Cross-Categories – a Misconception among Authors?

Not a Romance

I come across a staggering number of self-published books that don’t seem to fit into any single well-defined category.

What do you get when you cross Harry Potter with Brokeback Mountain? Buyer confusion!

Some authors are thinking along the lines, “I’ll double my target audience by writing a book that has a healthy combination of fantasy and science fiction.” Or it can be an action thriller mixed with historical romance. Or one of several other combinations.

To make matters worse, surely they will have friends and family members who will help encourage this. Somebody will say something of the sort, “You know what. I love Star Trek and The Lord of the Rings. I think that’s a great idea!”

One problem with this is that the target audience doesn’t actually double when distinctly different genres are crossed. Most readers who are specifically searching for a passionate romance, for example, are looking for exactly that. They’re not looking for a romance that’s fifty percent sci-fi, fantasy, or spy thriller.

Similarly, most readers who are looking for fantasy, for example, aren’t browsing for a cover that looks, or a blurb that sounds, too romantic.

Would you try to sell Easter bunny costumes on Halloween?

There may be an audience for a cross-genre book, but it will probably be a more challenging sell than a book that fits very well in a single genre.

In other cases, the author hadn’t thought about the categories at all until the writing was finished. When it came time to publish, the author is faced with the task of choosing the category. Now the author is thinking something like, “Well, there is a bit of action, a little mystery, a touch of romance, even some sci-fi at the end.”

Having a book that fits into a blend of categories is a major marketing and packaging obstacle.

It’s much easier to package and market a book that fits into a single, well-defined category.

Consider this from a marketing and packaging perspective:

  • The thumbnail image of the front cover needs to attract the right audience. When mystery readers click on a book because the cover appealed to them, but the blurb doesn’t sound like a mystery book, nobody will buy the book through discovery.
  • The title and cover need to send a unified message. If the title sounds like a spy thriller, but the cover looks like contemporary romance, this creates buyer confusion.
  • The blurb and Look Inside must reinforce the same signals given by the title and cover. Confused shoppers don’t by books.
  • The content has to satisfy the reader who is attracted to the book. If the title, cover, blurb, and Look Inside succeed in attracting fantasy readers, but the story doesn’t appeal to most fantasy readers, this will adversely affect book reviews and word-of-mouth sales.

Packaging a book for a specific target audience and sending a unified message about the content of the book is easiest when the book fits into a single, well-defined category.

I’m not saying that you can’t write a book that blends categories. If your goal is frequent sales, then writing a book that closely resembles one popular genre may be the best way to go. Marketing a book that fits into two or more different categories will probably be a much greater challenge. It’s already very difficult to be one of the top sellers. Why make it any more difficult than it already is?

It can be fun to write non-standard books. If you do this for the fun, and don’t mind that this may adversely affect sales, then you should definitely enjoy your fun.

I’ve had a little fun with this myself. For example, I’m working on a book called Romancing the Novel, which is an extension of a couple of pieces that I posted on this blog a few months ago:

Reading and Writing with Passion

Giving Birth to a Book

I also have a dialogue called Why Do We Have to Go to School? The closest topic is probably educational philosophy, but it’s actually fiction. I didn’t find a good category for it. It doesn’t sell, but I’m not surprised. I didn’t invest time marketing it, since it wasn’t an easy sell. But I’m not disappointed: It was fun to write and definitely worth doing.

I mostly write nonfiction, which sells for the value of the content and expertise. For me, the fiction is fun, while the nonfiction is educational. For me, the educational part sells, while the fun is just fun (and what’s wrong with having fun for fun’s sake?).

One of these years, I will finish a juvenile sci-fi book that I started several years ago. I believe that it has a great beginning (it better – I’ve spent years working on it). This piece of fiction won’t just be fun, but will actually fit into a well-defined, popular genre. Of all of my ideas for fictional books, this one has the best chance of succeeding. It’s also the book that’s taking the longest time to write. Maybe by 2020? (Hey, that would be a good year to release a book that has something to do with excellent eyesight.)

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

It’s a Smaller World Thanks to Blogging

Small World Pic

You can wake up in the morning and read a poem that was just posted in New Zealand.

You can post a picture and receive a Like from someone in Sweden.

You can Follow a poetry blog maintained in China.

You can comment on an essay prepared in Turkey.

You can translate an article that was written in French.

You can receive an email from someone in Peru.

You can check your stats and discover countries you had never heard of before.

You can discover recent news from the Middle East.

You can share a link with people in Ireland.

