Category authorship

Dec 1 2013

A Look at a Successful Fiction Marketer

Charles Yallowitz

In this post, we will learn valuable marketing and marketability tips by looking at a successful fiction author. In addition to writing a highly marketable book, today’s author is also active with a variety of effective marketing strategies.

Sword and sorcery author Charles Yallowitz has a popular fantasy series called The Legends of Windemere. If you’re a WordPress blogger, you may know Charles, as he is an active and highly supportive blogger in our community. Even if you’re familiar with Charles and his series, hopefully you will still find some helpful tips about marketability and marketing in this post.

Beginning of a Hero

Prodigy of Rainbow Tower

Allure of the Gypsies

 

Let’s begin by taking a close look at the book covers for The Legends of Windemere:

  • The covers look like they are part of the same series. This is an important part of series branding. Once readers become familiar with the series, you want them to instantly recognize the brand when they come across new books in the series. The series name looks exactly the same, even in the same position, in each volume; and so does the name. The title has a cool style, consistent with each volume: Look at the first and last letters.
  • Volume 1, Beginning of a Hero, clearly signifies the genre. This is a vital ingredient of a highly marketable book. A fantastic cover won’t sell a book that lacks marketable content, but can really help a book that has marketable content. It’s a sword and sorcery novel, and there you see the protagonist with a sword on the cover. More than that, the artwork looks like it was done well, and the cover will appeal to the target audience (teenagers who read sword and sorcery fantasy novels).
  • If you have a person on your book cover, an important, but often overlooked, key is the facial expression. You definitely don’t want a blank stare, but even a subtle effect where the expression doesn’t seem to fit the scene can deter sales. The first volume shows a look of intensity on the protagonist’s face.
  • The most important cover is the one on the first book of the series, but the others are very important, too. The first one helps to draw readers into the series, but the subsequent covers can impact whether or not readers continue in the series. Volumes 2 and 3 have dynamic covers. It’s hard to pull off the effect of movement well, but these covers do it. You can see the gypsy dancing in Volume 3.
  • It’s not easy to follow the three color rule (primary 60%, secondary 30%, accent 10%) when drawing people and scenery, yet each of these covers is pretty effective at mainly using only a few colors. Although the color scheme changes from one volume to the next, the style and structure are preserved wonderfully.

Of course, there is more to marketability than just the cover:

  • The blurbs are concise, which works especially well in fiction. You want the blurb to reinforce the cover by revealing the same genre and content (you want the reader thinking, “Yeah, that’s what I was looking for,” and not, “Oops, that’s not what I expected”). You want to give just enough to create interest, and make the reader look inside to find more.
  • I read Volume 1, so I know firsthand that the storyline and characterization are highly marketable. These books are rich in great ideas. A highly marketable book must deliver something that readers will very much enjoy. For sword and sorcery readers, this storyline and these characters are a great fit. This no doubt creates many recommendations and reviews, especially valuable word-of-mouth referrals.
  • A marketable cover (that signifies the genre), a concise blurb (that signifies the same genre), and a variety of reviews help to get readers to Look Inside. These books have all three. The reviews partly reflect the story’s marketability and the author’s marketing skills (for one, the more effective your marketing is, the more readers you will get; for another, personal interactions and showing your humanity may help to elicit reviews, on top of the effect of your story).

I’ve interacted with Charles here at WordPress rather frequently, and I encounter his marketing here and at other sites. I have seen that he is very active with marketing, and utilizes a variety of effective marketing strategies. He clearly works hard at it, and he shows that hard work can pay off:

