Oct 3 2013

MatchBook and Kindle Sales Rank (A Hard-to-Get Answer)

When I went to enroll my books in Kindle MatchBook—a new program from Kindle Direct Publishing (KDP); you can learn more about MatchBook by clicking this link—an important point occurred to me:

  • Will the MatchBook sales improve your Kindle sales rank?
  • If so, if you make the MatchBook price free, will that also affect your sales rank?

Note: As of October, 2019, the Matchbook program has been canceled.

Here’s why it’s important: If the MatchBook freebies would improve your Kindle sales rank, that would serve as an incentive to offer print customers a free Kindle edition.

I checked my email, the September KDP newsletter, and the information about MatchBook available from a link on my KDP bookshelf (which all boiled down to the same information), and this point wasn’t clarified. I then posted this as a question in the KDP community forum; there was some interest in the answer, but nobody there apparently knew the answer, either.

Next, I contacted KDP. They responded in a day, but only to tell me that they needed 5 more days to figure out the answer. (!) Today, KDP responded (yep, today was day number five).

If I was informed correctly, 99 cent, $1.99, and $2.99 MatchBook sales will improve your Kindle sales rank, whereas free MatchBook sales will instead count toward your free sales rank.

Wait a minute. Something seems strange here.

When you make an e-book free through KDP Select, the book is free all day. During this time, the e-book has a free sales rank. When the free promotion ends, the e-book returns to the paid sales rank.

But MatchBook won’t be free all day! People can buy your Kindle e-book at any time. So if one customer “buys” your e-book for free through MatchBook, three seconds later someone else might pay for it at the Kindle sales price.

What’s going to happen? Will the book have a free sales rank and a paid sales rank at the same time? Will your book be ranked among freebies and paid books simultaneously?

It seems it may be so, based on what I’ve been told. (Or your book could toggle back and forth between the free and paid sales ranks with every free or paid purchase.)

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Oct 3 2013

CreateSpace & Kindle Keyword and Category Tips

The first “secret” is to visit the following KDP help page. This page tells you how to use different combinations of keywords to get your book listed in “special” categories. Once there, cick on a category from the list.

https://kdp.amazon.com/help?topicId=A200PDGPEIQX41

At CreateSpace, you can select one BISAC category and enter up to 5 keywords separated by commas in one of the publishing steps (same page as where you enter the description). At Kindle, you can select up to two categories and enter up to 7 keywords.

First, you should try searching for similar books on Amazon by keyword. As you start typing a keyword, common search results will pull up. This will help you see if customers ever search for the keywords that you’re trying. See which books similar to yours show up in the search results. Are the top searches all bestsellers, or have lesser known authors achieved visibility on these searches?

The most important thing about the keywords that you choose for your book is that they are a good fit for your book. That is, people searching for those books are very likely to be in your target audience. If not, the keyword is wasted. The second thing to consider is this: You want to balance popular keyword searches (i.e. ones that customers are likely to use frequently) with your chances of being visible in that search. Guess how many super-popular books show up if you simply search by “romance,” for example. You might be better off trying to find specific romance searches that are highly relevant for your book and which customers actually search for periodically.

Here is a handy keyword tip for CreateSpace: Don’t put spaces after your comma. The 25-character limit includes that space. So if you include a space after the comma, CreateSpace will reject an otherwise 25-character long keyword. (Obviously, you have to have spaces between separate words, just don’t put one after the comma that separates two keywords). Note that Kindle Direct Publishing (KDP) doesn’t impose this limit on characters.

Words in your title, subtitle, author name, and imprint are already searchable, as is the word “book.” So, for example, if your subtitle has the word “mystery” in it, you’re wasting a keyword if you choose “mystery book” as a keyword because it would already be searchable that way. Plurals may make a slight difference in the order of search results, but you shouldn’t waste a keyword to change something like “soldier” to “soldiers,” for example (if you have one or the other, your book will show up in both searches, though not necessarily in the same place).

As you find books similar to yours—especially books where the author wasn’t well-known, but which are selling well—see which categories they are listed in. You want to choose the most relevant category for your book.

Although you can only choose one BISAC category at CreateSpace, you can actually get your book listed in two relevant categories at Amazon. After your book is published, simply contact member support and politely as CreateSpace if they could please add your book to one more category. First go to Amazon to find the browse path—something like Books > Romance > Contemporary.

