Updating a Book at CreateSpace or Kindle Direct Publishing

Update

Today I will share my experience of updating books at Amazon. I recently updated Volume 1 of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers at CreateSpace and Kindle Direct Publishing (KDP). The paperback now includes a comprehensive 18-page index, and both the paperback and eBook include minor updates (such as mention of recent changes at CreateSpace, Amazon, and Kindle and correcting a few minor typos).

If you need to revise your interior or cover file at CreateSpace, first study your sales rank history (you want to know the time of the sales, not the time that the royalties report) to help choose the time where you’re least likely to sell books. Your book will be unavailable for sale while the new file is being reviewed, so you don’t want it to interfere with sales (unless your revision is more urgent, then you just have to do it immediately).

It takes approximately 12 hours for your files to be reviewed. The biggest concern is how Murphy’s law will get you:

  • One way is for CreateSpace to make changes to your cover, even when you didn’t change the cover file and it had been perfect. The best thing to do is resubmit your files for review and hope the next reviewer doesn’t make changes to your cover. This is another 12 hours. But if you call, they put in a request to research the problem, and this can take a couple of days (and may not even resolve the problem). There is, unfortunately, a worst-case scenario where your book is offline for several days. You just have to cross your fingers and hope it doesn’t happen to you. Let me add that this rarely happens, so most likely it won’t be an issue. I didn’t mean to scare you. Just prepare for the worst, then if something does happen, you won’t be surprised by it.
  • Another way is for you to make a minor revision, which winds up causing major changes to the layout of your book. You see, revising a phrase on page 3 could cause a crazy page break on page 8. Take the time to scroll page by page through your book in the Digital Proofer to ensure that there aren’t any crazy layout problems and you might be able to avoid this problem.
  • Then there is conservation of typos, whereby you introduce a new typo in the process of correcting others.
  • Finally, there is the Doh! moment when you click Approve Proof and suddenly remember something else that you should have done.

Very often, your book is again available for sale in 12 to 24 hours after uploading the revised file.

A crazy thing is that you can actually order the paperback directly from Amazon after the revision and receive the older version. This evidently happens when they already have your older version stocked in their warehouse (e.g. if there was a returned copy to resell or if they had ordered some in advance to stock up).

What I like about KDP is that your previous edition remains available for sale while your new eBook is in the process of publishing. This way you don’t miss out on any sales in the meantime.

I put a note on the copyright page indicating when the eBook was last updated. This way, when I viewed the Look Inside at Amazon, I knew I was looking at the updated version.

I like the way the Look Inside turned out. The Look Inside when viewing on a PC is the greatest formatting challenge. I went into the HTML in my effort to perfect this. The indents look large on the PC, but that’s because I set them to a percentage instead of a value in inches. That way, the indents will look fairly reasonable from a cell phone to an iPad.

Another thing to consider is updating the description. I updated the paperback description from CreateSpace, using the basic HTML that’s allowed to create linebreaks, boldface, italics, and bullets. I used Author Central to do this for the eBook. The paperback description begins with a note about the new index that has been added.

The paperback was ranked around 14,000 on Amazon, but has now dropped down to 45,000. It’s amazing what a 16-hour window of no availability can do to sales rank. On the other hand, the eBook edition jumped up to 40,000 from the 100,000’s. I guess when the paperback wasn’t available, people decided to go with the eBook (ordinarily, I sell many paperbacks for each eBook that sells).

For those who may have purchased the original paperback without the index, there is a free index available in PDF format online: https://chrismcmullen.wordpress.com/index-for-a-detailed-guide/

Now I need to work on an index for Volume 2.

Volume 1 eBook: http://amzn.com/B00AA5CJ7C

Volume 1 paperback: http://amzn.com/1480250201

Volume 2 eBook: http://amzn.com/B00CSDUP66

Volume 2 paperback: http://amzn.com/1484037243

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook page, Twitter

Check out Read Tuesday (a Black Friday event just for books): website, Facebook page, Twitter

Zoink Swoosh Cachink Psst Gurgle Splat Buzz Thunk

Sound Effects

How do you feel about words that are created to mimic sound effects in fiction?

You’re reading along, the words are flowing nicely, the story has a smooth pace. Then, without any warning. BAM! There comes a word, all by itself, disrupting the flow, shaking things up for you as reader as much as it is for the characters.