  • Charles uses his blog quite effectively, which isn’t as easy to do in fiction. One of his keys is variety. His poems are excellent, and they are a short sample that can create interest in his writing; weekly goal posts show that he is organized and provide a feel of a professional author; he does post about his own books, but these are supplemented by much other content; updates on his writing offer something for fans, yet also include questions to help engage his blogging audience; and some posts reveal a touch of his personality, family life, or humanity (you become more than just an author when readers recognize you’re a person, too, and of good character). Any one of these topics by itself would make his blog much less effective; this particular variety works very well for him.
  • If you’ve encountered Charles in the blogging or social media realm, you know that he is highly interactive. It’s amazing how much interaction he provides on his own posts, on other people’s posts, and on multiple sites; and very often his responses are almost immediate. He interacts with all bloggers, big and small. When you’re a tiny fish in a big sea and a big fish takes time to interact with you, it makes you feel special.
  • He is also very active with the Community Storyboard. Several authors make regular contributions to this interesting blog (you should check it out, if you’re not already familiar with it).
  • Charles is amazingly supportive of his fellow authors. It’s a great reputation to have because when he releases a new book or does a cover reveal, many authors whom he has helped are happy to reciprocate. It’s not just a matter of reciprocation: He interacts avidly and shows that he cares, and this helps to build engaging, supportive relationships. Another benefit of building connections is that you can receive valuable tips and marketing advice.
  • Blogging is just one aspect of the much larger marketing picture. Charles feeds his WordPress posts into Twitter and Facebook, and is also active at Facebook. He uses social media effectively, not just posting content, promoting his books, interacting, and building a following there, but also by joining and being an active participant in several Facebook groups (this is a valuable resource). He doesn’t stop with Facebook and Twitter. I’ve also encountered him at Google+, LinkedIn, Goodreads, and Pinterest. He is highly visible and connected this way.
  • Visibility is important. Charles posts regularly to social media and Facebook groups in addition to his blog. He is highly active with this, which helps him brand his image and give him exposure. He appears as a professional author (of course, he is, but some authors who are don’t create the same perception, but appear invisible in the background) by engaging in this activity. Readers are apt to be familiar with his name and covers from seeing them frequently. It’s not just about posting regularly, but also about searching for the right groups so you become visible with your specific target audience.
  • Author interviews and guest blogs are important, too. I’ve seen several guest blogs and author interviews featuring Charles, and I also see these on his site for other authors. As I mentioned previously, he is very supportive of other authors. Take the time to find bloggers that are a good fit for your content, and learn how to interact with them and approach them to make polite and effective requests. These can be very helpful in gaining exposure for your book.
  • Charles runs occasional promotions for his series. If you have a highly marketable series, your main concern is generating exposure among your target audience. You can give the first book of the series away for free periodically in order to get more readers interested in your series. A short-term sale can help to draw readers in. Charles has used some paid advertising sites effectively, including Askdavid.com, Goodkindles, Novelspot, Bookpinning, Indie Author Anonymous, and Indie Author News (click here to learn more). The key is to have a highly marketable book from cover to cover and to gear your promotions toward your specific target audience.
  • Getting onto any of Amazon’s top 100 lists can really help to improve your exposure. Charles shows that creating a highly marketable book and working hard to market your book effectively can help you land your book on these very helpful lists.

Charles uses a touch of humor, and does so effectively. He uses it occasionally in his marketing (I see it on his blog, for example) and also in his novels (he mentioned that his can help with character depth—but, of course, must be done in moderation, and only when it fits the character; some characters shouldn’t show humor).

So I thought it would be fitting to mention a little humor, coming from Charles himself. “I thought I lost my cellphone and went looking for it. I was carrying the house phone, so I decided to call my cellphone to find it. Well, I had my cellphone in my hand and called it anyway.”

Charles will be participating in Read Tuesday, a Black Friday type of event just for books on December 10. All authors are welcome to participate (it’s free).

Check out Charles Yallowitz’s Legends of Windemere series at Amazon:

  1. Beginning of a Hero
  2. Prodigy of Rainbow Tower
  3. Allure of the Gypsies

Connect with Charles Yallowitz:

Love books? Check out Read Tuesday, a Black Friday event just for books (all authors can sign up for free): website, Facebook page, Twitter

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Volume 1 (formatting/publishing) and Volume 2 (packaging/marketing), Facebook page, Twitter

Nov 30 2013

Suggestions for Promoting Your Book (on Read Tuesday)

Promote

Read Tuesday—a huge book sale on December 10—is an opportunity for all authors to promote their books.

As opposed to promoting your own short-term sale all by yourself, with Read Tuesday you can be part of a large coordinated effort among hundreds of authors.

There are a few ways that Read Tuesday can help you promote your books:

  • You can add your book to the Read Tuesday catalog for free. You just need to agree to discount your book on Tuesday, December 10 and let us know that you will be participating. Find the link to learn more toward the end of this post.
  • We’re promoting the event. Hundreds of authors and readers are already spreading the word about Read Tuesday in many forms, in person and online. We also have a few advertisements running on different sites, targeting book lovers. Some popular authors (like M. Louisa Locke and Jessica James) are participating, which helps lend credibility to the event and draw in more readers.
  • Promoting that your book is participating in Read Tuesday may help you generate more interest than merely promoting your own book.
  • We will announce sale prices, discounts, discount codes, availability, and book extras for the big event. There is no charge to include your book’s information in these announcements.

In addition to adding your book to the book catalog, your author photo to the author catalog, and your sale information (look for a post in the next couple of days about this on the Read Tuesday website; we haven’t started collecting sale price information yet, but will soon), following are suggestions for what else you might do to help promote your books:

  • Green Embers has 38 free advertising slots for indie authors from December 1 thru December 9. (You don’t even have to participate in Read Tuesday to take advantage of this free offer.) This is an amazing offer. All you have to do is click here to sign up. Where else will you get free advertising?
  • Write about your book’s participation in Read Tuesday on your blog, Facebook, Twitter, etc. This will help you create interest in your book among your fans, followers, and anyone who stumbles across your author sites. Mention that your book will be on sale, describe what Read Tuesday is, tell what you’re looking forward to, and help to create buzz for your book and the event. Promoting the event along with your book may help to create more interest in your promotion.
  • You’re free to use any of the Read Tuesday images (these were designed by artist Melissa Stevens) in a positive way. You can add one to your sidebar, include the image with your posts, etc. You’re welcome to link to the Read Tuesday website to refer interested readers or authors for more information.
  • Find other authors who are participating in Read Tuesday—look for authors who show signs of past success and authors with books similar to yours—and check out their blogs and social media pages to see ways that they are promoting their books. This will help you generate ideas for how to promote your books.
  • There are many ways to spread the news of your book’s promotion and your book’s participation in Read Tuesday to your target audience. You can share this with any of your interactions with your target audience in person or online. Search for Facebook groups relevant to your genre or category. Consider placing a low-cost advertisement (find a list of services in this post). Ask other authors for ideas. If you have suggestions, feel free to include them in the comments section.
  • Browse the Read Tuesday catalog for books that interest you or other books similar to yours. Instead of just promoting only your book, consider promoting a variety of books that interest you, or multiple books in a given genre (including yours, of course), for example. This might help you create additional interest. Reach out to other authors; you might be able to get together and help promote one another’s books.

