Thinking about using song lyrics in your book? Then you should read this excellent advice. 🙂
Monthly Archives: January 2014
Commuter Fiction—Making a Case for Short Kindle e-books?
When I want to shop for something to read on my Kindle, I visit Amazon’s homepage on my PC and click on the Kindle books link. It’s called ‘Kindle books,’ so intuitively what you might expect to see are ‘books,’ right?
After a half hour of searching, I may finally find one that suits my mood. Then I examine the product page closely to learn that it’s 36 pages long. Wait a minute. Is that a book?
Sometimes, I check out the Look Inside of a prospective book. I see the cover, title, copyright notice… where’s the rest? Wow! How short must a book be not to show anything from the first chapter?
A Kindle e-book can have just 12 pages. It can have 6 pages. Is there a lower limit? At 6 pages, I hope there isn’t a title page, copyright page, about the author section, and free sample of another book taking up space inside… I also hope the ‘book’ is self-contained. It would be awfully frustrating to learn that it was really one chapter in a series, where you don’t get any sense of closure until the series is complete.
Of course, despite the fact that all of these ‘books’ are listed under ‘Kindle books,’ they aren’t all books. These Kindle e-books include short stories, booklets, presentations, and novellas, too.
Until recently, I was troubled by the growing number of short e-books. I was thinking, “Don’t customers want good value for their money?” “Are customers getting tricked, buying what they expect to be a book only to discover it’s really a short story?” “Are more authors getting lazier, writing and publishing shorter pieces?”
I understood reasons for the short e-books, but I was still troubled by it.
Customers can easily return e-books if they are dissatisfied. (Many do.) They can also check the page count before purchasing, and read the description carefully. If the Look Inside is brief, that’s a big hint. If they’re getting fooled by short books, they can get their money back or leave a review about it. The customer is certainly protected.
Writers are posting short e-books for a variety of reasons. Some don’t want to commit too much into their self-publishing endeavors, so a short piece is a way to experiment. Some are hoping to see what sort of customer feedback may come for short writing samples before laying their hearts on the line for full-length novels. Some plan to compile short works into an omnibus later on, such that the omnibus will look like a good value. There are other reasons, too. Not all of the reasons may be justified.
It’s not easy to get discovered as a new writer, whether writing full-length novels or short stories. Even 99 cents is a lot of money to invest in for one short story from a relatively unknown author; the story will be over quickly, so just imagine what you’ll spend for several hours of reading buying individual short stories. On the other hand, a full-length novel is a long commitment to make for a reader with a new author.
Is it easier to get readers to try out your short story, enjoy your book, and give your full-length novel a shot? Or is it easier to get new readers to appreciate the value of your full-length novel and commit to that as the first thing they read by you? Neither is ‘easy’ for most authors.
Commuter Fiction
I recently discovered this phrase in the KDP community forum. I like the concept. It’s changing my view of short e-books.
The idea behind commuter fiction is to write a short work that travelers can enjoy at a single sitting on an airplane or bus, for example. If you have a three-hour flight, for example, wouldn’t it be perfect to buy an e-book that you could read in three hours?
Authors and publishers have discovered that there is a market for short fiction, and they’ve responded with a way to make short fiction marketable.
You can call your short story a short story. You can call your novella a novella. You can list the word count. Kindle will estimate the page count. But that might not be the way to market your short e-book.
Consider selling it as commuter fiction. Maybe it would be handy to know approximately how many hours it would take the average reader to finish your e-book. A commuter might be interested in that figure.
Truck drivers have been listening to audio books for years. They buy books by the hour. If a truck driver is going on an eight-hour drive, it would be ideal to have an audio book that lasts eight hours (or four audio books that last two hours each), for example.
The same concept applies to passengers of buses, airplanes, and trains who are reading e-books on Kindles, tablets, laptops, and cell phones. What they would really like to know is how long it will take to read the e-book. Of course, this varies from person to person because we all read at different rates. If they can deduce an average, though, that will help them judge this.
I’m not saying that you should write short e-books. It might be harder to sell than full-length books. (Who knows?) Personally, as a customer, I like to receive a good value for my money. However, there are many customers who behave differently than I do.
What I am saying is this: If you’re going to write a short book, maybe you can improve its marketability by selling it as commuter fiction.
