Tag Archives: authorship

Jun 19 2013

What Makes People Buy Books?

Buying Books Pic

It’s awfully silly to start marketing your book until you first devote some time to a couple of basic questions:

  1. What causes people to buy books? (Equally important: What tends to deter sales?)
  2. Who is your specific target audience?

Knowing the answers to these questions can significantly affect your marketing strategies. In this article, we’ll focus on Question #1.

(1) Browsing for books on the top 100 bestseller lists.

More than any other method, customers buy books by shopping the top 100 bestseller lists. There are New York Times bestseller lists, there is a special bestseller section in most bookstores, and Amazon lists their top 100 sellers in any browse category. You can even search for the top 100 authors.

Evidently, these books were good enough that many other people read them. Many of these books are traditionally published and were written by popular authors. But more and more indie authors are starting to break through, especially on Amazon.

Bestselling books sell dozens or hundreds of copies per day (of course, it depends whether we’re talking overall or just in a particular category or subcategory, and the precise number can be sensitive to a number of factors). So bestsellers account for a huge percentage of book sales.

You might not like the fact that many customers look to see what’s popular and shop for books based on this. But that’s irrelevant. Unless you have an idea to change the way millions of people shop for books. It’s just something to consider.

If you can succeed in earning a spot on any of the top 100 lists, this amazing exposure can lead to wonderful things. Provided that your book runs with it; some books get onto the list and fall right off.

There are tens of thousands of authors doing all the right things (and others doing wrong things) to try to get their books onto these coveted lists, and you’re competing against popular authors and traditional publishers. But you’ll find some indie authors there, too (studying what they’ve done right may prove to be valuable research).

If you feel strongly that you have a book with the potential to get onto these bestseller lists, go for it!

  • You need a book idea that has a large preexisting audience. Find a genre that you’re a good fit to write in and research what this audience expects. Develop your writing and storytelling toward this end. Become familiar with the rules of the genre, and understand why these rules exist.
  • Develop a fantastic story and memorable characterization for fiction, or valuable content for nonfiction. Write in a way that your audience will enjoy the read in terms of both making the words flow (or not, when the occasion arises) and use of grammar blended with style. Perfect the book cover to cover in terms of front matter, back matter, editing, and formatting. You don’t want anything to detract from the read. Give people reasons to leave positive reviews and recommend the book to others, and avoid giving reasons to say anything negative (it’s unavoidable, but strive to minimize this).
  • You need initial sales to get things going. A history of poor sales rank is a challenge to overcome. So build buzz for your book with cover reveals, letting people discover that you’re writing a book, interacting with people who ask how your book is coming along, getting feedback on various aspects of your book (cover, title, blurb, first chapter, draft) on different occasions from different groups of people in person and online. Focus groups, contests, promotions, etc. can help you get people excited about your coming book.
  • Don’t underestimate the importance of packaging. The book has to absolutely look like it belongs in its genre. If you want a top seller, on top of everything else, the cover has to quickly register as being the kind of book that the customer is looking for. If the cover attracts the wrong audience, there won’t be any sales. Research the covers of bestsellers in the genre. Design a professional-looking cover that will attract customers who are accustomed to seeing those covers. The title, cover, and blurb need to send a unified message and grab the target audience’s attention. Craft a killer blurb that will entice interest without giving too much away. The Look Inside needs to close the deal.
  • Do premarketing. Don’t wait until your book is published. Look for bloggers in your genre who occasionally review books well in advance of publishing, since they may already have numerous requests and reading takes time. Make a professional press release package. Contact local media. Try giveaways on Goodreads. Arrange signings and readings. Have a book launch party. Why wait until your book is already available and not selling well to do all the things you should be doing? If you’re going to market your book anyway (and you’ll discover the hard way that you need to), do it right and help your book take off with a bang in the first place. Even if you don’t think the 100 bestseller list is realistic, doing your best to get your book on this list gives you the best prospects for success.
  • Believe in your book. Visualize success. Not just you sitting on a pile of money receiving praise from everyone you meet. Visualize the path to your success that makes this vision realistic and work diligently to get there. If you don’t show belief in your own book, how can you expect others to believe in your book? Your lack of confidence can deter sales. But don’t get overconfident as bragging tends to deter sales.

(2) Shopping for books by their favorite authors.

When customers like books, they sometimes search for other books written by the same author. Indeed, books are frequently sold this way.

This affects all authors who’ve written more than one book (well, unless you write one children’s book and one book that’s not for children, for example).

Write two or more related books. Or better yet, write a series of books. Then you can benefit from such sales.

Ah, but there’s a catch. The first book they read has to be good enough to make many readers want more. The book has to be seem like a good value (and the subsequent books can’t seem like a rip-off), and should provide a sense of satisfaction by itself.

  • Memorable characters give readers a reason to continue the series.
  • A great storyline in one book creates high expectations for more of the same.
  • Editing, writing, formatting, and storyline mistakes discourage future sales.
  • The subsequent volumes need to live up to expectations in order to merit good reviews and recommendations; if they don’t live up to this, there may be negative referrals (e.g. “Stay away from that series”).

Discounting book one, making book one free, creating an omnibus, promoting temporary discounts, contests, etc. can help generate sales. The more people who read one of your books and love it, the more of your other books you are likely to sell. Plus this improves your sales rank, chances of getting reviews, and prospects for word-of-mouth sales.

(3) Recommendations from trustworthy sources.

An editorial review from a highly reputed source, like the New York Times, can have a very positive impact. This isn’t realistic for most indie authors (or even many traditionally published authors), but there are many ways that every author can benefit from recommendations.

The most accessible is word-of-mouth sales. If the book is good enough – see the points from (2) above – for a percentage of the customers to recommend it to others, this can generate valuable sales. If a thousand people read a book initially, and a hundred recommend it to their friends, family, coworkers, and acquaintances who read similar books, and then a fraction of those people recommend it to others, and so on, sales can really grow in the long-term.

You have to be patient. First, you need the initial batch of people to read your book. If sales are slow (a few a day), that can take a long, long time. See the points from (1) above for a few marketing ideas.

Once people buy your book, they must read your book. They might already have other books to read first. Then when they do read your book, it might just be in their spare time, which they might not have much of. As soon as they finish reading your book, they won’t go scream from the mountaintops. They might not mention your book at all. The more they love your book, the more likely they will recommend it. But then it might not be until it naturally comes up in conversations, which might not be for some time. Then those people might not buy your book right away. It can be weeks after they hear about your book before they consider buying. Not everyone who hears great things about your book will buy it.

It can take several months for word-of-mouth sales to build up. And your book has to be good enough to receive those recommendations. You can do your best to perfect your book, but you can’t control customer recommendations. All you can do is wait and hope.