I like it. However:

  • This device loses effectiveness the more it is utilized.
  • The spelling and sound need to agree with me.

It isss posssible to have a high frequencssy of sssuch sssound effectsss, but the sssituation mussst call for it. For example:

  • It may accentuate a character’s unique speech pattern.
  • More use could appeal to young readers (think Dr. Seuss).

When I say that the spelling must agree with me, I don’t mean that it has to follow some standard spelling. A new sound effect word may be refreshing.

What I really want is to agree with the way it sounds.

Don’t give me a rirr rirr when it’s more of a ree-ro ree-ro.

On the other hand, you also have to be reasonable as a reader. If you can say, “Okay, maybe it could sound like that,” you need to accept it.

As with the spelling of a character’s name, there is an aesthetic property associated with the way the letters of the sound effect are selected and arranged. For example, a swoosh is a smooth, unassuming sound effect, while a thunk is hard and abrupt.

Sometimes it’s unnecessary to devise a new sound effect. For example, if two objects collide, why not go with one of the words already in use, such as bump, clunk, thud, or splat?

Is it useful to emphasize the word with CAPS, italics, boldface, or color? The sound effect already stands out because of its unique spelling. Very often, it appears as a single-word sentence. If it already stands out readily, perhaps added emphasis isn’t necessary.

What are some of your favorite sound effects?

Clink clink gurgle gurgle biff biff pau.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook page, Twitter

Check out Read Tuesday (a Black Friday event just for books): website, Facebook page, Twitter

Show & Tell

Show Tell

One of the ‘rules’ of writing is:

  • Show; don’t tell.

First, I’ll ‘tell’ you what this means:

  • Showing, rather than telling, can provide a more vivid understanding to the reader.

Now, let me ‘show’ you what this means:

  • “My daughter was upset because I refused to give her ice-cream,” tells you how my daughter reacted.
  • “When I refused her request for ice-cream, my daughter crossed her arms, spun around on one foot, and stomped out of the room, slamming the door behind her,” shows you how she reacted.

There may be times where it is more appropriate to tell rather than to show:

  • Showing a very minor point may detract from the storyline.
  • Showing may lose its effectiveness or seem tedious if done to an extreme.
  • Main points stand out better when just these are shown.
  • Telling can help make a quick transition between different scenes. For example, “They had an uneventful journey.”
  • A good balance between showing and telling may help achieve the proper rhythm and pace.
  • Telling is often more concise than showing. Imagine how long a typical novel may be if everything were shown rather than told. Readers want to feel like the story is making progress.
  • Telling may be more appropriate for technical writing than showing.

It may be better advice to say:

  • Balance your showing and telling.

But it isn’t the phrasing of the rule that matters. What matters is understanding the distinction between showing and telling, learning how to do each effectively, discovering when to do which, finding the right balance, and making the story and wording flow well.

I have a little riddle for you:

  • What do you get when a novelist takes showing to an extreme?

Spoiler alert: The answer is coming now. If you’re going to exclusively show, you might as well not write a book at all. You might as well film a movie.

Many people who love to read often remark that a book is better than the movie. (Partly, this is because a movie is over in two hours, but a novel involves several hours of reading.)

A movie inherently shows a great deal. So if showing is better than telling, shouldn’t a movie be better than a book? Maybe not:

  • Too much showing reduces the role of the audience’s imagination. A book is better at cultivating the reader’s imagination.
  • Too much showing limits the creative freedom of the audience. When fewer specifics are given, the audience has more freedom in visualizing people, places, and things to their liking. Once they are shown a detail that they don’t like, they feel stuck with it.

A good balance between showing and telling can help provide the best of both worlds.

An interesting point arises when you consider book covers. If the main characters appear on the covers, the reader is shown very specifically how those characters look:

  • Does this hamper the reader’s imagination and freedom in visualizing?

Maybe. But it may be a necessity in genres where this is common, like romance. A cover that clearly depicts the genre can be a valuable marketing tool. If readers are accustomed to seeing the characters on the cover in a given genre, a cover that doesn’t do this may suffer through many fewer sales.

At least, if the characters are depicted on the cover, those characters are apt to appeal to people who purchase the book. So while readers may not be able visualize the characters in their own fashion, they will probably be okay with it.