You can see how many Views your blog has from Mexico.

We are so far away in person, yet so close online.

We have differences, yet there is so much that we share.

We are brought together through our blogs and common interests.

It’s a smaller world thanks to blogging. 🙂

PHOTO CREDITS: The photo of the earth is from NASA’s image gallery. See NASA’s image use guidelines. NASA did not participate in the writing or posting of this article. The text that was added to the image was added by Chris McMullen. But please feel free to spread this message. 🙂

Blogging Style

Checking out one another’s blogs, we see that we have unique blogging styles. Some bloggers have a very clear blogging brand. Do you recognize some bloggers just from a glimpse of the heading and picture, without having to check out the photo or name to see who posted it? These bloggers have already established a recurring theme, such that all of their posts look similar.

Have you ever visited a blog where a quick inspection of the homepage tells you precisely what the blogger does besides blogging? Sometimes, it’s obvious that a blogger has a hobby of photographing landscapes or that the blogger loves to write children’s books, yet there is no advertisement. These bloggers have developed themes that clearly match their passions.

Are there any bloggers where you know in advance what to expect from their posts? Maybe they always post poems, quotes, jokes, or essays. These bloggers have achieved a brand through consistency.

Do you know any bloggers who show variety in their posts and often surprise you? Their creativity might arouse your curiosity.

With every award nomination, bloggers post a list of other blogs that they like. I would like to thank those of you who have nominated my humble blog. Awards might not be my thing, but I was thinking, I can still share some blogs that I like. It shouldn’t take an award to get us to acknowledge some other blogs and what we like about them, right?

There are many blogs that I like, and thousands of good ones that I have yet to discover. Please allow me to highlight a few that exemplify a variety of blogging styles (since that is that theme of this post), and please don’t be offended if I didn’t mention your blog. Chances are that I really like your blog, too, even if it’s not on this list (and if I’m a follower or occasionally like your posts, that is, in fact, the case – because I only like and follow when I truly like the blog).

There are also a few blogs that look very nice, but which I don’t choose to like or follow because they primarily involve a topic, sometimes controversial or adult-oriented, which I generally don’t read. It’s not because I dislike these blogs, they just don’t happen to coincide with my interests. I hope you understand. I always check out the blog of anyone who checks out my blog.

Again, this is not a contest where I’m ranking my favorite blogs. I picked a few blogs that happen to represent varied styles. If your blog isn’t on this list, it’s not because I don’t enjoy it very much and it’s not because it’s not among my favorites.

(1) I recently discovered Ashley Bollinger’s blog. Check out the consistency in the style of headings that she uses on her homepage. One of her recent posts includes tips for better blogging.

http://ashleybollinger.wordpress.com/

(2) Robert’s blog consistently features some cool geometric objects.

http://robertlovespi.wordpress.com/

(3) There are several poetry blogs that I follow where the artwork and poetry are both amazing (in my humble opinion). For example, look for one of the poems posted on Keli’s blog to see powerful emotions correlated between the image and the poem.

http://kelihasablog.wordpress.com/

(4) Julie Farrell has a very positive blog. The internet and world can certainly benefit from more people spreading positivity like this.

http://youaresunshine.wordpress.com/

(5) Nhan-Fiction often posts little motivational statements that can help provide some needed inspiration.

http://nhanfiction.com/

(6) Natalia Marks features nice photography. She often has a picture of the day.

http://nataliamaks.wordpress.com/

(7) Mandy Eve Barnett usually starts out with a definition, which gives her style a little signature.

http://mandyevebarnett.com/

There are many other blogs that I regularly enjoy, too. Remember, my goal was to show some variety, not to list all of my favorites.

The Secret to Success: Marketing

Secrets

Whether we like it or not, almost everything comes down to marketing:

  • Resumes and cover letters, interviews, and references distinguish qualified candidates through marketing. Very rarely does a business actually give an interviewee a challenging test to assess mastery of desired skills. Who you know, how you look on paper, what others say about you, and how you handle yourself in person are highly important (provided that you meet the qualifications).
  • What you know doesn’t matter unless you succeed in marketing yourself as knowledgeable. You must have the knowledge to establish this as a long-term perception, but just having the knowledge by itself isn’t enough. The same is true for your skills set and your ability.
  • If you have a degree, experience, or training, you’re just one of many other candidates with a similar background. People like to work with someone they know personally or who has good recommendations, and they like to hire applicants who market themselves the right way.
  • Even diligence, motivation, and passion are marketable. Some people, for example, manage to seem busier than they really are.
  • People brand you by the style of clothing you choose to wear, the cut of your hair, the way you speak, how you smell, and how you accessorize. Everything you say, do, and wear can and will be used to establish your brand.
  • Those who excel at marketing a positive image about their talents, character, diligence, motivation, passion, and performance have a distinct advantage in life, whether they are selling products, offering services, applying for a job, going out on a date, looking for friends, bonding with family, and anything else in life.

