Read Tuesday Progress and Plans

It's going to be HUGE!

It’s going to be HUGE!

 

What is Read Tuesday?

It’s a Black Friday type of event just for books. This is a great opportunity for readers to shop for books at discounted prices; not just for themselves—books make nice gifts, too. It’s also a great opportunity for authors to participate in a global one-day sales event.

When is Read Tuesday?

In 2013, Read Tuesday will be held on December 10. Mark your calendar.

Is it free?

Authors, self-publishers, and booksellers can participate for free. Everyone is eligible. There are no forms to fill out, no obligations. To participate, a book simply has to have a short-term discount including Read Tuesday, which is lower than the ordinary selling price.

Similarly, there are no special fees, sign-ups, or obligations for readers to participate. Simply buy discounted books on Read Tuesday at your favorite booksellers. Authors may choose to list their books in the Read Tuesday catalog (click here to complete the forms), and many authors will be promoting their books on their blogs and other sites on Read Tuesday.

Many of the participating e-books will be discounted at Kindle. Some e-books will also be available at Smashwords through discount codes (a list of discount codes will be displayed on the Read Tuesday website closer to the day of the event).

Many of the paperbacks will be discounted through CreateSpace discount codes or through authors’ or small publishers’ websites (a list of these discount codes will be displayed as well). If you’re buying multiple paperback books on Read Tuesday, the combined savings will help to offset the shipping charges, especially as the per-book shipping costs less when buying multiple books together.

Read Tuesday is not selling anything. There isn’t anything to subscribe to, either. The only things being sold are books, and that is being handled strictly by publishers, booksellers, and authors, as usual. Read Tuesday is not a middleman.

Where can you learn more?

Check out the official Read Tuesday website: http://readtuesday.com

Follow Read Tuesday on Twitter: @ReadTuesday

Like Read Tuesday on Facebook: https://www.facebook.com/ReadTuesday

Tell your friends. The more interest there is among readers, the more authors will want to sign their books up; and the more authors who show support, the more readers will get interested.

How can you help?

Anyone can help. Just telling other people who enjoy reading books or authors who sell books about the event will go a long way toward making the event a success. Word-of-mouth referrals and recommendations are among the best ways to create buzz for a big event. This will help improve reader interest and author participation, which is a win-win situation for everyone.

Views, clicks, Likes, and Follows of any Read Tuesday posts or pages are very helpful. The more support prospective readers and authors see for the event, the more they are likely to be interested.

If you mention Read Tuesday in a post on Twitter, consider using the hashtag #ReadTuesday.

How is Read Tuesday coming along?

Here is how things have developed:

  • I didn’t get the idea for Read Tuesday until September 21st. So Read Tuesday has only been in the works for about one month.
  • Melissa Stevens designed images that anyone may use for free to support the Read Tuesday event in a positive way. You may have seen various authors and readers display this image on their blogs, websites, social media pages, and elsewhere.
  • The official Read Tuesday website launched on October 5, just three weeks ago. The Twitter and Facebook pages launched at approximately the same time.
  • In the first three weeks, the Read Tuesday website has had over 1,000 views and over 300 followers. More than 250 people have liked Read Tuesday’s Facebook page and there are more than 70 followers on Twitter.
  • Read Tuesday is being advertised on multiple websites (even though it’s not a company and no individual or business is profiting from this investment). Tens of thousands of people have seen an advertisement for Read Tuesday with the targeting directed toward authors and readers.
  • Authors and readers have been talking about Read Tuesday. People have contacted me to inquire about Read Tuesday, telling me that they heard about the event through other people’s (i.e. not mine or Read Tuedsay’s) blog or Facebook pages. I’ve seen Read Tuesday mentioned a number of times on Twitter, too.

What’s next?

Here’s what we’re looking to do presently and in the coming weeks:

  • Continue building buzz for Read Tuesday. Until now, much of the focus has been on spreading the news to authors, encouraging them to sign up or show support. Thank you very much to everyone who has contributed to this. We’re planning to start spreading the news to more readers, too. If you have ideas for posts and articles that may attract readers, please feel free to share them (or to write and post your own article on your blog, publish it, or submit it for consideration to be posted on the Read Tuesday blog—remember, you’re welcome to use the Read Tuesday images for free to support the event in a positive way). If you’d like a blog interview on your blog or website about Read Tuesday, we will try to accommodate requests (if you’d like to get interviewed on a website to talk about Read Tuesday, that would be great support, too).
  • We’d really like to go outside the blogging and social media world (in addition to this, that is) to try to attract readers and authors. If you can think of affordable advertising suggestions that may target this audience in this way, we’ll consider them. There is also the free alternative, which is publishing an article, getting interviewed, or getting the media to write an article about Read Tuesday. I’ve been working on this. If you have suggestions, I’d be happy to hear them. If you have access or connections, please feel free to help. Remember, you’re welcome to write your own article and may use the images for free to help support the event.
  • I’m contacting marketing and publicity contacts that I have. You’re encouraged to do the same, or to connect them to me if you don’t want to approach them about this. Some people have already volunteered to help spread the word in November or early December (I appreciate all the help we get, and a big thank you to anyone who has helped or supported in any way). I’m trying to get exposure with sites that have a lot of traffic or a large readership among authors or readers (any help or connections with this would be great, too). What would you think about an article in the CNN Community? It may get attention in that community even if CNN doesn’t do anything with the news. Any ideas, suggestions, or contacts in the way of publicity would be quite welcome.
  • This week was insanely busy for me, but the coming weeks should at least be sane. 🙂 I’m working on the author and book catalogs. I plan to improve the layout and design (at least, up to the point where the catalog may become too extensive for me to keep up with it, but it isn’t there yet—if it starts to look extensive in the coming weeks and you’re interested in volunteering, I might take you up on the offer). A visually appealing, well-organized catalog may help to improve interest among readers and authors both. You should see some growth and improvement in these catalogs in the coming days.
  • I received a suggestion to describe Read Tuesday somewhere like Indiegogo, which might get the event a little exposure while also helping to raise some advertising funds. Obviously, if every author contributed a small amount, it would raise a lot. But I want Read Tuesday to be free for authors, and my hope is for authors to benefit from the Read Tuesday promotion. I really don’t want other authors starting out in the hole, so I’m quite hesitant to do this. If you can think of sites where we can get similar exposure, but where we won’t be asking for money, those would be really handy suggestions.
  • As we get closer to Read Tuesday, authors may want to promote the Read Tuesday even while simultaneously promoting their own books. The Read Tuesday flag (remember, you can use the Read Tuesday images for free to support the event) may be able to help you market your own books in this way.

Ideas, suggestions, and comments are not only welcome, they’re even encouraged. 🙂

Chris McMullen, Coordinator of the Read Tuesday event

How to Sell Hundreds of Books a Day

Sales Pic

This is a marketing post, but it’s actually about false advertising. As such, I felt that this title may indeed be appropriate. 🙂

Just in case you really had your hopes up, you might not have understood correctly. This post probably isn’t going to show you how to sell hundreds of books a day. This post is about false advertising.