Publishing Resources
I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:
Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers
- Volume 1 on formatting and publishing (236 pages, 8″ x 10″; it’s a real ‘book’)
- Volume 2 on marketability and marketing (212 pages, 8″ x 10″; it’s a real ‘book’)
Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.
Which Should Come First—Kindle or Paperback?
Unless you have a book where Kindle formatting is impractical, you should make both Kindle and paperback editions of your book.
Benefits of the Kindle Edition
- You can make the Kindle edition much more affordable. If your price is $2.99 or higher, you can still draw a high royalty (70% minus delivery costs).
- Many customers only read e-books.
- It’s much cheaper for you to send out review copies.
- There is no extra charge for color.
One reason not to create an e-book is if you have a book where this is impractical, such as a workbook where the reader needs to write down answers.
You should also consider publishing your e-book with Nook, Smashwords, Kobo, etc. The only reason not to do so if you feel that the benefits of enrolling in KDP Select outweigh the benefits of having your e-book available with several e-book retailers.
Benefits of the Paperback Edition
- Some customers prefer to read print books.
- Amazon will show your Kindle edition as a percentage off compared to the paperback edition (once the two editions are linked together).
- Kindle’s new MatchBook program encourages the sale of both editions.
- It’s convenient to edit your writing with the printed proof.
- You get to experience the incredible joy of holding your baby in your hands.
- Local bookstores and other retailers might be willing to stock your book. If nothing else, your friends and family will believe you really are an author.
Which Should You Publish First?
Once you decide to make both Kindle and paperback editions, you must decide which edition to publish first.
Most authors simply publish each edition as soon as it’s ready. Some authors prefer to format e-books and have the Kindle edition ready first; others love the art of formatting pages and have the paperback edition ready first.
That’s not necessarily the best course. Suppose you had both editions prepared, but neither was published yet. What’s the best thing to do? Should you release them simultaneously? Or is there a reason to publish one edition first?
Some authors who plan this—rather than simply first publish whatever happens to be ready first—choose to arrange preorders for the paperback edition using Amazon Advantage. They use preorders as part of their strategy for building buzz for the book’s release, and to help foster a strong sales rank and prospects for early reviews when the book is released. They then release the Kindle edition when the paperback goes live.
Once you have both Kindle and paperback editions available, you can have them linked. This creates an interesting possibility that was recently mentioned in the CreateSpace community forum: If your Kindle edition is available for sale now and linked to a paperback edition that’s on preorder, any reviews left by Kindle customers should, theoretically, show on your paperback’s product page, since the reviews are linked together. (Paperback customers can’t review the paperback edition until it goes live.)
There are two good reasons not to release both editions simultaneously:
- You gain visibility by having a book in the Last 30 Days and Last 90 Days categories on Amazon. This is based on your publication date. (Tip: Don’t enter any publication date at CreateSpace. That way, your book’s publication date will be the day you click Approve Proof. This maximizes your book’s visibility with the new release search filters.) Release one book 90 days prior to the other and you get 180 days of new release visibility out of one book.
- You have the opportunity to create double-buzz. Build buzz for one edition. Then a month after its debut, you have two months to build buzz for the other edition if it’s going live 90 days after the first.
You could release the Kindle edition first. At the same time, setup preorders for the paperback edition. Arrange the paperback edition to go live 90 days after the release of the Kindle edition. Make the publication date of the paperback edition when it goes live, so you get a total of 180 days visibility in the Last 90 Days category.
If you’re one of those authors who can publish two books per year, you can use this method to always have a book listed under Last 90 Days.
Publishing Resources
I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:
Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers
Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.
What I Learned from Reading Fiction
- Everything will be okay in the end, no matter how awful it seems right now.
- Things will get worse before they get better. Much worse.
- Don’t try to be a favorite; you know the underdog is going to win.
- Mr. Right is right under your nose; you just don’t realize it.
- There is a fairy tale ending for you, but it will be hell getting there.
- When you finally reach a state of happiness, brace yourself for the sequel.
- Live the life of a protagonist. You’ll have a happy ending and the life will be very rewarding.
- You can make life easy by being a major antagonist; you just won’t have a happy ending.
- The safest bet is to live life like a narrator; you get to see all the action, and you must survive to tell about it.
- If you’re not tall, dark, and handsome, don’t live life like you’re in a romance novel.
- Imagination can be a million times more exciting than reality.