For information regarding how to put your book on sale, read this post.

Check out the Read Tuesday sample catalog:

How do authors sign up?

We’ll be collecting discount information soon, and we’ll be promoting sale prices, discount codes, and availability information closer to Read Tuesday, on December 10, 2013.

Read Tuesday: It’s going to be HUGE!

Give the gift of reading this holiday season.

Love books? Check out Read Tuesday, a Black Friday event just for books (all authors can sign up for free): website, Facebook page, Twitter

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Volume 1 (formatting/publishing) and Volume 2 (packaging/marketing), Facebook page, Twitter

Nov 28 2013

An Opportunity for Authors to Promote Their Books

Buying Books Pic

All authors need exposure for their books. Unfortunately, this isn’t easy to get.

It’s rare that a free promotional opportunity comes by that requires very little effort, so when one does, you want to notice it and take advantage of it.

Black Friday is almost here. It seems like there should be a great promotional opportunity here, doesn’t it? But with all the sales of electronics, toys, and clothing that are heavily advertised for this occasion, books are likely to go largely unnoticed.

If only there was a day like this just for book lovers. Oh, but there is: It’s called Read Tuesday and will make its debut on December 10, 2013.

This is a great promotional opportunity for authors (and a great buying opportunity for readers, and a great gifting opportunity for the holidays):

  • Participation is free, so what do you have to lose?
  • Effort is minimal. Just put your book on a short-term sale that includes December 10. Send me the url to where you book will be on sale and I’ll add it to the Read Tuesday catalog. Ta-da! Free exposure for your book. (If you would also spread the word about your book’s participation in Read Tuesday, that will help you out, too.)
  • The event is being promoted on your behalf. Struggling to promote your own books? Having your book included in a catalog that is being promoted is worth a shot, isn’t it? The event is gaining popularity daily, with some popular authors signed up and even published authors showing interest.
  • Many authors use the one-day promotional discount effectively, putting the book on sale and promoting it heavily. We’re not putting one book on sale and promoting it. No. We’re putting hundreds of books on sale and promoting the event as a big holiday sale.
  • Every author who signs up increases interest in the event. Your book will be one more book in the catalog. Over a hundred authors before you have helped to stimulate much interest already. You have a chance to add to this. Every author counts.
  • What are you waiting for? Maybe you’re waiting until after December 10, so you can read about the success stories of hundreds of other participating Read Tuesday authors. If so, it will be a long wait until Read Tuesday returns in 2014.

Book lovers can check out the catalog by clicking here.

Authors can learn how to sign up by clicking here.

Give the gift of reading this holiday season.

Join over 600 followers (@ReadTuesday) on Twitter.

Be one of over 900 book lovers to Like the Read Tuesday Facebook page.

Chris McMullen, founder of Read Tuesday and author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Volume 1 (formatting/publishing) and Volume 2 (packaging/marketing), Facebook page, Twitter

Nov 24 2013

A Chance for Indies to Show Them

Show

 

What can indie authors do?

We have a chance to show what we can do.

 

With every book we publish, we show our individual talents.

When we band together, we display the power of teamwork.

 

Not all indies are participating in Read Tuesday,

Though all are welcome and joining is free and easy.

 

Yet Read Tuesday, a Black Friday event for book lovers on December 10,

Has a chance to show what indies can do when we unite.

 

It’s not just a great day to buy books at great savings,

To spread the joy of reading and promote literacy.

 

It’s something more; an opportunity for indies to do something grand,

To promote an event worthy of its own day.

 

Department stores created Black Friday and Cyber Monday,

But indies have come together to produce Read Tuesday.

 

Readers have a chance to demonstrate their support for all good books,

Not just those books with a particular stamp on their covers.

 

Read Tuesday won’t be like any other Tuesday;

It will be a Tuesday with many opportunities.

 

Book lovers can find great discounts on books,

Authors can find a free resource to help promote their books.

 

May you have a wonderful Read Tuesday. 🙂

Love books? Check out Read Tuesday, a Black Friday event just for books (all authors can sign up for free): website, Facebook page, Twitter

 

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Volume 1 (formatting/publishing) and Volume 2 (packaging/marketing), Facebook page, Twitter

Nov 24 2013

Turning Pro: Taking Indie Authorship to the Next Level

Pro

You would like to start out looking like a pro.

