Turning Pro: Taking Indie Authorship to the Next Level

Pro

You would like to start out looking like a pro.

Many wise authors strive for this:

  • Searching for similar titles to see what may be highly marketable.
  • Asking experienced authors, editors, publicists, and small publishers for advice.
  • Doing research on writing, formatting, publishing, and marketing.
  • Trying to build a following before publishing.
  • Joining a writing group to improve as a writer.
  • Receiving ample feedback from the target audience.
  • Hiring a cover designer and editor.
  • Building buzz prior to a book’s release.
  • Writing a press release and distributing it to the media.

These are great things to do, and they can help immensely.

Yet, no matter how hard you try to nail your first book, you always improve and grow as an author:

  • After establishing yourself as an author, you have a fan base to work with and toward.
  • You find yourself reading a book, wondering why you didn’t think of that, or something you see triggers a design idea for your book.
  • A reader provides a helpful suggestion that you hadn’t considered.
  • You come across publishing tips you wish you’d known previously.
  • Once you have enough books out, you may start thinking more and more about becoming a small publisher.
  • New connections may open new possibilities for your books.

Unless your book is free or you donate 100% of the proceeds to charity, then technically you’re a professional author. But that’s not what I mean by professional. Rather, there comes a point in every writer’s career where you feel that you’ve made the transition from amateurish to professional. When you’re more experienced, wiser, and your writing has matured, you realize you’ve made some transition. This probably doesn’t happen just once, but several times over the course of writing.

Another thing I don’t mean is any distinction between indie and traditional authors. More and more traditional authors are also indie publishing, often with a pen name, which really blurs any line you might want to draw between them. It’s not how you publish that matters most to a reader, but how professional the book is. There are different degrees of professionalism even within traditionally published books.

As you grow as an author and strive to become more professional, here are some of the things you might consider:

  • ISBN options. When you start out, it’s hard to invest more than about $10 in an ISBN option. As your sales grow, you start to consider buying a block of ISBN’s. For example, in the US Bowker offers 10 for $250 or 100 for $575. As you start to think of developing a serious imprint and expanding your distribution options, this might fit your needs.
  • Professional websites. You may want something that looks more like a website and less like a blog. You might want your own domain name. You may add a site for your book and another for your imprint. At Facebook, you may add an author page or book page. If you create a Facebook page (i.e. more than just a Facebook account), it will have a Like option, and if you feed your WordPress blog into Facebook (but beware of this issue), those Facebook page Likes add to your follower tally (so do Twitter Follows if you feed your blog into Twitter). From your Facebook home, find the Create a Page option on the bottom-left. For an author page, click Artist, Band, or Public Figure; one of the options is author. (You can also make a page for your book by selecting Entertainment.)
  • Professional help. As your sales grow, you might consider investing more on cover design or editing, or even interior design. Although I’ve enjoyed designing my books, I’ve found a cover designer and had covers made for my most recent books and works in progress. I like the new covers much better, so I’m very pleased with this decision. I’ve also purchased illustrations and designs for book interiors.
  • Advertising. It’s difficult to invest in advertising when you’re starting out. There is a huge risk that you won’t recover your investment. You wish you could throw a little money out there to relieve you of the need to market your books, but it doesn’t work out that way. But once you’ve achieved some degree of success, you can better gauge your book’s marketability, you know you will have some initial support, and your current royalties can help cover your investment. You may be looking for ways that an advertisement can complement your marketing, such as a paid advertisement for a one-day book promotion.
  • Giving back. When you start out, you need a lot of help. As you gain experience, you have more knowledge to share and need less help. You might pay it forward, helping new authors through blog posts or who approach you with questions (whereas most people don’t like unsolicited advice). As you become more efficient with your own marketing, you might help a little to promote up-and-coming new authors whose work you like.

I’m presently collaborating on a publishing project with other authors to create a new series of math and writing workbooks. There is a creative element that will hopefully help engage children in learning fundamental skills. We’re getting professional covers for the series and professional illustrations for the interiors. We have a logo. We’ll use an imprint and purchase ISBN’s. We’ll be setting up a website. Our goal is to create a professional series of math and writing workbooks that meet the needs of students, parents, homeschoolers, and teachers.

Maybe a traditional publisher would like to have this series. But we’re indie all the way. 🙂

We’re hoping to launch the series in the spring or summer of 2014.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Volume 1 (formatting/publishing) and Volume 2 (packaging/marketing), Facebook page, Twitter

Updating a Book at CreateSpace or Kindle Direct Publishing

Update

Today I will share my experience of updating books at Amazon. I recently updated Volume 1 of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers at CreateSpace and Kindle Direct Publishing (KDP). The paperback now includes a comprehensive 18-page index, and both the paperback and eBook include minor updates (such as mention of recent changes at CreateSpace, Amazon, and Kindle and correcting a few minor typos).

If you need to revise your interior or cover file at CreateSpace, first study your sales rank history (you want to know the time of the sales, not the time that the royalties report) to help choose the time where you’re least likely to sell books. Your book will be unavailable for sale while the new file is being reviewed, so you don’t want it to interfere with sales (unless your revision is more urgent, then you just have to do it immediately).

It takes approximately 12 hours for your files to be reviewed. The biggest concern is how Murphy’s law will get you:

  • One way is for CreateSpace to make changes to your cover, even when you didn’t change the cover file and it had been perfect. The best thing to do is resubmit your files for review and hope the next reviewer doesn’t make changes to your cover. This is another 12 hours. But if you call, they put in a request to research the problem, and this can take a couple of days (and may not even resolve the problem). There is, unfortunately, a worst-case scenario where your book is offline for several days. You just have to cross your fingers and hope it doesn’t happen to you. Let me add that this rarely happens, so most likely it won’t be an issue. I didn’t mean to scare you. Just prepare for the worst, then if something does happen, you won’t be surprised by it.
  • Another way is for you to make a minor revision, which winds up causing major changes to the layout of your book. You see, revising a phrase on page 3 could cause a crazy page break on page 8. Take the time to scroll page by page through your book in the Digital Proofer to ensure that there aren’t any crazy layout problems and you might be able to avoid this problem.
  • Then there is conservation of typos, whereby you introduce a new typo in the process of correcting others.
  • Finally, there is the Doh! moment when you click Approve Proof and suddenly remember something else that you should have done.

Very often, your book is again available for sale in 12 to 24 hours after uploading the revised file.

A crazy thing is that you can actually order the paperback directly from Amazon after the revision and receive the older version. This evidently happens when they already have your older version stocked in their warehouse (e.g. if there was a returned copy to resell or if they had ordered some in advance to stock up).

