Promote Your Kindle Countdown Deal or Select Free Promo (or Other Book Sale)

On Sale

The writer who carves a masterpiece out of words and publishes the book faces a new challenge:

  • how to help the target audience discover the book

As there are millions of books to choose from, this is no easy task.

One way to try to help stimulate sales is to put the book on a temporary sale, e.g. through Kindle Direct Publishing (KDP).

  • Amazon has a new Countdown Deal available for books enrolled in KDP Select. This allows for a temporary reduction in price and shows customers how much they are saving and when the sale ends.
  • The older KDP Select free promo option is another alternative. (Note that you can’t mix and match Countdown Deals and free promos for the same book in a given 90-day enrollment period.)
  • Books that aren’t enrolled in KDP Select can still have a temporary price reduction by simply republishing at the new list price.

Everyone likes a sale. It’s great to save money.

But there’s a catch: The sale won’t attract buyers if customers don’t know about the sale.

You still have the problem of discovery. Just putting your book on sale through a Kindle Countdown Deal, KDP Select free promo, or other temporary price reduction isn’t enough:

  • A temporary sale, all by itself, probably won’t help much with getting your book discovered.

Nevertheless, a temporary price reduction can be effective if you succeed in spreading news about the sale:

  • Instead of just promoting your book, promoting that your book is temporarily on sale may generate more interest. That is, it can help make your marketing more effective.
  • Any promotions that you do to spread the news about your sale may be amplified by people in your target audience who become interested in your book.
  • If people develop interest in your book, the looming deadline may help to generate sales.
  • Sales that you may generate as a result of placing your book on sale can help improve your book’s visibility through sales rank, customers-also-bought associations, and customer reviews.

(Note that KDP Select free promos generate a free rank instead of a paid rank, but any subsequent sales once the free promo ends will help boost the paid rank.)

It all comes down to getting your book’s sale discovered by your target audience.

The usual marketing strategies—blogging, Twitter, Facebook, press release, building buzz, interacting with your target audience, readings, guest blogs, etc.—can help with discoverability. Instead of just promoting your book, you’ll be promoting the temporary sale of your book, which may help to generate more interest than your usual marketing.

Also, if you’ve been branding an image, prospective buyers who may have been considering your book might be sold when they see that your book is now on sale.

However, you probably want to use this golden opportunity to try and go beyond your usual marketing reach. For example, you might want to consider if a low-cost advertisement may be cost-effective.

Don’t focus solely on projections for how many people may view your advertisement. It’s also important to consider:

  • What fraction of the people who view your advertisement are in your specific target audience? They are more likely to make the purchase, appreciate your book, and leave a review.
  • How marketable is your book? Will the cover and blurb make the genre clear and appeal to your specific target audience?

If you have a highly marketable book in terms of both packaging and content—i.e. it will both attract and please a significant target audience—then it may be worth advertising at a site that can show your advertisement to your specific target audience.

One popular site is BookBub, but there are other options, like Ereader News Today, Kindle Books & Tips, Book Gorilla, Book Blast, and Pixel of Ink. You want to learn about stats to help you with your decision. For example, the BookBub pricing page provides data for subscribers by genre, average downloads, and average sales. There are also sites to help you promote seasonal events. For example, check out Read Tuesday, designed to help stimulate holiday sales.

With a Kindle Countdown Deal or temporary price reduction, you earn royalties during the sale. Your hope is that these immediate sales and a possible increase in sales following the sale will recover your investment and then some, but as with any investment, there is always a risk.

In contrast, a KDP Select free promo doesn’t yield any royalties during the sale. Here, the hope is that if you succeed in creating interest for your book during the promo, then enough people will read the book (only a percentage who download it for free will eventually read it, and some will be from outside your target audience) and recommend it to others. That’s a big IF, and it doesn’t always work out that way. A successful free promo can lead to a significant improvement in sales, but not necessarily (it was more common in the early days of KDP Select, but still happens now; a highly marketable book and an effective promotion improve your chances).

A nice feature of the new Kindle Countdown deal is that any sales made during your promotion improve your paid sales rank, whereas your sales rank slides during a KDP Select free promo.

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.

 

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Electronic Stats

 

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Changing Your Book Up

Change Up

If you publish a book, chances are you will encounter a variety of reasons to consider making changes:

  • The blurb is quite challenging to write, so we often wonder if we should try to improve it.
  • It’s nearly impossible to edit a hundred thousand words and catch every single typo. Even if you edit extremely well, you usually encounter a couple of stragglers somewhere down the line.
  • As we’re human, occasionally we make a big oopsie. If so, you want to fix that as quickly as possible.
  • Nonfiction material can quickly become outdated. Revisions can help keep it up-to-date.
  • Reviews sometimes provide suggestions that have merit. You’re thinking about applying this helpful feedback.
  • An idea may occur to you, which you hadn’t thought of before. You’re wondering if it would make your book better.