You can argue that it shouldn’t be this way. But if you’re not going to change the way things are, then you’re just a philosopher.

You can pretend it isn’t this way. Surely, there are some exceptions to the rule, but you can’t completely avoid it.

Or you can accept what is and make the best of it. You don’t have to sell out to thrive, but you should understand the rules of the game and decide where you want to fit.

And you can understand why marketing is so important. For example, if you’re truly passionate about a job, wouldn’t you market yourself with the best possible resume and cover letter? Wouldn’t you take the time to research what employers expect? Wouldn’t you learn some tips for good interview techniques? Wouldn’t you have put the time and effort into mastering your trade and impressing people on the way?

Whether you’re applying to school, applying for a job, selling a product, selling a service, and most other things in life – personal or business – having the passion and motivation to learn how to market yourself and diligently work to do this effectively helps you stand out.

What you’re trying to market needs to be good in order to achieve long-term success, but how you go about marketing it can make a huge difference in perception and results.

Self-promotion doesn’t tend to be effective (but self-demotion may be). If you just walk around saying, “I’m the best there is,” it’s not going to work. Discovery is a better method. Let people find out, in natural ways (including conversations), things that distinguish you. Showing them (naturally) is better than telling them, and interacting in person is more effective than not.

Help to market others whom you know personally to be worthy of it (but don’t market people in ways that they don’t deserve – as this can harm your own reputation).

What people think about you, who you know, how you handle yourself, appearance, possessions, who you choose to interact with, what you do, how you react to adversity, and even the way you prepare things play important roles in branding your image (personal and business). Ideally, you want to emphasize your strengths and show improvement in your weaknesses (which also takes work on your part, not just marketing).

How would you like to be known (or not known)? Think about the things you do (not just your actions, and not just at work) and how they may affect this perception.

  • Jean is such a passionate artist. You should see the expression on his face when he’s painting.
  • Anne is incredibly well organized. She knows where everything is.
  • If it’s broken, send it to Bob.
  • Jennifer has been working on this presentation day and night for the past month.
  • Ted has an amazing way with words. He can articulate anything very precisely.

Beware of possible marketing mistakes than can have long-lasting effects. You don’t want to be branded in negative ways. You don’t want to be known for complaining, cheating, arrogance, being a jerk, whining, being too dependent, arguing, self-promotion, etc. One lousy action or statement can undo months of positive marketing.

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers (Volume 2 on book marketing is now available)

Author Power

Mighty Author Pic

“The pen is mightier than the sword.” (Edward Bulwer-Lytton, in Richilieu, Or the Conspiracy)

Authors have power through their writing.

Writers are creators. They can create new worlds, new people, new creatures, new ideas. Some aspire to create better worlds. Diversions from reality.

Authors share experiences. Readers can imagine traveling anywhere in the world (universe, even) without ever stepping out of their homes.

Writers can convey powerful emotions. Simply through words.

Wordsmiths make the letters themselves dance on a sheet of paper. Flow gracefully through action. Or. Stop. Suddenly. The reader enjoys the text without any idea as to how much care was put into the selection of each and every word.

Authors express themselves. And they express others. And others who don’t even exist, except in print and in the minds of those who have read their writing.

Writers disguise books that help people rebel against totalitarianism. Writers instigate revolutions. Writers spread fear through propaganda. Writers market freedom.

Poets sing. It may be beautiful, but very often it’s not. Very often, they sing suffering. And they sing it loud and clear. Yet it helps.

Authors plant seeds. Little ideas. Revolutionary ideas. Ideas that get people thinking. People with young and agile minds. People who may challenge the status quo. Rebels seeking a cause. Ideas that may grow with nutrients, time, water, and nurture.

The power of writers can be dangerous. Writers have much freedom to exercise, and coming with it is a great responsibility.

We may be weak in life, yet powerful in print.

It’s not the size of the pen that matters, nor the length of the words, nor how many words are written. It’s how the pen is wielded that really matters.

“Does he really think big emotions come from big words?” (Ernest Hemingway, in response to William Faulkner’s criticism, “He has never been known to use a word that might send his reader to the dictionary.”)