If someone very social falls in love with your book, that can be quite fortunate. If people who are really connected in the social media world enjoy your book, this can potentially be big. Just imagine the buzz in social media when Twilight was coming out. Reproducing that might not be realistic, but it shows the potential. If a blogger in your genre falls in love with your book, or if a book reviewer for an online magazine loves your book, or even a customer who often reviews books on Amazon loves your book… recommendations help, especially when they come from trustworthy sources.

You can try to solicit reviews from bloggers in your genre who sometimes review books. Maintaining a blog and being active in social media might help make some valuable connections. But remember that some bloggers receive an insane number of requests and that it takes time to read books.

Put together a press release kit with advance review copies and contact local media. For indie authors, it may be easier to get an article or review if you write nonfiction, have something unique going for you (like being a triplet, but there are many other ways for the press to take interest in you), or if you have a very small local paper.

You also have your own friends, family, coworkers, and acquaintances. If you succeed in building buzz for your book – see point (1) above – then they may help stimulate sales by recommending your book to their friends, coworkers, and acquaintances.

Another trustworthy source that’s very valuable is the retailer itself.

Once a book sells a few times along with another book, it can show up on Customer Also Bought lists. The more frequently your book sells – and the more effective your marketing efforts – the more these lists can help give your sales a significant boost.

Excellent packaging boosts your chances of getting sales from Customer Also Bought lists – see point (5) below.

(4) Discounts, promotions, and contests.

People tend to love sales. But they have to know about the sale, which means that you have to promote your discount. And they have to want the product. The book has to be a good fit for them. Which means you have to find your target audience and market your promotion toward them.

A temporary discount entices customers to buy before the sale ends. If a discount is too frequent and regular, people will learn to wait for it, and sales may be much slower in the interim. Contests and giveaways can help stimulate interest, too. Like the giveaway program at Goodreads (but you need to have a hard copy, like paperback).

Amazon sometimes discounts books. They have been doing this more frequently in 2013 for indie authors, especially with CreateSpace paperbacks. There is no guarantee that a retailer will put your book on sale, and you have no control over this. (But with CreateSpace, you still get the full royalty, provided that the book sells directly through Amazon.)

(5) Searching for books by keywords or browsing for books in categories.

Shoppers do go to Amazon and other online booksellers to search for books by keywords or just browse page by page through categories (or do a search within a specific category). Browsing page by page without a search tends to put the bestsellers up front, like point (1) above. But customers do search for various keywords.

A greater percentage of books sell other ways than searching for keywords. However, there are so many customers buying books that this still represents a very large number of book sales.

The problem is that there are tens of millions of books to search for.

  1. Millions of books sell this way, but there are also millions of books. On average, most titles sell fewer than one a day through this method. Fewer than a hundred thousand titles sell multiple copies per day through online search results. (The top couple hundred thousand books on Amazon sell one or more per day, but many of these sales are not from keyword searches.)
  2. Books that show up on the first page of one or more keyword searches are much more likely to sell through keyword searches. Most books don’t show up on the first page of any search results. Only a few books show up on the first page of very popular keyword searches.

Amazon tends to reward books whose authors and publishers (scrupulously) help themselves. The better your book and the better your marketing, the greater your sales rank and the more reviews you will draw, which can help to improve your book’s visibility. It’s not just sales rank and reviews. More sales might mean you’re selling more books through keyword searches, which may have a greater effect on visibility than from sales rank along.

Once your book becomes visible in one or more keyword searches, you need for it to get noticed.

Excellent packaging can make a marked difference once your book becomes visible. It has to attract the right audience. If it looks like sci-fi, but it’s really action, then the people who click on the book won’t be the people who buy the book. Research books in the genre that sell regularly to see what customers are accustomed to seeing in search results. You want a professional-looking cover that clearly signifies the genre in order for keyword searches to work for your book. You also need a title, cover, and blurb that send a unified message about what to expect. A killer blurb that attracts interest without giving too much away can help immensely, provided that your book is getting noticed. The Look Inside needs to be good enough to seal the deal once shoppers become interested.

(6) Personal interactions with the author.

If you’re not selling books the other 5 ways, this is your best opportunity. Even authors who are selling books the other ways should be taking advantage of this. A very significant number of books sell through personal interactions with the author. Strive to provide the personal touch with your marketing endeavors.

It’s a treat to be able to read a book where you’ve personally interacted with the author. When people interact with you and enjoy the interaction, they are much more likely to read your book, enjoy your book (because they read it in a good frame of mind, whereas we often read critically or with skepticism), and review your book.

Especially if you make each person you interact with feel special. If they interacted with you and felt like you were a salesperson, they probably won’t feel special. If they meet you, ask what you do, discover you’re an author, and enjoy your discussion, what a difference that makes. But don’t interact with people just because you want to sell them something. Interact with them to get to know them. If you really care, this will show and can make a huge difference. Be genuine.

Charm them.

Who is your target audience? These are the people you want to interact with personally because they are many times more likely to buy your book than anyone else. If you write a romance and market it mainly to people who rarely or never read romance, your marketing will be a disaster. Think long and hard where and how to find your target audience. And then you don’t want to be there just to sell your book. You want to provide help (volunteer work), knowledge (a seminar, a blog), or entertainment (a reading), for example, to help attract your target audience, and have them discover that you wrote a book that may interest them (happen to have bookmarks to pass out?).

You can start with friends, family, acquaintances, and coworkers. If you have a large (or any size) social media following, you can tap into this to help with initial sales. (Remember, close friends and family can’t review your book on Amazon.)

You can meet people anytime. They may or may not be in your target audience. If it comes up naturally that you’re an author, even if they don’t read that genre they might have a friend who does.

But you can’t rely on luck. You have to find your target audience. In person is best, but online interactions help, too.

References

1. http://libraries.pewinternet.org/2012/06/22/part-2-where-people-discover-and-get-their-books/

2. http://www.forbes.com/sites/davidvinjamuri/2013/02/27/the-trouble-with-finding-books-online-and-a-few-solutions/

3. http://www.forbes.com/sites/suwcharmananderson/2013/02/20/half-of-amazon-book-sales-are-planned-purchases/

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Jun 17 2013

There Is no ‘I’ in Author

Author Writer Pic

There is a ‘u,’ but no ‘i,’ in the word ‘author.’ As an author, I write primarily for you, not for myself.

There is an ‘i’ in writer. There are many forms of writing where I can write primarily for myself.

If I wish to write only for myself, I would keep a private journal or diary.

If you wish to have others read your writing, then don’t write just for yourself.

Another way to think of the ‘u’ in ‘author’ is unselfish.