Depending on the occasion, it might be best to make the change right away or it might be best to wait:

  • If you have an embarrassing or significant mistake, you need to take care of that promptly.
  • At Kindle, your present edition will remain available while you’re revised edition is in the process of publishing, so you don’t have to worry about losing sales in the meantime. So once your revision is ready, there is no reason to wait.
  • At CreateSpace, your book will be unavailable for about 12-24 hours while your file is being reviewed. So if the changes can wait, it would be a good idea to pick a day and time where sales may be relatively slow. Study your sales rank history at AuthorCentral for help planning this, and also consider what marketing you have going on and coming soon. Sometimes your book can be back online in less than 12 hours. However, even if you make a minor change to your interior file, your cover file can get changed for the worse (even if you don’t change your cover), and it can take several days to fully resolve this. Hope for the best, but plan for the worst-case scenario.
  • Most things, including your blurb, author photo, biography, and book files probably shouldn’t be changed when sales are going well. If sales start to drop off, that may be a better time to change things up and see if they help or hurt.

I’ve revised several of my books and blurbs in 2013 (and I’m still not finished with it). For me, it has been a year of revisions. I have a few projects that I wanted to complete in 2013, but which I have yet to begin, because I have spent so much time making revisions.

It started with one of my math workbooks. I had a request from a parent that would help one of my math workbooks better meet the needs of parents, so I devoted some time toward this. At about the same time, I also updated a couple of the covers of my math workbooks. Those I was able to improve without making the cover look significantly different. (I have a couple of other math workbooks that I’d like to give a makeover, but I haven’t because I don’t want anyone to accidentally buy the same book twice.)

Next, I made numerous revisions to my conceptual chemistry book. I completely revised thousands of symbols that were originally typeset as equations, realizing that they would format better as text with superscripts and subscripts. This was extremely time-consuming and took several edits. I have about 40 different versions of the eBook file, and dozens more of the paperback editions. I’ve never edited anything this much before, and hope to avoid such extensive editing in the future.

I’ve updated my self-publishing books a few times because every time I make a revision, something new seems to come out. My original (i.e. 2009) self-publishing book needs a major overhaul. I’ve been wanting to do this for a couple of years, but it needs so much work, I generally put it on the backburner and work on something else. I plan to finally do this by the year’s end.

Presently, I’m adding indexes to my new (i.e. 2012/2013) self-publishing books (i.e. Volumes 1 and 2 of the “Detailed Guide”). It’s amazing how much work is involved in making a thorough index. And it’s thorough; it may add another 20 pages (with two columns) to the book. I hope to have the index for Volume 1 finished today or tomorrow. Then I have a list of revisions to make, like mentioning the new Countdown Deal, but this should be quick and painless.

I’ll be combining Volumes 1 and 2 into an omnibus edition. I hope to have it out by Read Tuesday. Then I can get back to the major overhaul of my original self-publishing book.

I have some other minor revisions that I’ve made (correcting a few typos that I’ve discovered here and there), and a couple of covers that have some printing variations that could use a fix.

I’ve changed many of my blurbs extensively this year. In most cases, this had a very significant improvement on sales, often immediately. It’s amazing what boldface, italics, bulleted lists, and splitting a long paragraph up into shorter paragraphs can do.

How about you? Have you had any fun with revisions this year?

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook page, Twitter

Check out Read Tuesday (a Black Friday event just for books): website, Facebook page, Twitter

The Publicity Paradox

Double Edged

Do you remember the days when you first applied for a job? Scouring the want ads, preparing resumes and cover letters, going to job interviews.

It seemed like everybody wanted you to have experience. The only problem was that you didn’t have any. You may have thought, “How will I ever get experience if I need experience just to get hired?”

Publicity suffers from a similar seeming paradox: You may feel that publishers, agents, publicists, editors, bookstores, reviewers, and even the media want you to have publicity before they will help you get more publicity. That’s great if you’re a celebrity.

Breaking through as a new author is a challenge. You’re an unknown. There are too many uncertainties. How will people react to your storytelling, characterization, and writing? How good is your idea? How will you handle the pressure? How effectively will your market your book? How well will you follow through with your commitments? How much help do you need? How professional or amateurish are you? How much do you need to learn about writing, editing, formatting, marketing, publicizing, social media, and making connections? And most importantly, how will you go from being a nobody to becoming an author with much publicity? Ah, if you only had that publicity (among your target audience) to begin with, that would help to make the risk so much more worthwhile.