I also come across this issue of show and tell when teaching physics:

  • Very often, showing is a more effective teaching tool than telling.
  • However, many valuable thinking skills are developed through telling—for example, the ability to reason abstractly and to synthesize information.
  • Students prefer to be shown, but if they never experience processing information they are told, they won’t develop some of these other valuable skills.
  • Examples show students how to solve problems. Some students ignore theory, concepts, and proofs, focusing solely on the examples. When they do this, they miss out on important learning elements.
  • It’s better to be able to solve hundreds of different problems by understanding the underlying technique than it is to memorize hundreds of different solutions. For example, understanding how to apply conservation of energy can help a student solve hundreds of different physics problems. The student who must rely on a very specific example as a guide will struggle with many of the problems.
  • Some skills are difficult to show. Many laboratory, reasoning, and application skills must be learned by trying.

As with writing, a good balance between showing and telling may provide a better learning experience in some ways.

Similarly, there may be some benefits to reading writing that is more abstract, showing less, telling more, and requiring more thought from the reader.

It depends on what you’re writing and who your audience is. An enjoyable read for a popular audience should make things easier on the reader. There are audiences who like things more abstract, for which there should be less showing and more telling, with more opportunities to puzzle things out.

Effective writing meets the needs of the specific target audience.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook page, Twitter

Check out Read Tuesday (a Black Friday event just for books): website, Facebook page, Twitter

Publishing a Book Is Like Applying for a Job

Want Ads

In many ways, publishing a book is like applying for a job:

  • You scour the want ads searching for a job opening, and you scour the Writer’s Market and other lists searching for agents and publishers.
  • Self-publishing is like starting your own business. Writing is a business, if your books are for sale.
  • A prospective employer first looks at your resume and cover letter before deciding whether or not to contact you. A prospective agent or publisher first looks at your query letter and book proposal. A prospective reader first looks at your cover, title, description, and sample.
  • Contacts and social media can help you meet employers, find head hunters, discover training opportunities, get resume help, be referred, and become part of a support network. In the writing world, contacts and social media can help you meet other writers, connect with editors and designers, learn publishing and marketing tips, discover agents and publishing opportunities, get writing help, and give and receive valuable support.
  • Referrals from contacts, supervisors, and previous employers can be quite valuable. For authors, word-of-mouth referrals, book reviews, and recommendations are golden.
  • A product or service needs to be highly marketable and effectively marketed in order for the business to succeed. Books similarly must be marketable and effectively marketed.
  • Ultimately, valuable skills sets and experience are necessary for any job. Writing and storytelling skills and experiences thus serve authors. The writer is a craftsman.
  • At a job, customers pay the employees’ salaries; without the customers, the company would go out of business. In the publishing world, readers pay the authors’ and publishers’ salaries.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook page, Twitter

New Electronic Stats Display 8000

Electronic Stats

 

Check out the new Electronic Stats Display 8000:

  • Instant real-time display.
  • Works 24 hrs/day, 7 days/week.
  • Includes international wireless connection.
  • Display multiple stats from any website.
  • Fully customizable display.
  • Programmable sound effects.
  • Translate to any of 36 different languages.
  • Built-in energy-saving AI circuit.
  • Online gaming provides odds and allows user to place bets.
  • Available as mounted wall unit or portable handheld device.
  • Optional holographic projector produces 3D images up to billboard size.

Features described for fully-loaded luxury model, and are optional upgrades on other models. Offer void everywhere and anywhere else prohibited by law. Please allow six to eight centuries for delivery.

Changing Your Book Up

Change Up

If you publish a book, chances are you will encounter a variety of reasons to consider making changes:

  • The blurb is quite challenging to write, so we often wonder if we should try to improve it.
  • It’s nearly impossible to edit a hundred thousand words and catch every single typo. Even if you edit extremely well, you usually encounter a couple of stragglers somewhere down the line.
  • As we’re human, occasionally we make a big oopsie. If so, you want to fix that as quickly as possible.
  • Nonfiction material can quickly become outdated. Revisions can help keep it up-to-date.
  • Reviews sometimes provide suggestions that have merit. You’re thinking about applying this helpful feedback.
  • An idea may occur to you, which you hadn’t thought of before. You’re wondering if it would make your book better.