You have to make a separate request for Amazon US and Amazon UK. Note that the category choices are different on both sites, so you have to find the category that you want on each site before making the request.

You can’t add your book to a second category in children’s or teen unless your BISAC category is in juvenile. If you want one category in children’s or teen and one category different from this, first choose your BISAC category within juvenile and then request to add the other category on Amazon.

When your book first goes live, it may be way down the list (several pages, perhaps) in search results. Through successful marketing, if your book gets searched more and sells after being searched, this will help to improve the book’s position in the ordering of search results. You can’t expect a new book to pass bestsellers in the results, can you? It takes time for Amazon’s program to establish relevance.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Oct 2 2013

Authors Have Two Audiences—not One

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Marketing is most effective when the content, packaging, and marketing are all geared toward attracting the target audience.

But there’s a catch: There isn’t just one audience; there are two.

One audience consists of the readers who are likely to enjoy your book, but who haven’t read it yet. The second audience includes fans who have already read your book.

This distinction is important.

For example, a fan doesn’t need to see reminders or hints to purchase a book that he or she has already read. A fan who enjoyed the book enough to find your blog or email you would probably enjoy bonus material.

On the other hand, if you catch the interest of people who read your genre who haven’t read your book, you want to give them opportunities to discover your book. Some supplemental material is less likely to interest people who haven’t read your book—especially fiction, maps, images, or poems that are best understood by someone who is familiar with the book.

Fans may be interested in learning more about you on your blog, whereas content relevant for your target audience is more likely to attract new readers to your blog. You could mix in a little of each, or you can put some of this on a fan page.

If you have a series, fans are looking forward to the release of your next book, whereas you want new readers to discover the first volume.

When you promote a temporary sale price, you want new readers to learn about this, while fans might be a little frustrated to see the discount if they paid full price.

When you interact with people in person or online, if you’re able to determine whether or not they have read your book, this can help you. For example, when communicating by email, you can have a signature line that links to your book for people who haven’t read your book, but a signature line that links to a fan page that has supplemental material for fans.

Part of your online platform should be geared toward new readers, while there should also be some place that fans will appreciate.

Think about your dual audience and how it might impact your marketing efforts. For one, marketing pages that you include at the end of the book should be geared toward fans, since, obviously, they have already read your book.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Oct 2 2013

Read Tuesday Pictures—Second Try

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Melissa Stevens (www.theillustratedauthor.net) read the opinions expressed in my previous post and offered the images that you see at the top and bottom of this post.

Thank you to everyone who provided feedback on the first round of images. Although it’s impossible to please everyone—especially, when opinions may be contradictory—since we will all be able to use the Read Tuesday images, I would like for everyone to be happy with them.

Let me add my opinions, which I didn’t express in the previous post. In the originals, I favored the stars and the gold bow, and was also concerned about clutter around the date. In this new set, the stars are more concentrated around the bag (to me, it’s as if they just popped out of it). The gold stars don’t seem as obtrusive to the text. I kind of like the red bow if we go with the gold stars.

But Read Tuesday isn’t my event, its our event. So your opinions are just as important. You are encouraged to express them.

In case you haven’t heard, Read Tuesday will be a big day for selling and gifting books, like Black Friday, except for books. You can learn more about Read Tuesday (but note that the name has changed) through the link below:

https://chrismcmullen.wordpress.com/2013/09/21/red_tuesday_idea_for_boosting_book_sales/

Chris McMullen

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Oct 1 2013

Read Tuesday Pictures—Need Suggestions

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Artist and cover designer Melissa Stevens (www.theillustratedauthor.net) has put together these drafts for the Read Tuesday image. You can find the alternates at the bottom of this post.

I need your help with this.

  • Do you like this concept?
  • What would you like to change?
  • There are many possibilities, like changing colors, brightening or darkening, adding or removing elements, adding other details. The door is wide open.
  • Which version appeals to you best?
  • Which colors or features do you like best?
  • Which colors or features do you like least?
  • What could we do to make this better?
  • If you would prefer something vastly different, please say what you would like.

Read Tuesday is for everyone, so if you have any opinions, please share them.