How do you get publicity when you don’t have it to begin with?

If you had publicity, it would lend you credibility as an author; it would lend your book credibility, too.

If you credibility, it would help you gain publicity.

If you could lay an egg, you could make a chicken out of it.

If you could make a chicken, it could lay an egg for you.

It’s like you’re on a deserted island with no chickens or eggs, but you desperately need one or the other.

Baaak! Baak, baak, baaak!

I see a similar hurdle for Read Tuesday, a Black Friday type of event just for books.

If we had authors with more name recognition, it would greatly improve the publicity that we could receive from the media, internal promotions, paid advertisements, etc.

If we had more publicity, it would help us attract authors with greater name recognition.

However, Read Tuesday has a big advantage. There are many indie authors who are experiencing the challenges of marketing their books firsthand who have been very supportive of the Read Tuesday event. This has helped to give Read Tuesday much initial support, and we are fortunate to have the participation of some authors who have achieved some modest levels of success (e.g. top books in their categories at one time, or ranking at around a thousand on Amazon for a limited time in paid sales). We also have a couple of small publishers who will be participating.

(We are fortunate to have every author who has agreed to participate, no matter how big or small—everybody is vital to our success, all participation is valuable, and each author is much appreciated. I wish for every author to have a successful Read Tuesday.)

Read Tuesday also has something to offer. An author with name recognition could gain increased exposure from the Read Tuesday promotional efforts, as the Read Tuesday publicity and promotions would feature this author’s name.

On the other hand, would the author who has risen to the top want to come back down and play with the small fish? Would he or she remember his or her roots? Would he or she support his or her fellow indie authors? Surely, it’s much easier to say what you would do if you get there than it is to do it when you’re sitting at the top.

The thing is, all indies have the same advantage that Read Tuesday has. There is a very large readership that supports indie authors. Why? Because there are hundreds of thousands of indie authors and hundreds of indie publishers, and their friends, family members, acquaintances, and coworkers raise this number to the millions.

Although some people try to paint a poor image of self-publishing, there are millions of people who support it. “This book was published with CreateSpace, was it? My niece published a book through them.” The books that have serious issues aren’t hurting anyone, while the large number of very good indie books and the growing number of successful indie authors show that indie publishing has much potential.

Ultimately, what the reader wants is a professional book. Whether or not the book is traditionally or indie published is secondary. A book that looks professional, pleases the target audience, and is discovered by the target audience can gain much support.

Read Tuesday also has the opportunity to help indie authors promote their own books. The event itself is far more popular than any single participating author. By promoting Read Tuesday in addition to the author’s own book, Read Tuesday has the potential to help authors market their books.

It can be a win-win situation for any author, tiny name or big name. Every author’s participation helps to improve the credibility and success of the event, and the event can help any author promote his or her own book in conjunction with the event.

Back to the publicity paradox. What you have to do to break out of the paradox is start small, work hard, be wise, be patient, market effectively and diligently, keep writing, and spread outward.

You gradually build a following, increase your number of connections, gain a little exposure, and build a little publicity. Continue writing and you’ll have a few books out.

The better your books are from cover to cover, the more they will help you grow your following, connections, exposure, and publicity. The better your marketing efforts, the more they will help you grow your sales.

Eventually, you may achieve some small measure of credibility and publicity. Once you finally get your foot in the door, you have the chance to run with it. Once you have a little credibility, it will help you gain publicity, and once you have a little publicity (with your specific target audience), it will lend you credibility.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Facebook, Twitter

Read Tuesday, Facebook, Twitter

Build an Effective Author Website + Press Release (2-in-1 Post)

Free author resources at the Build Book Buzz website: http://www.buildbookbuzz.com.

Today I will show you a highly instructive example of how to build an effective author website. It’s actually the website for a former publicist, so it’s no surprise that the website excels at attracting the target audience.

We can learn a lot about how to attract our own traffic by studying the many cool features on this website. Also, there is an abundance of free content on this website, like how to prepare and distribute a press release to create book publicity.

In this way, we’ll learn two things at once:

  • how to attract your target audience through a website
  • how to prepare and distribute a press release

The website is called Build Book Buzz. This is the website that former publicist Sandra Beckwith uses to attract her target audience—authors who need help with book publicity (both traditionally published and indies). She no longer provides book publicity services to authors, but now helps many authors save thousands of $$ by teaching them how to do it themselves.

I will describe various features of her website, showing how they help to attract her target audience. This will be instructive if you check these features out as I describe them. Try to think of ways that you might be able to utilize similar features to attract your target audience.