Depending on the occasion, it might be best to make the change right away or it might be best to wait:

  • If you have an embarrassing or significant mistake, you need to take care of that promptly.
  • At Kindle, your present edition will remain available while you’re revised edition is in the process of publishing, so you don’t have to worry about losing sales in the meantime. So once your revision is ready, there is no reason to wait.
  • At CreateSpace, your book will be unavailable for about 12-24 hours while your file is being reviewed. So if the changes can wait, it would be a good idea to pick a day and time where sales may be relatively slow. Study your sales rank history at AuthorCentral for help planning this, and also consider what marketing you have going on and coming soon. Sometimes your book can be back online in less than 12 hours. However, even if you make a minor change to your interior file, your cover file can get changed for the worse (even if you don’t change your cover), and it can take several days to fully resolve this. Hope for the best, but plan for the worst-case scenario.
  • Most things, including your blurb, author photo, biography, and book files probably shouldn’t be changed when sales are going well. If sales start to drop off, that may be a better time to change things up and see if they help or hurt.

I’ve revised several of my books and blurbs in 2013 (and I’m still not finished with it). For me, it has been a year of revisions. I have a few projects that I wanted to complete in 2013, but which I have yet to begin, because I have spent so much time making revisions.

It started with one of my math workbooks. I had a request from a parent that would help one of my math workbooks better meet the needs of parents, so I devoted some time toward this. At about the same time, I also updated a couple of the covers of my math workbooks. Those I was able to improve without making the cover look significantly different. (I have a couple of other math workbooks that I’d like to give a makeover, but I haven’t because I don’t want anyone to accidentally buy the same book twice.)

Next, I made numerous revisions to my conceptual chemistry book. I completely revised thousands of symbols that were originally typeset as equations, realizing that they would format better as text with superscripts and subscripts. This was extremely time-consuming and took several edits. I have about 40 different versions of the eBook file, and dozens more of the paperback editions. I’ve never edited anything this much before, and hope to avoid such extensive editing in the future.

I’ve updated my self-publishing books a few times because every time I make a revision, something new seems to come out. My original (i.e. 2009) self-publishing book needs a major overhaul. I’ve been wanting to do this for a couple of years, but it needs so much work, I generally put it on the backburner and work on something else. I plan to finally do this by the year’s end.

Presently, I’m adding indexes to my new (i.e. 2012/2013) self-publishing books (i.e. Volumes 1 and 2 of the “Detailed Guide”). It’s amazing how much work is involved in making a thorough index. And it’s thorough; it may add another 20 pages (with two columns) to the book. I hope to have the index for Volume 1 finished today or tomorrow. Then I have a list of revisions to make, like mentioning the new Countdown Deal, but this should be quick and painless.

I’ll be combining Volumes 1 and 2 into an omnibus edition. I hope to have it out by Read Tuesday. Then I can get back to the major overhaul of my original self-publishing book.

I have some other minor revisions that I’ve made (correcting a few typos that I’ve discovered here and there), and a couple of covers that have some printing variations that could use a fix.

I’ve changed many of my blurbs extensively this year. In most cases, this had a very significant improvement on sales, often immediately. It’s amazing what boldface, italics, bulleted lists, and splitting a long paragraph up into shorter paragraphs can do.

How about you? Have you had any fun with revisions this year?

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook page, Twitter

Check out Read Tuesday (a Black Friday event just for books): website, Facebook page, Twitter

Build an Effective Author Website + Press Release (2-in-1 Post)

Free author resources at the Build Book Buzz website: http://www.buildbookbuzz.com.

Today I will show you a highly instructive example of how to build an effective author website. It’s actually the website for a former publicist, so it’s no surprise that the website excels at attracting the target audience.

We can learn a lot about how to attract our own traffic by studying the many cool features on this website. Also, there is an abundance of free content on this website, like how to prepare and distribute a press release to create book publicity.

In this way, we’ll learn two things at once:

  • how to attract your target audience through a website
  • how to prepare and distribute a press release

The website is called Build Book Buzz. This is the website that former publicist Sandra Beckwith uses to attract her target audience—authors who need help with book publicity (both traditionally published and indies). She no longer provides book publicity services to authors, but now helps many authors save thousands of $$ by teaching them how to do it themselves.

I will describe various features of her website, showing how they help to attract her target audience. This will be instructive if you check these features out as I describe them. Try to think of ways that you might be able to utilize similar features to attract your target audience.