In case you haven’t heard, Read Tuesday will be a big day for selling and gifting books, like Black Friday, except for books. You can learn more about Read Tuesday (but note that the name has changed) through the link below:

https://chrismcmullen.wordpress.com/2013/09/21/red_tuesday_idea_for_boosting_book_sales/

Chris McMullen

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Sep 30 2013

Draft of Author Sign-Up Form for Read Tuesday

Read Tuesday Curtains

I made a draft of the author sign-up form for Read Tuesday. (In case you haven’t heard about it yet, you can learn more about Read Tuesday—a bookselling event like Black Friday—by clicking on the link below.)

https://chrismcmullen.wordpress.com/2013/09/21/red_tuesday_idea_for_boosting_book_sales/

The draft has ten questions and a note at the top. Some of the questions will be optional, most will be required (which are required should be clear when filling out the form).

Please look the draft over. If you have comments or think of something we should consider adding, please let me know.

We’ll have a separate form to sign up books (rather than authors), and we can also add separate forms for any small publishers or booksellers that may wish to participate in the event.

Remember, it’s just a draft. (So don’t try to complete the form yet.) Once it’s ready, I’ll post a link to the form, and all you’ll have to do to participate is complete the form online and press a magic submit button. Then I can create a database of the answers at anytime.

Click on the link below to open the form. (It’s a PDF file. Be sure to scroll down to the subsequent pages, or you’ll only see the first few questions.)

Author Sign-up for Read Tuesday

In the note at the top, you can see that I gave myself a silly title, just to show you that I’m really unimportant—that’s what titles are for, right? (Read Tuesday is about many authors providing a great program for thousands of readers, not about any one person or group of people.)

Regarding the image above with the red curtains… I got this idea that we might be able to stir up a little pre-launch buzz for Read Tuesday, and I thought closed curtains like you see in a theater just before a big show might be a good idea. However, the primitive method that I used resulted in a highly pixelated image. I put an image on the Read Tuesday website, the Twitter page, and the Facebook fan page, so at least anyone who visits these sites will see that something is in the works. (These sites are otherwise empty.) I was going to suggest that we post this picture on our blogs, and perhaps even create a few posts to try to stir up some pre-launch buzz for the Read Tuesday event (you can see one image on my sidebar to the right), but since it’s rather pixelated, I decided not to suggest this.

Actually, it’s hard to notice the pixelation on the small sidebar image, so adding these red curtains to all our sidebars might not be a bad idea after all. Feel free to add it to yours and to spread the word. You’re welcome to copy the red curtain image (either above or from the sidebar).

In about a week, we should have much nicer images to work with to help brand the Read Tuesday program. When these are available, I will let you know, and that’s when the Read Tuesday sites will launch.

Chris McMullen

Sep 30 2013

Authors: Try Giving Yourself Advice

If another author asked you for advice and you checked out the other author’s book, would suggestions come to your mind? Maybe you would comment on what you do or don’t like about the cover. You might have suggestions for the blurb. If you found something in the Look Inside that put you off, would you mention it?

People generally love to give out advice. That’s why everyone tends to receive a lot of advice, even when it wasn’t sought. People form opinions easily, and many people don’t hesitate to share them.

Even if you don’t share your opinion so freely, you still form opinions. Suppose you’re checking out a book. You’ll know in an instant if you like or dislike the cover, if the blurb attracts your interest or not, and if there is something that you do or don’t like about the book.

But a funny thing about advice is that while people love to give it to others, they often don’t take their own advice.

  • Evidently, you don’t have to have a good track record in your own relationships in order to give dating advice to others.
  • Apparently, you don’t need to have any skill in a sport yourself in order to give tips to others.
  • Clearly, you don’t have to make the best work-related decisions in order to advise others about their career paths.

Here’s my point. If you’re looking at someone else’s cover, you might find yourself wondering, “How can you put that on your book?” But if it’s your own cover, you don’t tend to be as critical. If you’re shopping for a book, you might think to yourself, “That blurb doesn’t try to catch my interest at all.” But when it’s your own blurb, you’re already interested in it. When you pay five bucks for a book, you tend to get disappointed if you catch several typos. But when it’s your own book, you often read what you meant to write instead of what you actually wrote.