Many wise authors strive for this:

  • Searching for similar titles to see what may be highly marketable.
  • Asking experienced authors, editors, publicists, and small publishers for advice.
  • Doing research on writing, formatting, publishing, and marketing.
  • Trying to build a following before publishing.
  • Joining a writing group to improve as a writer.
  • Receiving ample feedback from the target audience.
  • Hiring a cover designer and editor.
  • Building buzz prior to a book’s release.
  • Writing a press release and distributing it to the media.

These are great things to do, and they can help immensely.

Yet, no matter how hard you try to nail your first book, you always improve and grow as an author:

  • After establishing yourself as an author, you have a fan base to work with and toward.
  • You find yourself reading a book, wondering why you didn’t think of that, or something you see triggers a design idea for your book.
  • A reader provides a helpful suggestion that you hadn’t considered.
  • You come across publishing tips you wish you’d known previously.
  • Once you have enough books out, you may start thinking more and more about becoming a small publisher.
  • New connections may open new possibilities for your books.

Unless your book is free or you donate 100% of the proceeds to charity, then technically you’re a professional author. But that’s not what I mean by professional. Rather, there comes a point in every writer’s career where you feel that you’ve made the transition from amateurish to professional. When you’re more experienced, wiser, and your writing has matured, you realize you’ve made some transition. This probably doesn’t happen just once, but several times over the course of writing.

Another thing I don’t mean is any distinction between indie and traditional authors. More and more traditional authors are also indie publishing, often with a pen name, which really blurs any line you might want to draw between them. It’s not how you publish that matters most to a reader, but how professional the book is. There are different degrees of professionalism even within traditionally published books.

As you grow as an author and strive to become more professional, here are some of the things you might consider:

  • ISBN options. When you start out, it’s hard to invest more than about $10 in an ISBN option. As your sales grow, you start to consider buying a block of ISBN’s. For example, in the US Bowker offers 10 for $250 or 100 for $575. As you start to think of developing a serious imprint and expanding your distribution options, this might fit your needs.
  • Professional websites. You may want something that looks more like a website and less like a blog. You might want your own domain name. You may add a site for your book and another for your imprint. At Facebook, you may add an author page or book page. If you create a Facebook page (i.e. more than just a Facebook account), it will have a Like option, and if you feed your WordPress blog into Facebook (but beware of this issue), those Facebook page Likes add to your follower tally (so do Twitter Follows if you feed your blog into Twitter). From your Facebook home, find the Create a Page option on the bottom-left. For an author page, click Artist, Band, or Public Figure; one of the options is author. (You can also make a page for your book by selecting Entertainment.)
  • Professional help. As your sales grow, you might consider investing more on cover design or editing, or even interior design. Although I’ve enjoyed designing my books, I’ve found a cover designer and had covers made for my most recent books and works in progress. I like the new covers much better, so I’m very pleased with this decision. I’ve also purchased illustrations and designs for book interiors.
  • Advertising. It’s difficult to invest in advertising when you’re starting out. There is a huge risk that you won’t recover your investment. You wish you could throw a little money out there to relieve you of the need to market your books, but it doesn’t work out that way. But once you’ve achieved some degree of success, you can better gauge your book’s marketability, you know you will have some initial support, and your current royalties can help cover your investment. You may be looking for ways that an advertisement can complement your marketing, such as a paid advertisement for a one-day book promotion.
  • Giving back. When you start out, you need a lot of help. As you gain experience, you have more knowledge to share and need less help. You might pay it forward, helping new authors through blog posts or who approach you with questions (whereas most people don’t like unsolicited advice). As you become more efficient with your own marketing, you might help a little to promote up-and-coming new authors whose work you like.

I’m presently collaborating on a publishing project with other authors to create a new series of math and writing workbooks. There is a creative element that will hopefully help engage children in learning fundamental skills. We’re getting professional covers for the series and professional illustrations for the interiors. We have a logo. We’ll use an imprint and purchase ISBN’s. We’ll be setting up a website. Our goal is to create a professional series of math and writing workbooks that meet the needs of students, parents, homeschoolers, and teachers.

Maybe a traditional publisher would like to have this series. But we’re indie all the way. 🙂

We’re hoping to launch the series in the spring or summer of 2014.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Volume 1 (formatting/publishing) and Volume 2 (packaging/marketing), Facebook page, Twitter

Nov 23 2013

How to Put Your Book on Sale

On Sale Now

Table of Contents:

I. paperback

A. at your CreateSpace eStore

B. at Amazon using CreateSpace

C. at your website

II. e-book

A. with Kindle

B. with Smashwords, Nook, Kobo, etc.

I. paperback

A. at your CreateSpace eStore

  • It’s quick and easy. Just make discount codes.
    • Click on a book from your dashboard to open its project homepage.
    • Select ‘Channels’ on the ‘Distribute’ column.
    • Choose ‘Discount Codes’ under CreateSpace eStore.
    • Look for the ‘click here’ link in the paragraph above the table.
    • This will create a new code. Click ‘View Codes’ to see them all.
    • Copy and paste the code into the table (previous window).
    • Choose dollars off or percentage off.
  • Enter a ridiculous amount, like 99% off, and CS will tell you the maximum discount you can offer. This way, you don’t have to guess or figure it out yourself.
  • If you want to make a royalty on the sale, don’t choose your maximum discount. The smaller your discount, the greater your royalty.
  • (List price — discount) x 0.8 — book cost = royalty. Example: ($7.99 — 20%) x 0.8 — $2.53 = ($7.99 —$1.60) x 0.8 — $2.53 = $6.39 x 0.8 — $2.53 = $5.11 — $2.53 = $2.58.
  • Make sure you are happy with your royalty. If you want to double-check your math, feel free to use the comments section below.
  • You can use the same discount code for multiple books. This makes it easy to put several books on sale for 20% off, for example.
  • However, you must add the discount code to each book separately.
  • Here are some important notes:
    • Customers must sign up for a CreateSpace account. They don’t have to publish a book, but they do need to enter a username and password.
    • Customers know and trust Amazon. Customers who aren’t already familiar with CreateSpace may be reluctant to use it.
    • Customers must pay shipping at CreateSpace. Customers who qualify for free shipping at Amazon might not want to pay for shipping at CreateSpace.
    • Shipping is cheaper when purchasing multiple books. Encourage customers to buy multiple books at CreateSpace to save on shipping.
  • When your sale is over, return to the table of discount codes, check the box to delete the discount, and save your changes.

B. at Amazon using CreateSpace

  • Simply reduce your list price.
  • Customers won’t know that your book is on sale by viewing your product page at Amazon; you’ll have to promote the sale price to spread the word.
  • If you have Expanded Distribution, this will limit the possible discount.
  • You may disable the Expanded Distribution during your sale in order to offer a deeper discount.
  • It can take weeks for your Expanded Distribution changes to propagate throughout the system. Disabling and enabling this channel before and after your sale may create an interesting ripple effect, but if you primarily sell through Amazon, you might not be as concerned about this.
  • The sale price might change in a matter of hours, but according to CreateSpace, it could take up to 5 days for the list price to change at Amazon. This extreme time frame may be unlikely, but if you invest time, effort, or money on a promotion, you’d hate for Murphy’s law to strike.
  • What’s the harm in putting your paperback on sale 5 days early leading up to the big day? Better safe than sorry. When the event is over and you raise the price, if it doesn’t change immediately, it just makes your sale last a little longer.
  • You may be paid a royalty based on the lower list price for some books that sell at the original list price. The royalty payments just after a price change may be based on the lower royalty, even if the book sold at the higher list price. You probably expect to sell many more books at the lower price anyway, so if your promotion is successful, this may be a minor concern.

C. at your website

  • A third option is to sell your book directly: in person, through your website, via PayPal, etc.
  • Advantages:
    • You can potentially draw a higher royalty.
    • This allows you to also make a more enticing discount.
    • If you order stock in advance, you can be sure that the customer is receiving a quality book. Be sure to allow ample time to exchange defects (and to exchange defects of replacements, if needed).
    • Alternatively, you can order your book at CreateSpace and have it drop-shipped  to the customer. No packing ship will reveal sensitive information. You won’t be able to see the book before it ships to prevent the customer from receiving a possible defect, but this way you don’t have to pay shipping twice (though if you order in large quantities, you save on shipping from CreateSpace to you).
  • Disadvantages:
    • You have to deal with the hassles of collecting payments (although PayPal is a convenient option).
    • You have to deal with the hassles of packing and shipping, unless you drop ship.
    • You run the risk of defects if you drop ship.
    • Some customers may be reluctant to purchase directly from you.

II. e-book

A. with Kindle

  • There are three options:
    • KDP Select authors can run a Countdown Deal.
    • KDP Select authors can run a free promotion.
    • Without KDP Select, you can still make a temporary change in list price.
  • Using the new Kindle Countdown Deal:
    • You can’t run both a Countdown Deal and a free promo during the same 90-day enrollment period.
    • The book must be enrolled in KDP Select for 30 days.
    • You must wait 30 days after changing the list price.
    • The regular list price must be at least $2.99 for the US and 1.99 pounds for the UK.
    • The sale price must be at least $1.00 off the regular list price.
    • Customers can see how much they are saving and when the sale ends.
    • If you ordinarily earn 70% royalties, you will still earn 70% even if the promotional list price is under $2.99.
    • If you have a large mobi file size, do the math to see what your royalty will be at the promotional list price; you don’t want to be shocked later.
    • You can’t publish at Smashwords, Kobo, Nook, or any other e-book retailers while enrolled in KDP Select.
  • Using the KDP Select free promo:
    • You can’t run both a Countdown Deal and a free promo during the same 90-day enrollment period.
    • Giving the first book of a series away for free may help to generate sales of other books in your series.
    • You don’t earn any royalties during the free promo; you just hope the promo helps to create exposure and interest afterward.
    • Your sales rank will fall off during the free promo; you need to get sales afterward to improve your sales rank.
    • Many people don’t check out your blurb or Look Inside since it’s free; many people who get your book won’t read it.
    • You must promote your free promo effectively to make the most out of it.
    • The free promo is a good time for bloggers and book reviewers to pick up advance review copies.
    • You also want bloggers and book review sites to feature your free promo before it starts.
    • If your book is 99 cents or at the minimum list price for its file size, the free promo is the only way you can discount your book (other than through price matching).
    • You can’t publish at Smashwords, Kobo, Nook, or any other e-book retailers while enrolled in KDP Select.
  • For those who aren’t in KDP Select:
    • If your book isn’t already at the minimum possible list price, all you need to do is republish your book at the lower list price prior to the sale (it may take 12-24 hours for this to take effect in the US and longer in other countries) and back at the original list price after the sale.
    • Check your converted mobi file size on page 2 of the publishing steps at KDP. If it’s greater than 10 MB, the minimum list price is $2.99 and if it’s greater than 3 MB, the minimum list price is $1.99; otherwise, the minimum list price is 99 cents. You’d hate to promise a sale only to discover later that you can’t do it.
    • Customers won’t know that your book is on sale by viewing your product page at Amazon; you’ll have to promote the sale price to spread the word.