What I like about KDP is that your previous edition remains available for sale while your new eBook is in the process of publishing. This way you don’t miss out on any sales in the meantime.

I put a note on the copyright page indicating when the eBook was last updated. This way, when I viewed the Look Inside at Amazon, I knew I was looking at the updated version.

I like the way the Look Inside turned out. The Look Inside when viewing on a PC is the greatest formatting challenge. I went into the HTML in my effort to perfect this. The indents look large on the PC, but that’s because I set them to a percentage instead of a value in inches. That way, the indents will look fairly reasonable from a cell phone to an iPad.

Another thing to consider is updating the description. I updated the paperback description from CreateSpace, using the basic HTML that’s allowed to create linebreaks, boldface, italics, and bullets. I used Author Central to do this for the eBook. The paperback description begins with a note about the new index that has been added.

The paperback was ranked around 14,000 on Amazon, but has now dropped down to 45,000. It’s amazing what a 16-hour window of no availability can do to sales rank. On the other hand, the eBook edition jumped up to 40,000 from the 100,000’s. I guess when the paperback wasn’t available, people decided to go with the eBook (ordinarily, I sell many paperbacks for each eBook that sells).

For those who may have purchased the original paperback without the index, there is a free index available in PDF format online: https://chrismcmullen.wordpress.com/index-for-a-detailed-guide/

Now I need to work on an index for Volume 2.

Volume 1 eBook: http://amzn.com/B00AA5CJ7C

Volume 1 paperback: http://amzn.com/1480250201

Volume 2 eBook: http://amzn.com/B00CSDUP66

Volume 2 paperback: http://amzn.com/1484037243

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook page, Twitter

Check out Read Tuesday (a Black Friday event just for books): website, Facebook page, Twitter

Publishing a Book Is Like Applying for a Job

Want Ads

In many ways, publishing a book is like applying for a job:

  • You scour the want ads searching for a job opening, and you scour the Writer’s Market and other lists searching for agents and publishers.
  • Self-publishing is like starting your own business. Writing is a business, if your books are for sale.
  • A prospective employer first looks at your resume and cover letter before deciding whether or not to contact you. A prospective agent or publisher first looks at your query letter and book proposal. A prospective reader first looks at your cover, title, description, and sample.
  • Contacts and social media can help you meet employers, find head hunters, discover training opportunities, get resume help, be referred, and become part of a support network. In the writing world, contacts and social media can help you meet other writers, connect with editors and designers, learn publishing and marketing tips, discover agents and publishing opportunities, get writing help, and give and receive valuable support.
  • Referrals from contacts, supervisors, and previous employers can be quite valuable. For authors, word-of-mouth referrals, book reviews, and recommendations are golden.
  • A product or service needs to be highly marketable and effectively marketed in order for the business to succeed. Books similarly must be marketable and effectively marketed.
  • Ultimately, valuable skills sets and experience are necessary for any job. Writing and storytelling skills and experiences thus serve authors. The writer is a craftsman.
  • At a job, customers pay the employees’ salaries; without the customers, the company would go out of business. In the publishing world, readers pay the authors’ and publishers’ salaries.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook page, Twitter

Testing out Amazon’s new Kindle Countdown Deal

Cover Pages

I’m trying out Amazon’s new Kindle Countdown Deal for a couple of my lesser-known books. I’ll save the great deals for Read Tuesday. 🙂

The ‘proper’ way to do this would be to plan it much further in advance, build buzz for your promotion, promote it actively the day of (and maybe the day before, too), and recruit help promoting your discount (this is why you need to plan far in advance) from bloggers, websites, and any of your contacts willing to help you spread the word among your target audience. You might even consider investing in an advertisement that would get you plenty of exposure among your target audience.

However, the tool is also new, so although the books that are taking advantage of the countdown deal already haven’t had time to plan for the promotion, they may be getting a lot of initial traffic from the many people who are checking it out. Once this effect wears off, you’ll definitely need to plan ahead and promote effectively to get the most out of this.

I chose a couple of my lesser-known books that don’t tend to sell well for my experiment. Partly, I wanted to save my more popular books to help, in a tiny way, entice a little Read Tuesday traffic. Also, sometimes an experiment on a book that ordinarily doesn’t sell well on its own can provide a revealing marketing outcome.

One of the two books I chooe had been in free promos in years past, so I’ll be able to compare those results to the results of the Countdown.

Who else is testing out this Countdown Deal in the near future? (Not everyone is eligible. First, you need to be enrolled in KDP Select. If you’re just joining or rejoining KDP Select, you must wait 30 days. Even if you’re already in KDP Select, if you changed your list price in the last 30 days, you must wait, too. If your enrollment is expiring or renewing soon, that may also affect when you’ll next be eligible. Your list price must be between $2.99 and $24.99 in the US, for example, in order to be eligible.)

If you’re testing it out this week, I’d like to hear about it. Maybe I can find an excuse to mention it in a relevant post. And the combination of my data with your experience might be relevant for a future post. So if you’d like me to possibly discuss your promotion and your experience with it, please let me know.

The two books I’m trying out are:

(1) Formatting Pages for Publishing on Amazon with CreateSpace, Chris McMullen, B00BGPK70G, February, 2013. This book is geared specifically toward using Microsoft Word 2010 to format a paperback book for publishing with CreateSpace. It’s a short, concise book (104 pages in print, but the paperback version is 5″ x 8″ and divided into several chapters and includes figures, so the written content is much less). One reason that it doesn’t sell well is that my Detailed Guide is a better value, being much more detailed. Also, I don’t market the Formatting Pages book. I’m curious to see if the Countdown tool has any impact on a book that ordinarily doesn’t sell much.

(2) Far Out Multiplication Flash Cards 1-12 (Decorated with Solar System Photos), Chris McMullen and Carolyn Kivett, January, 2012. This flash card set is a book, not a game. The first half of the book consists of 1 x 1 thru 12 x 12 in order with the answer immediately following the question. The first half is designed for kids to practice and memorize. The second half has the cards shuffled, still with the answer following the question. Here, kids test their memory by checking the answer on the next page. The cards are visually decorated with solar system photos. There are two reasons that this book doesn’t sell much. First, I have another multiplication flash card book that has 11 reviews, while this one has none, so naturally people tend to buy the one that has all the reviews. Second, this book used to be more expensive than my other multiplication book, so the other multiplication book has a history of more sales (the other book is also part of a complete set). They are now the same regular price, so this book is actually the better value because it goes up to 12 x 12 instead of 10 x 10.