Here is the link to her website: http://buildbookbuzz.com. Check it out.

Tip #1: The website name is geared toward the content, not the author. You know what the content is about instantly.

Tip #2: The homepage identifies the target audience and attracts their interest immediately. Notice how the website doesn’t mention who is offering this content (i.e. you don’t learn that it’s a former publicist’s website or who the former publicist is) until further down the page.

Tip #3: Nothing is for sale on the homepage. The homepage is geared around free content relevant for the target audience. It doesn’t look like an advertisement for a book, it doesn’t look like a fan page or biographical record, and it doesn’t look like a blog. Valuable free content that will interest the target audience is what will attract your audience to your website.

Sandra does have books and services that she sells, but none of these appear on her homepage. Think about this.

Tip #4: Visual branding. Study the images. The images aren’t the same, but most follow a similar blue, yellow/gold, and white theme, and feature a picture (not always the same) of an open book. Making the images slightly different helps you see that it’s not the same image, so you don’t ignore it. Having them all uniformly styled helps with the visual branding, and shows you that you’re clearly on the same website. Notice that they follow the three-color rule. The cover images look 3D, which helps to make a good visual impression. The information in the booklets is clear from the keywords that stand out in the title.

Tip #5: The homepage offers a free booklet. The content will interest the target audience. The offer appears first at the top to attract interest, and is repeated at the bottom so if you’re sold when you get there, you don’t have to scroll back up to the top.

Tip #6: The free booklet offer is a clever way to build an audience for an email newsletter. This helps to populate an email newsletter database (note that you must provide an unsubscribe option).

This is worth considering:

  • How do you get an audience for a newsletter? Offer a free booklet to sign up.
  • How do you get your target audience in the email list? Make a booklet that has content relevant for your target audience.
  • How do you get your audience to discover your booklet? As part of a content-rich website geared toward your target audience.

Tip #7: I recommend signing up for the email newsletter. (I did.) Why? Two reasons:

  • The emails you receive will provide a sample of how to use an email newsletter effectively. Although your content will be much different, there is much to learn here.
  • If you have a book that you’re trying to market, this content is relevant to you.

Tip #8: The website is easy to read. There isn’t a busy, distracting background. There is effective use of color with the text.

Tip #9: Free content. See the Tips page (each page can be found by clicking on the index at the top of the website). There are a variety of free PDF files of interest to the target audience. It’s a content-rich website, and much of it is free. This attracts the target audience.

Tip #10: Check out the PDF files on the Tips page. I highly recommend these in particular:

  • See the tips for writing a press release (book announcement). These are invaluable. A press release is critical for news publicity, and has a specific formula for its preparation.
  • Also see the tips for writing a tip sheet. Like the press release, this is something you need to help create news for your book.

The other tips on the Tips page are also worth exploring.

Tip #11: There is a blog on this website, but it really functions primarily as an author website, and the blog is just one of many components; it’s definitely not a website that was built around a blog. The blog, like the rest of the website, is content rich and free. You can probably find a lot of valuable information here.

Tip #12: Let’s jump ahead to the Press Room page. When you prepare the press release for the news about the publication of your book (if you haven’t already done so, you want to do this), you should add a Press Room page to your website.

Study the two press release examples on this page. They show you how to structure and format a press release. When you study the tips for how to write a press release, you should also re-read these two examples. This page also shows you how to format a Press Room page.

Tip #13: Check out Sandra Beckwith’s e-book, Get Your Book in the News. This is a detailed guide that spells out the formula for how to prepare a press release. I bought a copy, read it, and relied heavily upon it to write my press release for Read Tuesday. I recommend it.

Tip #14: Finally, check out the other pages. There are a couple of books and services offered that aren’t free. Note that there is an abundance of free content, but also some paid content. The paid content is different from the free content. Also, the free content is complete. It’s not a free sample; it’s free content.

There is ample free content, so you don’t feel disappointed or frustrated. If you don’t buy anything, you still feel that the website was highly useful.

The free content is very good. This gives you the sense of trust that you need before moving onto the paid content. The taste of the free content makes you consider the paid content. Note that the paid content also has a satisfaction guarantee.

I recommend that you take advantage of the free content on the Build Book Buzz website. There are a lot of valuable, yet free, resources there.

I was not asked to write this post. I was not asked to promote the Build Book Buzz website or any of its goods or services. I discovered this website, found much of the material useful, and thought it would be handy to share it. I did contact Sandra Beckwith to let her know that I would be writing this post.