And just in case you’re trying to read what you want to hear: This post is NOT going to show you how to sell hundreds of books a day through false advertising. At best, it may convince you that if you try this, your book’s days will be numbered.

Now it’s probably clear to everybody. 🙂 Unfortunately, I suppose that 90% of the traffic won’t make it past this line. Well, there isn’t anyone to blame but myself.

That’s a shame, too, because the 90% who just left probably need to read the following sentence. If it sounds too good to true, like a get-rich-quick scheme, it probably is.

Well, maybe it doesn’t really matter. If they were searching a for get-rich-quick scheme, they probably weren’t going to take my advice.

The real point of this post is that false advertising isn’t always so obvious. Sometimes it’s subtle. Some people even do it to some extent without realizing it.

A common form of false advertising is over-hyping a product, event, or service so that it seems better than it really is.

Creating buzz is a useful marketing tactic. But it has the danger of promising too much. When it doesn’t live up to the hype, word spreads through reviews and conversations. Although hype can generate many initial sales, the total sales may be greatly reduced if excited customers don’t feel satisfied.

I’m not saying not to try to create buzz; just to be careful what you promise. You want people to look forward to it, but not to expect more than will be delivered.

Another form of false advertising is writing a blurb that makes a great sales pitch, where you get a little carried away with the sales part. For many online sales, the blurb is the only salesperson at the point of sale. So it’s important for the blurb to be effective at drawing interest from the target audience and inspiring sales. At the same time, an over-hyped blurb can lead to negative product reviews.

One more example of false advertising is packaging that targets a wider audience, but the wrong audience. This tactic is generally quite ineffective. Most people will just be frustrated when they realize the product isn’t for them, and the few who unknowingly make the purchase are likely to show their frustration through product reviews. Packaging is most effective when it targets the appropriate audience.

Okay, I lied. This post is all about how to sell hundreds of books per day. I just didn’t want the greedy people to take advantage of the secret, so I motivated them to not read all the way to the end of this post. Whereas if you’ve followed my blog for a while, you knew I wouldn’t mislead you. 🙂

It’s very simple, really:

  • Research the kinds of book ideas that become bestsellers, along with the type of storyline, characterization, and writing that they use to achieve this.
  • Have the talent, creativity, background, and do the necessary research to write such book.
  • Write a killer book where the storyline and writing appeal to a wide audience.
  • Perfect the book from cover to cover; get your book professionally edited and formatted.
  • Design a killer cover and write a killer blurb that attract your target audience.
  • Choose a short, catchy title that your target audience will love.
  • Write more books like this to create a hot series.
  • Research successful marketing and publicity strategies and study the marketing and publicity habits of top-selling authors who went from nobody to famous.
  • Apply what you learned about marketing and publicity brilliantly to become as famous as a celebrity.
  • Build a large following prior to publishing and spend months on effective pre-marketing.
  • Permanently discount the first book. At the right time, put the entire series on sale for one day only and promote the daylights out of this sale, with and without paid advertisements; but only do this very rarely so nobody waits for it.
  • Find an experienced publicist whom you can verify turned nobodies into bestselling authors, get this person’s attention and interest in your book, hire this person at any cost (and an experienced attorney to iron out the contract), and get this person to advise you before you even start writing your first book (you’ll be directed to get help every step along the way, from the writing to contacting a recommended agent).
  • Exhibit extraordinary self-motivated diligence, develop key connections and relationships, and be very patient.
  • Streak naked through a major, widely televised sporting event with your book cover quite visibly tattooed on your chest (shave first, if needed), but first be very sure that the networks will actually show you while you do this (which may require hefty bribes and threats), but do so slowly and calmly, facing the cameras, so everyone gets a good, long look. When you’re sitting in jail, please remember that I advised you NOT to do this. (I said I’d show you how to sell a hundred books a day, but I didn’t say I’d advise you to actually try it.)
  • And, of course, just get lucky.

See, there’s nothing to it! 🙂

(And the 90% who left early weren’t going to do all this work anyway, so it doesn’t matter that the only false advertising was convincing them to leave.)

Now for some legal verbiage: Results are not guaranteed. Results described may not be typical. Sales of a hundred books a day may only last for one day, give or take (most likely take) a day. Offer void in the Milky Way galaxy and anywhere else prohibited by law.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

What Motivates Me to Market My Books?

Market Pic

This is what you need to find for yourself—an idea that will motivate you to market your books. You’re unique. I can’t tell you what will motivate you. Consider a variety of alternatives. Try to understand marketing in different terms. Search for a reason that will make you—that’s right, you—market your books.

I’ll offer a few ideas at the end of this post to help get you thinking. In the meantime, I’ll share my story of what motivates me to market my books. Maybe this will help you with your search for a motivational tool.

My story unfolds by showing what is commonly done (that’s what I did, too), instead of what should have been done. After this, I’ll show how I found my motivation to market my books.

We all struggle with this. I did. When I published my first book in 2008, fortunately, I had a few things going for me starting out:

  • A Ph.D. in physics. This expertise was invaluable for my math and science books.
  • Experience formatting lengthy, technical articles for professional publication. I had also been making and formatting worksheets for several years before I ever published my first workbook.
  • Several years of teaching experience. This is helpful for many of my books which aim to provide instruction of some sort.
  • Much passion for writing and teaching.
  • Ten years of sales experience working my way through school; mostly at a department store, but I had even sold second-hand books for a few years. This helped me understand marketing and marketability, but I was initially focused only on the latter.
  • CreateSpace was relatively new in 2008; many authors hadn’t even heard about it yet. There was much less competition. (Note that my books weren’t on Kindle back then, and even now I sell about 8 paperbacks for every e-book, largely because of the nonfiction content I write—many of the books, such as workbooks, aren’t even suitable for Kindle.)

However, at the time, I lacked one very important ingredient: the motivation to market my books.

Most new authors similarly have a few things going for them—probably different things, but your strengths, whatever they may be, can help you succeed. Most new authors also lack the key marketing ingredient. Both marketing and marketability are highly important (noting that you can include having a great idea, good storytelling skills, editing, cover design, effective blurb, and such in marketability).

Many new authors feel the way that I did back in 2008:

  • If a book has merit, it should eventually sell on its own. (Problems: getting discovered; difficult to overcome slow sales rank; hard to get reviews until it sells—and if you have reviews, but no sales rank to support it compared to the publication date, that will make buyers leery.)
  • I didn’t feel comfortable asking people to buy my own books; I didn’t want to toot my own horn. Except for my mom, I didn’t even ask family or friends to buy my books—instead, I sent them free copies. (Problems: initial sales help your sales rank; you need to promote your book to help it get discovered; if you don’t feel strongly enough about your writing to tell others about it, why should they read it?)
  • I didn’t do any pre-marketing. I had no website, no blog, and wasn’t even building buzz for my books. (Problems: pre-marketing helps stimulate early sales and reviews; early sales help to build early customers-also-bought relations; exceptional pre-marketing can land a book on various bestseller lists, which can greatly improve exposure.)

As too many authors do, I just had my books out there, hoping they would survive on their own. I was very fortunate. Some of my books had enough marketability to get discovered and sell on their own (keep in mind, there are many, many more books on the market now in 2013 than there were in 2008—so if I were starting out today, maybe I wouldn’t have had the same good fortune).