Putting little or no effort into editing and formatting is selfish. Making a concerted effort to improve these benefits your potential audience (some of whom may screen your Look Inside for this).

Not bothering to learn the basic rules of writing and punctuation (or finding an editor who does) is selfish. Learning the rules, and then only breaking them when you have good reason for it, is something your audience desires.

Writing without first researching the expectations of a genre is selfish. Learning these expectations and understanding the reasons for them helps you write a book that fits an audience.

Publishing a book primarily for money is selfish. Writing to share your passion is far more likely to please an audience and help generate valuable word-of-mouth sales.

Blogging mainly to generate direct sales is selfish. Blogging to connect with people who have similar interests and to share your ideas and knowledge is what followers seek.

Little or no marketing is selfish. Marketing helps others find your book so that you can share it.

Lack of effort in a cover is selfish. Striving to put a cover on your book that your target audience will be happy to hold in their hands and which looks suitable for its genre helps the target audience find your book and shows them that you care about quality.

Begging for reviews is selfish. Trying to get reviews by marketing to get more sales and professionally seeking reviews on relevant blogs through advance review copies helps the right audience discover your work.

Responding to customer reviews is selfish. Understanding that the review is about the book and not about you, realizing that no book will please everyone, and refraining from commenting on customer reviews appears professional.

Complaining about bad reviews is selfish. Examining criticism to see if there are any valid points that can help you grow as a writer and discarding what remains may help you improve as an author.

Self-promotion is selfish. Finding your target audience and showing that you care, letting people discover your book rather than advertising it openly, and branding your author image are less selfish and more effective forms of marketing.

Sticking with an idea that pops into your head when you discover that it’s not working is selfish. Realizing that a cover concept didn’t come out right or that a writing idea isn’t working and correcting the problem is what your audience wants.

Publishing to have your ego built up from loads of high praise is selfish. Joining a writer’s group to help improve your writing, learning the trade, and working diligently to perfect your craftsmanship are far more likely to merit such praise.

Selfishness shows.

If you’re driven primarily by money, the book you write is less likely to sell well. If your writing is driven by passion, your book is more likely to sell well. So even if you really crave the royalties, it still makes sense for you to instead by driven by passion.

Even if it sells well initially, apparent selfishness or lack thereof can have a major impact on valuable word-of-mouth sales.

Your book is more likely to be purchased if it is well-written in terms of spelling, grammar, punctuation, use of correct tense, use of consistent person, showing more and telling less, editing, writing style, formatting, and other related issues. If the title, blurb, or Look Inside reveal any writing, editing, or formatting problems, it deters sales because many readers check this carefully before making a purchase.

Emotional and reactive behavior look unprofessional. Patience and professionalism help your author image.

Books that meet the needs of your audience are apt to sell better than those that don’t.

Show that you care:

  • Let your passion for your writing and subject show without self-promoting it.
  • Put the effort into perfecting your book cover to cover to deliver a high-quality book.
  • When marketing, show that you care about the person and not just the royalty.
  • Don’t just advertise you and your book. What can you do that will benefit your audience?
  • Market your book diligently without self-promotion to help it get discovered.
  • Care enough about being a professional author to behave professionally.
  • Learn the value of the words ‘thank you.’
  • Demonstrate by example that you have good character.
  • Don’t just focus on you and your book. Make each reader feel special.

People are more likely to invest in you when you first invest in them.

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Jun 16 2013

Bird Food for Writing Thoughts

Bird Food

We bought two bird feeders, filled them up with bird feed, and hung them from branches.

The birds knew what to do.

It was amazing. It didn’t take long before it looked like a Bird-Mart Supercenter. There were more birds than I could imagine sitting on the rim of the bird feeder. A few more birds would hover around the edge. A couple of birds would fall off and be replaced before they could recover. Another bird sat on the top. Other birds sat on nearby branches or the fence top, waiting their turn.

After a while, birds found spilled bird feed on the ground. Eventually, there were more birds underneath the bird feeder than there were above it. This may not have been the wisest course of action, considering that the birds above were neither potty-trained nor did they wear diapers. But perhaps eating was more important.

Perhaps birds recognize bird feeders. Maybe a small gathering of birds suggests there is food and attracts others. However it worked, news spread quickly.

It seems that some birds also knew how to signal for danger. Every once in a while, all of the birds that were eating would suddenly fly away, except for one bird who came in to eat. Perhaps that was the bird who cried wolf.

A huge block of bird feed quickly disappeared. We enjoyed having the birds visit, but if we feed them every day, we might be spending more money on bird feed that we spend on our own food. So we decided just to attract the birds on the weekend.

So what does this have to do with writing?

Tweet tweet. Chirp chirp. H-o-o-t . . . h-o-o-t.

The sounds. Pleasant sounds from happy birds. Not waking to an annoying beep beep beep. A sweet melody from nature.

And a beautiful sight of birds in the yard. Most of the birds of a single feather, but some other feathers mixed together, too. An occasional red or blue feather among black and brown feathers.

Busy birds. Pecking away. Flying. Walking. Chirping.

Wonderful sights and sounds.

It was bird food for a writer’s thoughts. What a wonderful way to write.

Sometimes noises are distracting. And there is usually noise in this house. A little girl who plays nonstop. A television that is often on. Weedwackers and lawnmowers outside. Noises are common here.

So writing amid pleasant sounds was a refreshing change.

The art of writing isn’t as simple as sitting down and spitting out ideas in the form of words strung together.

Somebody who suddenly decides to try writing first thinks, “Where will I write?” You need a comfortable place to do this. An office. A man-cave. A girl-cave. Some kind of writing retreat.

This chair is too short. That chair is too soft.

This monitor is too small. That monitor is too dim.

Just the right chair, just the right keyboard, just the right mouse, just the right monitor. Even a mousepad on which to rest the wrist.

Spend a few hours writing on someone else’s computer at someone else’s desk. You might wonder how you could possibly write there at all. Or you might go home and wonder how you’ve ever been able to write there.

When there are distractions, silence is golden but seldom heard. When it is silent, some sounds are needed, like birds chirping or music. When the birds are out, it’s such a wonderful day outside, why stay inside and write?

Starting is the hard part. Once we settle in and begin writing, we become less fickle. We really get into the writing. We wake up at one in the morning to write some more. We write when we’re sick. We write in a motel room on a laptop with a slow internet connection. We write on the subway.

We write anywhere we can with whatever distractions there may be.

Our muses would have it no other way.

Then a day comes when you’re back in your comfortable writing spot, the birds are chirping, and you just want to sit in your desk chair and enjoy the pleasant writing conditions, casually writing.