I hope you found something useful. 🙂

Sandra Beckwith is a former national award-winning publicist who now teaches authors how to promote and publicize their books. Get free tips and subscribe to her complimentary Build Book Buzz e-zine at http://buildbookbuzz.com. Connect with her on Twitter, Google+, LinkedIn, and Facebook.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing), Twitter, Facebook

Learn more about Read Tuesday, a Black Friday type of event just for books: website, Twitter, Facebook

Read Tuesday would Love Your Help

It’s going to be huge.

What is Read Tuesday? It’s a Black Friday type of event just for books. In 2013, it will be Tuesday, December 10, 2013.

We’re off to a good start:

  • We have an official website up and running, with content.
  • We have a healthy start in terms of followers, especially the Facebook page and Twitter.
  • We have several authors who’ve shown interest and agreed to participate.
  • We have a press release and we’re now at the stage where we will distribute it.
  • We have been advertising on various websites to let both authors and readers know about the event.

Read Tuesday could use your help. If you can help with one or more of the following, your help will be greatly appreciated:

  • We’re looking for any name recognition that may help to promote the event. We have a little to begin with; the more we can get, the better. Any authors (or even indie publishers or booksellers), for example, who have achieved some small measure of success who may be willing to participate in Read Tuesday could help to promote the event as a whole. It’s a win-win situation, as we would include your name with our press release, press release distribution, and other efforts to promote the event (including paid advertisements and social media). This would help to advertise the authors (or entities) who have a little name recognition in addition to advertising the event. This will help to promote these authors along with the event. If you know anyone with mild success, please let them know about this offer. They can contact Chris McMullen at the email in the next bullet.
  • We can always use more participation, especially books and authors added to the catalog. We’ve had many more authors say they will participate than have taken the time to add their books or names to the catalogs. I expect they will be promoting their books on December 10 and participating. It would help the event be better if we could get more books and names in the catalogs. Simply email your ASIN (for a Kindle book that will participate) or a link to your book at a website where it will be on sale to Chris McMullen at greekphysics@yahoo.com. It’s that easy.
  • Tell a friend, or several friends; tell anyone. If you like the idea of Read Tuesday, you can help make it better just by helping to spread the word. Word of mouth, email, blog, Facebook, Twitter, any way you might spread the word will be valued. 🙂

Give the gift of reading this holiday season.

Chris McMullen, founder of Read Tuesday

Follow the Read Tuesday blog: http://readtuesday.com

Like the Read Tuesday Facebook page: https://www.facebook.com/ReadTuesday

Follow Read Tuesday at Twitter (@ReadTuesday): https://twitter.com/ReadTuesday

CreateSpace Expanded Distribution is FREE now

Free

When I opened my Member Dashboard at CreateSpace today, I saw a note in yellow at the top of the page telling me that the Expanded Distribution channel is now free.

I called CreateSpace to speak with a representative, who confirmed that it is now free.

So if you had been thinking about trying it out, but didn’t want to invest $25, now you can test it out for free. The advantages and disadvantages remain the same. What’s changed is that you don’t have to invest in this distribution channel.

If you recently added the expanded distribution, you might be a little bummed. I inquired about this.

Any expanded distribution purchases made since September 24, 2013 (if I was informed correctly) will be automatically refunded.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

How to Create Book Publicity

Undies

That’s one-half of what you need: publicity. The other half is having a marketable product. With this post, I’ll focus on the publicity side.

How do you get your book discovered when there are millions to choose from?

That’s the million-dollar question, and every author is trying to answer it with two cents. 🙂

Too many authors are hoping for instant publicity, or at least to have someone else create the publicity for them. Shortcuts are hard to come by and even if you do hit the lottery, this kind of short-term publicity often doesn’t bring the success that you’re hoping for.

Let me illustrate this with a specific example:

Indies in their Undies

Just imagine a dozen sexy indies promoting an event called “Indies in their Undies.” Maybe they’re wearing Victoria’s Secret undies. They’re going to do a supermodel sort of walk onto a catwalk, wearing just their sexy undies and each holding up one book during the process.

(You’re ready to sign up, aren’t you?)

Sure, this could get a lot of publicity. But it’s not going to be a magnet for publicity.

If you just go out and do this, do you think the news van is going to happen to pass by, see a group of people walking around in undies holding up books, film it, and show it on the six o’clock news?

No. You have the same problem as getting a great novel discovered. Even though it’s a newsworthy idea, it doesn’t just make the news. You have to go to the media. The media isn’t coming to you.

To make this work, you need to know how to generate publicity for the event.

You see, most authors think this through backwards. Authors intuitively think that if they do something that would intrigue the public, that this will generate publicity for them.

But that’s not how it works.