B. with Smashwords, Nook, Kobo, etc.

  • The easiest way to create discounts with Smashwords is with the coupon manager.
    • Go to your dashboard and choose “Coupon Manager.”
    • This allows you to distribute coupons for customers to use.
    • Your list price must be 99 cents or higher (unless you want to use the coupon to make your book free).
    • Coupons only work for Smashwords sales. They do not work at Apple, Nook, Sony, Kobo, etc.
  • Alternatively, you can change your list price.
    • Be sure to also change your list price for Kindle at the same time, otherwise you can get into permanent price match issues. Even then, the big e-reader companies, like Kindle and Nook, like for your list price to be the same, and it’s difficult to synchronize, especially using Smashwords for Nook. If publishing directly with Nook, the price change will occur in about 12-24 hours, so it will be much more in sync with the Kindle list price.
    • The Smashwords list price updates immediately, but other retail channels will take 5 days to multiple weeks to update. This makes it impractical to run a short-term promotion through those channels using Smashwords.
    • If you want to run a short-term promotion and have your book published at a variety of e-book retailers, it’s best to publish your e-book directly with Kindle, Nook, Kobo, and anywhere else that option is available. This way, the prices will update in about 12-24 hours for US sales, keeping your list prices relatively in sync over the course of the promotion.

If you want your sale to be successful, you must promote it effectively. See these articles for more on this:

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Volume 1 (formatting/publishing) and Volume 2 (packaging/marketing), Facebook page, Twitter

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Nov 22 2013

Too Many Clicks: Driving traffic to your book’s detail page

Too Many Clicks

If you’re selling a book, you want to drive traffic to your book’s detail page. Ideally, you want traffic to get there in a single click.

Any extra stops along the way are a sales deterrent, even if they are relevant to your book.

Example:

  • Authors are tempted to drive traffic to their author pages at Author Central.
  • It’s better to drive traffic straight to your book’s detail page.

Why?

Fact: Amazon sees much more activity on a product’s detail page when traffic is driven directly to the detail page.

How do I know?

I learned this firsthand from Amazon’s marketing department. We were discussing advertisements and whether they should link directly to a book’s detail page, an author page, or some other page that highlights the series or imprint.

The author page is a valuable tool:

  • It helps to lend you credibility.
  • The author photo helps with your branding.
  • Readers can find all your books in one place.

However, you don’t want it to be the first stop for a new customer.

Why not? Because you don’t want to risk your author page being the only stop.

What you really want is for customers to make it to your book’s detail page. So send them straight there. Then they are less likely to get lost on the way.

Customers like convenience. A single click is convenient.

What’s one more click?

  • More time. Who has that?
  • More hassle. Who wants that?
  • More risk of internet issues. Everyone has that.
  • More distractions for the customer. Ooh, what a pretty flower!

This all sounds reasonable, yet that author page stills tempts you.

  • You don’t know which book the customer wants, so you want the customer to see all your books.
  • You don’t want to sell just one book. You want to make it easy for customers to find all your books.

Those are all good reasons, but the fact that you will lose customers along the way should make this decision very simple.

Your book’s detail page is a better sales tool:

  • An effective blurb will engage customers better than your biography.
  • Your blurb is more informative than a list of thumbnails.
  • Customer reviews receive consideration from shoppers.
  • You have to click to Look Inside. That’s too many clicks.

One click to your author page. Two clicks to your detail page. Three clicks to Look Inside.

Three clicks and you’re out!

Still stuck on that author page. It’s not doing anything that your detail page is doing.

  • The customer still sees your author photo and biography on your detail page.
  • Your other books will show up in the Customers Also Bought list on your detail page.

Think about the customer’s path to your book:

  • Make it easy for the customer with a direct link to your product page. One easy click.
  • Pick the most relevant book. Direct new readers to your most reviewed, bestselling book relevant for them, or to the first book of a relevant series. Direct fans to your latest book.
  • Include a link to your book at the bottom of your page. If the potential customer reaches the bottom of the page, don’t make the customer scroll back up to find the link. If it’s handy to link to your book higher up on the page, it’s okay to do it a second time at the end to provide this added convenience.
  • Are there too many links to choose from? You want the link to your book’s page to be easy to find.
  • Does the customer have to click on an image? If so, is this clear? Not everyone will think to do this.