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Jun 15 2013

The Importance of Color in Cover Design

Colors

First of all, some colors complement one another well while some colors clash.

For example, blue and yellow usually provide nice contrast next to one another, but orange and red beside one another are hard to distinguish.

Text absolutely needs to contrast well with anything that is behind it. When text clashes with any part of the background, the result is illegible, especially in the thumbnail. For example, imagine navy blue text on a brown background.

Colors that don’t contrast well can appear beside one another in images, but not when one part of the image needs to stand out against an adjacent part. For example, if a girl is eating a red apple, the apple should clearly stand out, so there shouldn’t be colors that clash with red adjacent to the apple.

Two exceptions are color blends, like a gradient from pink to red, or accents. Blends and accents can have colors that don’t contrast near one another. A fiery picture may include blends of red and orange, for example.

Bear in mind that there are differences in hues, tints, shades, and tones. Not all reds look the same. So while red often contrasts well with black, there are many variations of red and black that don’t contrast well. A dark red doesn’t contrast well with black, for example. Will purple and pink contrast well? It all depends on which purple and which pink you’re talking about.

Color Chart

Another issue is how many colors to use. A good rule of thumb is to use three main colors. If the central image is a photo with several colors, the three-color rule might not seem feasible, but often the photo will have two or three main colors. If there is a main image, the other colors need to coordinate well with this.

Three colors won’t all contrast well with one another. The primary and secondary colors should provide excellent contrast, while the third color should be an accent that complements either the primary or secondary color. Different tints and shades of these three colors can be used when the design requires additional colors.

Black, white, and red can work well with one another. But, again, it all depends on which hues, tints, shades, and tones are used. Many other combinations can work well, if done right, like purple, yellow, and pink. There are several free design programs available online that help you choose sets of colors and see how well they work together.

How much of each color should you use? Another good rule of thumb is 60% for the primary, 30% for the secondary, and 10% for the accent.

It’s not just a matter of finding three colors that work well together.

For one, the use of color helps readers who are browsing through thumbnails find the types of books that they are looking for. Red is more likely to attract romance readers, for example. Pink is common among feminine books. A cover is ineffective when it attracts the wrong audience.

Browse the top-selling books similar to yours to see what color schemes are popular in that genre. This is what those readers are accustomed to seeing. While you’re there, see how many of those books followed these ‘rules.’

Color is not just aesthetic, it’s powerful. Colors evoke emotion.

For example, blue symbolizes trust, so many financial books feature a deep blue, while yellow is associated with happiness or intellect. Use colors that fit the content.

Colors can even have specific effects. When red is used against a background that it contrasts well with, it may help stand out and call attention to the book. Green is a relaxing color. Use blue for knowledge, white for simplicity, purple for luxury, gold for prestige, and navy blue for cheap.

Bright thumbnails tend to stand out better in search results. Yellows and oranges work well as highlighters against dark backgrounds.

Check that your color scheme agrees with the audience that you’re trying to attract. Don’t use pink or yellow for masculinity, for example.

Color Emotions

Note that there is also a difference between the cmyk (cyan, magenta, yellow, black) color subtraction scheme used to print a cover and the rgb (reg, green, blue) color addition scheme used to produce an image on the monitor. If you’re designing a paperback cover, the printed cover will probably look significantly darker than what you see on the monitor, and colors that work well on the screen may not look well in print. Out-of-gamut colors are likely to look much different. Solid regions of one color may not look smooth. The best thing is to print a few tests before putting too much effort and commitment into the cover (keeping in mind that any single printing may suffer from possible variations, as 100 printed covers won’t all look identical).

Publishing Resources

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Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

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Jun 14 2013

The Author’s Mighty Pen: The Power of Writing

Mighty Author Pic

Behold an example of the power of words:

This sentence commands you to read it.

Once you read it, there’s no use denying it. You can’t get any sort of acknowledgment that you didn’t read it.

Words are mighty.

The writer is a creator, of sorts. Creating a brand new world. Perhaps, intending a better world. Or maybe a scarier world. But the author may also create a vision of the real world.

Through words, authors have the power to:

  • evoke strong emotions from readers (crying, laughter, pity).
  • make people read fast (suspenseful page turner).
  • provoke action (letters to Congress, a call to arms, buy a DVD that’s on sale).
  • teach (textbooks, how-to guides, training manuals).
  • report news (headlines, articles, research).
  • create ideals (socialism, non-violence, freedom).
  • entertain (fiction, puzzles, cookbooks).
  • inspire (biography, motivational, children’s social situations).
  • provide leadership (by example, through characters in stories).
  • record history (textbooks, biographies, memoirs).
  • and much, much more can come just by stringing words together in the right fashion.

Just like Peter Parker, writers have a great responsibility with this power. 🙂 (I’ll just let you think about this, and spare you a lecture on it.)

But we know from everyday experience that it’s not just the words that matter:

In person, it’s often not what you say, but how you say it.

Facial expressions, gestures, tone, and context influence interpretation. This is a challenge for the author.

Well, we can add a few features, if we want. But the same effect can often be conveyed just as effectively, if not more so, with ‘naked’ words.

A sentence printed on a sheet of paper can be interpreted many ways. It can be read with different tones, stress can be placed on different syllables, and accents can vary.

When the same sentence is said aloud a certain way, this aids with interpretation.

Authors can leave expressions open to interpretation, or they can use additional words to help elicit a particular emotion, or they can allow context to help. They can tell the reader, or they can use words to show the reader.

They can add utterly useless words. Yet each and every word serves a purpose.

They can create new phrases. Yet even trite expressions can be used effectively.

A painting may be worth a thousand words. But the writer is an artist, too, and can paint a vivid picture just using words.

Words.

You can eat without them. You can sleep without them. You can find shelter without them. You can find comfort without them. You can make friends without them. You can reproduce without them.

If we had to, we could live without words. But could you imagine such a life?

Once you learn to read, words affect you the rest of your life. If you see a sign, you must make a concerted effort not to read it. Words have such power over us. They influence our emotions, our actions.

And we use them. They give us power.

Imagine trying to do everything you’ve done in your life without them.

Go an entire day without words. Don’t say one. Don’t write one. Don’t hear one. Don’t even think one. Good luck with that. 🙂

Words. Some silly. Some simple. Some pulchritudinous. Some serious. Some not. Some visual. Some abstract.

For writing to have influence, it has to be read. So authors use words in their marketing, too. To help others find writing that may interest them.

Love words. Read words. Enjoy words. Write words. Appreciate words. Learn words. Teach words. Respect words.

Words are mightier than the sword.

Words are more powerful than money.

Words can be used to form friendships.

Words can be used to ease tensions.

Words can incite rebellion.