In the past, this flashcard book always did well with the free promo (over a thousand books in the good old days when KDP Select was new, and hundreds in later months), so I have something to compare it with. The free promo generally resulted in a boost of sales afterward. So I’ll be able to compare the overall effect on royalties, too.

Both of these books are presently $2.99 in the US and will be 99 cents during the Countdown promotion. The Countdown will be all day on Tuesday, November 5, Pacific Daylight Time (PDT).

In the UK, the price will be 0.99 pounds (I actually had to raise the price of one book slightly to make it eligible).

Both books have pictures, so the delivery fee is 50 to 60 cents on each book. This is important because my royalty during the promotion would actually be higher at 35% than at 70%. KDP doesn’t show you what your royalty would be during the promotion. So it’s worth checking your delivery fee and doing the math first. You’d hate to learn later that you were making one penny per sale!

So I first changed the royalty rate to 35% and republished. You can add the Countdown Deal while it’s republishing (check the box and select the Actions button on your Bookshelf). Note that you must change your royalty option at least 24 hours before your promotion begins.

Here is what you should do:

  • First try to create a Countdown Deal to see what dates you’re allowed to choose. This way you won’t waste your time for a promotion that you’re not allowed to schedule.
  • Next, check your delivery fee.
  • Now calculate your royalty at the promotional price. Subtract the delivery fee and then multiply by 0.7, like ($0.99 – $0.60) x 0.7 = $0.27. (If you don’t normally earn 70%, skip this step and the next step.)
  • Compare this with what you would make at 35%. If 35% gives you a higher royalty, you must change your royalty rate at least 24 hours prior to the start of your promotion.
  • Finally, schedule your promotion. Be sure to choose the start and end times in addition to the dates. See how many hours your promotion will last before you confirm. It would be very easy to accidentally make your promotion last just one hour without even realizing it!

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Planet Flash Cards Multiplication Cover Thumbnail

Kindle Countdown Deals—Better than the Original KDP Select?

Countdown

Amazon’s Kindle Direct Publishing (KDP) sent out an email announcement today about the new Kindle Countdown Deals—a new promotional tool for KDP Select users.

This looks very promising. It will entice some authors who’ve left to switch back to KDP Select; and any who have been contemplating leaving KDP Select may be swayed to stay.

The drawbacks to the KDP free promo are well-known:

  • You don’t earn any royalties for your promotion.
  • The freebies affect your free rank, but not your paid rank. So your sales rank goes up while your book is free.
  • Changes in Amazon Associates’ policies have greatly discouraged sites from promoting the freebies.
  • People who loathe the KDP Select freebies can take out their frustrations by leaving one-star reviews, and they don’t even have to buy or read the book to do this and get it to show as an Amazon Verified Purchase.
  • Many customers from outside your target audience are attracted to the free price; since they aren’t familiar with your genre, they’re less likely to leave a favorable review.
  • When the book is free, many shoppers won’t bother to read the description and check out the free sample, so they are more likely to be disappointed with your book.
  • An abundance of freebies and 99-cent books makes it difficult to create the perception of value.

The new Kindle Countdown Deals solves these problems:

  • Your book won’t be free—but it will be at least $1.00 less than the list price. So you don’t have to worry about not earning royalties during your promotion.
  • You can even earn 70% if your sale price is lower than $2.99, but you do have to contend with the usual delivery fee. Your book must have the 70% option to begin with, of course, for this to apply.
  • Websites can promote your discounted book through Amazon Associates without having to worry about the penalty for linking to freebies.
  • You will have paid sales during the promotion, so this should affect your sales rank, unlike free promotions.
  • If anyone wants to slam your book, at least they’ll have to pay for it if they want it to show as an Amazon Verified Purchase.
  • Shoppers are more likely to read your description and check out the Look Inside, so they are less likely to be frustrated with a book that’s really not for them (provided that your packaging is clear).
  • Customers are more likely to be in your target audience since they actually have to pay for your book.
  • There won’t be as many free books because many authors who ordinarily use the free promotion tool will be using the countdown tool instead (you must choose one or the other for any 90-day period). Similarly, many of the books that are always 99 cents will now be $2.99 or higher for 83 out of every 90 days. Amazon has given everyone an incentive to choose a higher list price.

Here are some more notes about the new countdown tool:

  • You can use the tool for up to 7 out of every 90 days, with as many as 5 price increments.
  • You can only schedule one Countdown Deal per 90-day enrollment period. (You can schedule one in the US and another in the UK). Unlike the free promo, you can’t run two or more separate sales. The only way to use all 7 days is to use them all at once. See https://chrismcmullen.wordpress.com/2013/12/07/kindle-countdown-deal-limit-one-per-90-days/
  • The regular list price must be between $2.99 to $24.99 (or 1.99 to 14.99 pounds).
  • The promotion can be as short as one hour or as long as one week.
  • You must wait 30 days after joining KDP Select and since you last changed your regular list price.
  • It looks like you can schedule the promotion without having to republish (like you do for ordinary price changes).

Some people are infamous for complaining about too many free and 99-cent books. Some of these people are already talking about how the new countdown program will drive even more books to the bottom. But that’s crazy!

The new countdown program encourages the books at the bottom price point to move up!

The minimum regular list price must be $2.99 in order to be eligible. The books that participate in the countdown won’t be free. The books that are 99 cents through the countdown program will only be 99 cents for 7 out of every 90 days. Right now they are 99 cents for 90 out of 90 days.

Many authors are already doing special short-term promotions. Now there is a tool for this, they can earn 70% instead of 35% royalties during their promotions, and all customers will see the discount at Amazon, even if they hadn’t heard about the author’s promotion.

If you have several pictures and your book is on the 70% option, the delivery fee may be significant. What you want to determine is whether your royalty would be greater at 70% or 35% for the discounted price (because of the delivery fee, if the file size is large, it may actually be greater at 35%). Note that you can’t change the royalty plan during the promotion or for fewer than 24 hours prior to the promotion. So you must change this, if needed, 24 hours before the promotion (and then change it back afterward, if desired). This would be the case if you normally earn a greater royalty at 70%, but would earn a better royalty at 35% during the promotion. If you have several pictures, you should check into this.

You still need to promote your sale if you want the promotional tool to be effective. Just dropping the price won’t have nearly the impact as effectively marketing the promotion.

This also looks like a great tool for Read Tuesday—a Black Friday type of event just for books.