Here is the link to her website: http://buildbookbuzz.com. Check it out.

Tip #1: The website name is geared toward the content, not the author. You know what the content is about instantly.

Tip #2: The homepage identifies the target audience and attracts their interest immediately. Notice how the website doesn’t mention who is offering this content (i.e. you don’t learn that it’s a former publicist’s website or who the former publicist is) until further down the page.

Tip #3: Nothing is for sale on the homepage. The homepage is geared around free content relevant for the target audience. It doesn’t look like an advertisement for a book, it doesn’t look like a fan page or biographical record, and it doesn’t look like a blog. Valuable free content that will interest the target audience is what will attract your audience to your website.

Sandra does have books and services that she sells, but none of these appear on her homepage. Think about this.

Tip #4: Visual branding. Study the images. The images aren’t the same, but most follow a similar blue, yellow/gold, and white theme, and feature a picture (not always the same) of an open book. Making the images slightly different helps you see that it’s not the same image, so you don’t ignore it. Having them all uniformly styled helps with the visual branding, and shows you that you’re clearly on the same website. Notice that they follow the three-color rule. The cover images look 3D, which helps to make a good visual impression. The information in the booklets is clear from the keywords that stand out in the title.

Tip #5: The homepage offers a free booklet. The content will interest the target audience. The offer appears first at the top to attract interest, and is repeated at the bottom so if you’re sold when you get there, you don’t have to scroll back up to the top.

Tip #6: The free booklet offer is a clever way to build an audience for an email newsletter. This helps to populate an email newsletter database (note that you must provide an unsubscribe option).

This is worth considering:

  • How do you get an audience for a newsletter? Offer a free booklet to sign up.
  • How do you get your target audience in the email list? Make a booklet that has content relevant for your target audience.
  • How do you get your audience to discover your booklet? As part of a content-rich website geared toward your target audience.

Tip #7: I recommend signing up for the email newsletter. (I did.) Why? Two reasons:

  • The emails you receive will provide a sample of how to use an email newsletter effectively. Although your content will be much different, there is much to learn here.
  • If you have a book that you’re trying to market, this content is relevant to you.

Tip #8: The website is easy to read. There isn’t a busy, distracting background. There is effective use of color with the text.

Tip #9: Free content. See the Tips page (each page can be found by clicking on the index at the top of the website). There are a variety of free PDF files of interest to the target audience. It’s a content-rich website, and much of it is free. This attracts the target audience.

Tip #10: Check out the PDF files on the Tips page. I highly recommend these in particular:

  • See the tips for writing a press release (book announcement). These are invaluable. A press release is critical for news publicity, and has a specific formula for its preparation.
  • Also see the tips for writing a tip sheet. Like the press release, this is something you need to help create news for your book.

The other tips on the Tips page are also worth exploring.

Tip #11: There is a blog on this website, but it really functions primarily as an author website, and the blog is just one of many components; it’s definitely not a website that was built around a blog. The blog, like the rest of the website, is content rich and free. You can probably find a lot of valuable information here.

Tip #12: Let’s jump ahead to the Press Room page. When you prepare the press release for the news about the publication of your book (if you haven’t already done so, you want to do this), you should add a Press Room page to your website.

Study the two press release examples on this page. They show you how to structure and format a press release. When you study the tips for how to write a press release, you should also re-read these two examples. This page also shows you how to format a Press Room page.

Tip #13: Check out Sandra Beckwith’s e-book, Get Your Book in the News. This is a detailed guide that spells out the formula for how to prepare a press release. I bought a copy, read it, and relied heavily upon it to write my press release for Read Tuesday. I recommend it.

Tip #14: Finally, check out the other pages. There are a couple of books and services offered that aren’t free. Note that there is an abundance of free content, but also some paid content. The paid content is different from the free content. Also, the free content is complete. It’s not a free sample; it’s free content.

There is ample free content, so you don’t feel disappointed or frustrated. If you don’t buy anything, you still feel that the website was highly useful.

The free content is very good. This gives you the sense of trust that you need before moving onto the paid content. The taste of the free content makes you consider the paid content. Note that the paid content also has a satisfaction guarantee.

I recommend that you take advantage of the free content on the Build Book Buzz website. There are a lot of valuable, yet free, resources there.