Words can bring peace.

What can’t words do?

If you can experience it, you can express it with words.

Even if it can’t be done in reality, it can be done in words.

We live in a world that revolves around words.

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Jun 13 2013

How to Use the Chapter Names as Even-Page Headers in Microsoft Word

Headers

Most traditionally published books have page headers running along the top of every page (don’t confuse headers with headings; at the beginning of every section is a heading, while at the top of each page is a header).

When the author is famous, the author’s name is likely to appear on the page header. For the rest of us, it’s probably more useful to put other information here.

Many books put the chapter name on the even-numbered pages and the book title on the odd-numbered pages.

Before you get started, save your file (in two or more places, like on your jump drive and email, in case one file becomes corrupt), then save it again with a different filename. This way, you’ll have a backup of the original, just in case. A file can be messy without you realizing it and become corrupt when working with the page headers, so having a backup of the original may turn out to be valuable.

There is a trick to using different header text in each chapter of the book. It’s the same trick that’s needed to use Roman numerals and Arabic page numbers in the same file. You can find a thorough, step-by-step tutorial with screenshots by clicking here.

The main idea is to use a Next Page section break for each section or chapter where you would like the header to be different. Don’t insert an ordinary page break; going to Insert and selecting Page Break or going to Page Layout and choosing Page won’t work.

Instead, go to Page Layout and select Next Page to make the page break in a way that will tell Word that a new section is beginning.

(In Word 2003 and earlier, the menu options are somewhat different, but the main ideas are still the same. I’ll describe how to use Word 2010 for Windows, specifically, which is similar to Word 2007 and onward.)

Remove ordinary page breaks and recreate them using Next Page anywhere a new chapter is starting (or anywhere else you wish to have different header text, including no header at all, such as front and back matter).

Start at the beginning of the document and edit the headers from the first page onward. If you don’t have page headers yet, add them from the Insert menu.

Place your cursor in the header area. Check the box for different first page if you wish to have a different header in the first page of the section. It’s common, for example, for the first page of each chapter and some pages of the front matter to have no header at all.

Check the box for different odd and even pages to allow the header text of odd-numbered and even-numbered pages to be different. It’s common to have the book title on odd-numbered pages and the chapter name on even-numbered pages.

The first section should be fairly easy, especially if you didn’t already have headers in place to begin with.

When you get to the second section, where you want the headers to be different, place your cursor in the header area and look for the ‘magic’ Link to Previous button. When you click this, the Same As Previous flag will disappear. This allows you to create a new header in this section (instead of copying the header from the previous section; more precisely, to avoid having the previous section change as you type the new header).

You needed those Next Page section breaks (instead of ordinary page breaks) to tell Word where each new section begins.

Remember to start at the beginning and work your way forward one section at a time. After you adjust a new section to your satisfaction, go back and ensure that the previous sections are still correct. If not, be thankful for that handy Undo button.

If your file is messy (it won’t look messy to you on the screen if it is), sometimes Word seems to be a little fussy about the page headers. If Word seems uncooperative, try undoing everything you did in the new section. Then remove the section break at the beginning of the new section, and reinsert it. See if that helps.

Sometimes you can play with it and persistence will pay off.

If you have a richly formatted book, or if the file is otherwise messy (again, without your knowledge), occasionally persistence makes the file even messier or it can become corrupt. (If you saved all of the section breaks and headers until your file was otherwise complete and went section by section systematically through the book, it may help to avoid these troubles.)

One solution to a corrupt file is reverting back to the original you saved as a backup prior to adjusting the headers.

A messy file can be cleaned up by stripping out the formatting. For example, copy and paste everything into Notepad and then copy and paste it into a new Word document. This is not a good option for a file that has numerous pictures, equations, bullets, instances of italics, or other formatting. And if the file mostly contained plain text, it was less likely to get so messy in the first place.

Opening the backup and trying the headers again may be worth the hassle (and far less hassle than stripping out the formatting for a richly formatted book), and it may work out better the second time.

In the worst-case scenario that you just can’t get the headers to cooperate, the simple way around this when your ultimate goal is to create a PDF file is to break your Word document up into smaller files (e.g. one file for each chapter, provided that the chapter count is reasonable). Then it will be easy to make different headers for each chapter.

In this case, you’ll have to manually start the page numbering from the previous chapter by inspection. If you make any revisions to your book, you’ll have to update the page numbering.

If you split the Word file into separate files, you’ll need a Word to PDF converter that allows you to compile separate PDF files together. With the number of free PDF converters available online, there is a good chance you can find one that fits your needs that has this option (but beware of possible viruses or spyware anytime you download programs from the internet).

Many books have been prepared in Word as a single file that have different headers for each chapter. Chances are that you’ll be able to do this in Word with your book, too, without having to resort to any drastic measures.

Publishing Resources

I started this blog to provide free help with writing, publishing, and marketing. You can find many free articles on publishing and marketing by clicking one of the following links:

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

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Jun 13 2013

How Would You Improve Amazon?

Imagine you suddenly have the job of Jeff Bezos, CEO of Amazon. Well, even then, you couldn’t do anything you wanted.

So let’s go a step further and grab a magic wand. That’s better. Now you can do anything. Wave your wand a couple of times to test it out.

If you could do it, what would you change at Amazon in order to improve it?

Don’t be selfish here. Don’t just think about bad reviews that you’d like to make vanish or advertisements for your book if you’re an author, or how to make products free for you as a consumer.

I’m not asking how you would make Amazon better for you alone. I’m asking how you would make Amazon better for everyone.

Not just customers. Giving everything away for free would greatly benefit the customers. For a few days, until the company went bankrupt. If you want Amazon to benefit customers in the long run, you must balance what’s best for both the consumers and the business.

Okay. Spend a few moments in fantasy land. Do absolutely anything to Amazon that you want with your magic wand. Then when you return to reality, think about changes that may be beneficial to all.

What would you like to change?

(1) The Amazon Customer Review System

Almost everyone who is familiar with customer reviews on Amazon can write down a few things that they don’t like about them.

Not everyone is in agreement on what should be changed, though. Authors, readers, product owners, editors, publishers. There are some conflicting perspectives here. Even just among customers.

If there is one feature of reviews that we can all agree on, perhaps it’s spitefulness. Some reviews are downright nasty. There are reviews that slander the author, but don’t even mention the book.

You’d think that Amazon would remove such spiteful reviews, right? It even says right there in the terms and conditions that spite is not allowed. But when spiteful reviews are reported – by the author or even a customer – much of the time Amazon simply responds to say that they understand your concern, but this review doesn’t violate the terms and conditions.

Huh?

Evidently, a reviewer must be blatantly spiteful in order to warrant removal of the review.