You do need something that’s newsworthy. Heck, that could just be the release of your book. Whatever the news is, what you really need to do is publicize the news. The news itself isn’t going to get you publicity all by itself.

So if you wanted to make an idea like “Indies in their Undies” work, here’s what you would really need to do:

  • Build credibility for the event.
  • Create buzz for the event.
  • Prepare a press release.
  • Distribute the press release to the media.

This will help to get you media coverage. Media can be a professional cameraman for a major newstation, a reporter for a local newspaper, or a blogger with a popular podcast watching from your laptop camera.

Regardless of the form that media takes, you need to prepare a press release and distribute it to the media. That’s the only way you’re going to get the media to help you spread the news (apart from happening to have a personal connection with someone in the media).

If you have something newsworthy, this is a way to go beyond your blog and social media platform to reach new members in your target audience—i.e. if you can get some form of media to help you publicize your news.

Again, your news could just be the release of your book. It doesn’t have to be some wild scheme like “Indies in their Undies.”

Let’s look at another problem with “Indies in their Undies.”

Target Audience

Who’s going to show up for this event? This is very important.

If the news spreads, but the vast majority of people who see, read, or hear the news aren’t in your book’s specific target audience, all this publicity (if you can get it) won’t translate into near the sales that you’re looking for.

How about the few people who watch “Indies in their Undies” who happen to be in your target audience? Do you think they’re going to take you seriously as an author? Do you think they’re interested in your book when they watch this? (Unless maybe your book is an around-the-world photo shoot of sexy writers in their undies.)

If you want your publicity to be effective, keep these things in mind:

  • Strive to gain publicity with your specific target audience.
  • Strive to be seen as a professional. If the media views you as an amateur, it will deter their interest in you. If your audience views you as an amateur, this will also deter sales.
  • Strive to get positive publicity for your book and yourself. Negative publicity isn’t a recipe for long-term success for the vast majority of authors.

What Would Be Better?

The problem isn’t creating news. You already have that. You wrote and published a book. That can be newsworthy.

What you’d really like to do is use this to help generate publicity: an article, a review, an interview, a podcast, etc. You want some entity (or several entities) with a large circulation, viewership, readership, or following to learn about your news and help spread it to your target audience.

Here is what you need to do this:

  • Create a marketable book from cover to cover. Ultimately, it’s the perception of professionalism versus amateurish that really counts. Why spread the news about something that seems amateurish (not just the cover; your entire presentation will be scrutinized, and the book, too).
  • Build credibility. Experience and qualifications are highly relevant. The more you look like the perfect fit to write the book you wrote, the more you’ll be taken seriously.
  • Be factual. If you get a job as a journalist, you’ll learn to think this way: Can this statement be verified? When the media looks at your cover letter and press release, they’re looking for anything that may be false, and anything that can’t be easily fact-checked (e.g. “better than Harry Potter”). Spend time studying how journalists write and try to think like a journalist when you prepare materials that you will submit to the media.
  • Learn how to prepare and distribute a press release. There is a specific formula to follow if you want to look professional, and you do. You want to research this formula. (I’ll provide a reference to one such formula in a coming post. It’s not my own formula, so I won’t post it on my blog, but I will help direct you to it. Sorry, you have to wait a couple days, or use a search engine to find one such formula.) In addition to the formula, you’ll want to learn how to distribute your press release to the media.

Remember, media doesn’t have to be the Times or the eight o’clock news. Bloggers are in the media, too, and some have very large followings or widely spread email newsletters.

Indies may find media coverage more challenging, though it isn’t easy for a new author who is traditionally published, either. But it’s not a dead end. In addition to the explanation that follows, see the note at the end of this post.

It’s kind of like bookstores. As an indie, you’re going to find widespread distribution with national chains nearly impossible, but small local bookstores and non-bookstores that happen to sell books tend to be more receptive. The more professional you come across and the more marketable and professional your book, the better your chances. That’s how some indies are getting stocked in big bookstores, maybe not nationally, but on a store-by-store basis in their own regions.

Similarly, the more professional you come across in your press release, cover letter, and presentation and the more marketable and professional your book appears (and qualifications and experience factor into this, too), the better your chances of getting media coverage.

Start small and work your way upward. This gives you experience and confidence as you approach the Big Boys and Girls.

Small local papers often have inches to fill. A small local radio station may have minutes available. You’re local. You have news. It may be a good fit. Check it out, but approach it professionally.

Media that coincides with your target audience may be a good fit. Explore these options.

Don’t just think television, radio, newspapers, and magazines. There are many, many online opportunities, from websites to podcasts to online magazines to bloggers and more. Getting coverage with the most visible channels will be extremely competitive. But there are so many avenues open that you can find a good fit if you have the will to find the way.