Even so, sales were very slow for the first seven months. I published several books starting in July, 2008. One was a “real book,” while the others were stat and log books. I had had the foresight to publish the stat and log books, which related to my hobbies, golf and chess, using worksheets that I had previously made for my own personal use, knowing that this would give me some needed experience in formatting and publishing before I published my main book, which at the time was The Visual Guide to Extra Dimensions, Volume 1. I managed to get these stat and log books and my extra dimensions book ready for publication at the end of the summer of 2008, and that’s when I self-published them.

Sales were dismal from July, 2008 thru February, 2009. That was a long stretch where my conviction to self-publish was strongly tested. Like many other new authors, I got through that by working on my next book, The Visual Guide to Extra Dimensions, Volume 2.

When I released Volume 2 in March, 2009, sales exploded. My two extra dimensions books were ranked around 5,000 for a couple of weeks. Sales slowly dropped, but then I began publishing math workbooks for my Improve Your Math Fluency series that summer, and my overall sales have improved tremendously every year without exception. (My extra dimensions books are no longer among my top-selling books.)

A big factor in my improved sales is that I finally found my motivation to market my books. The three keys to success are:

  • Develop a good book, including the idea and writing—both the big picture and the details.
  • Have marketability that will sell your book when it gets discovered (cover and blurb that attract the right audience, content from cover to cover that will satisfy that audience).
  • Market your book effectively to help it get discovered and branded. This step requires motivation and patience.

Motivation for this third step eluded me for quite some time.

The first part of my marketing motivation came from the big boost in sales that I had in March, 2009. Also, a couple of strangers had contacted me to thank me for writing my books (even more amazing is that I hadn’t provided my contact info, and didn’t have a website or blog—they searched online, found where I taught, and discovered my email address the hard way).

This gave me confidence. Prior to this, I had felt tentative. Afterwards, I felt confident that I could write content that would please a significant audience and create marketability that was good enough to attract that audience.

Think about this. My books hadn’t changed. From July, 2008 thru March, 2009, the first volume of my extra dimensions book was exactly the same. What changed was my confidence. Confidence is something that you can change internally. You don’t need to wait for external factors to build your confidence.

When you’re tentative, you’re much less likely to get the sales that you want to gain the confidence you’re looking for. When you’re tentative, you’re also less likely to put the effort into the book’s marketability to give your book its best chance for success.

If you can start out with confidence (but not overconfidence), this can make a huge difference when you’re getting your book ready to publish and when you release your book.

Confidence was just the beginning, though.

As I gained confidence in my books, I became curious about the marketing aspect. The more I thought about it and researched it, the more I realized that marketing wasn’t quite what I had made it out to be. Over time, I gained a new perspective:

  • Marketing doesn’t have to be done through advertising, and may even be more effective if it’s indirect. People get interested in your book when they discover that you’re an author; you don’t have to volunteer it. In person, you can wait for people to ask what you’ve been up to; online, you can simply mention your book in your profile.
  • One of the most important parts of marketing is branding. It’s about getting the title, name, or cover seen and remembered by the target audience. I don’t buy a certain brand of toilet paper because the television told me which brand to buy. Oh, but I do buy a brand of toilet paper that I recognize through branding. You want people to think, “I’ve seen this before,” when they see your book, weeks or months from now when they’re shopping for books.
  • People are more likely to develop a strong interest in your book when they interact with you personally and see your passion for your book. Interacting with your target audience is a valuable personal experience that we small-time authors can provide. Reading a book by an author you’ve actually met: Isn’t that a wonderful thing?
  • If you don’t feel strongly enough about your own book to market it, why should anyone want to read it? Are you saying that it isn’t good enough to share? If you don’t know if it’s good, is it because you didn’t put enough effort into it? If you feel that it’s good enough to publish, then you have to feel comfortable sharing it. You have to work on your perspective.
  • Publishers spend months creating buzz for books. They send out several advance review copies. Other authors, including many indie authors, put a lot of effort into marketing their books. There are millions of books to choose from. The books that are marketed effectively are much more likely to be discovered.

I approached this scientifically (after all, I am a physicist). I did research on marketing. I did some marketing experiments. My curiosity about marketing helped motivate me somewhat. I gained some needed marketing experience this way.

But neither confidence nor curiosity were my chief marketing motivators. They helped me along, but they weren’t enough.

My main motivator came when I realized how many other indie authors there are, and how challenging it is to self-publish. On top of coming up with a great idea and writing your book, which seems like it should be the hard part, you also need to:

  • Be good at writing and storytelling.
  • Serve as your own editor.
  • Format your own book.
  • Design your own cover.
  • Illustrate your book.
  • Market your book.

It’s a challenge just to be a good author. It’s more than just a challenge to be a good author, editor, formatter, cover designer, illustrator, promoter, publicist, and public relations specialist. You shouldn’t have to be a pro-of-all-trades (not just a jack-of-all-trades) to self-publish a book successfully. But you either need to be, or invest money where you aren’t (with the risk that you may not recover it).

I strongly support the indie publishing concept. Self-publishing offers so much:

  • Freedom in writing (not unlimited, but now you aren’t forced to give into an editor’s demands).
  • Greater per-book royalties (and you deserve it since you’re much more than just an author).
  • Instant acceptance (no need for query letters, book proposals, rejection letters, or contractual negotiations).
  • Quick to market (skip several months of contacting an agent, writing letters and proposals instead of more books, and a lengthy delay waiting for the publisher to get your book ready).
  • No exclusivity (anyone can publish; no gatekeepers are deciding what is worthy).
  • Access to Amazon, Nook, Kobo, Smashwords, and more (the door is wide open). I strongly support the big companies who’ve provided such amazing opportunities to indies.

The more marketable and more effectively marketed books tend to rise to the top, and the less marketable and more poorly marketed books tend to fall to the bottom.

My big motivator came when I realized that I could have a significant, positive impact on many other indie authors and the image of indie publishing. This is something bigger and far worthier than my own books.

It’s not just me, of course. I see many other authors and even small publishers helping indie authors and supporting a positive image for indie publishing. (This helps to provide balance against those who speak negatively, those who fear indie publishing, and bullies and snobs and such.)

One indie author is tiny and vulnerable. Together we can thrive.

By the way, this is the spirit behind Read Tuesday—a Black Friday type of even just for books. It’s a great opportunity for indie authors and readers.

My WordPress blog is geared toward helping indie authors in various ways, especially marketing. It’s not about selling my books. I put ample information up here to provide free help to anyone willing to seek it, and I have organized my posts in an index to make it easy to find. There is a ton of free information here (feel free to recommend the free content). My hope is that it will help others.

It’s not just the how-to part. I also try to help with motivation and putting things in a perspective that may be useful to humble writing artists who are passionate about their books, but who may not yet have the mindset they need to effectively market their books.

This is my marketing motivator:

  • I’m motivated to market my books to show by example things that other authors can be doing and to share my experience with others. I’m not searching for secrets that I can keep to myself; I’m looking for ideas that may help other authors.