How is this in Amazon’s best interest? That spitefulness is very negative. Wouldn’t Amazon create a more positive ambiance by removing that spite? By not removing it, they’re actually encouraging such behavior.

Would customers prefer to see the spite remain or be removed? Does such spitefulness help to brand Amazon’s image with a negative shopping environment? How does this help buyers determine which product to buy? How does it help Amazon sell products?

Maybe you can think of some reason to keep it.

I’ll suggest a couple of possibilities. For one, the spiteful reviews are mostly one and two star reviews. If you wave your magic wand and delete all of the spiteful reviews, millions of one and two star reviews will suddenly vanish. Some products, which only have a few reviews, will suddenly seem better liked than they actually are. The customer who loathed a product so much that he was very spiteful when he wrote the review did cast a vote when he gave it one star. Maybe Amazon wants to retain those votes of one or two stars associated with the spiteful reviews (perhaps there is a reason for this).

If Amazon would like to preserve the one star vote, it could be done while still removing the spite. Just edit out (or delete) the spiteful comments instead of the entire review.

Now we run into another possibility. Manpower. Amazon doesn’t have one of those magic wands to wave and quickly zap away all of the spite.

Remember, we’re not thinking of how to improve Amazon just for customers. We want to find changes that will improve Amazon for everyone. That means not going out of business.

How much would it cost Amazon to monitor the customer review system more closely than they already do? That’s what it would take to deal with spitefulness. Let alone other issues with reviews.

With the advent of self-publishing, there are presently hundreds of thousands of authors who feel that they have a bad review that should be removed for one reason or another. Some have multiple books and numerous reviews that they feel strongly about. Add to this number the legitimate reviews that clearly aren’t violations that some authors would also request to be removed.

Amazon already receives a staggering number of requests from authors for reviews to be removed. This occurs with the current policy in place. That is, it’s well-known that Amazon very rarely removes customer reviews, even when they’re fairly spiteful. Yet, they still receive a ton of requests every day.

Imagine how many, many, many, many, let’s add a few more many’s just for effect (but it may be realistic) more requests Amazon would receive if instead it were well-known that Amazon would remove a review if it were just mildly spiteful. Even if the requests didn’t crash the server, the manpower it would take to attend to these requests would be incredible.

Every day, there are numerous posts online on blogs, community forums, and elsewhere describing unfair customer reviews at Amazon. Bear in mind that the majority of authors don’t write posts about bad reviews because doing so would hurt their own author image and would help brand the image of self-publishing as unprofessional.

Have you ever seen an author get in a long debate with a reviewer using the comment system? It’s very unprofessional, but that’s not the point. My point is that, unfortunately, some authors tend to get highly emotional about reviews and find it difficult to stop arguing about them.

So just imagine those authors communicating with Amazon. They request to have a bad review removed. Amazon says no. They respond to Amazon in a long email. This would go back and forth for an eternity, just like they do in the comments, right?

Nope. Amazon learned not to waste resources on possibly endless communications. Amazon tells the author on their second response that they won’t be able to investigate the matter any further. That is, if the author sends a subsequent request, it will be ignored.

Consider that Amazon has this action in place. It suggests that manpower is already an issue. So is it worth the possible investment to deal with spite? Maybe this is one reason that it hasn’t already been done.

Maybe you can think of a way to deal with spite affordably. Perhaps there is a way.

(Amazon already responds to the request to say that they’ve looked at the review, and understand your concerns, but can’t remove the review. How much more work would it be to remove it? A lot. Because word would spread and the requests would pile up immensely.)

What about other changes to the customer review system?

We could eliminate shill reviews and sock puppets. That is, generating fake reviews to make a product seem better than it actually is. Actually, Amazon has already made this change to some extent. Amazon automatically blocks a very large number of reviews and has removed thousands – perhaps millions – of such reviews. This change was affordable, as a computer program could check for correlations between IP addresses and other information in their database between accounts. It may have removed some legitimate reviews, too, but overall the customer experience has been tremendously improved.

But there is still some review abuse, especially negative reviews that arise from jealousy of some sort (rival authors, ex-boyfriends). Can you think of a way to eliminate this?

A common suggestion is to require all reviews to be Amazon Verified Purchases. Why isn’t this done already? There may be reasons for it.

First of all, there are already millions of reviews that are unverified. Would you like to remove all of those? Perhaps those could be left there, and just impose this on new ones. There are still other issues.

Publishers send out a large number of advance review copies. Publishers provide big business for Amazon. It’s probably not good business for Amazon to prevent the recipients of advance review copies from reviewing books on Amazon, as they would all show as unverified purchases.

What about customers who buy the product elsewhere? A bestselling book might sell many more copies in bookstores than on Amazon. Bestselling authors – and Amazon, too – want all of those customers to be eligible to review the books on Amazon.

What about eBooks? Well, customers don’t have to use Kindle to read eBooks, but Amazon still allows them to post reviews. They can be gifted and lent, too.

But maybe there is one aspect of this that most of us would agree on. Amazon has made it clear that customers can review products even if they’ve never seen or used them.

What?

Does this seem crazy to you? Imagine that you invented a machine and one of the first customers left a review saying, “I didn’t buy this, but just looking at it I can tell it wouldn’t work.” Okay, nobody who reads the review is going to take it seriously, but it does affect the average star value.

When a customer clearly states in the review that he or she hasn’t read the book or used the product, maybe those reviews could be removed. Wouldn’t this be a small improvement?

Amazon’s customer review system isn’t perfect, but it is pretty effective at soliciting opinions, and it does provide shoppers with diverse information that they can consider. Most of us may agree that it’s better than no reviews at all.

There may be other ways to improve the system. Remember, cost is a factor. You might want to hire external companies to leave neutral reviews instead of customer reviews, but with tens of millions of products, is that feasible?

I have a few suggestions. I’ve heard a few others express similar ideas. Maybe you have some other ideas that haven’t been addressed.

When you finish reading an eBook on Kindle, why can’t you type your review right then and there? Wouldn’t that be convenient? Why can’t you click on the book on the device and find a quick and easy place to post the review? I have the Kindle in front of me. I’m in the mood to review the book. It’s on my mind. But I must be inconvenienced to login to Amazon, which I would rather do on my pc. How many customers were ready to leave a review, but decided against it out of inconvenience?

I’ve typed reviews and stopped when I saw the preview, thinking I was done. I wonder how many other customers haven’t finished the review process, not realizing that they had to check the preview and approve it? Oops! Or maybe they rated it when they reached the end of a Kindle eBook, thinking that was a review? There may be a little room for improvement here.