- Reality is a million times safer than fiction.
- Make life more exciting by imagining you’re in a novel.
- Don’t trust anyone. Ever.
- Anything can happen to anybody at anytime.
- The more incredible the odds, the more likely things will work out.
- Be very afraid of the dark. Don’t go out at night. Don’t do anything.
- Good always triumphs over evil, but evil never gives up.
- Stay away from fiction writers: They must be totally insane.
- How to write better.
Copyright © 2014 Chris McMullen
About the Author Section—What It Needs
You probably have an about the author section in the back of your book with your photo, biography, and links to your online sites.
Do you just have a list of websites, including your blog, Facebook page, Twitter, fan page, email newsletter, or other websites? Or do you also include a little more.
Here’s what you should consider adding, if you don’t already have it: a reason.
Why should the reader or fan visit the page?
If you can concisely provide a compelling reason for people to visit your sites, this can improve the chances that they will check them out.
Compare these examples.
- Chris McMullen
- blog: www.chrismcmullen.wordpress.com
- Facebook: www.facebook.com/pages/Chris-Mcmullen/390266614410127
- Twitter: twitter.com/ChrisDMcMullen
Versus
- Chris McMullen
- Find free publishing resources at www.chrismcmullen.wordpress.com
If I include the latter in a book related to self-publishing, it’s more likely to stimulate interest in my blog.
Here are some more examples:
- Visit my fan page at ___ to view maps and to read bonus material.
- Sign up for my email newsletter at ___ to learn about new releases and special sale prices.
- Check out my author website at ___ to see character sketches and learn how the book came about.
- Read poetry and romantic short stories on my blog at ___.
- Download a free PDF booklet with 100 book marketing ideas from my website, ___.
Of course, instead of ‘my’ you can write your name (with the apostrophe and s).
Think beyond the about the author section of your books. Anywhere you provide a link to one of your sites, consider including a concise note of what to expect.
On the other hand, if there isn’t likely to be anything of interest, don’t add a reason. For example, if your Twitter page is identical to your blog posts, provide a reason to visit your blog, but simply say, “or follow me at Twitter at ___.”
Also, don’t hype it up to make it sound better than it is. If people make a trip to your site and see something different from what they were expecting, probably all you did was waste their time and cause some frustration.
Publishing Resources
I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:
Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers
Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.
Marketing Books around Strengths and Weaknesses
More than just marketing your book, you have the opportunity to paint a perception. That perception could attract readers who may appreciate the strengths of your book; it may even downplay your book’s weaknesses.
Marketing a perception may even help to create more indirect interest in your book than marketing your book directly.
Examples
(1) Strength = storyline; weakness = writing.
It’s in your best interest to shore up your weakness as much as possible, e.g. improving your writing skills (reading classics can help with that) and seeking editing help. But let’s say that, for whatever reason, you have a book on the market where you know the writing is okay, though not as good as it could be, but you feel that the storyline more than compensates for this.
In this case, you want to paint the perception that the storyline is more important than the writing. Be careful: You don’t want to say that writing doesn’t matter; you don’t want to create the misperception that you didn’t care about the writing at all. Rather, you want to stress how great ideas for plot and characterization are the best part of the book; that you would rather read a book with great ideas, but just okay writing, than a book with just okay ideas, but extraordinary writing.
Not everyone will agree with you, but that’s okay. In fact, this will help you target your audience. You don’t want people who weigh the writing aspect of the book heavily to be dissatisfied with their purchases. At the same time, your marketing will help to attract people looking for a great storyline. “I love a great story. I might just check that out.”
(2) Strength = writing; weakness = great story ideas.
This is just the opposite. Here, you want to stress the wonders of writing, how it helps the story flow, etc. You want to emphasize the importance of scrutinizing the blurb and Look Inside for possible mistakes.
Many other people are already selling a similar perception. For example, editors and traditional publishers want to highlight the importance of editing because this is one of their strengths. It’s okay that different people are painting contradictory perceptions. This helps to filter the audience, creating a more positive reading experience.
But if you’re an indie author with a writing/editing strength, you want to market the reality that some indie books are very well-written, too. You don’t want all the traffic looking for quality writing to read exclusively traditionally published books. Stress some examples of indie books with quality writing (and not just your own; people will find your books when they discover your articles and posts).
(3) Strength = content; weakness = cover.