I was not asked to write this post. I was not asked to promote the Build Book Buzz website or any of its goods or services. I discovered this website, found much of the material useful, and thought it would be handy to share it. I did contact Sandra Beckwith to let her know that I would be writing this post.

I hope you found something useful. 🙂

Sandra Beckwith is a former national award-winning publicist who now teaches authors how to promote and publicize their books. Get free tips and subscribe to her complimentary Build Book Buzz e-zine at http://buildbookbuzz.com. Connect with her on Twitter, Google+, LinkedIn, and Facebook.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Twitter, Facebook

Learn more about Read Tuesday, a Black Friday type of event just for books: website, Twitter, Facebook

Read Tuesday would Love Your Help

It’s going to be huge.

What is Read Tuesday? It’s a Black Friday type of event just for books. In 2013, it will be Tuesday, December 10, 2013.

We’re off to a good start:

  • We have an official website up and running, with content.
  • We have a healthy start in terms of followers, especially the Facebook page and Twitter.
  • We have several authors who’ve shown interest and agreed to participate.
  • We have a press release and we’re now at the stage where we will distribute it.
  • We have been advertising on various websites to let both authors and readers know about the event.

Read Tuesday could use your help. If you can help with one or more of the following, your help will be greatly appreciated:

  • We’re looking for any name recognition that may help to promote the event. We have a little to begin with; the more we can get, the better. Any authors (or even indie publishers or booksellers), for example, who have achieved some small measure of success who may be willing to participate in Read Tuesday could help to promote the event as a whole. It’s a win-win situation, as we would include your name with our press release, press release distribution, and other efforts to promote the event (including paid advertisements and social media). This would help to advertise the authors (or entities) who have a little name recognition in addition to advertising the event. This will help to promote these authors along with the event. If you know anyone with mild success, please let them know about this offer. They can contact Chris McMullen at the email in the next bullet.
  • We can always use more participation, especially books and authors added to the catalog. We’ve had many more authors say they will participate than have taken the time to add their books or names to the catalogs. I expect they will be promoting their books on December 10 and participating. It would help the event be better if we could get more books and names in the catalogs. Simply email your ASIN (for a Kindle book that will participate) or a link to your book at a website where it will be on sale to Chris McMullen at greekphysics@yahoo.com. It’s that easy.
  • Tell a friend, or several friends; tell anyone. If you like the idea of Read Tuesday, you can help make it better just by helping to spread the word. Word of mouth, email, blog, Facebook, Twitter, any way you might spread the word will be valued. 🙂

Give the gift of reading this holiday season.

Chris McMullen, founder of Read Tuesday

Follow the Read Tuesday blog: http://readtuesday.com

Like the Read Tuesday Facebook page: https://www.facebook.com/ReadTuesday

Follow Read Tuesday at Twitter (@ReadTuesday): https://twitter.com/ReadTuesday

How to Create Book Publicity

Undies

That’s one-half of what you need: publicity. The other half is having a marketable product. With this post, I’ll focus on the publicity side.

How do you get your book discovered when there are millions to choose from?

That’s the million-dollar question, and every author is trying to answer it with two cents. 🙂

Too many authors are hoping for instant publicity, or at least to have someone else create the publicity for them. Shortcuts are hard to come by and even if you do hit the lottery, this kind of short-term publicity often doesn’t bring the success that you’re hoping for.

Let me illustrate this with a specific example:

Indies in their Undies

Just imagine a dozen sexy indies promoting an event called “Indies in their Undies.” Maybe they’re wearing Victoria’s Secret undies. They’re going to do a supermodel sort of walk onto a catwalk, wearing just their sexy undies and each holding up one book during the process.

(You’re ready to sign up, aren’t you?)

Sure, this could get a lot of publicity. But it’s not going to be a magnet for publicity.

If you just go out and do this, do you think the news van is going to happen to pass by, see a group of people walking around in undies holding up books, film it, and show it on the six o’clock news?

No. You have the same problem as getting a great novel discovered. Even though it’s a newsworthy idea, it doesn’t just make the news. You have to go to the media. The media isn’t coming to you.

To make this work, you need to know how to generate publicity for the event.

You see, most authors think this through backwards. Authors intuitively think that if they do something that would intrigue the public, that this will generate publicity for them.

But that’s not how it works.