How about separating the rating from the reviews? That is, let customers rate the book without reviewing it, like they can do at Goodreads. Some customers can put a number on a book, but feel uncomfortable describing it in words (including reaching the minimum word count).

If you want to drastically increase the frequency of customer reviews, offer a penny for every review. Or make it a nickel, dime, or a percent if you really want to see tons of reviews on Amazon. I bet many authors wouldn’t mind this being subtracted from their royalties to help encourage more reviews. But the discount (off a future purchase, perhaps) might inspire more sales.

(2) Self-Publishing Quality Control

First, let me say that I put this here because it’s a popular issue, not because I personally am in favor of this. I’ll try to show the pros and cons, and you can decide for yourself. Or maybe you will think of better ideas that I’ve left out.

If you could wave a magic wand to remove every book that doesn’t meet a minimum degree of editing, formatting, and writing, would you do it? As long as it’s a magic wand, rather than removing these books, maybe you could just make them magically look more professional.

But we can’t fix them with magic. It would take an insane amount of manpower to format and edit them. It would take an insane amount of manpower just to screen them. So just hiring a very large editing team isn’t feasible.

Amazon could charge a publishing fee to cover the cost. Some people would be in favor of this. But many people would also be against it. Currently, Amazon is free. Amazon has done an amazing thing, opening the doors of publishing to everybody. Amazon has an abundance of support from the self-publishing community for this. These authors – and their family, friends, and acquaintances – don’t just write books, most of them read books, too. Imposing an inhibitive fee may not be good for business in the grand scheme of things.

Even an optional fee has an issue. By being free, Amazon is differentiated from vanity presses.

Free publishing gives Amazon an unbelievable selection.

There are some books with formatting, editing, writing, and even storyline issues. These books are a problem for customers and also adversely affect the image of Kindle, Amazon, and self-publishing.

But how bad is the problem? I don’t mean this as a percentage of books. I mean that most customers check out the description, reviews, and Look Inside and generally are able to avoid such books. Those who don’t are apt to learn to do this through experience. These books tend to have lousy sales ranks. So are they selling enough to be so concerned about? Perhaps a few years ago when Kindle and self-publishing were newer, more customers were coming across such books. Perhaps it was a bigger problem before Amazon’s program started removing and blocking most of the shill reviews and sock puppets. Perhaps it’s not such a problem now. Especially, in terms of cost-benefit analysis. Or maybe you have a better suggestion.

Self-published authors have a strong incentive to improve their books as much as possible, as this will greatly improve their chances of success.

Also, customers can report formatting issues. This helps Amazon catch some of the more serious problems. They actually suspend sales of eBooks until the issues are resolved.

(3) Order of Search Results and Categories

This might be something to consider. Most book categories have thousands of books even in the final subcategory, yet only a dozen books show on the page. If you type a search, you sometimes receive interesting results. Obviously, Amazon wants to order the search results based on what consumers are most likely to buy as well as what is likely to please the customer. But it seems like there could be a better way to sort through tens of millions of products to find what you’re looking for. And there may be ways for people to abuse the system (i.e. to get their products to show higher in the search without merit). Fortunately, Amazon doesn’t publish their algorithm, and may revise it, which makes it harder to abuse.

Amazon is probably considering this on an ongoing basis. Categories have changed over the years, and they have probably revised the program which determines the order of search results. They have also added filters, like “most reviews,” so you can see which books have been reviewed most (whereas searching by the highest customer review would put a book with a single five star review ahead of a book that has hundreds of reviews that are mostly five stars); that’s a small improvement. Can you think of other ways to improve this?

(4) Other Changes

I selected a few popular topics to discuss. Maybe you can think of other areas where Amazon could be improved.

Some of the changes I’ve mentioned I have suggested to Amazon (not all at once). Feel free to send your own suggestions to Amazon. The more times Amazon receives the same suggestion, the more likely they are to realize that there is a demand for it. They claim to welcome feedback, and that customer feedback is invaluable. So apparently this is encouraged.

Chris McMullen, Author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Jun 12 2013

How to Save Memory on Repeated Pictures in a Kindle eBook

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There are a few advantages of minimizing the file size of an eBook:

  • The minimum Kindle price depends on the converted .mobi file size (available on the second page of publishing with Kindle Direct Publishing). The list price can only be 99 cents to $1.98 if the file size is under 3 MB and between $1.99 and $2.98 if the file size is between 3 MB and 10 MB. Authors intending to price their books under $2.99 (for which the royalty will be 35%) need to be aware of these limits.
  • Each eBook publisher has a maximum file size. For example, Amazon’s Kindle is 50 MB, Sony’s Reader is 5 MB. If a file is a little above these limits, reducing the file size allows it to be published as a single volume.
  • The eBook takes up room on the customer’s device. Some customers may be reluctant to buy eBooks with larger file sizes. Large files also take longer to download, especially on older devices. Depending upon the formatting, they might also be more susceptible to file problems.

Books with images tend to have larger file sizes. Compressing the images is the simplest way to reduce file size.

https://chrismcmullen.wordpress.com/2013/04/08/fighting-words-picture-compression/

For Kindle, gray lines tend to show on one or more edges of the pictures when using Microsoft Word unless the file is saved as web page, filtered. After doing this, find the file in the saved folder, right-click the file, choose Send To, and select Compressed (Zipped) Folder. Then find the folder of picture files with the same filename and copy/paste it into the zipped folder. Upload this zipped folder to KDP. This should remove those gray lines.

(When using Word, insert the picture using Insert > Picture and select the file. Then right-click the picture, choose Size, and change Width to 100%. If the picture doesn’t fit on the screen, don’t worry – it will fit on the device, which you can check in the preview. Place each picture on its own line and wrapped In Line With Text.)

If pictures are repeated in a Microsoft Word file, this wastes memory. Suppose, for example, a book features a decorative page border. A one-a-day book (of quotations, for example) might stand out by featuring a visually appealing wide, short border. But even if the picture size is small, with 365 such images, the overall file size may be significant. As another example, consider a book of shuffled flashcards, where there are several copies of each picture.