As I said, I see many other authors sharing tips that they have learned. I see many other authors helping new authors out. Indie authors are coming together, and we have much strength through this.

Recall what it’s like to be a kid. There are bullies, there are good influences, and there are bad influences. Just think what a positive difference it makes when an older kid takes a genuine interest in a younger kid and serves as a positive influence, like a big brother or sister. Or even when a group of kids the same age band together and support one another in positive ways, keeping one another on track, and helping to motivate one another. Great things can come of this. Indie publishing isn’t so different.

What motivates you to market your books? That’s the million-dollar question. Most likely, money isn’t the answer. The best motivator for you is something you’ll have to work out for yourself. There are many possibilities. Following are a few examples:

  • Are you sharing something valuable to others? This could be how to lead a healthy lifestyle, help learning a foreign language, or a novel that will help preteens deal with peer pressures.
  • Will your book improve people’s lives through entertainment? It may be a fantasy world that people will fall in love with, an adventure that people want to experience but couldn’t in real life, or a travel guide that will help tourists make the most of their vacations.
  • Do you have a story that needs to be told? Maybe it will draw out emotions from readers, give people hope, illustrate the strength of the human spirit, or help others in similar situations.
  • Does your book support a noble cause? Perhaps the royalties are donated to charity, the book promotes a worthy cause, or spreads awareness about how to prevent one of life’s problems.
  • Have others told you that you couldn’t succeed as an author? If you’ve ever been told that you’ll never be a successful author, that your writing isn’t suitable to publish, that self-published books don’t stand a chance, or if you’ve received several letters of rejection from publishers, you may be able to use this to help motivate you. Where there is a strong resolve, there is a way to overcome the naysayers.

You must first sell your book to yourself and convince yourself that marketing your book effectively is beneficial to others before you will be properly motivated to help your book get discovered.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing); but you can find an abundance of free material on my WordPress blog. 🙂

Facebook Twitter WordPress Triangle: Double Posting OOPS!

Double

You should feed your WordPress blog into Facebook and Twitter, as I explained in a previous post.

However, you have to beware of possible double posting.

However, you have to beware of possible double posting.

(You see: It’s annoying, isn’t it?)

In Twitter, there is an option to link it to Facebook, and vice-versa.

So if your WordPress blog feeds into Twitter and Facebook and if also Twitter is reading/writing everything you post at Facebook, you may find that your posts are getting doubled up at one or the other.

I confess that I had accidentally done this at Twitter with Read Tuesday—a Black Friday type of event just for books. Oops! Should be single posting there now, though.

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

Facebook and Twitter Options at WordPress (and Why You Should Use Them)

Two Audiences Pic

If you don’t already feed your WordPress blog into Facebook and Twitter, you should. People who don’t blog here who may want to read your article (because someone was kind enough to share it with them, or because they discovered a link to it somewhere) may not want to create a WordPress account in order to subscribe to your blog. Facebook and Twitter provide two popular alternatives.

Even if you don’t currently use Facebook or Twitter, you should take a moment to open accounts there and to also create a Facebook page. (The how-to part of all these suggestions is described later in this article.) Don’t worry about not having friends or followers there yet. Feeding your blog into Facebook and Twitter is a handy way to get started there without having to do any work. Then you’ll feel that you’re actually using those services, and stop worrying about not using them. Once you have a healthy following there, then you might get the motivation to utilize them by doing more than just feeding WordPress posts to them. In the meantime, it’s a good way to get the ball rolling with little effort on your part, but it will be very handy for potential followers who prefer Facebook or Twitter.

You should also make it easy for people to find other ways to get your blog feed. You can include an email option at the end of every post, put a Follow me on Twitter or Like Me on Facebook option on your sidebar, add a Follow Blog by Email widget, and include links to subscribe to your RSS feed. The more options you provide, the easier it will be for people who aren’t WordPress bloggers to follow your blog.

Of course, they really should sign up for a WordPress account, even if they have no intention of blogging. It’s a great ambiance, the interaction and connections are wonderful, and there is a wealth of amazing material to read or look at for free. I like it better than any magazine. If you can convince somebody of this, that’s great for WordPress and for that person, too.

However, we know that some people are reluctant to sign up for a new account at a site that’s new to them. So make it easy for them to follow you.

How to get started at Facebook and Twitter.

If you don’t have Facebook or Twitter, it will just take you a minute to set up accounts there, add your author photo, and setup your profile. You should also add a header, probably like the one you have at WordPress, although the aspect ratio will be somewhat different.

You should also have an author page at Facebook, to keep separate from your friends and family page. People will be able to Like your author page, too. The name of the page will be different from your Facebook name. From your Facebook home, find the Create a Page option on the bottom-left. For an author page, click Artist, Band, or Public Figure; one of the options is author. (You can also make a page for your book by selecting Entertainment.)

When you want to do something as an author rather than with your personal account, login to Facebook, click on your Facebook page (see the list on the left-hand side), and look for a message at the top of the screen that shows how you are posting. There is a place to click to change this. You’ll need to get into the habit of checking how you’re posting, liking, or commenting before you do it.

How to feed your WordPress blog into Facebook and Twitter:

Find your Settings. There is more than one way to get there. One way is to click the My Blogs tab at the top of the page you see when you login (you also see it when in your Reader or viewing your Stats), then click the button that tells you the number of posts. Now look for Settings near the bottom of the list on the left-hand side.

Now choose Sharing. On Facebook and Twitter, click the Add New buttons. This will give you the option to login and agree to feed your WordPress blog into your Facebook and Twitter accounts. For Facebook, be sure to do this with your author page instead of your personal page (see the previous note regarding how to select how you post, like, or comment at Facebook).

This will feed your posts into your Facebook and Twitter accounts (once you click the Save button below).

You can also add Google+, LinkedIn, Tumblr, and Path. There is yet another Google+ option below.

Further down, there are several other buttons that you can add, such as PInterest and StumbleUpon. You can choose from this list even if you don’t have accounts there. PInterest isn’t for you to use. It’s for anyone who uses PInterest to Pin things they like. So if you would like someone who uses PInterest to have the option of Pinning something you posted, you should add this button, even if you don’t use PInterest. The email and print buttons may be convenient for people who aren’t into social media connections at all.

Explore all the options at the bottom, like the button style and where these options will appear on your blog.

How to add Facebook and Twitter options to your sidebar

In the same place where you found Settings in the previous instructions, look for Appearance and select Widgets.

Look for the Facebook Like Box widget. Drag it over to your sidebar. Click the little triangle in the blue bar, if necessary, to open up the options. Add a title. Go to your Facebook author page and copy/paste the url from your browser (up at the top, including the http:// part) into the url field. If you don’t have any friends yet, reduce the height to 100 pixels (if you enter a value less than this, it will revert to the default); if you have faces to show from your author page, you may want a higher pixel count for the height. The standard sidebar is 200 pixels wide (if you have a dual sidebar, the one on the left may be more like 150).