Click the following link to learn more about the new countdown tool:

https://kdp.amazon.com/self-publishing/help?topicId=201298260&ref_=pe_445910_34749920

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

  • Volume 1 on formatting and publishing
  • Volume 2 on marketability and marketing

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

The Multi-Book Strategy

Math

There are several potential benefits to publishing multiple titles, especially if the titles are similar:

  • When customers see that the author has written several different books, it creates the perception that the author is a serious, dedicated writer. When the author only has one book available, the perception is that this is a new author.
  • Customers who enjoy one of your books are likely to try more of your books. There is a big IF involved here—i.e. how likely are customers to enjoy your books? If so, having multiple titles out can earn you repeat business.
  • The books that have been out the longest are likely to have more reviews, which can help lend credibility to your newer books even when they don’t have reviews yet.
  • You can build a fan base among your prior customers and utilize this to help create buzz and initial sales for your new books.
  • When shopping for print books, customers often buy a few books at a time. One reason is that customers may qualify for free shipping this way; but even without this incentive, multi-book shopping is still common for print books. The more books you have available in print, the more customers are likely to buy a few of your books at the same time, especially if you have similar titles. (If you have an omnibus for a series, you can discount it to offer an incentive to buying the entire set up front.)
  • Your own books are likely to show upon on each other’s Customer Also Bought lists. This way, sales of your own books help to inspire same-day or future sales of your other books.
  • If the titles form a series, the further along you are in the series, the less risk readers will see in the time they will invest. When only the first volume is out, there is a greater chance that the series won’t be completed. (If you have two different series out, but neither is finished, this may be a deterrent. Readers may wonder if you don’t tend to finish what you start.)
  • The more books you publish, the more experience you gain, which gives each new book potential for improvement.
  • Working on your next book will keep you from checking your stats too frequently, take your mind off reviews, and give you an incentive not to waste your time.

More and more authors are becoming aware of possible benefits of the multi-book strategy.

This news leads to a few common mistakes:

  • The temptation to hurry. Rushing the writing and rushing to get the books out there, with the hope of multi-book success, may backfire. Delivering quality content is much more likely to earn referrals and good reviews. A lack of quality due to a rushed delivery is much more likely to earn bad reviews and no future business. (You can revise a book to improve it, but you only get one chance to make a good first impression, your reputation is at stake, and bad reviews are there to stay with print books.)
  • The temptation not to market. Authors may hope that the benefits of having multiple books will make up for a lack of marketing. There are two ways to look at this. First, consider that if the books aren’t selling, the lack of reviews and dismal sales ranks will discourage sales even more so. Second, consider that every customer you attract through marketing may buy multiple books in the long run. Therefore, if you plan to write multiple books, you should be more motivated to market because there is more potential gain in the long run.
  • The temptation to create a larger number of shorter works. The problem here is that customers want a good value for their hard-earned money. If customers feel that the content isn’t a good value, they are less likely to provide referrals, repeat business, or good reviews. If they feel that it’s a poor value, bad reviews are more likely. (This is on top of being less likely to buy the book in the first place because it doesn’t seem like a good value, let alone try out a new author.) Just to be clear, I’m not saying you should price your book cheap (most books should avoid the minimum price point—here is another common mistake, but that’s for another day). Rather, I’m saying that providing full-length books may be better than a series of short stories.

The first books you publish help to establish your reputation. You want to start out with a good reputation as a professional author who delivers quality content. You want to give your first books the best possible chance of earning referrals, repeat business, and good reviews.

Satisfying customers is the key to long-term success.

If you have the motivation and diligence to write and publish several books, then you’re obviously interested in long-term success. So take the time now to give your future its best possible chance of success.

If you have the motivation and diligence to write and publish several books, market your books avidly from the beginning in order to derive the greatest possible benefit from your efforts. You have more to gain from marketing in the long run than an author who only writes one book, so you should be more motivated to do this.

On the other hand, there comes a point where the book is excellent, but if you’re too much of a perfectionist, your book may never get finished. The temptation to rush is much more common than to continually delay because there is always something else that could be improved. However, if you’re one of the perfectionists who may take forever to get your book out there, then you have the opposite problem of needing to say that enough is enough, it’s already very, very good. It helps to have pre-readers who can help you judge this (since thinking it’s very good when it’s not good can be a major problem, while thinking it’s not good when it’s already excellent may be an unnecessary delay); however, getting honest feedback is another issue, too.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

An Example of Successful Nonfiction Marketability and Marketing

Pageflex Persona [document: PRS0000448_00019]

Today, instead of discussing marketing ideas in general terms, I will provide a specific example.

I think this will be quite useful. This post features a specific nonfiction book, which has many instructive marketability features, and its author, who has done some wonderful things in the way of marketing which are accessible to most authors.

The e-book is currently number #1 in Happiness at Amazon, and was in the top 1000 in paid books in the Kindle store when I checked on it last night. This is a result of the book’s marketability combined with the author’s marketing. I will try to reveal many of the instructive features that have made this book successful, with the hope that doing so may help other authors.

I plan to do a future post on a fiction book, too. I also have one in mind that features a specific website with instructive marketing and publicity features. If these work out well, I’ll consider preparing posts like these more often.

The book I selected is Happiness as a Second Language by Valerie Alexander. This book is available as a paperback, e-book, and audiobook. I happened to discover Valerie’s blog several months ago and immediately bought the book because it strongly appealed to me. (I have several books from my fellow bloggers, and you can bet I’ll be a happy shopper on Read Tuesday.)

I recommend checking out the paperback edition on Amazon. Explore the book’s detail page and the Look Inside. There are specific features that help its marketability. I’ll refer to these; if you see them for yourself, it will be more instructive. The Kindle edition has the much better sales rank presently, but the paperback edition has some nice formatting that I’ll mention in a moment.

What makes this book so marketable?