You do need something that’s newsworthy. Heck, that could just be the release of your book. Whatever the news is, what you really need to do is publicize the news. The news itself isn’t going to get you publicity all by itself.

So if you wanted to make an idea like “Indies in their Undies” work, here’s what you would really need to do:

  • Build credibility for the event.
  • Create buzz for the event.
  • Prepare a press release.
  • Distribute the press release to the media.

This will help to get you media coverage. Media can be a professional cameraman for a major newstation, a reporter for a local newspaper, or a blogger with a popular podcast watching from your laptop camera.

Regardless of the form that media takes, you need to prepare a press release and distribute it to the media. That’s the only way you’re going to get the media to help you spread the news (apart from happening to have a personal connection with someone in the media).

If you have something newsworthy, this is a way to go beyond your blog and social media platform to reach new members in your target audience—i.e. if you can get some form of media to help you publicize your news.

Again, your news could just be the release of your book. It doesn’t have to be some wild scheme like “Indies in their Undies.”

Let’s look at another problem with “Indies in their Undies.”

Target Audience

Who’s going to show up for this event? This is very important.

If the news spreads, but the vast majority of people who see, read, or hear the news aren’t in your book’s specific target audience, all this publicity (if you can get it) won’t translate into near the sales that you’re looking for.

How about the few people who watch “Indies in their Undies” who happen to be in your target audience? Do you think they’re going to take you seriously as an author? Do you think they’re interested in your book when they watch this? (Unless maybe your book is an around-the-world photo shoot of sexy writers in their undies.)

If you want your publicity to be effective, keep these things in mind:

  • Strive to gain publicity with your specific target audience.
  • Strive to be seen as a professional. If the media views you as an amateur, it will deter their interest in you. If your audience views you as an amateur, this will also deter sales.
  • Strive to get positive publicity for your book and yourself. Negative publicity isn’t a recipe for long-term success for the vast majority of authors.

What Would Be Better?

The problem isn’t creating news. You already have that. You wrote and published a book. That can be newsworthy.

What you’d really like to do is use this to help generate publicity: an article, a review, an interview, a podcast, etc. You want some entity (or several entities) with a large circulation, viewership, readership, or following to learn about your news and help spread it to your target audience.

Here is what you need to do this:

  • Create a marketable book from cover to cover. Ultimately, it’s the perception of professionalism versus amateurish that really counts. Why spread the news about something that seems amateurish (not just the cover; your entire presentation will be scrutinized, and the book, too).
  • Build credibility. Experience and qualifications are highly relevant. The more you look like the perfect fit to write the book you wrote, the more you’ll be taken seriously.
  • Be factual. If you get a job as a journalist, you’ll learn to think this way: Can this statement be verified? When the media looks at your cover letter and press release, they’re looking for anything that may be false, and anything that can’t be easily fact-checked (e.g. “better than Harry Potter”). Spend time studying how journalists write and try to think like a journalist when you prepare materials that you will submit to the media.
  • Learn how to prepare and distribute a press release. There is a specific formula to follow if you want to look professional, and you do. You want to research this formula. (I’ll provide a reference to one such formula in a coming post. It’s not my own formula, so I won’t post it on my blog, but I will help direct you to it. Sorry, you have to wait a couple days, or use a search engine to find one such formula.) In addition to the formula, you’ll want to learn how to distribute your press release to the media.

Remember, media doesn’t have to be the Times or the eight o’clock news. Bloggers are in the media, too, and some have very large followings or widely spread email newsletters.

Indies may find media coverage more challenging, though it isn’t easy for a new author who is traditionally published, either. But it’s not a dead end. In addition to the explanation that follows, see the note at the end of this post.

It’s kind of like bookstores. As an indie, you’re going to find widespread distribution with national chains nearly impossible, but small local bookstores and non-bookstores that happen to sell books tend to be more receptive. The more professional you come across and the more marketable and professional your book, the better your chances. That’s how some indies are getting stocked in big bookstores, maybe not nationally, but on a store-by-store basis in their own regions.

Similarly, the more professional you come across in your press release, cover letter, and presentation and the more marketable and professional your book appears (and qualifications and experience factor into this, too), the better your chances of getting media coverage.

Start small and work your way upward. This gives you experience and confidence as you approach the Big Boys and Girls.

Small local papers often have inches to fill. A small local radio station may have minutes available. You’re local. You have news. It may be a good fit. Check it out, but approach it professionally.