If I visit your blog, I’ll try to remember to check if you have an easy way for me to check out your Facebook author page, and if I like it, I’ll Like it, too. 🙂

Look for the Twitter Timeline widget (the old Twitter widget is expiring soon, so don’t select that one if you see it). Enter a title. You’ll need to login to Twitter (in another window) to get a widget id. At Twitter, go to edit your profile (look at the top-right), then click Widgets. Create a new widget. Save it when you finish selecting your options, then look for the long number called your widget id in your address bar (it’s in the url at the top of your browser). Copy and paste this into the widget id field at WordPress.

Open up your blog’s homepage and refresh the page to see how it looks. If you need to make changes, refresh the page again when you finish to see how your revision looks.

How to setup other follow options

Go to your WordPress blog’s widgets (see the previous instructions). Drag the Follow Blog (whereas the Follow button is for WordPress.com users) button over to your sidebar. This will let non-WordPress users subscribe to your blog by email.

You can also add the RSS Links widget to provide links to your blog’s RSS feeds. Many professional authors only have this option; but we can benefit by offering the convenience of several different options.

The RSS feed for your WordPress blog is simply your blog’s url plus /feed/ (for example, mine is https://chrismcmullen.wordpress.com/feed/). You can use this to feed your WordPress blog into your AuthorCentral page at Amazon.com (but in the UK, you must feed Twitter there instead) or into GoodReads (go to your author account there to do this), for example.

How would you like to participate in a Black Friday type of sales event designed specifically for books? Check out Read Tuesday. It’s going to be HUGE!

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Book Marketing through Paid Advertisements

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The first question is whether or not it may be worth paying to advertise a book. See my previous post for more information on that.

Once you decide to advertise, there are many advertising services to choose from.

What you really want to know when making this decision is this:

  • What percentage of the people who see your advertisement are in your book’s target audience? Don’t buy advertisements that aren’t effective at reaching your target audience.
  • How many people are likely to see your advertisement? (It will certainly not be 100% of the readership or viewership. It will only be a fraction of the published circulation number.)
  • Do the possible additional short-term sales and/or long-term prospects outweigh the costs of the advertisement?
  • How good will your advertisement be (image, strapline, and any additional description)? Will it interest your target audience? Your advertisement needs to be marketable and geared toward your specific target audience in order to be effective.
  • Is your book highly marketable? Advertisements won’t help a book that lacks marketability.

There are many different ways to advertise.

Social media sites like Twitter and Facebook offer advertising which is geared toward businesses hoping to get views (branding), clicks (visits to their websites), Likes (popularity), Follows (interest), and reposts or comments (interaction). The question is whether or not you can effectively target your audience and, if so, how responsive those people will be to an advertisement for a book in this context. Note that Twitter lets you target followers of specific people (could be authors of similar books). If you’re going to target a category, make sure it’s a very good match for your specific target audience (targeting books or readers, for example, is way too broad to be effective).

Goodreads has a similar advertising structure compared to Twitter and Facebook, while being focused on books and reading. On the other hand, there are several authors and publishers advertising on Goodreads, and many of these ads look highly professional and flash different images to get attention. The basic self-service advertisement (which is much cheaper) shows a very tiny image (it says 50 x 66 pixels) and is static. It may be tough for indie authors to compete with advertising on Goodreads. However, the giveaway program is much less expensive (just the cost of the book plus shipping). You might not get any reviews or sell any books through a giveaway (it happens), but you might get a few hundred to a thousand (or so) views. This is an affordable way to gain some exposure, create a little buzz, and help a little with branding. The possible long-term benefits may be worth the small investment even if the giveaway doesn’t help with short-term sales or reviews.

There are a variety of websites and email newsletter subscription services that may be helpful for short-term promotional discounts (not necessarily free). Examples include BookBub, Ereader News Today, Kindle Books & Tips, Book Gorilla, Book Blast, and Pixel of Ink. Note that some of these specifically service e-books. Some of these services have minimum average-star or other requirements, but some don’t. These services can be very helpful in getting more exposure from a free promotion, and can also help to promote a sale that isn’t free. (In the case of a freebie, you have to ask yourself if you really want to invest money in the advertisement on top of giving away books. If you’re going to advertise, it might seem desirable to recover some of the investment quickly with some early royalties. If you have a series, though, a promoted freebie may lead to sales for the other books in your series.) Yet another consideration is whether the market is primarily in the US, UK, or elsewhere.

You can find many other websites online where you can advertise. Search for online websites, magazines, newsletters, and activities that are likely to attract your specific target audience. If you can find a place to advertise that’s a good fit for your target audience, that may turn out to be more effective than going with websites with bigger names.

Another route is the blog tour. Depending on the tour, it may be better for you to plan ahead and try to contact bloggers individually. Also, people you follow and interact with regularly may be more receptive, since you have a rapport together and often support one another, than a stranger; this also gives you more insight into the blogger and lets you see firsthand how many active participants there are on the blog and how many of those are a good fit for your target audience. If you’re looking for exposure from bloggers, you definitely want to ensure that the blog is a good match for your specific target audience.

There is also the potential for offline advertising, like small newspapers, magazines, and circulars. Once again, the magic words are “specific target audience.”

Research the advertising service.

Advertising services generally publicize relevant statistics, such as:

  • Size of the viewership, readership, or circulation.
  • Classification of the circulation by genre (e.g. what percentage is mystery, romance, fantasy, etc.).
  • Average percentage of views, clicks, Likes, follows, or sales. The average isn’t a guarantee, but is a compromise between ineffective and highly effective advertising. The marketability of your book and of your advertisement are very important, as are additional promotional activities (especially, free and low-cost marketing to supplement your advertisement). Some authors who have large fan bases to begin can drive these averages up.

Even if you don’t have any intention of advertising on Twitter, Facebook, or Goodreads, it’s worthwhile to check out their advertising options because they have a lot of helpful information and tips. Also, when you check out the stats of other advertising services, you can compare it to the information that you see at these websites. Any data you find here will give you some type of benchmark, like the average percentage of clicks at Goodreads.

In addition to numbers, try to find authors who have used the service and learn what they have to say about it. (Another issue is how much you can trust the published numbers.)

Only a fraction of the circulation number will see your advertisement.

The first question to ask yourself is how much of the circulation consists of other authors. Authors who want to advertise with an email newsletter probably subscribe to it first as readers to check it out.

However, authors are readers, too, and many indie authors are likely to read other indie books when they aren’t writing. So to some extent it’s okay if there is a healthy percentage of authors in the circulation. But it’s probably desirable to have many readers who aren’t authors in the circulation, too.

Many people won’t open an email newsletter that they have subscribed to; or they may only open it once in a while—e.g. when they happen to be in the mood for a book.

No matter how you advertise, some people in the circulation won’t see your ad. Even on television, some people watching the show will be in the bathroom, cooking, or on the telephone during a commercial. In a magazine, most people who read it won’t see every page. And so on.

Of those who see an advertisement, only a tiny fraction will actually click on it, visit the website, Like a page, Follow you, or buy a book. Just the percentage who click on it compared to those who see it is typically very low—although this number can vary considerably depending on the marketability of the book and the effectiveness of the advertisement. It can also vary considerably from one advertising service to another.

Gear your advertisement toward your specific target audience.