You can prepare content that attracts your target audience and the target audience of a website, for example. Instead of simply advertising or reviewing your book, this way the website has something to gain in return for giving you publicity. There are many sites with varying degrees of traffic that have a need for frequently updated content. Publishing an article is an opportunity. You can’t do it if you don’t try.

Looking beyond the release of your book, there may be something unique about you that will help you gain publicity. For example, if you’re lucky enough to be a triplet, that’s newsworthy. Think about yourself in addition to your book.

Whether your news is the release of your book or “Indies in their Undies,” you still need to build credibility, prepare a press release, and distribute it. So an idea like “Indies in their Undies” really isn’t a shortcut to publicity. Maybe it will help a lot, maybe it won’t. Either way, to get publicity for it, you still need to do all the work of publicizing it—really, you could just skip the middleman and focus on publicizing your book.

However, if you have a newsworthy event that relates to your book and would be of interest to your book’s target audience, if you’re having trouble getting media coverage of your book, you may find the media more receptive of your related news. So in this case, an event may create news that attracts the media better than your book does. “Indies in their Undies” doesn’t relate to your book and doesn’t attract the same target audience, so it’s not the best example. But if you’re struggling to get the media attention you desire for your book, another possibility is to think about how to generate news that relates to your book.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Writing Is a Bad Romance

Bad Romance

 

It’s so easy to fall in love with writing.

Writing seduces you without you ever knowing it.

Subtle is its game; it doesn’t allure you through money, sex, or glamour.

Rather, it just seems like a good friend that grows on you.

You don’t realize you’re married to writing until your case is hopeless.

Writing: You can’t live with it, nor can you live without it.

 

The passion to write consumes you.

You must give it your full attention.

Even the slightest distraction must be avoided.

Just you and your writing. Alone. Together.

Long passionate nights writing and writing and writing.

It’s constantly on your mind.

You pull over in the car to write it a love note.

In the middle of the night, you wake up thinking about it.

 

It’s too much for you to keep it bottled up inside.

You crave to share your passion for writing with the world.

So you post articles on your blog.

Write a short story. Begin a novel.

You publish. You put your heart on your sleeve.

Now your writing is no longer a private affair.

Being a published author is like a celebrity dealing with the tabloids.

You thought the paparazzi didn’t care about small-time writers.

Oh, but they do. And, boy, do they ever.

Not only does everyone know about your writing relationship,

But everyone seems to have an opinion on it.

 

Your book is too different. We don’t like change.

Your book is too similar to what’s already out there. Such a copycat.

The sentences are too simple. Grow a vocabulary.

The sentences are too complex. Make it easy to read.

Your characters are too real. Show some imagination.

Your characters are unbelievable. We can’t deal with that.

 

Entertain me. Engage me. Hold my attention. Captivate me.

Have me begging for more.

Make me laugh. Make me cry. Anger me. Move me.

Give me a better life.

 

Design a perfect cover. Write a killer blurb.

Sell me your book with a gripping Look Inside.

Edit your book immaculately.

Write like a master wordsmith.

Develop intriguing characters.

Wow me with a sensational plot.

Market so I can find your book.

Is it too much to ask?

 

So many months of passionate writing.

More months of grueling editing.

Cover design, proofreaders, writer’s forum, blurb development.

Formatting, publishing, revising, learning.

Buzz, review copies, blogging, social media, website.

All that hard work, effort, imagination, and passion.

 

For what?

To sell a few books, then a lot, then a few, then a lot.

For praise, then criticism, more praise, more criticism.

For a few choice words to sting you like a poisoned dagger!

For that? Really? For that?

For a complete stranger to say two magically fantastically wonderful words.

Thank you.

To touch readers around the world.

To share your joys, your passions, your ideas.

 

Because you never, ever, ever, ever had a choice.

Writing had you when you first picked up your pen.

 

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Whether you love writing or reading, Read Tuesday is the perfect occasion to celebrate either. Check it out.

Testing out Amazon’s new Kindle Countdown Deal

Cover Pages

I’m trying out Amazon’s new Kindle Countdown Deal for a couple of my lesser-known books. I’ll save the great deals for Read Tuesday. 🙂

The ‘proper’ way to do this would be to plan it much further in advance, build buzz for your promotion, promote it actively the day of (and maybe the day before, too), and recruit help promoting your discount (this is why you need to plan far in advance) from bloggers, websites, and any of your contacts willing to help you spread the word among your target audience. You might even consider investing in an advertisement that would get you plenty of exposure among your target audience.