Media that coincides with your target audience may be a good fit. Explore these options.

Don’t just think television, radio, newspapers, and magazines. There are many, many online opportunities, from websites to podcasts to online magazines to bloggers and more. Getting coverage with the most visible channels will be extremely competitive. But there are so many avenues open that you can find a good fit if you have the will to find the way.

You can prepare content that attracts your target audience and the target audience of a website, for example. Instead of simply advertising or reviewing your book, this way the website has something to gain in return for giving you publicity. There are many sites with varying degrees of traffic that have a need for frequently updated content. Publishing an article is an opportunity. You can’t do it if you don’t try.

Looking beyond the release of your book, there may be something unique about you that will help you gain publicity. For example, if you’re lucky enough to be a triplet, that’s newsworthy. Think about yourself in addition to your book.

Whether your news is the release of your book or “Indies in their Undies,” you still need to build credibility, prepare a press release, and distribute it. So an idea like “Indies in their Undies” really isn’t a shortcut to publicity. Maybe it will help a lot, maybe it won’t. Either way, to get publicity for it, you still need to do all the work of publicizing it—really, you could just skip the middleman and focus on publicizing your book.

However, if you have a newsworthy event that relates to your book and would be of interest to your book’s target audience, if you’re having trouble getting media coverage of your book, you may find the media more receptive of your related news. So in this case, an event may create news that attracts the media better than your book does. “Indies in their Undies” doesn’t relate to your book and doesn’t attract the same target audience, so it’s not the best example. But if you’re struggling to get the media attention you desire for your book, another possibility is to think about how to generate news that relates to your book.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Writing Is a Bad Romance

Bad Romance

 

It’s so easy to fall in love with writing.

Writing seduces you without you ever knowing it.

Subtle is its game; it doesn’t allure you through money, sex, or glamour.

Rather, it just seems like a good friend that grows on you.

You don’t realize you’re married to writing until your case is hopeless.

Writing: You can’t live with it, nor can you live without it.

 

The passion to write consumes you.

You must give it your full attention.

Even the slightest distraction must be avoided.

Just you and your writing. Alone. Together.

Long passionate nights writing and writing and writing.

It’s constantly on your mind.

You pull over in the car to write it a love note.

In the middle of the night, you wake up thinking about it.

 

It’s too much for you to keep it bottled up inside.

You crave to share your passion for writing with the world.

So you post articles on your blog.

Write a short story. Begin a novel.

You publish. You put your heart on your sleeve.

Now your writing is no longer a private affair.

Being a published author is like a celebrity dealing with the tabloids.

You thought the paparazzi didn’t care about small-time writers.

Oh, but they do. And, boy, do they ever.

Not only does everyone know about your writing relationship,

But everyone seems to have an opinion on it.

 

Your book is too different. We don’t like change.

Your book is too similar to what’s already out there. Such a copycat.

The sentences are too simple. Grow a vocabulary.

The sentences are too complex. Make it easy to read.

Your characters are too real. Show some imagination.

Your characters are unbelievable. We can’t deal with that.

 

Entertain me. Engage me. Hold my attention. Captivate me.

Have me begging for more.

Make me laugh. Make me cry. Anger me. Move me.

Give me a better life.

 

Design a perfect cover. Write a killer blurb.

Sell me your book with a gripping Look Inside.

Edit your book immaculately.

Write like a master wordsmith.

Develop intriguing characters.

Wow me with a sensational plot.

Market so I can find your book.

Is it too much to ask?

 

So many months of passionate writing.

More months of grueling editing.

Cover design, proofreaders, writer’s forum, blurb development.

Formatting, publishing, revising, learning.

Buzz, review copies, blogging, social media, website.

All that hard work, effort, imagination, and passion.

 

For what?

To sell a few books, then a lot, then a few, then a lot.

For praise, then criticism, more praise, more criticism.

For a few choice words to sting you like a poisoned dagger!

For that? Really? For that?

For a complete stranger to say two magically fantastically wonderful words.

Thank you.

To touch readers around the world.

To share your joys, your passions, your ideas.

 

Because you never, ever, ever, ever had a choice.

Writing had you when you first picked up your pen.

 

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Whether you love writing or reading, Read Tuesday is the perfect occasion to celebrate either. Check it out.