom are fairly good, but just not selling for whatever reason, and some readers will be happy to find them.)

Right now, the closest thing is “Other.” The name is important. It’s just not the same. “Other” suggests that the book just doesn’t belong.

But as it is, the bookselling industry seems to discourage, rather than reward, such innovation on the part of the author.

Writing a book that’s appealing to readers is important for sales. With the modern self-publishing revolution, every author has ample room to exercise creativity. However, if readers don’t respond well to the originality, the book won’t sell.

Even if many readers do appreciate the originality, some readers who don’t may inhibit sales through negative reviews.

So it’s not just the booksellers, like Amazon or Barnes & Noble. It’s the readers, too. Even if the book does have significant appeal, those readers who don’t like the change can influence sales through reviews.

Then there are agents and editors, who are looking for books that are highly marketable. They may be reluctant to take a chance on too much novelty. It would seem easier for a big publisher to attract readers with something fresh; but it’s also a risk.

Shouldn’t the system encourage innovation, particularly if the book is very well done?

How about you? Do you search for highly original books? Have you read anything that’s really clever and different lately? Do you reward originality in your reviews, or criticize the author for the deviation? Do you help spread the word when you find something very creative and also enjoyable to read?

(I have: For example, Reapers, Inc. by Dave Hunter. I thought the concept was cool; even the cover seemed different in a good way.)

We read books. We are part of the readership. From our end, the best we can do is help to promote original thought and encourage it through positive reviews.

Imagine H.G. Wells writing The Invisible Man, Jonathan Swift writing Gulliver’s Travels, or Mary Shelley writing Frankenstein. Or imagine trying to write realism when romanticism was popular.

We have a very healthy variety of books today. Yet what are your prospects for setting the trend with something totally new?

If you haven’t already seen it, you should check out Misha Burnett’s clever idea for a new writing software package (his irony should be obvious, but I’ll mention it, just in case):

http://mishaburnett.wordpress.com/2013/09/16/new-software/

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Sep 16 2013

An Index of Cover Design, Blurb, Editing/Formatting, Marketing, Writing, and Publishing Posts

Having seen a few followers hunting through old posts, I thought it might be handy to make an index for potentially useful posts on my blog.

The index page is divided into 6 parts:

  1. Cover Design
  2. Blurb
  3. Editing/Formatting
  4. Marketing
  5. Writing
  6. Publishing

(I haven’t yet included my poetry and related posts.)

You should be able to find the index page over to the right (on the sidebar). If you have any trouble finding it please let me know. It includes a date so you will know when it was last updated. If you know anyone who you believe would find some of these posts helpful, please feel free to direct them to the index.

If you check it out, please share any comments, feedback, or suggestions. The index is for anyone who might find those posts useful; especially, you. So if you have any requests, please share them. 🙂

Kindly,

Chris

 

Sep 15 2013

How to Be a Superhero

Superhero Pic

These people have secret identities.

They do normal activities each day,

But every once in a while duty calls.

That’s when they put on a mask, cape, and suit.

Nobody knows who did all these good deeds.

They didn’t do them for fame or fortune.

They just did what they thought was right to do.

 

Bob saw a clever post that caught his eye.

He read it and enjoyed it. Bob was pleased.

Not a single like or follow. Wowwee!

So Bob liked the post and followed it, too.

Then he reblogged it for many to see.

More likes and follows came to the rescue.

It turned into a nice newbie welcome.

 

Suzy found a book with a huge sales rank.

Apparently, it hadn’t sold lately.

That didn’t mean it wasn’t worth reading.

So she decided to give it a shot.

Suzy thought it was a pretty good read.

She couldn’t think why the sales rank was high.

But she spread the word about the story.

 

One book in the search caught Joe’s interest,

But the poor book had just a single star.

Yet Joe didn’t turn his head in disgust.

He clicked on the link and examined it.

It actually looked just like what he sought.

So Joe gave it a try. He liked it much.

He left it five stars, brought the average up.

 

There are many superheroes out there,

Doing good deeds for strangers secretly.

Let us all give you a round of applause.

It doesn’t just involve blogging and books.

Just lending a helping hand when needed,

Or a random act of kindness. So sweet!

Even spreading smiles merits my handshake.

 

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Sep 14 2013

Carrying a Book’s Theme Too Far?

Imagine that you are shopping for a Halloween book – ghost stories or puzzles with a Halloween theme, for example. You find a book that catches your interest and pull up the blurb. How would you react if the blurb reads with a Halloween theme? For example, the description may include phrases of the sort, “will chill you to the bone,” “great for entertaining vampires,” or “ghosts may or may not be included with purchase.”

When you explore the Look Inside, the copyright statement might include a remark like, “If you copy any portion of this book without the author’s express written consent, you will be cursed for thirteen years.”

Or maybe you’re buying a romantic nonfiction relationship book, where the copyright statement includes a statement like, “If you abide by the terms of this copyright agreement, the author will love and cherish you always and forever.”

An author of a Christmas-related book might include “Ho! Ho! Ho! Merry Christmas!” and other holiday remarks on all online posts in the fourth quarter, and wear a Santa hat for personal marketing endeavors.

The end of a humorous book might suggest that if readers leave any reviews, to please consider trying to make their reviews funny. Or if they tell any friends about the book, try to do so in a funny way. That is, the author may even try to carry the theme into the fans. Why not? Look at the Trekkies.

What if a zombie apocalypse novelist uses make-up to look the part at a signing or reading? Or for a vampire book, just imagine the author being wheeled onto the stage, riding in a coffin.

Is this going too far? Does it convey the author’s passion? If an author can make boring statements on the copyright page enjoyable to read, does that bode well for the rest of the book? Are such samples of creativity good?

What do you think?

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)