My advice is to get a better cover. It’s a very important part of marketing. If your content is very good and there is a significant audience for your book, a great cover that attracts the target audience can make a big difference. But let’s say that, for whatever reason, your cover isn’t as good as it could be, but you believe that the content compensates for it.
You want to stress the old adage about not judging a book by its cover, that you’d rather read a great book with a lousy cover than a lousy book with a magnificent cover.
(4) Strength = fantastic cover; weakness = novelty.
If your cover is amazing and the content is also appealing, but maybe your weakness is that the book doesn’t show as much imagination as it could, then you want to emphasize the importance of cover design; that if much effort is put into the content, the cover should also reflect this effort.
You
List your strengths and weaknesses. Get feedback to see if others agree with your list. Think about what perception you could strive to pain that may help to attract your target audience.
It’s foolish to think you can write a book that will appeal to everyone. You can’t. Just look at the reviews of any highly esteemed book, and you’ll see that book wasn’t for everybody.
What you want to do is filter the audience, trying attract people for whom your book will provide a positive reading experience. In fact, if people realize that your book may be a good fit for them through your marketing, they are more likely to check it out. The better you succeed in filtering your audience, the more likely readers will leave positive reviews or recommend your book to others.
Tact
Don’t slam the opposite perception. For example, suppose that you’re selling the perception that cover design is highly important. Be careful not to slam books with lousy covers. Some of those might actually be great books. Potential readers may have author friends with not-so-good covers; you don’t want to insult friends of your potential readers. You also don’t want to attract negativity.
In this case, focus on the merits of a great cover, without saying rude things about books with lousy covers.
Whatever perception you’re trying to paint, take care not to insult authors who are trying to paint the opposite perception.
Maintain a professional image as an author. Marketing books is not like politics.
Credibility
You want to emphasize the importance of your book’s strengths while downplaying your book’s weaknesses, but you don’t want to advertise the weaknesses. For example, if writing is your weakness, you don’t want to say something crazy like, “The writing stinks, but the story is awesome.” Improve your weaknesses as well as you can, then play to your strengths without calling undue attention to your weaknesses. You might say something to the effect that the story ideas are far more important than the writing is to you, that for you the writing doesn’t come as easily as the ideas, but demonstrate how you’re working to master the writing (e.g. you’ve taken a writing course or how you’re working with an editor).
Frequency
You don’t want to write one article after another painting your perception; you’ll get tuned out, readers will get annoyed. You have to find the magic frequency, and you need to mix up your posts.
A perception may have different aspects, giving you more topics to work with. For example, if you’re marketing the importance of good writing, there are a host of ideas that you can write about, such as the effect of word flow, passive versus active storytelling, and the art of subplots.
If you can find a concise way to get your point across, you can include it with your signature. “I’ll take a great story over a great cover any day.”
My Example
With my Improve Your Math Fluency series of workbooks, my strength is my background (Ph.D. in physics and experience teaching at the university). One weakness, for some teachers and parents, is that I favor the old-fashioned technique of ample practice of fundamental skills, whereas a new trend is fewer drills, more pictures, more group activities, and more engagement.
One reason for the new trend is that some students in a classroom get bored by the drills: As soon as the top students master it, they’ve had enough, and many of the struggling students would rather do something else. However, many motivated students who are working on problems that match their level greatly benefit from practicing fundamental math skills. In fact, no matter how you teach, if you want the students to be fluent in the subject, at some point they will have to practice it.
As a physics teacher, I see many university students who are quite rusty with their arithmetic, algebra, and trigonometry skills, which is even more amazing when you consider that many of the students who sign up for physics tend to have stronger backgrounds in math compared to other students. Students simply aren’t required to practice the fundamental math skills as often as we did when I was in school.
Many parents want their children to benefit from additional practice. Sometimes this is to help good students who are bored with the curriculum; they use workbooks to learn higher-level skills. Sometimes it’s to give a student who is struggling in school extra practice.
I emphasize the benefits of practicing fundamental math skills to improve math fluency. I have nothing against the modern workbooks that have different objectives. Parents and teachers who want to engage or entertain bored kids should favor the modern approaches. Rather, my goal is to reach parents, home-school teachers, independent students, and teachers who see the benefits of building fluency in basic math skills through ample practice.