There is a simple way to avoid adding to the overall file size when pictures are repeated:

  • First, don’t copy/paste the image in Word. Just insert each different picture once. Where you want to insert a copy of a picture, put a short note, like PIC14. Then later on you can use find and replace.
  • Next, open the filtered webpage (described in a previous paragraph) before making the compressed (zipped) folder in Notepad. Don’t edit this file in Word because Word will probably mess up the HTML.
  • Don’t worry, you don’t need to know any HTML or programming.
  • Find the actual pictures in the HTML file. The code will look something like this:

<h1><img border=0 width=1116 height=153 src=”filename_files/image005.jpg”></h1>

  • The actual code may look different. It may have <p> tags instead of <h1> tags and it may have other statements not shown here.
  • If there is a statement like id=”Picture 19″, remove it. This is superfluous. But if you copy/paste the picture code with the id number, then the same id number will be used twice. Avoid this problem by removing it.
  • Copy the code for your picture, from <h1> to </h1> (or <p> to </p>).
  • Use find and replace to change things like PIC14 (which you should have placed on its own line) to the code for the actual picture. You should have something like <h1>PIC14</h1> (or with <p>’s).
  • Repeat this process for any other pictures that are repeated.
  • Preview your eBook carefully before you publish. If you make any mistakes, this is your opportunity to catch them before your customers do. 🙂

Chris McMullen, self-published author of A Detailed Guide to Self-Publishing with Amazon and Other Online Booksellers

Jun 10 2013

Positive Visualization for Authors

Positive Pic

First of all, a positive attitude and outlook can significantly impact the future success of a book.

How so?

The positive author is confident and patient. The worried author is much more apt to impatiently act out of fear, which can quickly brand an author as unprofessional. An author who lacks confidence is also less likely to be motivated to polish the book to perfection and to invest time in marketing.

Positive emotions also affect personal marketing efforts. Confidence or the lack thereof shows. Passion attracts buyers. Concern about an author’s own writing deters sales.

Don’t simply try to trick yourself into being confident. Build confidence.

  • Research books in the genre in order to convince yourself that there is an audience for your idea.
  • Join a writing group if you need to develop confidence in your writing; and realize that criticism will help you improve your writing, which will help you become confident in the long run, if not sooner, provided that you simply approach it with the right mindset.
  • Solicit feedback about your cover, story, blurb, blog, social media, and so on so that you gain confidence in everything you do to succeed as an author.

Positive visualization can also help you perfect your book and succeed in marketing:

  • Visualize the kind of book that will succeed.
  • How do you want to succeed? If sales are important, visualize a book that will attract a large audience. Research top selling books in a genre that fits you well to see what tends to attract a large established audience. If something else is more important, visualize your book toward that end.
  • Work diligently to produce a book that meets these criteria. Visualize the content, storyline, characterization, writing style, writing techniques, grammar, and formatting that will appeal to your audience. Research or seek help in areas where you lack confidence.
  • Be positive that if you patiently work to perfect your book, it will pay off.
  • Receive feedback at various stages of your writing to help with your visualization, confidence, and to help build buzz for the coming book.
  • Visualize packaging that will attract your target audience. The cover, title, blurb, and opening chapter must send a unified message, be free of mistakes, and be attractive to your audience.
  • Solicit feedback on all areas of the packaging, especially from strangers in your target audience who are likely to provide honest comments.
  • Incorporate the feedback into your visualization, and not just that feedback that matches your own preferences. You want to balance establishing your own sense of style while also meeting the needs of your readers. The more important sales are to you, the more important it is to see what’s popular among your readers.
  • Visualize early sales and reviews of your book. Now work diligently to try to achieve this. Pursue premarketing by sending out advance review copies, trying to create buzz, getting your social media and blog together prior to publishing, contacting bloggers and websites related to your target audience about possible reviews on their sites, and beginning your marketing efforts months before your book is released.
  • Visualize good reviews. Think of what features of your book may stand out to readers. Polish your book to help the best features stand out. Imagine possible criticism that your book may receive. Improve your book to help minimize the chances for this.
  • Exercise patience. Sales may be slow at first. Market your book diligently. Don’t give up. It can take months for marketing efforts to really build up. It takes time for people to discover your book, read your book, and spread word about your book. Perfect your book to increase the chances of word-of-mouth sales. Market your book to help people in your target audience discover your book (but not through self-promotion). Work to brand a positive image as an author.
  • Be patient with reviews, too. Reviews can come very slowly. One or more reviews may be negative. It takes time to earn several reviews. Realize that an occasional critical review helps to achieve balance and may actually improve sales. (Nobody wants a bad review, and we get enough without having to try to get them, but occasionally they help, especially if they only come rarely and are offset by several good reviews.) If you get a bad review, don’t act on it. Be patient and see how things evolve. Do read it to see if there is any merit in any ideas that may help you to improve the book. Continue your marketing efforts, as more sales are the best way to earn more reviews. Remember, it can take hundreds of sales per review, depending on the type of book, good luck, and the nature of your marketing.
  • If sales or reviews become a problem at some point, visualize a favorable turnaround. Work on your marketing, reconsider your marketing techniques, strive to reach new readers, consider doing a promotion and marketing it, revise the book or packaging if needed, solicit more feedback, consider hiring editing or cover design help, and visualize improved sales and reviews.
  • Interact with other authors. Find things that other authors are doing well and visualize yourself doing those things well, too. Discover what works for others and see which of those things work for you. Learn new ideas and consider incorporating them into your visualization.
  • Imagine yourself as a potential reader in the target audience. Visualize what promotional efforts or marketing tools might work to catch your interest in the book. Imagine seeing the cover, title, and blurb for the first time. What would hook you as a buyer? How does your author page seem from this point of view?
  • Visualize marketing success. What can you see yourself doing to help stimulate sales? Research marketing techniques. Motivate yourself to learn about marketing and carry out many different ideas. Visualize your book’s success and work toward it.
  • Write your next book. Imagine readers liking one book and hoping to find your other books.

Good luck with your book. Try to stay positive, patient, and confident. You can do it. 🙂

Chris McMullen, coauthor of Negative/Positive Antonym Word Scrambles Book: A fun way to practice turning negative thoughts into positive ones

BookCoverImage Antonym

Jun 9 2013

Need Your Help: How Do You Describe Facial Expressions in Fiction?

So I recently posted about the importance of facial expressions for authors. Today, I received a comment about facial expressions in fiction. It was a good question: How do you do this effectively?

I’m curious about this, too, so I posted this question here. I know there are several great fiction writers out there, so I’m hoping some of you will share your ideas about this.

We can just say that the girl looked happy. But show is often preferred over tell, right? There are also other ways to show that she was happy (e.g. she was jumping up and down, waving her arms wildly, when she saw me get out of the bus), but suppose we wish to describe facial expressions (not necessarily happy ones). Who has some good advice for how to do this?

How about describing faces, period. I’ve read some books where a face was described as “angular,” for example. I didn’t have any idea what that meant, so I really had trouble visualizing the character. If you have suggestions for how to describe a face in clear terms that will aid in visualization, with or without facial expressions, please share your ideas.

Thank you.

The funny thing about this blog is that when I ask for comments, very often there aren’t any, but when I don’t, sometimes there are plenty. Perhaps today will be an exception to the rule. 🙂