Any image in your advertisement needs to attract your target audience. It’s just as important as cover design is for marketability. The image might even be your book cover (but not necessarily). Check the size of the image, aspect ratio (you definitely don’t want this to be distorted), and quality (e.g. pixilation). Ensure that the text is legible and crisp on the photo for the ad.

You need a good strapline that’s likely to draw interest from your target audience. If you’re advertising a short-term discount, contest, or free content of some kind, for example, this may draw more interest than simply advertising your book.

Check all of your writing very carefully. Any mistakes in the little writing you do in the advertisement won’t bode well for the quality of thousands of words written in a book. Remember that the goal of any writing in an advertisement is to catch the interest of your target audience and make them curious for more. Get feedback from others (especially, in your target audience) before placing your ad.

The cost of an advertisement can be calculated in different ways.

Some services charge a flat fee—e.g. $80 to place the ad.

Some services charge a fixed fee that depends on choices you make, such as the price of your book. For example, it might be $60 to place an ad for a freebie, $120 if the price is 99 cents, or $180 if the price is $1.99.

Some services charge a fee based on activity (like a fee per click, or a fee per Like or Follow).

Some services require you to bid on the ad. For example, you might bid 5 cents to a few dollars. In this context, different ads compete with one another for the chance to be viewed. You can usually place an upper limit on your daily spending and/or on the total amount for your campaign. For example, you might bid 25 cents for the ad with a maximum daily limit of $5.

When you bid on your ad, very often views of the ad are free, but you pay based on activity (e.g. a click, Like, or Follow). In this case, your ad may actually benefit from hundreds of views without any charge to you. What percentage of people view your ad actually click, Like, or Follow can vary significantly depending on the effectiveness of the ad and the content you’re advertising. Also, at some sites, clicks, Likes, or Follows are much more likely than at other sites.

The bid is usually the maximum that you’re willing to pay, and will often be less. For example, if you bid 50 cents for the ad, sometimes you may be charged less than 50 cents (any number from the minimum bid to 50 cents). Your ad competes against other ads in an auction format, so when you bid 50 cents, you’re basically saying, “50 cents is the most I’ll pay, but if possible I’d like to pay less.”

I recommend starting out at the minimum bid with a cap on your daily spending. Monitor your stats for a few days before raising your bid. This way, you can see what effect your bid has while keeping the risk low in the beginning. If you’re happy with the results, then you can safely avoid higher bids.

Don’t rely on the advertisement to do all the work for you.

I discussed the need to supplement advertisements with free and low-cost marketing in my previous post. Advertising isn’t a substitution for the need to market your book; it’s a supplement that can help improve the sales of a marketable book.

How would you like to participate in a Black Friday type of sales event designed specifically for books? Check out Read Tuesday. It’s going to be HUGE!

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Paid Advertising Options for Book Sales

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The success of any book depends on a combination of effective marketing and the degree of marketability.

  • Effective marketing strategies help customers in the target audience discover a book.
  • Creating a highly marketable book improves the chances that a customer who discovers the book will purchase the book.

There are numerous free and low-cost marketing ideas out there. Some of these can be quite effective. The great thing about free and low-cost marketing strategies is that there is very little financial risk.

There are also ways to invest money in the marketing. One way to invest money in marketing is through paid advertisements. This is the focus of this article.

What advertising won’t do.

Let me begin by saying what paid advertising won’t do. It doesn’t do the marketing for you.

If you’re tentative about marketing or inexperienced with marketing, paying for advertisements is not a substitution for marketing. You can’t just throw money somewhere to relieve yourself from having to market your book.

So if you were hoping that paid advertising would be the solution to your marketing dilemma, think again. If you’re in this boat, I recommend putting several months of effort into free and low-cost marketing to develop some firsthand marketing experience.

First gain some marketing experience.

If you want paid advertisements to be effective, you will need that marketing experience. There are decisions you must make and things that you need to design where poor marketability decisions will render the advertisement ineffective. You need this marketing experience to help make better advertising choices.

Furthermore, you need to promote the advertisements in some cases, and in any case you need other marketing strategies in place to supplement the advertisements. It will take marketing experience to do this effectively. It will also take connections to help with your promotions. The more time you spend marketing with free and low-cost methods, the more connections you will build through networking in the process. Remind yourself that you’re not just trying to promote your book: You’re also networking and hoping to develop helpful connections (especially, win-win situations, where help runs both ways).

Identify your goals.

What are you hoping for the advertising to accomplish?

If your main goal is to turn a profit, then you need to do a cost-benefit analysis and weigh the risks versus the possible rewards carefully. Figure out how many books you must sell to recover you investment. Try to research data that can help you project how plausible this is.

However, if you are more concerned about initial exposure, but aren’t concerned about recovering your investment quickly, then you should be focusing more on what kind of exposure you might gain from the venture. The risk still matters. The distinction is whether you’re more focused on long-term potential or short-term profit.

What’s your net?

Advertising may lead to an increase in sales. If you have a steady baseline (how many books you sell per day on average), this will help you gauge the effect of your advertising. Specifically, this tells you how many additional sales you are getting per day on average.

What you really want to know is your net profit or loss. Compute your net additional royalty and subtract your advertising expenses.

Keep in mind that sales can fluctuate, increase, or decrease all on their own. There are many complicating factors that you’re likely not to be aware of. The more data you have prior to your advertising campaign, the better you can gauge this statistically.

Advertising doesn’t always lead to an increase in sales. Like any investment, advertising carries risk. The more experience you have with marketing and the better you understand marketability and marketing, the better your advertising prospects; but even then, there are no guarantees.

Some of the benefits are long-term.

Advertising isn’t just about generating short-term sales.

There are many other possible benefits of advertising:

  • Build buzz to hopefully stimulate initial sales, reviews, and word-of-mouth news.
  • Help the target audience discover a new product.
  • Tell people about a short-term sale.
  • Try to boost sales to get onto bestseller lists, which may help to stimulate sales further.
  • Try to stay on bestseller lists once getting there.
  • Brand the title or author name through repetition.
  • Brand the cover by sight through repetition.
  • Get people to associate your book with a distinguished quality.

Commercials very often don’t generate immediate sales. What they tend to do is create a brand name through repetition. Months later, when the customer is buying a product, the customer is most likely to choose a product that sounds familiar. This is called branding. It’s a very important aspect of marketing.

Branding requires patience. It can take many months before a customer has seen your book enough times to recognize it, and then it may take many more months before the customer is in the market for a book like yours.

Advertising can be one part of your branding efforts.

The more people in your target audience hear your book’s name, your name, and see your cover, the more branding occurs.

Advertising can help with this, especially if the ads are targeted to your specific audience. However, advertising shouldn’t be your only attempt at branding. You need to get your cover, title, and name out in front of your target audience through a variety of different resources (a blog, website, social media, blog interviews, blogger reviews, etc.) to improve the chances for the same potential customer to see your book multiple times. This is one more reason that you need to combine free and low-cost marketing with paid advertisements. (You don’t necessarily need to do the paid advertising; that’s optional. You definitely need to do the free and low-cost stuff.)

Advertising books is different from advertising household products.

You’re probably familiar with commercials and other advertisements for household products that you buy in stores or online. What you need to realize is that advertising books is much different.