There are two things you can learn from this:

  • You need to try to step aside and evaluate your work critically. Take a break from it and try to approach it as if you were seeing it for the first time, and try to evaluate it as if it were someone else’s book.
  • No matter how hard you try, you can’t see your own work as if it were written by someone else. There is no substitute for external opinions. Getting this before you publish is invaluable.

I know a few authors who will think that they judge themselves more harshly than anyone else – i.e. you feel that you are your own toughest critic. Many of us feel that way.

But we’re our toughest critics only in certain aspects. You’re not your own toughest critic in every aspect. You judge yourself harshly only in the areas that you care about most. You give yourself a large allowance in areas that you don’t care much about.

However, those areas that aren’t so important to you might be very important to shoppers. So even if you are your own toughest critic in some regards, honest external feedback – if you can get it – is still very likely to help you find ways to improve your book.

You shouldn’t necessarily change everything based on external feedback. But first you need to know what that feedback is before you can decide whether or not you feel it merits attention.

Have you ever come across books where the cover, blurb, Look Inside, category selection, or something else probably could have benefited from a little advice? Of course, if you send advice to all of those authors and publishers, some of them won’t want it. I’m not telling you to go advise others about how to publish their books. I’m suggesting that we all need to evaluate our own books more critically, and especially to benefit from more external feedback prior to publishing.

We just don’t look at other books the same way that we look at our own. In this regard, books are kind of like kids. Your book is your baby. It’s not like other books, is it?

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)

Sep 29 2013

Valerie Alexander’s Book Trailer Advice

Valerie Alexander, screenwriter and author, shared advice for making a video trailer based on her experience doing this for her own book. Her article has plenty of good advice, and one nice thing to know is that you don’t need a studio to pull it off—she made hers using an iPhone. You can find her article at the link below:

http://buildbookbuzz.com/how-one-author-created-her-funny-book-trailer/

Sep 29 2013

Getting Real About Writer’s Burn Out and Social Media Demands

We have the craving to write, see the need to market, yet also need time for family and personal lives. This post raises some excellent points about the danger of burn-out and the need to achieve balance.

Sep 28 2013

What’s the Best Thing about Read Tuesday?

Read Tuesday

Read Tuesday will be a great opportunity for readers to find a wide selection of books with amazing one-day sale prices. It will be a huge event like Black Friday or Cyber Monday.

Although the discounts and selection of books will be incredible, to me that’s not the best thing about Read Tuesday. I am looking forward to a lot of shopping on Read Tuesday, though.

Read Tuesday will also be a great way to buy gifts for people who love to read books and e-books. Customers can gift e-books – or buy print books to wrap up – at great saving in time for the holidays.

Although the savings will be splendid and the books will make nice gifts, to me that’s not the best thing about Tuesday. I am looking forward to gifting books on Read Tuesday, though.

Read Tuesday will also be a great promotional opportunity for authors and small publishers. By participating in the event, authors can promote their own books while simultaneously promoting the Read Tuesday event.

Although the promotional potential for authors and small publishers will be wonderful, to me that’s not the best thing about Read Tuesday either. I am looking forward to participating on Read Tuesday, though.

So what is the best thing about Read Tuesday?

To me, it’s the nature of the event and how it came about.

Stores usually plan sales events. They sell the products. They control the prices. They do the advertising. Black Friday and Cyber Monday are orchestrated by giant businesses.

Most authors and publishers don’t get much out of Black Friday or Cyber Monday. Most customers are buying electronics, toys, tools, and clothes. Hardly any books will have better prices than normal. If there are, they are probably bestsellers.

Read Tuesday is totally different. This event isn’t orchestrated by big businesses. The idea didn’t even originate from a store. It didn’t come from a publisher. It didn’t come from a bestselling author.

Read Tuesday shows that a very large number of independent authors and publishers can get together and coordinate their efforts to create a huge event.

It’s a chance for us to show what we can do when we put our minds to it; what we can do when we get involved. Individually, we may be small, but together we can thrive.

This event can be huge and it can be professional. I feel that this is an important message.

You don’t have to be a big business, a store, a publisher, or a bestselling author to be highly professional. Anyone can choose to be professional. We can choose to make the Read Tuesday event professional and a huge success.

To me, the best thing about Read Tuesday is the opportunity for thousands of authors to get together and show what we can accomplish together.

Chris McMullen, author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers, Vol. 1 (formatting/publishing) and Vol. 2 (packaging/marketing)