Several things:

  • The concept: Who doesn’t want to be happier? It’s a hot commodity. But it’s not just happiness: It is teaching happiness like it’s a foreign language (which correlates with experience).
  • Cover appeal: (1) Yellow is a happy color, which fits the theme. I like the ‘A,’ because it sends out good vibes. I feel happy just looking at it. (2) Three color rule: Mostly yellow, contrasting with black and red nicely. (3) Easily readable, yet the font is interesting and seems to fit the theme. A large title is common in nonfiction. (4) Grabs the attention of the target audience quickly. (5) Simple yet effective. Didn’t make the mistake of being too busy.
  • Effective blurb: It’s concise and clear. It comes right out with the best stuff. What’s really nice is that it presents ideas that seem foreign, so you feel like there is a lot of material you can learn, but it also makes everything seem like it might be easy to understand (“happy colors” isn’t technical jargon, but sounds easy to learn and apply).
  • Formatted blurb: Note the occasional use of boldface and italics, which can be done through AuthorCentral.
  • Emotion: Check out Valerie’s bio. She experienced life’s challenges and overcame them with the techniques that she explains in her book. It’s a moving success story. Notice that she just briefly mentioned her low point in her bio, instead of going into detail her. Wise decision, I think.
  • Smile: Her author pic shows a nice smile, which it must, because she’s selling happiness. The photo is appealing, which is important.
  • Professional Look Inside: This is very important. Once the cover and blurb entice the reader, the Look Inside has to close the deal. The copyright page shows that it was published by Goalkeeper Media, Inc. Look at the bottom of the copyright page where it lists people who took the author photo, designed the cover, did the cover layout, and designed the interior; you’ll find similar information in many traditionally published books.
  • Design marks: The design marks on the first page of each chapter and the page headers look professional (I’m referring to the paperback edition). Note that the page header marks are light so as not to call too much attention from the reader (and distract from the reading). If you can find any of the tables or textboxes, they are well-formatted, too (maybe try searching for “Pop Quiz” in the Search Inside feature). Professional touches make a big difference.
  • Editorial reviews: A few of these on your book’s detail page can be helpful.

The book looks professional from cover to cover. This is so important. Combine this with content that appeals to a large target audience a book will have amazing potential.

That’s what readers want. They want books that appear professional from cover to cover and on the product page, where both the content and packaging appeal to them. Isn’t that what you want when you’re shopping for a book?

What did the author do to market this book?

Note that these are all observations that I have made on my own. I did contact Valerie to get her consent before preparing this post, but I have based everything on my own observations.

Like just about everyone else reading this post, Valerie has a blog. I checked out her Speak Happiness blog and the archives date back to January, 2013. I checked her Kindle and paperback product pages, and her publication date is April 30, 2013. Therefore, I see that she started building an online following and creating buzz for her book 3-4 months before she actually published it. Premarketing is very important.

You can see from her blog site that she—like many authors—is also active on Twitter and Facebook. Her headers are effective, too. They help to brand an image from her cover.

She doesn’t just have the social media going, she’s also an active and supportive member of the community. I know this firsthand from my occasional interactions with her on both of our blogs.

Creativity can be put to good use in marketing. Check out the Reader Gallery on her blog site. You see pictures of readers holding her book up. This was a clever idea, and Valerie succeeded in getting participation.

One of the best things, in my humble opinion, that Valerie has done in the way of marketing is to get visibility among her target audience in high-traffic areas. This can be huge. She achieved this by publishing articles that relate to her book’s content. This is a very valuable resource that most authors don’t bother with. There are so many places online and offline that need relevant content that it gives you a chance to succeed in getting an article published and mentioning next to your name, Author of My Book Title.

Valerie published multiple articles with the Huffington Post. You can’t do it if you don’t try. Valerie tried and succeeded, and it greatly helps with exposure.

When I first contacted Valerie to mention that I enjoyed her book, months ago, she had asked very politely if I might be interested in doing a blog interview with her. At the time, I said no. As you know if you follow my blog, I don’t presently do book reviews or blog interviews. But it shows that she was contacting bloggers to help gain exposure. From a recent comment she made on one of my blog posts, I learned that she’s had some recent success with bloggers featuring her book. (Yes, today, months later, I have featured her book. I still don’t do interviews or book reviews so-to-speak, but I am testing out the idea of preparing posts with useful marketing ideas that feature a specific book.)

I think it’s very notable that she didn’t price her e-book at the bare minimum. Her original e-book price was $6.99. I’d say that most of the books in the 99 cent to $2.99 price range (but note that I myself have some for $2.99) should actually be in the $3.99 to $5.99 range instead. Exceptions might be the first book in a series or every book in a really long series, for example. I know some authors with marketable books whose sales actually increased when raising the price from $2.99 to $3.99. Many readers who get frustrated with a 99-cent or $2.99 e-book purchase shop in the $3.99 to $5.99 window, hoping to get what you pay for. (On the other hand, they still want value for their money. A short story can be a hard sell, but pricing a short story in the higher price range might not work out.)

You can create the perception of value. First, the price itself helps to establish this. Next, personal interactions with your target audience add value to your book. If you’re providing quality service like this and you have a marketable book, you don’t have to price at the low end of the spectrum.

Also note that a higher price may actually help your sales rank if you can succeed in generating sales at  the higher price. If a 99-cent e-book sells 100 copies per day, a $5.99 e-book that sells 50 copies per day actually makes more profit for Amazon. So Amazon should (for Amazon’s own benefit), and seems to, factor price into sales rank.

Her relatively higher e-book price also helped her achieve some recent success. Valerie placed multiple ads (BookBub, Book Gorilla, and others) for a special, one-time promotional discount of her e-book. Happiness as a Second Language is presently 99 cents, which is a huge savings. The promotion ends on Halloween, so you still have a chance to take advantage of this if the book happens to interest you. (I wasn’t asked to say this. I enjoyed the book and highly recommend it.)

Valerie is just doing one huge promotion this October, and after that her e-book will be permanently priced at $4.99 (a discount off the original price, but nothing like 99 cents). I’m fond of this strategy. She went all-out to promote the daylights out of her book’s sale. She makes it very clear that it’s a one-time deal, which provides a sense of urgency. After the sale, nobody will be thinking to wait until the next sale.

I really like that she isn’t giving her book away for free, yet she is making highly effective use of a one-time sale. She’s getting ample exposure while still drawing royalties. Unlike freebies, since people are paying for the book, they’re probably actually reading the blurb to make sure it’s something they want and they are more likely to actually read the book once they buy it.

There are a couple of marketing tools that Valerie has used, which many authors don’t. One is a book trailer and another is an audiobook (there is a significant market for audiobooks, especially among truck drivers; if your target audience is in this market, it may be helpful to do).

An important note about Valerie’s book trailer is that she shot the video on her iPhone. You don’t need access to a professional movie studio to do this. If you need a little help, try contacting the film department at the nearest university. There is a good chance that a film student would be interested in earning a little income to help you out.

When I showed Valerie a draft of this post, she mentioned that she sees her shortcomings more than what she may be doing right and compares herself to other authors who seem to be doing everything right. If you feel this way, as many authors do, there is something you can take from this. Even authors who seem to have achieved various degrees of success struggle with doubts, find faults in themselves, and see greener grass on the other side. In a way, this can be good and help to keep you humble. It may be helpful to other authors to realize that even successful authors experience these same issues.