It’s not just your book, but any website you’re driving traffic to. Ask yourself if there are too many clicks? Nothing beats one easy click.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Psst. You can get there with one easy click. 🙂

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Nov 20 2013

Updating a Book at CreateSpace or Kindle Direct Publishing

Update

Today I will share my experience of updating books at Amazon. I recently updated Volume 1 of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers at CreateSpace and Kindle Direct Publishing (KDP). The paperback now includes a comprehensive 18-page index, and both the paperback and eBook include minor updates (such as mention of recent changes at CreateSpace, Amazon, and Kindle and correcting a few minor typos).

If you need to revise your interior or cover file at CreateSpace, first study your sales rank history (you want to know the time of the sales, not the time that the royalties report) to help choose the time where you’re least likely to sell books. Your book will be unavailable for sale while the new file is being reviewed, so you don’t want it to interfere with sales (unless your revision is more urgent, then you just have to do it immediately).

It takes approximately 12 hours for your files to be reviewed. The biggest concern is how Murphy’s law will get you:

  • One way is for CreateSpace to make changes to your cover, even when you didn’t change the cover file and it had been perfect. The best thing to do is resubmit your files for review and hope the next reviewer doesn’t make changes to your cover. This is another 12 hours. But if you call, they put in a request to research the problem, and this can take a couple of days (and may not even resolve the problem). There is, unfortunately, a worst-case scenario where your book is offline for several days. You just have to cross your fingers and hope it doesn’t happen to you. Let me add that this rarely happens, so most likely it won’t be an issue. I didn’t mean to scare you. Just prepare for the worst, then if something does happen, you won’t be surprised by it.
  • Another way is for you to make a minor revision, which winds up causing major changes to the layout of your book. You see, revising a phrase on page 3 could cause a crazy page break on page 8. Take the time to scroll page by page through your book in the Digital Proofer to ensure that there aren’t any crazy layout problems and you might be able to avoid this problem.
  • Then there is conservation of typos, whereby you introduce a new typo in the process of correcting others.
  • Finally, there is the Doh! moment when you click Approve Proof and suddenly remember something else that you should have done.

Very often, your book is again available for sale in 12 to 24 hours after uploading the revised file.

A crazy thing is that you can actually order the paperback directly from Amazon after the revision and receive the older version. This evidently happens when they already have your older version stocked in their warehouse (e.g. if there was a returned copy to resell or if they had ordered some in advance to stock up).

What I like about KDP is that your previous edition remains available for sale while your new eBook is in the process of publishing. This way you don’t miss out on any sales in the meantime.

I put a note on the copyright page indicating when the eBook was last updated. This way, when I viewed the Look Inside at Amazon, I knew I was looking at the updated version.

I like the way the Look Inside turned out. The Look Inside when viewing on a PC is the greatest formatting challenge. I went into the HTML in my effort to perfect this. The indents look large on the PC, but that’s because I set them to a percentage instead of a value in inches. That way, the indents will look fairly reasonable from a cell phone to an iPad.

Another thing to consider is updating the description. I updated the paperback description from CreateSpace, using the basic HTML that’s allowed to create linebreaks, boldface, italics, and bullets. I used Author Central to do this for the eBook. The paperback description begins with a note about the new index that has been added.

The paperback was ranked around 14,000 on Amazon, but has now dropped down to 45,000. It’s amazing what a 16-hour window of no availability can do to sales rank. On the other hand, the eBook edition jumped up to 40,000 from the 100,000’s. I guess when the paperback wasn’t available, people decided to go with the eBook (ordinarily, I sell many paperbacks for each eBook that sells).

For those who may have purchased the original paperback without the index, there is a free index available in PDF format online: https://chrismcmullen.wordpress.com/index-for-a-detailed-guide/

Now I need to work on an index for Volume 2.

Volume 1 eBook: http://amzn.com/B00AA5CJ7C

Volume 1 paperback: http://amzn.com/1480250201

Volume 2 eBook: http://amzn.com/B00CSDUP66

Volume 2 paperback: http://amzn.com/1484037243

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook page, Twitter

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Nov 19 2013

Zoink Swoosh Cachink Psst Gurgle Splat Buzz Thunk

Sound Effects

How do you feel about words that are created to mimic sound effects in fiction?

You’re reading along, the words are flowing nicely, the story has a smooth pace. Then, without any warning. BAM! There comes a word, all by itself, disrupting the flow, shaking things up for you as reader as much as it is for the characters.

I like it. However:

  • This device loses effectiveness the more it is utilized.
  • The spelling and sound need to agree with me.

It isss posssible to have a high frequencssy of sssuch sssound effectsss, but the sssituation mussst call for it. For example:

  • It may accentuate a character’s unique speech pattern.
  • More use could appeal to young readers (think Dr. Seuss).

When I say that the spelling must agree with me, I don’t mean that it has to follow some standard spelling. A new sound effect word may be refreshing.

What I really want is to agree with the way it sounds.