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers (Volumes 1 and 2)

The Most Common yet Critical Publishing Mistake (?)

Perhaps the most common mistake that I see when shopping for self-published books is a target audience mismatch. Either many indie authors don’t realize how much this may deter sales or they didn’t consider how significantly this affects marketing when they were selecting the title, designing the cover, and preparing the blurb.

When authors with slow sales ask what they are doing wrong, very often their books suffer from this same marketing flaw.

In the simplest terms, the problem will seem very obvious, but knowing is only half the battle:

Imagine that you’re browsing through search results for a sci-fi novel. Are you likely to click on thumbnails that look like they might be mysteries, romances, or fantasies? If it doesn’t look like a sci-fi novel, will you click on the book? What if the title doesn’t sound like sci-fi? What if the cover looks suitable for kids, but you’re an adult?

After you click on the book, if the blurb sounds like adventure or erotica instead of sci-fi, will you look inside? What if it sounds like a blend of sci-fi, romance, and mystery? If you were in the mood for sci-fi, maybe you would prefer pure sci-fi.

(Don’t contemplate the exceptions. It’s what the majority will do that influences your sales.)

When you look inside, if it starts out like historical fiction or comedy, will that satisfy your hunger for sci-fi?

If you’re a sci-fi fan, you know what sci-fi covers usually look like, what sci-fi titles often sound like, what you expect to see in the blurb, how the novels usually begin, etc. When readers are looking for something in particular, they usually don’t settle for something else.

When a thumbnail cover looks like genre A, but the blurb sounds like genre B, then all of the potential readers who are attracted to the cover won’t be buying the book, and all of the potential readers who would be attracted to the description will never check it out.

A target audience mismatch is a huge sales killer!

Even a slight mismatch is a major problem. For example, readers should be able to distinguish between contemporary romance, historical romance, teen romance, and erotica. A contemporary romance cover with too much sex appeal might be mistaken for erotica, and vice-versa.

I understand that it’s not easy for most writers to design excellent covers. But it’s not enough to just have an appealing cover. If it doesn’t attract the right audience, the cover isn’t helping at all.

Many authors struggle with their image searches, often settling on stock photos that are in the ballpark, but really aren’t a good fit for the book. Others get a concept in their minds that either isn’t a good fit for the book or that they can’t pull off well enough for it to work. If the cover doesn’t appeal to the intended audience, this isn’t satisfactory.

If you’re in the mood for a candy bar, you won’t purchase a snack that looks like potato chips from a vending machine (and those in the mood for potato chips that wind up with chocolate will be irate customers). It’s no different and should be no less obvious for books.

If you value sales, don’t make this costly mistake.

Develop the title, cover, blurb, and Look Inside with the specific target audience in mind.

Check out other covers in the same genre to see what buyers are accustomed to seeing. Make sure that your cover appeals to the right audience. Receive feedback from readers in the target audience as you develop your cover.

You don’t need to copy the ideas of the bestsellers; in fact, copycat covers may backfire. But you do need to see what’s common.

If you absolutely loathe a very common concept, you can work around it. For example, if you write contemporary romance and find that most covers feature a romantic couple, but refuse to put people on your cover, you can find other elements common in the genre that signify romance. It is possible to make a cover without people that clearly looks like a romance (how about a red heart?). However, be sure that you do this for the right reasons. Don’t sacrifice your sales simply because you can’t find people to put on your cover; do it because it’s something you believe in so firmly that you don’t mind if it deters sales.

Do similar research for the title and blurb. Ensure that the title, cover, blurb, and Look Inside present a unified message regarding the content and genre. Have people in your target audience check these out before you publish, specifically asking them if they all sound like your book’s specific genre.

The cover and title are most important because if these send the wrong message, nothing else matters. Next, the blurb and Look Inside must reinforce the same signals.

Will the story and characters also appeal to your target audience? This is very important for reviews and the prospects for valuable word-of-mouth sales.

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers (Volumes 1 and 2)

Bookstores Versus the Internet

First contestant: brick & mortar bookstores

Do you remember the joy of standing in a bookstore aisle, staring at hundreds of books, trying to find some good books to read?