How many different brands of toilet paper do you need to choose from at the grocery story? You can probably count them on your fingers. You probably recognize a few of these brands from t.v.

Now think about going to buy a book. If you want to buy a mystery, for example, you have to choose from thousands of books. There are many, many more alternatives.

Advertising toilet paper is cost-effective because millions of people will use it and there are only a few brands to choose from. Although millions of people read books, there are also millions of books to choose from.

There are thousands of other authors trying to promote their books. There are also many publishers doing this. Some of the bestselling authors and top publishers invest a considerable sum of money into their advertising campaigns.

All these factors make it a challenge for you to reap a short-term reward from advertisements.

Since advertising is a risk that may result in a loss, the safe thing to do is stick with the many free and low-cost marketing alternatives.

What else can you advertise besides your book?

When you advertise your book, people immediately realize that it’s an advertisement. People generally don’t like advertisements because they are interruptions. For this reason, most people don’t click on advertisements and most people don’t buy the product in the near future. However, the people who see your advertisement and don’t click on it or buy the product may still recognize your book in the future. Advertisements are often more effective through branding than they are in short-term sales.

However, there are other things that you can advertise besides your book. Some of these things may be more effective at generating clicks or sales.

  • Advertise a website rather than the book. If the website has content that will attract the target audience and this is clear in the advertisement, then customers may be more likely to click on it.
  • Advertise a short-term sale. This may help to create a sense of urgency.
  • Advertise a contest. The chance to win something may generate interest. (On the other hand, there are many people who feel that they never win anything, so don’t bother to enter, and there are so many contests that it would be a lot of work to enter them all. Not everyone thinks this way, though, and some people still love contests.)
  • Advertise something that’s free and that your target audience will want to have. There are many possibilities. A free PDF booklet, for example, won’t cost you any money to make, and if it looks nice and has information that your target audience will want, it may draw interest. This can help to get people from your target audience to visit your website and discover your book.
  • Advertise a series. You don’t have to actually advertise a series in the advertisement. You could advertise the first book or the most recent book, and this may help to draw interest in the whole series. If you have a set of books, this makes advertising more economical when you think about the cost per book.
  • Advertise an event, like a workshop or start a special week that relates to your book.

How marketable is your book?

Paid advertisements won’t make up for poor marketability.

A highly marketable book will sell through free and low-cost marketing.

It doesn’t take paid advertisements to sell a highly marketable book; it just takes discovery.

If a book doesn’t have marketability, advertising isn’t likely to help.

Advertising can help a marketable book get discovered and thereby sell more frequently.

See the following link for help assessing your book’s marketability:

https://chrismcmullen.wordpress.com/2013/09/10/marketing-why-isnt-it-working/

In one of my next posts, I’ll discuss some specific advertising options at a few websites that many authors are familiar with.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Sample Detail Page Recommended by Amazon Rep

I received an email from Amazon’s marketing department from an inquiry I sent. The representative sent me a link to this sample detail page:

http://amzn.com/0385347316

The way it was worded, the link was just to show what an example of a book’s detail page looks like at Amazon, but it was in the context of selling an advertising campaign to direct traffic toward a book’s product page. (This was not what I inquired about, but obviously if you contact a marketing department for a huge company like Amazon, if they respond, they will probably try to sell you one of their services. They are probably pretty good at this, if they work for Amazon.)

I think this product page is interesting, especially in the context in which I encountered it. Can we learn anything from it? That’s the purpose with which I write this post—to see if there is anything that we can learn from it in the way of marketability and marketing. (The rep didn’t specifically say that their campaign had been applied to this book, but maybe there is an inference to draw here.)

  • The cover didn’t impress me. Simplicity of design can be effective, and with nonfiction the cover doesn’t need to be so eye-popping, but there seems to be room for improvement. (The copyright page even notes a special jacket art designer.) There is a lot of text, although this is often done in nonfiction. At least, the title is easy to read in a thumbnail and the cover concept gets through. What I was thinking was, WHY did Amazon’s marketing rep pick THIS cover? (Are they trying to show that their marketing services can help a book sell even if the cover isn’t hot?)
  • Check out the sales rank. When I looked, it was #63 in books, and 1 and 2 in various categories. The author rank also shows right on the author page, varying from 11 to 81 in several categories. The publication date is October 8, 2013, which is just 6 days ago. Keep in mind that we’re looking at the hardcover edition. There were 16 reviews, mostly 5 stars, including a top 500 reviewer (Vine Voice).
  • The main thing that impressed me on the product page and Look Inside is the encyclopedic list of praising quotes for the book. I guess if that many qualified people say a book is good, it has to be.
  • On the Look Inside, the first page that mentions the title has only that, and the second one is fairly plain, too. Most of the interior is fairly plain. The main exception is the use of the HEAL acronym, using a letter from this word sort of as (but not quite) a bullet, and this is content-oriented as each letter has a specific meaning. The title page does have a publisher logo and another design mark between the title and author.
  • If you look at the author page, you see a resume that nonfiction publisher’s are looking for. There are also five author videos there.
  • From the author page, you can click on a link to the author’s blog to see his website. At the top is the option to subscribe to a newsletter—that’s one marketing tactic. Now look at the bottom of the website to find another. You’ll see an offer for a bonus gift, advertised as a $49 value, for free with purchase. The same thing is actually advertised at the top of the page, but in different wording (and it was so large I missed it the first time). One thing I notice about the cover now is that the color scheme seems to fit with the website—not my favorite, but a consistent color scheme for the book, blog, and beyond can help with branding.
  • The content is a hot commodity. Who doesn’t want happiness? And the author’s qualifications fit well with the content.

Of course, if you have mega qualifications and a big publisher picks you up, you have a big advantage. Still, to be successful, buyers still have to choose your book. So what is selling this book?

  • I don’t think it’s the thumbnail image that’s wowing buyers. It’s still getting a lot of attention. At least, the cover doesn’t seem to be deterring sales.
  • The author had a large fan base to begin with, which is clear if you look at his prior publications. Having an existing fan base is a great help when you release a new book that fits the same audience.
  • There is a top 500 reviewer and there are several initial reviews. The publisher and/or author probably made use of advance review copies. Building buzz for a book helps.
  • With nonfiction, qualifications can be highly important, and this author has a relevant resume posted on his author page. This helps a great deal.
  • Since Amazon’s marketing rep pointed me to this page, I’m wondering if their marketing services helped improve this book’s visibility. I’m not suggesting that you should spend big $$$ to advertise your book. The more you spend on advertising, the more books you have to sell just to break even, and there is a greater risk that you won’t even do that. There are many effective free and low-cost marketing ideas that all authors can use. If the book is highly marketable, free and low-cost will likely be effective; and if it’s not so marketable, paid advertising will have a tough time overcoming that.

If you’re hoping to improve your sales, it can be very helpful to research other books’ product pages (and their authors’ websites). You may get useful packaging or marketing ideas that way.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

The Importance of Feedback on Marketability, Pre-Marketing, and Marketing

Feedback is important for both marketability and marketing.

Let me illustrate this with Read Tuesday.