I hope you got something useful out of this article. In the past, I haven’t done interviews or book reviews. This is as close as I’ve come. I feel like I’m providing useful marketing content while also helping another author at the same time. Please let me know how you feel about this, as feedback will help me decide whether or not to try it again in the future.

Let’s offer a big THANK YOU to Valerie for allowing me to feature her book in my post.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Read Tuesday Progress and Plans

It's going to be HUGE!

It’s going to be HUGE!

 

What is Read Tuesday?

It’s a Black Friday type of event just for books. This is a great opportunity for readers to shop for books at discounted prices; not just for themselves—books make nice gifts, too. It’s also a great opportunity for authors to participate in a global one-day sales event.

When is Read Tuesday?

In 2013, Read Tuesday will be held on December 10. Mark your calendar.

Is it free?

Authors, self-publishers, and booksellers can participate for free. Everyone is eligible. There are no forms to fill out, no obligations. To participate, a book simply has to have a short-term discount including Read Tuesday, which is lower than the ordinary selling price.

Similarly, there are no special fees, sign-ups, or obligations for readers to participate. Simply buy discounted books on Read Tuesday at your favorite booksellers. Authors may choose to list their books in the Read Tuesday catalog (click here to complete the forms), and many authors will be promoting their books on their blogs and other sites on Read Tuesday.

Many of the participating e-books will be discounted at Kindle. Some e-books will also be available at Smashwords through discount codes (a list of discount codes will be displayed on the Read Tuesday website closer to the day of the event).

Many of the paperbacks will be discounted through CreateSpace discount codes or through authors’ or small publishers’ websites (a list of these discount codes will be displayed as well). If you’re buying multiple paperback books on Read Tuesday, the combined savings will help to offset the shipping charges, especially as the per-book shipping costs less when buying multiple books together.

Read Tuesday is not selling anything. There isn’t anything to subscribe to, either. The only things being sold are books, and that is being handled strictly by publishers, booksellers, and authors, as usual. Read Tuesday is not a middleman.

Where can you learn more?

Check out the official Read Tuesday website: http://readtuesday.com

Follow Read Tuesday on Twitter: @ReadTuesday

Like Read Tuesday on Facebook: https://www.facebook.com/ReadTuesday

Tell your friends. The more interest there is among readers, the more authors will want to sign their books up; and the more authors who show support, the more readers will get interested.

How can you help?

Anyone can help. Just telling other people who enjoy reading books or authors who sell books about the event will go a long way toward making the event a success. Word-of-mouth referrals and recommendations are among the best ways to create buzz for a big event. This will help improve reader interest and author participation, which is a win-win situation for everyone.

Views, clicks, Likes, and Follows of any Read Tuesday posts or pages are very helpful. The more support prospective readers and authors see for the event, the more they are likely to be interested.

If you mention Read Tuesday in a post on Twitter, consider using the hashtag #ReadTuesday.

How is Read Tuesday coming along?

Here is how things have developed:

  • I didn’t get the idea for Read Tuesday until September 21st. So Read Tuesday has only been in the works for about one month.
  • Melissa Stevens designed images that anyone may use for free to support the Read Tuesday event in a positive way. You may have seen various authors and readers display this image on their blogs, websites, social media pages, and elsewhere.
  • The official Read Tuesday website launched on October 5, just three weeks ago. The Twitter and Facebook pages launched at approximately the same time.
  • In the first three weeks, the Read Tuesday website has had over 1,000 views and over 300 followers. More than 250 people have liked Read Tuesday’s Facebook page and there are more than 70 followers on Twitter.
  • Read Tuesday is being advertised on multiple websites (even though it’s not a company and no individual or business is profiting from this investment). Tens of thousands of people have seen an advertisement for Read Tuesday with the targeting directed toward authors and readers.
  • Authors and readers have been talking about Read Tuesday. People have contacted me to inquire about Read Tuesday, telling me that they heard about the event through other people’s (i.e. not mine or Read Tuedsay’s) blog or Facebook pages. I’ve seen Read Tuesday mentioned a number of times on Twitter, too.

What’s next?

Here’s what we’re looking to do presently and in the coming weeks:

  • Continue building buzz for Read Tuesday. Until now, much of the focus has been on spreading the news to authors, encouraging them to sign up or show support. Thank you very much to everyone who has contributed to this. We’re planning to start spreading the news to more readers, too. If you have ideas for posts and articles that may attract readers, please feel free to share them (or to write and post your own article on your blog, publish it, or submit it for consideration to be posted on the Read Tuesday blog—remember, you’re welcome to use the Read Tuesday images for free to support the event in a positive way). If you’d like a blog interview on your blog or website about Read Tuesday, we will try to accommodate requests (if you’d like to get interviewed on a website to talk about Read Tuesday, that would be great support, too).
  • We’d really like to go outside the blogging and social media world (in addition to this, that is) to try to attract readers and authors. If you can think of affordable advertising suggestions that may target this audience in this way, we’ll consider them. There is also the free alternative, which is publishing an article, getting interviewed, or getting the media to write an article about Read Tuesday. I’ve been working on this. If you have suggestions, I’d be happy to hear them. If you have access or connections, please feel free to help. Remember, you’re welcome to write your own article and may use the images for free to help support the event.
  • I’m contacting marketing and publicity contacts that I have. You’re encouraged to do the same, or to connect them to me if you don’t want to approach them about this. Some people have already volunteered to help spread the word in November or early December (I appreciate all the help we get, and a big thank you to anyone who has helped or supported in any way). I’m trying to get exposure with sites that have a lot of traffic or a large readership among authors or readers (any help or connections with this would be great, too). What would you think about an article in the CNN Community? It may get attention in that community even if CNN doesn’t do anything with the news. Any ideas, suggestions, or contacts in the way of publicity would be quite welcome.
  • This week was insanely busy for me, but the coming weeks should at least be sane. 🙂 I’m working on the author and book catalogs. I plan to improve the layout and design (at least, up to the point where the catalog may become too extensive for me to keep up with it, but it isn’t there yet—if it starts to look extensive in the coming weeks and you’re interested in volunteering, I might take you up on the offer). A visually appealing, well-organized catalog may help to improve interest among readers and authors both. You should see some growth and improvement in these catalogs in the coming days.
  • I received a suggestion to describe Read Tuesday somewhere like Indiegogo, which might get the event a little exposure while also helping to raise some advertising funds. Obviously, if every author contributed a small amount, it would raise a lot. But I want Read Tuesday to be free for authors, and my hope is for authors to benefit from the Read Tuesday promotion. I really don’t want other authors starting out in the hole, so I’m quite hesitant to do this. If you can think of sites where we can get similar exposure, but where we won’t be asking for money, those would be really handy suggestions.
  • As we get closer to Read Tuesday, authors may want to promote the Read Tuesday even while simultaneously promoting their own books. The Read Tuesday flag (remember, you can use the Read Tuesday images for free to support the event) may be able to help you market your own books in this way.