  • Most of the books were turned sideways such that all you could see was the spine. You weren’t choosing the prettiest covers.
  • There wasn’t a number attached to the book to tell you how well or poorly it had been selling.
  • The only reviews of the book were great quotes about how awesome the book was on the back cover, dust jacket, or first pages. You didn’t see an average star rating right beside the title. There wasn’t anything bad written about any book in the store.
  • If you wanted to find a possibly neutral book review, you had to read a newspaper or magazine article. Not just anybody could express a written opinion about the book in a highly visible place.
  • Books definitely didn’t come with any reviews that spoiled the endings.
  • When you picked a book up, it didn’t come with a list of books that other customers had bought. When you brought a book to the front counter, the cashier didn’t set several other books next to it and say, “Other customers who read that also purchased these.”
  • After you read the book, the bookstore didn’t contact you and ask you to review the book. The bookstore also didn’t contact you to let you know when those authors released new books.
  • There weren’t customers standing around in the aisle trying to sell you their used books for less (or even more!) than the list price (plus shipping!).
  • Most of the books were presented side-by-side without any special treatment. We didn’t see the books stacked in some order determined by the bookstore. We didn’t need to scroll through several pages to find the least popular books.
  • We never bought books with dog-ears, cover wrinkles, ripped pages, or any other visible imperfections without realizing it prior to the purchase.
  • There weren’t twenty million books to choose from. There weren’t nearly as many books in any particular genre.
  • The chance of the bookstore freezing or crashing was fairly remote, and if you picked up a virus, it usually went away after a few days and a little medicine. Even if the system was down, you could still pay cash.
  • When the book was in stock, you didn’t have to wait several days for it to arrive in the mail.
  • Every book in the store met some minimum standards. There was a limit to poor writing, the number of typos, poor formatting, storyline issues, etc.
  • The free sample was 100%, not 10%. Just imagine if all of the books on the shelves only had 10% of the pages, and you only got the rest after you checked out.
  • When you approached the register, you found an assortment of fashionable bookmarks. Sure, you can still buy bookmarks if you search for them, but you don’t see them when you check out. You also don’t need one for your e-reader.
  • If you had a question, or when you checked out, you interacted face-to-face with a person.
  • You probably didn’t have family members, friends, and acquaintances begging you to read and review their books.
  • There was a slim chance of meeting a cute someone in the bookstore (a plus if you preferred to date people who actually read books).
  • Many bookstores allowed you to take a break and drink coffee. The next time you order a book online, see if they will deliver some coffee to you while you’re browsing.

(Why was this written in the past tense? Brick and mortar bookstores haven’t completely died out yet…)

Second contestant: online booksellers

Let us not forget the wonders of technology:

  • In the old days, you wouldn’t buy a book wearing just your underwear or pajamas (or less). If you did, maybe reading would have been much more popular…
  • You don’t need to go to the bookstore on your lunch break. Traffic won’t cause you to get there after the store closes. You can buy books at two o’clock in the morning, if you please.
  • You can have the book delivered right to your doorstep. There is no need to leave the house.
  • If you have an e-reader, you can even purchase an e-book at two o’clock in the morning in your underwear without leaving the house and start reading the e-book right then and there.
  • People who are addicted to cell phones or who love using laptops and PC’s can browse for books on their favorite devices, and even read them that way as e-books.
  • You don’t have to find a dictionary if you read an e-book. It’s right there on the device. (Of course, that doesn’t mean that everyone will take a moment to find out what the word means…)
  • Millions of books are in stock or will be available in just a few days. There are now print-on-demand books that are always available.
  • With twenty million books on the market, there is a much improved chance that the book you’re really looking for actually exists. If it doesn’t exist, nothing at all prevents you from becoming the author to write and publish it.
  • Through self-publishing, authors have much more freedom in what to write and how to write it, which provides greater selection to the reader.
  • You may be able to buy the book for less used. Some books sell for just a penny plus shipping and handling.
  • You can resell your used book after you read it to recover some of the cost.
  • All e-books mark themselves; you don’t need a bookmark. The e-readers will even let you highlight text.
  • It’s very easy to find the top-selling books, and to see how well or poorly a book has been selling, in case you wish to judge how popular a book is.
  • Read customer reviews to see what other customers had to say about the book. Some opinions may contradict one another, some may be helpful and others not, some might not even be pleasant, and it might be entertaining. You can even vote on how helpful the review is (or you can ignore the wording and just vote on whether or not you like what was said).
  • It’s very easy to ship a book anywhere in the world; e-books can be gifted.
  • You don’t need to find your receipt to return the book.
  • Adults books can be read with greater discretion as e-books.