Don’t give me a rirr rirr when it’s more of a ree-ro ree-ro.

On the other hand, you also have to be reasonable as a reader. If you can say, “Okay, maybe it could sound like that,” you need to accept it.

As with the spelling of a character’s name, there is an aesthetic property associated with the way the letters of the sound effect are selected and arranged. For example, a swoosh is a smooth, unassuming sound effect, while a thunk is hard and abrupt.

Sometimes it’s unnecessary to devise a new sound effect. For example, if two objects collide, why not go with one of the words already in use, such as bump, clunk, thud, or splat?

Is it useful to emphasize the word with CAPS, italics, boldface, or color? The sound effect already stands out because of its unique spelling. Very often, it appears as a single-word sentence. If it already stands out readily, perhaps added emphasis isn’t necessary.

What are some of your favorite sound effects?

Clink clink gurgle gurgle biff biff pau.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook page, Twitter

Check out Read Tuesday (a Black Friday event just for books): website, Facebook page, Twitter

Nov 17 2013

Show & Tell

Show Tell

One of the ‘rules’ of writing is:

  • Show; don’t tell.

First, I’ll ‘tell’ you what this means:

  • Showing, rather than telling, can provide a more vivid understanding to the reader.

Now, let me ‘show’ you what this means:

  • “My daughter was upset because I refused to give her ice-cream,” tells you how my daughter reacted.
  • “When I refused her request for ice-cream, my daughter crossed her arms, spun around on one foot, and stomped out of the room, slamming the door behind her,” shows you how she reacted.

There may be times where it is more appropriate to tell rather than to show:

  • Showing a very minor point may detract from the storyline.
  • Showing may lose its effectiveness or seem tedious if done to an extreme.
  • Main points stand out better when just these are shown.
  • Telling can help make a quick transition between different scenes. For example, “They had an uneventful journey.”
  • A good balance between showing and telling may help achieve the proper rhythm and pace.
  • Telling is often more concise than showing. Imagine how long a typical novel may be if everything were shown rather than told. Readers want to feel like the story is making progress.
  • Telling may be more appropriate for technical writing than showing.

It may be better advice to say:

  • Balance your showing and telling.

But it isn’t the phrasing of the rule that matters. What matters is understanding the distinction between showing and telling, learning how to do each effectively, discovering when to do which, finding the right balance, and making the story and wording flow well.

I have a little riddle for you:

  • What do you get when a novelist takes showing to an extreme?

Spoiler alert: The answer is coming now. If you’re going to exclusively show, you might as well not write a book at all. You might as well film a movie.

Many people who love to read often remark that a book is better than the movie. (Partly, this is because a movie is over in two hours, but a novel involves several hours of reading.)

A movie inherently shows a great deal. So if showing is better than telling, shouldn’t a movie be better than a book? Maybe not:

  • Too much showing reduces the role of the audience’s imagination. A book is better at cultivating the reader’s imagination.
  • Too much showing limits the creative freedom of the audience. When fewer specifics are given, the audience has more freedom in visualizing people, places, and things to their liking. Once they are shown a detail that they don’t like, they feel stuck with it.

A good balance between showing and telling can help provide the best of both worlds.

An interesting point arises when you consider book covers. If the main characters appear on the covers, the reader is shown very specifically how those characters look:

  • Does this hamper the reader’s imagination and freedom in visualizing?

Maybe. But it may be a necessity in genres where this is common, like romance. A cover that clearly depicts the genre can be a valuable marketing tool. If readers are accustomed to seeing the characters on the cover in a given genre, a cover that doesn’t do this may suffer through many fewer sales.

At least, if the characters are depicted on the cover, those characters are apt to appeal to people who purchase the book. So while readers may not be able visualize the characters in their own fashion, they will probably be okay with it.

I also come across this issue of show and tell when teaching physics:

  • Very often, showing is a more effective teaching tool than telling.
  • However, many valuable thinking skills are developed through telling—for example, the ability to reason abstractly and to synthesize information.
  • Students prefer to be shown, but if they never experience processing information they are told, they won’t develop some of these other valuable skills.
  • Examples show students how to solve problems. Some students ignore theory, concepts, and proofs, focusing solely on the examples. When they do this, they miss out on important learning elements.
  • It’s better to be able to solve hundreds of different problems by understanding the underlying technique than it is to memorize hundreds of different solutions. For example, understanding how to apply conservation of energy can help a student solve hundreds of different physics problems. The student who must rely on a very specific example as a guide will struggle with many of the problems.
  • Some skills are difficult to show. Many laboratory, reasoning, and application skills must be learned by trying.

As with writing, a good balance between showing and telling may provide a better learning experience in some ways.

Similarly, there may be some benefits to reading writing that is more abstract, showing less, telling more, and requiring more thought from the reader.

It depends on what you’re writing and who your audience is. An enjoyable read for a popular audience should make things easier on the reader. There are audiences who like things more abstract, for which there should be less showing and more telling, with more opportunities to puzzle things out.

Effective writing meets the needs of the specific target audience.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook page, Twitter

Check out Read Tuesday (a Black Friday event just for books): website, Facebook page, Twitter