However, the tool is also new, so although the books that are taking advantage of the countdown deal already haven’t had time to plan for the promotion, they may be getting a lot of initial traffic from the many people who are checking it out. Once this effect wears off, you’ll definitely need to plan ahead and promote effectively to get the most out of this.

I chose a couple of my lesser-known books that don’t tend to sell well for my experiment. Partly, I wanted to save my more popular books to help, in a tiny way, entice a little Read Tuesday traffic. Also, sometimes an experiment on a book that ordinarily doesn’t sell well on its own can provide a revealing marketing outcome.

One of the two books I chooe had been in free promos in years past, so I’ll be able to compare those results to the results of the Countdown.

Who else is testing out this Countdown Deal in the near future? (Not everyone is eligible. First, you need to be enrolled in KDP Select. If you’re just joining or rejoining KDP Select, you must wait 30 days. Even if you’re already in KDP Select, if you changed your list price in the last 30 days, you must wait, too. If your enrollment is expiring or renewing soon, that may also affect when you’ll next be eligible. Your list price must be between $2.99 and $24.99 in the US, for example, in order to be eligible.)

If you’re testing it out this week, I’d like to hear about it. Maybe I can find an excuse to mention it in a relevant post. And the combination of my data with your experience might be relevant for a future post. So if you’d like me to possibly discuss your promotion and your experience with it, please let me know.

The two books I’m trying out are:

(1) Formatting Pages for Publishing on Amazon with CreateSpace, Chris McMullen, B00BGPK70G, February, 2013. This book is geared specifically toward using Microsoft Word 2010 to format a paperback book for publishing with CreateSpace. It’s a short, concise book (104 pages in print, but the paperback version is 5″ x 8″ and divided into several chapters and includes figures, so the written content is much less). One reason that it doesn’t sell well is that my Detailed Guide is a better value, being much more detailed. Also, I don’t market the Formatting Pages book. I’m curious to see if the Countdown tool has any impact on a book that ordinarily doesn’t sell much.

(2) Far Out Multiplication Flash Cards 1-12 (Decorated with Solar System Photos), Chris McMullen and Carolyn Kivett, January, 2012. This flash card set is a book, not a game. The first half of the book consists of 1 x 1 thru 12 x 12 in order with the answer immediately following the question. The first half is designed for kids to practice and memorize. The second half has the cards shuffled, still with the answer following the question. Here, kids test their memory by checking the answer on the next page. The cards are visually decorated with solar system photos. There are two reasons that this book doesn’t sell much. First, I have another multiplication flash card book that has 11 reviews, while this one has none, so naturally people tend to buy the one that has all the reviews. Second, this book used to be more expensive than my other multiplication book, so the other multiplication book has a history of more sales (the other book is also part of a complete set). They are now the same regular price, so this book is actually the better value because it goes up to 12 x 12 instead of 10 x 10.

In the past, this flashcard book always did well with the free promo (over a thousand books in the good old days when KDP Select was new, and hundreds in later months), so I have something to compare it with. The free promo generally resulted in a boost of sales afterward. So I’ll be able to compare the overall effect on royalties, too.

Both of these books are presently $2.99 in the US and will be 99 cents during the Countdown promotion. The Countdown will be all day on Tuesday, November 5, Pacific Daylight Time (PDT).

In the UK, the price will be 0.99 pounds (I actually had to raise the price of one book slightly to make it eligible).

Both books have pictures, so the delivery fee is 50 to 60 cents on each book. This is important because my royalty during the promotion would actually be higher at 35% than at 70%. KDP doesn’t show you what your royalty would be during the promotion. So it’s worth checking your delivery fee and doing the math first. You’d hate to learn later that you were making one penny per sale!

So I first changed the royalty rate to 35% and republished. You can add the Countdown Deal while it’s republishing (check the box and select the Actions button on your Bookshelf). Note that you must change your royalty option at least 24 hours before your promotion begins.

Here is what you should do:

  • First try to create a Countdown Deal to see what dates you’re allowed to choose. This way you won’t waste your time for a promotion that you’re not allowed to schedule.
  • Next, check your delivery fee.
  • Now calculate your royalty at the promotional price. Subtract the delivery fee and then multiply by 0.7, like ($0.99 – $0.60) x 0.7 = $0.27. (If you don’t normally earn 70%, skip this step and the next step.)
  • Compare this with what you would make at 35%. If 35% gives you a higher royalty, you must change your royalty rate at least 24 hours prior to the start of your promotion.
  • Finally, schedule your promotion. Be sure to choose the start and end times in addition to the dates. See how many hours your promotion will last before you confirm. It would be very easy to accidentally make your promotion last just one hour without even realizing it!

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Planet Flash Cards Multiplication Cover Thumbnail