If you’d like to check out my Improve Your Math Fluency series, please click here.
Publishing Resources
I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:
Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers
Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.
Which Part of Publishing Do You Enjoy Most?
Here are some choices to consider:
- That magical feeling when you get a book idea that seems like it could be the one. What a thrill!
- When you’re on a roll with your writing, the ideas are just sliding off your fingertips, and the manuscript feels like an extension of yourself. Go, go, go.
- You’re stuck on the storyline and you suddenly experience an epiphany. Aha!
- A stranger offers free help or advice when you’re incredibly stressed over some formatting or other publishing issue. Thank you!
- You press the magic button to publish your book. Presto!
- The first time you see your book in print. Treasure it.
- A fan asks you to autograph your book. So cool!
- Someone you don’t know leaves a good review. Validation.
- You meet a stranger who not only recognizes you as an author, but thanks you for writing your book. Prepare for tears.
- One of those milestone moments: X sales, $Y royalties, Z sales rank. Pinch me.
- When a fan asks you when your next book is coming out. You’re in demand.
- Just the creative process itself. This lasts much longer, too.
The bottom line is that there is much to enjoy about publishing. So when editing, formatting, writer’s block, reviews, sales, or anything else gets you down, stop focusing on that little aspect and remember several good reasons to enjoy the book you’ve published. 🙂
Publishing Resources
I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:
Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers
Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.
Curious (A Five-Year Old’s Questions about the Heart)
Daughter (5): What would happen if the heart stopped?
Me: That’s called a heart attack. You don’t want that.
D: Why not?
M: You need your heart to work.
D: Why?
M: It needs to pump blood.
D: Why?
M: Your body needs to circulate blood.
D: Do your toes need blood?
M: Yes.
D: What is blood made of?
M: Blood cells.
D: What are blood cells made of?
M: Different kinds of molecules.
D: What are molecules made of?
M: Different kinds of atoms.
D: What are atoms made of?
M: Protons, neutrons, and electrons.
D: What are protons made of?
M: Quarks.
D: What are neutrons made of?
M: Quarks.
D: What are electrons made of?
M: Nothing makes them up. They’re elementary.
D: What are quarks made of?
M: Nothing.
D: So blood is made of quarks and electrons. You have to get to the end to find out what it’s made of.
A child’s curiosity and energy can be rejuvenating. Try to feel rejuvenated and have a wonderful day. 🙂
What Do You Do When It’s Freezing Cold? (Riddle)
It has four letters, but it’s not a bad word.
It can get your mind off the weather and take you to another world.
It’s something to do all by yourself.
It’s fun for ages zero thru infinity.
It (probably) doesn’t require transportation.
It’s an activity that more people should do more often.
It’s about to be spoiled, so if you don’t want the answer yet, don’t look down.
It’s read and you should do it today. 🙂
Copyright © 2014 Chris McMullen
The Other Side of Taking Your Time with Your Book
I’ve been a recent advocate of taking your time with your book: showing patience, getting help as needed, perfecting your work, doing pre-marketing, etc.
Let me balance this by referencing an article in the Wall Street Journal regarding self-publishing at a fast pace:
http://online.wsj.com/news/articles/SB10001424052702303640604579298604044404682
I have some trepidation that authors might read this article, especially given where it was published, and interpret that to mean that writing and publishing as quickly as possible is a successful business model.
No matter how you publish, it will take a special brand of content and packaging to attract a large readership, and discoverability is only becoming more challenging each year.
If the book isn’t attracting readers, having thirty such books probably won’t help.
But if you have a special book that’s just a magnet for readers, those readers will crave more, and the faster they can get it, the better.
The getting-more-books-out-there-quickly plan may have some merit.
Let me emphasize that there is more to it than just a large number of books; content is especially important, and so are packaging and discoverability.
I’ve mentioned previously the power of a backlist: Most authors who put out many titles in a few years already had much of the work done before publishing.
I benefited from a backlist, a coauthor, and publishing many workbooks that don’t compare to writing a novel. I know that it can help to have several books out. The more marketable books, the better. Having a large number of books that aren’t too marketable won’t help much.
What’s right for you? That’s the million-dollar question you’ll have to figure out. 🙂
Publishing Resources
I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles by clicking one of the following links:
Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers
Follow me at WordPress, find my author page on Facebook, or connect with me through Twitter.