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers (Volumes 1 and 2)

$$ The Effect of Attitude on Sales $$

AttitudeAttitude plays a profound role in all aspects of sales, including:

  • The salesman in the store or on the phone. Attitude is most significant for the salesman, who often interacts thoroughly with the customer at the point-of-sale and may also deal with the customer again as a follow-up or regarding complaints.
  • Managers who most often interact with customers who have a complaint. It’s important to resolve the problem efficiently. An irate customer in the store can influence other buyers. An upset customer even has influence online. It can also be the difference between word-of-mouth sales and word-of-mouth negative advertising.
  • The cashier who writes up the sale or checks something on the register. Even when a different salesman has already convinced a customer to make a purchase, the deal isn’t sealed until the cashier completes the paperwork.
  • People like inventors and authors who have a product to sell, but who may not be selling the product directly. They personally interact with many of their potential customers through marketing techniques. These people must also deal with complaints through product reviews much like managers must deal with customer complaints.
  • Even an employee greeting people at the door, for example, can influence sales through attitude.

The ways that a poor attitude can spoil a sale are pretty obvious. Here are a few ways that attitudes can help facilitate sales:

  • Charm. The reality is that people don’t just look at price, value, and the quality of the product. Even though customers may only interact with a representative for a few minutes, while using the product for months or more, people prefer good service. When the customer receives good service at the point-of-sale, that bodes well for good service if the product has problems. When inventors or authors, for example, charms potential customers during personal interactions, the fact that they care about the customer suggests that the same care may have been put into the product. Buyers also tend to be impulsive, for which charm can make the difference.
  • Confidence. Representatives who show confidence sound knowledgeable. A customers is more apt to trust a confident salesperson. Lack of confidence leads to hesitation; doubt causes mistakes. Confidence helps to visualize and attain a positive outcome. The confidence of a representative can carry over to the customer, who wishes to be confident in the purchase decision. Bragging, on the other hand, tends to deter sales. It’s important to show confidence without seeming boastful.
  • Courtesy. People generally respond well to courtesy, and poorly to the lack thereof. Even small things, like holding a door open, can make a significant difference. Put the customer in a good frame of mind. All representatives need to show customers that they want their business. Without the customers, there would be no business.
  • Care. Customers like to feel special. Does it sound like a sales pitch? Was this rehearsed? Was the greeting or compliment mechanical, or did the representative really mean it? Going the extra mile shows the customer that the representative truly cares about the person, not just the sale. Inventors and authors, for example, are more likely to be successful in their interpersonal marketing endeavors when prospective buyers see their passion for the product and gauge that they care about their customers. Look the customer in the eye, address the customer by first name, and smile. Listen to what the customer says.
  • Calm. Stay calm, cool, and collected. Customer service and public relations frequently present new and difficult situations that challenge representatives to remain calm and in control of their emotions. Customers expect representatives to behave professionally. It just takes one individual, even in a minor capacity before or after a sale, with one unprofessional outburst to blow a deal.

Smile!

Be charming, confident, courteous, caring, and calm. Have a winning attitude. It’s almost like trying to get a date. 🙂

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers (Volumes 1 and 2)

Wear the Indie Badge Proudly

Badge

Authors who choose to self-publish should do so proudly.

Times have changed. Not too long ago, there were very few self-publishers. Most had a garage full of books. Some paid large sums of money to vanity presses.

Now the majority of authors are self-published. Authors no longer need to pay money to be self-published; it can be done for free. With print-on-demand and eBook technology, they no longer need to stock up on thousands of books.

Some of the companies who have made self-publishing possible are no small names. Authors can publish paperbacks with CreateSpace – an Amazon company – and eBooks with Amazon (using Kindle Direct Publishing) and Barnes and Noble (through Nook), for example.

CreateSpace

Kindle

Nook

A number of indie authors have achieved high levels of success with top-selling titles. Amazon periodically features indie success stories on their homepage. Reputable newspapers and magazines are highlighting self-publishing achievements.

Hugh Howey

Amanda Hocking

There is no reason to be embarrassed to be a self-published author:

  • Indie authors have strength in numbers.
  • Self-publishing represents freedom of creativity, content, and style.
  • Some traditionally published authors are choosing to self-publish their new titles.
  • There are many high-quality indie books out there, which show the true potential of self-publishing.

Move to Self-Publishing

Authors who choose to wear the self-publishing badge should wear it proudly.

They should also polish their badges so that they shine bright by perfecting their books and making them look as professional as possible. This improves the image of self-publishing for all indies, and also improves their own chances of success.

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers (Volumes 1 and 2)