There are four reasons that I’ve been seeking feedback on many stages of the development of Read Tuesday:

  • Marketability. Feedback from members of the target audience helps you assess your product’s marketability in addition to possibly giving you useful ideas or pointing out the need for revisions. This is something that every author should do with every book.
  • Pre-marketing. As you’re putting your next book together, if you seek input for the title, cover reveal, draft of a blurb, draft of the Look Inside portion, and so on before you publish, this helps to build buzz for your book.
  • Marketing: If your interactions involve other authors, publishers, editors, publicists, etc., in the process of receiving feedback, you may also establish useful leads and connections. This may lead to blog interviews, reblogs, and many other forms of help, especially if they like your idea or feel that they have become involved in the process.
  • Content: In my case, it provides some examples of things that authors can do with their own marketing. Many of the ideas you see going into Read Tuesday are things you might consider for your own marketing.

So keep these things in mind with your own books, and when you see me request feedback, consider how it might relate to your marketing.

I actually have a fifth reason. We’re all in Read Tuesday together. I want this to be inclusive, rather than exclusive. While I can’t use every idea, I do consider every idea, and I have tried to incorporate most of the ideas I’ve received. I value everybody’s input. This fifth reason doesn’t apply to writing books. Most good stories weren’t written democratically like this. So you probably don’t want to borrow my fifth reason, at least in regards to authorship.

I’m working on a press release kit for Read Tuesday, and I’m also thinking of other ways to show the Read Tuesday catalog. So this post offers another chance for anybody to provide feedback, ideas, suggestions, etc.

The main thing I’m looking for with the press release (however, feel free to share ideas for any part of it) is a sample of participation. I don’t want to leak pricing information early, but it may be helpful to show samples of authors or books that will be participating. The big problem is which books or authors to feature.

Naturally, every author should want to be featured. I could feature a different set of authors in different press releases, but I can’t include every author. So how do I choose? There are many ways this could be done. If you have ideas, I’ll consider them.

You can use the Contact Us form on Read Tuesday (or just click on my Gravatar on the sidebar and email me) if you’d like me to consider using your book. So far, very few authors have used the Contact Us forms, so if this continues as usual, your chances would be very good this way. 🙂

Also, do you have suggestions for the Read Tuesday catalog? You can check it out on the Read Tuesday website. I’ve only posted the very preliminary book catalog of the first books to sign up. I need to update it, and I also haven’t added the author catalog yet.

What I see on my end is a spreadsheet. I can sort it by genre or other information that was entered into the catalog. I didn’t include every column on the preliminary catalog, so there are a couple of things that I can add to it. If you have ideas for how the catalog could be better and it turns out to be fairly easy to implement it, please let me know.

Once the catalog grows large enough, I will probably post subcatalogs on different pages—e.g. one page for children’s fiction, or even one page for mystery if the list is long enough. I think this will help with organization (along with a menu).

If you haven’t already filled out the Google Docs forms to add yourself and books to the catalog, it’s not too late to do it. Remember, you don’t have to worry about price at this stage. Just click on the Author link on the Read Tuesday website to find the forms. It’s easy. (But if you have any issues, please let me know.)

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Readers and Authors, What Constitutes Self-Promotion?

Self Promo

This is an important issue for both readers and authors. Authors know they need to be discovered through marketing, and so readers come across countless attempts by authors to get their books discovered by them.

At the same time, it isn’t easy for readers to navigate through hundreds of thousands of books to discover those few that most interest them. Authors want to be discovered, and readers want to discover books they will enjoy. Successful marketing helps readers find books that are likely to be a good fit for them. This helps readers. In contrast, ineffective marketing can be quite a nuisance, and distracts readers from the opportunity to discover books that are likely to interest them.

The most obvious attempts by authors to get discovered by readers come in the form of spam, where an author repeatedly posts about the book with high frequency. Many authors realize that this is more likely to develop a bad reputation or simply be ignored than it is to succeed. It’s also prohibited on most forums and online platforms if done too frequently.

There is a danger in being branded as an annoying insect if posting too frequently on social media platforms. Borderline spamming might get the title or author name out there for possible branding—“I recognize this book,” or, “This must be a big-name author because I see that name all over the place”—but it’s also likely to be tuned out or to brand a negative image—“I hate that author for spamming the boards all the time,” or, “I think I’ll click that Unfollow button so I can find the posts I like.”

One step down from spamming the board is explicit self-promotion. For example, “Hello, I just wrote a book called Best Book Ever by Self Promoter. Please buy it.”

Some community forums—like the Amazon customer discussions (which attract some authors because they expect to find customers there, but may not be the ideal place to get a book discovered)—don’t allow explicit self-promotion like this. Even where explicit self-promotion is permitted, it’s often frowned upon by various (and sometimes outspoken) community members.

Aside from this, explicit self-promotion has the problems of overt advertising. Most people prefer to avoid commercials. We put up with commercials on television, radio, and magazines for lack of a free alternative (though you can pay for commercial-free alternatives). Except when you need a bathroom break in the middle of a movie, you usually aren’t pleased to have your show interrupted. (If you want to shout “Infomercial,” I’ll grant you a point.)

On the other hand, some level of self-promotion is what authors need to do. Spam and explicit self-promotion to the point that it seems that your post served no other purpose may not be in your best interest even where they are allowed. However, if you want to be discovered, you do need to promote yourself in some way.

Effective marketing requires visibility among your target audience. You need your target audience to see your book cover and read or hear your book’s title and your name for branding to do its work.

Essentially, this is self-promotion. You’re trying to get discovered. You have to tell people about your book for this to happen. Yet spam and too much self-promotion can backfire.

The trick is to get discovered in a way that doesn’t come across as self-promotion.

This begs the question: Exactly what do people perceive as self-promotion? Part of the problem is that everybody doesn’t agree on the answer.

Following are a few suggestions to help judge this:

  • Does it seem like you are present mainly just to promote your book? Or are you providing relevant and meaningful contributions?
  • Does the mention of your book seem out of place? Or are you mentioning your book at your own site, or to establish your expertise or experience as an author, or to provide a reference to relevant content?
  • Does it look like you’re trying to grab everyone’s attention? Or does it seem like you’re just hoping to get discovered by those who enjoy interacting with you. (For example, it could be the distinction between coming right out and telling anyone about your book versus mentioning this when asked or only offering this information in your profile.)
  • Is your book irrelevant for much of the audience? Or does your audience closely coincide with the target audience for your book?

Context is important, too. If you’re running a special one-day sale, you want to get the word out, and people in your target audience may be grateful for the discount. Also, more self-promotion is to be expected on your own turf than otherwise (but posting too much about yourself isn’t as likely to attract an audience as providing meaningful content for your target audience).

Self-promotion isn’t just an issue online. It’s also important when interacting in person.

How do you feel about self-promotion as a reader or as an author? How do you define the line between what’s acceptable and what’s not? Do you think there is a type of self-promotion that needs to be done, but another type of self-promotion that should be avoided? What kinds of marketing do you consider not to be self-promotion?

Well, we’ve reached the end of this post so I better mention my book now. I might as well promote Read Tuesday while I’m at it. 🙂

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Read Tuesday: It’s going to be HUGE!