Ideas, suggestions, and comments are not only welcome, they’re even encouraged. 🙂

Chris McMullen, Coordinator of the Read Tuesday event

What Motivates Me to Market My Books?

Market Pic

This is what you need to find for yourself—an idea that will motivate you to market your books. You’re unique. I can’t tell you what will motivate you. Consider a variety of alternatives. Try to understand marketing in different terms. Search for a reason that will make you—that’s right, you—market your books.

I’ll offer a few ideas at the end of this post to help get you thinking. In the meantime, I’ll share my story of what motivates me to market my books. Maybe this will help you with your search for a motivational tool.

My story unfolds by showing what is commonly done (that’s what I did, too), instead of what should have been done. After this, I’ll show how I found my motivation to market my books.

We all struggle with this. I did. When I published my first book in 2008, fortunately, I had a few things going for me starting out:

  • A Ph.D. in physics. This expertise was invaluable for my math and science books.
  • Experience formatting lengthy, technical articles for professional publication. I had also been making and formatting worksheets for several years before I ever published my first workbook.
  • Several years of teaching experience. This is helpful for many of my books which aim to provide instruction of some sort.
  • Much passion for writing and teaching.
  • Ten years of sales experience working my way through school; mostly at a department store, but I had even sold second-hand books for a few years. This helped me understand marketing and marketability, but I was initially focused only on the latter.
  • CreateSpace was relatively new in 2008; many authors hadn’t even heard about it yet. There was much less competition. (Note that my books weren’t on Kindle back then, and even now I sell about 8 paperbacks for every e-book, largely because of the nonfiction content I write—many of the books, such as workbooks, aren’t even suitable for Kindle.)

However, at the time, I lacked one very important ingredient: the motivation to market my books.

Most new authors similarly have a few things going for them—probably different things, but your strengths, whatever they may be, can help you succeed. Most new authors also lack the key marketing ingredient. Both marketing and marketability are highly important (noting that you can include having a great idea, good storytelling skills, editing, cover design, effective blurb, and such in marketability).

Many new authors feel the way that I did back in 2008:

  • If a book has merit, it should eventually sell on its own. (Problems: getting discovered; difficult to overcome slow sales rank; hard to get reviews until it sells—and if you have reviews, but no sales rank to support it compared to the publication date, that will make buyers leery.)
  • I didn’t feel comfortable asking people to buy my own books; I didn’t want to toot my own horn. Except for my mom, I didn’t even ask family or friends to buy my books—instead, I sent them free copies. (Problems: initial sales help your sales rank; you need to promote your book to help it get discovered; if you don’t feel strongly enough about your writing to tell others about it, why should they read it?)
  • I didn’t do any pre-marketing. I had no website, no blog, and wasn’t even building buzz for my books. (Problems: pre-marketing helps stimulate early sales and reviews; early sales help to build early customers-also-bought relations; exceptional pre-marketing can land a book on various bestseller lists, which can greatly improve exposure.)

As too many authors do, I just had my books out there, hoping they would survive on their own. I was very fortunate. Some of my books had enough marketability to get discovered and sell on their own (keep in mind, there are many, many more books on the market now in 2013 than there were in 2008—so if I were starting out today, maybe I wouldn’t have had the same good fortune).

Even so, sales were very slow for the first seven months. I published several books starting in July, 2008. One was a “real book,” while the others were stat and log books. I had had the foresight to publish the stat and log books, which related to my hobbies, golf and chess, using worksheets that I had previously made for my own personal use, knowing that this would give me some needed experience in formatting and publishing before I published my main book, which at the time was The Visual Guide to Extra Dimensions, Volume 1. I managed to get these stat and log books and my extra dimensions book ready for publication at the end of the summer of 2008, and that’s when I self-published them.

Sales were dismal from July, 2008 thru February, 2009. That was a long stretch where my conviction to self-publish was strongly tested. Like many other new authors, I got through that by working on my next book, The Visual Guide to Extra Dimensions, Volume 2.

When I released Volume 2 in March, 2009, sales exploded. My two extra dimensions books were ranked around 5,000 for a couple of weeks. Sales slowly dropped, but then I began publishing math workbooks for my Improve Your Math Fluency series that summer, and my overall sales have improved tremendously every year without exception. (My extra dimensions books are no longer among my top-selling books.)

A big factor in my improved sales is that I finally found my motivation to market my books. The three keys to success are:

  • Develop a good book, including the idea and writing—both the big picture and the details.
  • Have marketability that will sell your book when it gets discovered (cover and blurb that attract the right audience, content from cover to cover that will satisfy that audience).
  • Market your book effectively to help it get discovered and branded. This step requires motivation and patience.

Motivation for this third step eluded me for quite some time.

The first part of my marketing motivation came from the big boost in sales that I had in March, 2009. Also, a couple of strangers had contacted me to thank me for writing my books (even more amazing is that I hadn’t provided my contact info, and didn’t have a website or blog—they searched online, found where I taught, and discovered my email address the hard way).

This gave me confidence. Prior to this, I had felt tentative. Afterwards, I felt confident that I could write content that would please a significant audience and create marketability that was good enough to attract that audience.

Think about this. My books hadn’t changed. From July, 2008 thru March, 2009, the first volume of my extra dimensions book was exactly the same. What changed was my confidence. Confidence is something that you can change internally. You don’t need to wait for external factors to build your confidence.

When you’re tentative, you’re much less likely to get the sales that you want to gain the confidence you’re looking for. When you’re tentative, you’re also less likely to put the effort into the book’s marketability to give your book its best chance for success.

If you can start out with confidence (but not overconfidence), this can make a huge difference when you’re getting your book ready to publish and when you release your book.

Confidence was just the beginning, though.

As I gained confidence in my books, I became curious about the marketing aspect. The more I thought about it and researched it, the more I realized that marketing wasn’t quite what I had made it out to be. Over time, I gained a new perspective:

  • Marketing doesn’t have to be done through advertising, and may even be more effective if it’s indirect. People get interested in your book when they discover that you’re an author; you don’t have to volunteer it. In person, you can wait for people to ask what you’ve been up to; online, you can simply mention your book in your profile.
  • One of the most important parts of marketing is branding. It’s about getting the title, name, or cover seen and remembered by the target audience. I don’t buy a certain brand of toilet paper because the television told me which brand to buy. Oh, but I do buy a brand of toilet paper that I recognize through branding. You want people to think, “I’ve seen this before,” when they see your book, weeks or months from now when they’re shopping for books.
  • People are more likely to develop a strong interest in your book when they interact with you personally and see your passion for your book. Interacting with your target audience is a valuable personal experience that we small-time authors can provide. Reading a book by an author you’ve actually met: Isn’t that a wonderful thing?
  • If you don’t feel strongly enough about your own book to market it, why should anyone want to read it? Are you saying that it isn’t good enough to share? If you don’t know if it’s good, is it because you didn’t put enough effort into it? If you feel that it’s good enough to publish, then you have to feel comfortable sharing it. You have to work on your perspective.
  • Publishers spend months creating buzz for books. They send out several advance review copies. Other authors, including many indie authors, put a lot of effort into marketing their books. There are millions of books to choose from. The books that are marketed effectively are much more likely to be discovered.

I approached this scientifically (after all, I am a physicist). I did research on marketing. I did some marketing experiments. My curiosity about marketing helped motivate me somewhat. I gained some needed marketing experience this way.

But neither confidence nor curiosity were my chief marketing motivators. They helped me along, but they weren’t enough.

My main motivator came when I realized how many other indie authors there are, and how challenging it is to self-publish. On top of coming up with a great idea and writing your book, which seems like it should be the hard part, you also need to:

  • Be good at writing and storytelling.
  • Serve as your own editor.
  • Format your own book.
  • Design your own cover.
  • Illustrate your book.
  • Market your book.

It’s a challenge just to be a good author. It’s more than just a challenge to be a good author, editor, formatter, cover designer, illustrator, promoter, publicist, and public relations specialist. You shouldn’t have to be a pro-of-all-trades (not just a jack-of-all-trades) to self-publish a book successfully. But you either need to be, or invest money where you aren’t (with the risk that you may not recover it).

I strongly support the indie publishing concept. Self-publishing offers so much:

  • Freedom in writing (not unlimited, but now you aren’t forced to give into an editor’s demands).
  • Greater per-book royalties (and you deserve it since you’re much more than just an author).
  • Instant acceptance (no need for query letters, book proposals, rejection letters, or contractual negotiations).
  • Quick to market (skip several months of contacting an agent, writing letters and proposals instead of more books, and a lengthy delay waiting for the publisher to get your book ready).
  • No exclusivity (anyone can publish; no gatekeepers are deciding what is worthy).
  • Access to Amazon, Nook, Kobo, Smashwords, and more (the door is wide open). I strongly support the big companies who’ve provided such amazing opportunities to indies.

The more marketable and more effectively marketed books tend to rise to the top, and the less marketable and more poorly marketed books tend to fall to the bottom.

My big motivator came when I realized that I could have a significant, positive impact on many other indie authors and the image of indie publishing. This is something bigger and far worthier than my own books.

It’s not just me, of course. I see many other authors and even small publishers helping indie authors and supporting a positive image for indie publishing. (This helps to provide balance against those who speak negatively, those who fear indie publishing, and bullies and snobs and such.)

One indie author is tiny and vulnerable. Together we can thrive.

By the way, this is the spirit behind Read Tuesday—a Black Friday type of even just for books. It’s a great opportunity for indie authors and readers.

My WordPress blog is geared toward helping indie authors in various ways, especially marketing. It’s not about selling my books. I put ample information up here to provide free help to anyone willing to seek it, and I have organized my posts in an index to make it easy to find. There is a ton of free information here (feel free to recommend the free content). My hope is that it will help others.

It’s not just the how-to part. I also try to help with motivation and putting things in a perspective that may be useful to humble writing artists who are passionate about their books, but who may not yet have the mindset they need to effectively market their books.

This is my marketing motivator:

  • I’m motivated to market my books to show by example things that other authors can be doing and to share my experience with others. I’m not searching for secrets that I can keep to myself; I’m looking for ideas that may help other authors.

As I said, I see many other authors sharing tips that they have learned. I see many other authors helping new authors out. Indie authors are coming together, and we have much strength through this.

Recall what it’s like to be a kid. There are bullies, there are good influences, and there are bad influences. Just think what a positive difference it makes when an older kid takes a genuine interest in a younger kid and serves as a positive influence, like a big brother or sister. Or even when a group of kids the same age band together and support one another in positive ways, keeping one another on track, and helping to motivate one another. Great things can come of this. Indie publishing isn’t so different.

What motivates you to market your books? That’s the million-dollar question. Most likely, money isn’t the answer. The best motivator for you is something you’ll have to work out for yourself. There are many possibilities. Following are a few examples:

  • Are you sharing something valuable to others? This could be how to lead a healthy lifestyle, help learning a foreign language, or a novel that will help preteens deal with peer pressures.
  • Will your book improve people’s lives through entertainment? It may be a fantasy world that people will fall in love with, an adventure that people want to experience but couldn’t in real life, or a travel guide that will help tourists make the most of their vacations.
  • Do you have a story that needs to be told? Maybe it will draw out emotions from readers, give people hope, illustrate the strength of the human spirit, or help others in similar situations.
  • Does your book support a noble cause? Perhaps the royalties are donated to charity, the book promotes a worthy cause, or spreads awareness about how to prevent one of life’s problems.
  • Have others told you that you couldn’t succeed as an author? If you’ve ever been told that you’ll never be a successful author, that your writing isn’t suitable to publish, that self-published books don’t stand a chance, or if you’ve received several letters of rejection from publishers, you may be able to use this to help motivate you. Where there is a strong resolve, there is a way to overcome the naysayers.

You must first sell your book to yourself and convince yourself that marketing your book effectively is beneficial to others before you will be properly motivated to help your book get discovered.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing); but you can find an abundance of free material on my WordPress blog. 🙂

Facebook Twitter WordPress Triangle: Double Posting OOPS!

Double

You should feed your WordPress blog into Facebook and Twitter, as I explained in a previous post.

However, you have to beware of possible double posting.

However, you have to beware of possible double posting.

(You see: It’s annoying, isn’t it?)

In Twitter, there is an option to link it to Facebook, and vice-versa.

So if your WordPress blog feeds into Twitter and Facebook and if also Twitter is reading/writing everything you post at Facebook, you may find that your posts are getting doubled up at one or the other.

I confess that I had accidentally done this at Twitter with Read Tuesday—a Black Friday type of event just for books. Oops! Should be single posting there now, though.

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.